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Smita Patil was my first choice, but Rekha was perfect as Umrao Jaan: Muzaffar Ali

Smita Patil was my first choice, but Rekha was perfect as Umrao Jaan: Muzaffar Ali

India Today8 hours ago

It's been 44 years since 'Umrao Jaan' graced the silver screen, yet the film remains as timeless as the life of the courtesan's story it brought to life. Directed by Muzaffar Ali, the film continues to enchant audiences with its storytelling, soulful music, and, of course, Rekha's iconic performance. The character has since become synonymous with her and vice versa.As 'Umrao Jaan' gears up to enthral audiences once again in cinemas this Friday, India Today sat down with the director to talk in-depth about the film and share anecdotes from the filming. During the conversation, Ali revealed that while Rekha eventually immortalised Umrao, she wasn't his first choice.advertisement'Initially, I had thought of Smita Patil. She had worked with me in 'Gaman', and she would have done a good job,' the director recalled, adding, 'But then we felt maybe we needed someone with a bit more oomph and physical presence.'
Ultimately, it was Rekha's haunting gaze and subtle strength that sealed the deal. Ali shared, 'When I read the character and lived it, and also heard the film recorded in Salma Siddiqui's voice over and over again, it was Rekha. She had the power in those eyes to tell the story where you fall and rise in the same moment. What Rekha brought to the table, I don't think anybody else could have done that.'Today, beyond cinema and gossip, even first-week box office collections have become dinner-table conversations. When asked about his relationship with the commercial side of filmmaking, especially since his films leaned more toward poetry and romance, Muzaffar Ali admitted that some attention to viewership is inevitable, but it's not everything.advertisementMuzaffar Ali shared that one does need to attract some eyeballs and footfalls, but the film has to stand on its own passion. "It has to stand on its own beauty. We have these false notions that we have earned so much money in the first or second week, but will that film be alive for the next 44 years? You need passion to do that. You may cast the biggest names to get money, but that hardly pays off," he added with a smile.Known for choosing layered and socially relevant subjects that were considered 'risky' even then, the director further discussed how his filmmaking decisions stemmed more from instinct than strategy. Talking about presenting stories in their raw and real forms, Ali said, 'I was following my heart. I was a painter trying to see life differently, driven by poetry, charged by music, and inspired by dance. It didn't feel risky to me as I had my own vision. It felt it was a very safe domain. The casting was important, and I think Rekha's presence helped in that way. But I believe more than her, people empathised a lot with the character. That paid off."'Umrao Jaan' also stars Naseeruddin Shah and the late Farooq Shaikh. It's restored version will release in theatres on June 27.- EndsYou May Also Like

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‘Umrao Jaan' re-release: A 44-year-old wine coming your way, says Muzaffar Ali
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‘Umrao Jaan' re-release: A 44-year-old wine coming your way, says Muzaffar Ali

Umrao Jaan (1981) is a gift that keeps giving for filmmaker Muzaffar Ali, every day. 'Just this morning, while disembarking from the aircraft, an elderly gentleman said 'Aap Muzaffar Ali hain? Aap please humein aisi (Umrao Jaan) filmein dete rahiye (Please keep making films like Umrao Jaan),' says Ali. Adulation like that makes his June 27, Ali's classic star-crossed tale about a courtesan, featuring Rekha in an all-timer performance, re-releases in cinemas. He has also managed to put together a book on the film that he's forever synonymous an exclusive interview to INDIA TODAY, Ali shares interesting facts about the making of Umrao Jaan, curating a luxury coffee-table book celebrating the film, and the vanishing Awadhi culture.Q. Is the book as much a labour of love as the film was? A. There's no labour without love or love without labour. It was a very intense and challenging thing to do. Things get lost, people don't look after records and the mind doesn't recollect many things. The book puts everything into sharp focus—the whole ethos of the film, the time, the film has so many shades and aspects that we don't realise until one compiles it into a book. We need to look at the film in a very layered way. The book celebrates the film. It goes into the back-story, the different, subtle things which couldn't have come with the first release. It is a 44-year-old wine coming audiences' The photographs show you have maintained a good archive. What else have you preserved?A. I have got 40-50 trunks of clothing of that time, which need a proper museum. There's no space for these things in cities. Maybe, I will set up a museum of film costumes in my village. It can be an interesting experience. I hate throwing away these things. There's a lot of memory to each little Jaan is full of lovely things that people lent me, in terms of shawls, carpets, jewellery and textiles. You have to have a heart to lend it to somebody, so I was fortunate in that way.Q. The re-release strategy has really done wonders for some films. Are you excited to see the film be discovered by a whole new generation?A. I think it's a big, big experiment. I shouldn't be so scared; I am very expectant as to how people will react. It's a film that's survived many generations, and people have held it close to their hearts. It will take its own journey from here on.Q. The legendary Kathak artist Kumudini Lakhia, who choreographed the songs, passed away recently. Tell us a bit about the collaboration. She truly did make those songs more memorable with the abhinaya she made Rekha If it wasn't for her, Rekha wouldn't have had this kind of grace on screen. By the time Kathak entered Bollywood, it got jhatkas, which isn't true to the essence of the classical Kumudini behn did nobody could have done for me. She was really wonderful in the way she choreographed every single word and musical note. She gave the bhaav and movements. It is poetry in motion. In the book, I have given a tribute to Kumudini.Q. Are the locations where you shot Umrao Jaan intact or they have faded with time?A. Let's talk of the positives first. Yes, some places are intact while some have seen the surroundings degrade. Buildings have come up. Some places are just gone. Places outside of Lucknow, which were very photogenic and more spacious and easy to work in, such as Amethi, Kakori and Malihabad, are still holding on to those don't know how to take care of places. Lots of things are lost to neglect. No conservation architects as such are given these assignments. While shooting the film, we spent a lot of time in restoring places, to bring them back to their original condition. For instance, Mughal Saheba's Imambada in Lucknow. It took two to three months to restore it just so that I could shoot for a five-to-six-minute sequence. These kinds of things are no longer You are seen as a custodian and documentarian of Awadhi culture. Is it alive in Lucknow?A. Don't give me so much responsibility because I don't think I am taking it up seriously. People are aware of it and are conscious of monuments, spaces, architectures, way of life, food, and even literature to a is not getting its rightful place. It's a vast world—poetry is just one aspect of it. People have lost control and command of Urdu. It is an exemplary language for India. I don't know of any language that has bloomed so beautifully. It was born out of the need to connect. The ghazal gave it a beautiful dimension to describe the beloved and to talk with so much automotive culture has really changed the city (Lucknow). There should be a more graceful way of commuting. Until the culture of the street is respected, I don't think any city in India will be worth walking around. There are no footpaths Umrao Jaan is also that rare beast where you see leading artistes from different creative disciplines come together. Anjolie Ela Menon designed the poster; Kumudini Lakhia was the choreographer; poet Shahryar was the lyricist; and illustrator Manjula Padmanabhan did the titles. Such cross-collaboration seems to be missing from filmmaking these days.A. What happens in Bollywood is that people don't get artistes. Shahryar pulled his hair; he felt one had to be degraded to stay and work in it (Bollywood). I don't think artistes of that kind of calibre found it easy to be a part of ecosystem. Unless there's an artistic ecosystem, the concept of collective art or integrated art forms cannot is made without inspiration and respect. Cinema has become a business, and I am not a businessman. What I hate about it is that it's a business art when, in fact, it is an art of the to India Today Magazine- Ends

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Umrao Jaan re-release: Rekha kisses AR Rahman and dances with Anil Kapoor at special screening– PICS
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timean hour ago

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Umrao Jaan re-release: Rekha kisses AR Rahman and dances with Anil Kapoor at special screening– PICS

Rekha's timeless classic Umrao Jaan is all set to return to the cinemas in a digitally restored 4K version. Ahead of its re-release, Rekha is hosting a grand screening for the film fraternity, where several celebrities are attending and making the event a memorable affair. Some of the first celebrities to walk on the red carpet were Mira Rajput, Anil Kapoor, AR Rahman, Hema Malini, Aamir Khan, Fatima Sana Shaikh, Vijay Varma, Jitendra, Rakesh Roshan, Talat Aziz, Muzaffar Ali, Ila Arun, Raj Babbar, Mahima Chaudhry, Tanisha Mukerji, Tanuja, Tanvi Azmi, Ketan Mehta, Johny Lever, Jackie Shroff, Khushi Kapoor, Vedang Raina, Sunny Kaushal, and many others. The evening has just started! Several other celebrities are expected to mark their attendance anytime soon. Rekha posed for the camera, waved with Namaste and Salam. The veteran beauty wore a beautiful gold and white outfit resembling her character in Umrao Jaan. She kissed AR Rahman while the music maestro was taking a selfie with her. She also danced with Anil Kapoor during his welcome. Hema Malini posed with Umrao Jaan director Muzaffar Ali, while Aamir Khan flaunted his stylish all-black outfit. Umrao Jaan re-release date and box office clash Preserved by the National Film Development Corporation (NFDC) and the National Film Archive of India (NFAI), Umrao Jaan is all set to hit the big screens tomorrow, on June 27, 2025. The cinematic gem is known for Rekha's iconic performance and a hard-hitting story of a young girl sold to Lucknow Kotha, who ends up becoming a legendary courtesan and a poetess. Directed by Muzaffar Ali, the cult-classic will be available in PVR Inox cinemas across the nation. Though the movie will re-release on limited screens, it has the potential to add more screens as per the audience demand and reception at the box office. The Rekha starrer will clash with Kajol's MAA, Brad Pitt's F1, and Akshay Kumar and Vishnu Manchu starrer Kannappa. It will be interesting to see how the classic performs at the box office. Stay tuned to Pinkvilla for more updates.

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