General Hospital Preview: Carly and Jack Are ‘No Accident,' Headwriters Reveal — and We're Looking at More ‘Lives Threatened'
Nothing is ever quite the way that it seems on General Hospital. Case in point: Carly and Jack's amorous interaction. We imagined that it came about quite naturally, nothing more than an instance of two hot people getting hot for each other. But no, there's more to it than meets the eye — or any other part of the anatomy, for that matter!
'Brennan's presence in Port Charles and his proximity to Carly is no accident,' Elizabeth Korte and Chris Van Etten tell Soap Opera Digest. 'His feelings for Carly are accidental, though — and those feelings will come into direct conflict with his intentions for Josslyn.'
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And what, exactly, might those intentions be? Joss is certainly in the hot seat, what with having killed Cyrus and all. But he had it coming, anyone would agree… wouldn't they? The guy came at her with a freaking axe after murdering her boyfriend (and then some). If ever there was a case to be made for justifiable homicide, this was it!
Yet the scribes warn that 'the Spencer women will find themselves plunged into a world totally alien to them — Brennan's world.' Their involvement with Jack won't just impact them, either. 'A number of Port Charles residents will be pulled into this developing story as loyalties, friendships and families will be called into question, present loves tested, new loves emerge and many lives threatened… Jason['s] among them!'
Stone Cold? Really? He wasn't even there when Josslyn introduced Cyrus to his maker. This might be the one storyline that doesn't hinge on him riding to the rescue. Yet Korte and Van Etten insist that the combo platter of Joss killing Cyrus and Jack lending a hand 'puts our hero's freedom on the line.'
Mm-hmm. We'll believe it when we see it. We all know that the mobsters run Port Charles. In the meantime, enjoy the below photo gallery of — Carly among them.
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Forbes
25 minutes ago
- Forbes
The Guidelines Executives Can Follow When They Make Public Apologies
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The first step the apology process is to write down and organize what you want to say before you say or do anything, and touch base with management, public relations, and legal teams for their advice and perspectives. Make a list of why the apology is needed, and include all pertinent details. That's because when people rush to apologize without taking the time to think things through, 'they could be missing vital information or could even be apologizing for something that they don't need to/didn't actually happen,' Erica Nulik, a marketing consultant and owner of Erica Nulik Marketing and PR, told me via email. Apologies that are seen as stiff, corporate, and not empathetic can backfire and extend or worsen a crisis. 'Audiences can quickly sense when a response feels rehearsed, vague, or insincere. A strong apology must directly acknowledge the issue, take full responsibility, and speak in a tone that feels human and honest. But words alone aren't enough—there must also be a clear call to action. Without a tangible plan for change or prevention, even the most heartfelt apology rings hollow,' Danielle Grossman, a communications expert, told me in an email message. Make it as easy as possible for people to understand and appreciate the apology, Talk to audiences like you are a human being, not a corporate public relations or marketing department, and address people with respect and with the understanding that they have feelings like yourself. Avoid using any buzzwords, jargon, or acronyms that can create barriers between you and the audience. 'Forget the polished language about 'core values' and 'excellence.' If someone is upset or disappointed, they want to hear that you understand what went wrong and that you care, Contrecia T. Tharpe, chief storyteller and strategist at FayeVaughn Creative, a marketing, branding, and communications firm, advised via email to me. Don't hesitate to apologize because of concerns that it will make you or your organization appear to be weak. 'Apologizing is not a weakness,' Georgina Phillips, co-founder of The Tonic Communications, told me via email. 'It's tempting to hold back, especially when emotions are high or legal teams are involved. But defensiveness or silence can be just as damaging. A sincere apology shows people they've been seen, heard, and valued.' The longer you wait to apologize, the worse things can get. Indeed, delays can provide others with a golden opportunity to criticize you for staying silent. 'When the wrongdoing is revealed, correct it and take ownership right away. The longer you let it fester, the more damage the issue can create,' Drew Deeter, Senior Communications Executive at Deeter Communications Consulting, told me in an email interview. 'Your tone also matters a lot. This isn't the time for legal language or branding spin. The goal is to show integrity. Start with what happened, and say it clearly. And, don't skip the part where you admit the harm,' Nikki Jain, a public relations strategist at The Sprout PR, counseled in an email message that she sent to me. 'When it's time to apologize publicly, the first thing that matters is owning what happened. No hedging, no 'we're sorry if anyone was offended' language. Just say what went wrong and who it hurt. Be real and specific about means skipping the corporate phrasing and getting to the point: We got this wrong. I take full responsibility. Anything less, and especially vague like reactive statements, will only make the situation worse. People can tell when you're dodging,' Jain of The Sprout PR, counseled. Don't treat an apology as a distasteful and unwelcome task that could appear than an organization is going through the motions of a PR ritual. 'Audiences can smell a performative apology from a mile away. The only way through a reputational crisis is through radical transparency. 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Take the time now to obtain the approval and support of a board of directors and other members of the management team so that when an apology is required, the organization can speak quickly and with a single and unified voice. And decide ahead of time who will speak on behalf of the company. 'All others should defer to the representative's statement to maintain consistency and avoid confusion or mixed messaging,' Valerie Fields, a professor at the University of North Carolina, Chapel Hill who teaches crisis communication and public relations writing, told me via email. All crisis management plans should have provisions for including when, how, and why apologies would be made. 'Each situation is unique, of course, but it's important to take a step back and, as best as possible, look at the situation when not in an emotional state. This is why having a crisis plan in place is so important… it's hard to navigate these situations in the heat of the moment (versus relying on a plan created when Cortisone levels aren't through the roof),' Catherine Merritt, CEO of Spool Marketing and Communications, recommended via an email to me. It's just as important to practice preparing and delivering apologies for different scenarios. That way they can determine how well companies would do before they need to apologize for real, and to take the time that's needed to help get it right before find themselves in the public spotlight.
Associated Press
31 minutes ago
- Associated Press
All-Berklee Production Powers Emilia Vaughn's 'Limbo,' A Collaboration with Matt Rollings
'Limbo' is a raw, emotional journey through self-doubt and healing, crafted with Berklee talent and brought to life by Grammy-winner Matt Rollings. Listen Now. 'The combination of her hauntingly beautiful and vulnerable vocal performance, killer guitar playing and 'way beyond her years' songwriting made my job incredibly easy.'— Matt Rollings BOSTON, MA, UNITED STATES, June 6, 2025 / / -- Rising alternative pop artist Emilia Vaughn announces the release of her haunting and emotionally rich new single, " Limbo,' available everywhere on June 6, 2025. The Berklee production will be released under Emilia Vaughn Entertainment and Media Group LLC // DNT Entertainment and distributed globally by The Orchard, a subsidiary of Sony Music Entertainment. Produced and arranged by the legendary Matt Rollings, a Grammy-winning producer, artist, and pianist, 'Limbo' is more than just a song; it's a journal entry frozen in melody. With dreamy textures, understated guitar lines, and raw vocal delivery, Vaughn explores the quiet chaos of emotional stasis: the fear of moving forward, the ache of looking back, and the soft hope of finding direction again. Inspired by a season of introspection and creative hesitation, Vaughn penned 'Limbo' during a time when her confidence as an artist was wavering. Serendipitously, during a workshop at Berklee College of Music where Rollings was serving as a visiting artist in residence, he discovered and selected 'Limbo' as a focus track for his production class. This moment of affirmation marked a creative turning point for Vaughn, bringing new life to a song that had almost ironically stayed in limbo. 'While writing this song, I was deeply feeling the uncertainty of being in limbo with my artistry,' Vaughn reflects. 'In a beautiful twist of fate, the incredible artist Matt Rollings selected it for his production class. That experience brought the song to life. It felt like the sign I was waiting for, some steps in my yellow brick road.' Recorded across multiple studios, including The Ark Studio and Shames Studio at Berklee College of Music, and The Woodshop in Trinidad, CA, 'Limbo' boasts contributions from a talented roster of live musicians. Vaughn's acoustic guitar and vocal performance are backed by lush instrumentation: live drums and percussion from Otto Cook Sharp, piano by Michael Donovan, bass from Noam Bushkanitz, electric guitar by Andre Correa, and Rollings himself on glockenspiel and keyboards. The track was mixed by Adam Schwartz and Matt Rollings, and mastered by Jake Arnowitz. 'When I started my Production Workshop at Berklee, I was unprepared to encounter a talent like Emilia. The combination of her hauntingly beautiful and vulnerable vocal performance, killer guitar playing and 'way beyond her years' songwriting made my job incredibly easy. 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Additional Recording by: Jake Arnowitz and Matt Rollings at Shames Studio, Berklee College of Music, Boston, Ma, and The Woodshop, Trinidad, Ca. Mixed by: Adam Schwartz and Matt Rollings Mastered by: Jake Arnowitz Emilia Vaughn: Vocals, Acoustic Guitar Otto Cook Sharp: Drums and Percussion Michael Donovan: Piano Noam Bushkanitz: Bass Andre Correa: Electric Guitar Matt Rollings: Glockenspiel, Additional Keyboards, Additional Background Vocals Album Artwork Designed By: Chlo Subia More About Emilia Vaughn: Emilia Vaughn is an American alternative pop singer-songwriter from San Diego, California. With the support of label partner DNT Entertainment, she has released over a dozen original songs, including her debut EP eighteen, with several singles charting on the All Access 'What's in Store' retail charts and earning industry recognition. Her single 'Skeleton' was nominated for a 2024 HIMA Award, and 'Sunflower' hit Top 40 radio, Sirius XM's Train Tracks, and peaked at #40 on the Mediabase Activator Charts. Her music videos Sunflower, Draw on My Jeans, and French Film earned over a dozen IMDb-qualifying film festival nominations and premiered on major platforms including MTV, AXS TV, and Nick Music. In 2025, Emilia's single 'Rock Music, Girl Secrets' marked a breakout moment, landing on Apple Music's New in Alternative and debuting at #7 on Tidal's Chill Pop playlist. The supporting club remix is playing in clubs worldwide and receiving global DJ tastemaker support from some of the biggest names in music. Following the MTV support and viral success of the 'Rock Music, Girl Secrets' music video, Emilia was awarded a YouTube Creator Award in the Spring of 2025, after surpassing her first 100,000 subscribers on the platform. She is driven to reduce the stigma around mental health by fostering a community of confident, loving, and open-minded individuals. Connect with Emilia Vaughn: Website: Instagram: @emiliavaughn Twitter: Facebook: TikTok: YouTube: ### Dani Thompson DNT Entertainment +1 213-326-4007 email us here Visit us on social media: LinkedIn Instagram YouTube X Other Legal Disclaimer: EIN Presswire provides this news content 'as is' without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the author above.
Elle
an hour ago
- Elle
Dakota Johnson's Naked Outfit Is Available To Buy Now And It May Well Be The Ultimate Revenge Outfit
ELLE UK cover star Dakota Johnson is the epitome of a 'cool girl'. Not in a try hard way, or a fake way, just in the way some women are - effortlessly and insouciantly cool. Maybe it's her fringe (but that's a chicken and egg situation if we ever did see one), maybe it's her dry sense of humour, or maybe it's her Seventies-does-French-girl fashion sense that makes us fall in love with her time and time again, who knows? FIND OUT MORE AT ELLE COLLECTIVE Proving her cool girl status, the Materialists star stepped out yesterday in New York wearing a sheer top and skirt set from 2021 LVMH Prize-winning brand Nensi Dojaka. Featuring a wrap front and a fishtail skirt, Johnson paired the mesh set with a Gucci handbag, and stiletto heels. This outing to film Late Night with Seth Meyers comes days after reports have suggested Johnson's eight year relationship with Coldplay frontman Chris Martin has come to a close. While we're sure Martin has continued his legacy of amicable split-ups (conscious uncoupling, anyone?), this Dojaka set does have a whiff of the 'revenge dress' about it. Forever versatile, Johnson stepped out a few days ago in a similarly foxy, but a little more covered up, bootlegs and bodysuit look. Be it revenge dresses or jeans and a nice top, Johnson is our 2024 it girl muse. ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE. Daisy Murray is the Digital Fashion Editor at ELLE UK, spotlighting emerging designers, sustainable shopping, and celebrity style. Since joining in 2016 as an editorial intern, Daisy has run the gamut of fashion journalism - interviewing Molly Goddard backstage at London Fashion Week, investigating the power of androgynous dressing and celebrating the joys of vintage shopping.
