logo
PHOTOS: The last time Paul McCartney performed in Hamilton

PHOTOS: The last time Paul McCartney performed in Hamilton

It's been nine years to the day since Sir Paul McCartney last graced Hamilton. At the time, it was '
McCartneymania
' for the sold-out show.
Graham Rockingham reported
McCartney performed the concert without a break, featuring a total of 39 songs (less than $10 per song for those who purchased tickets at more than $300 a pop), representing a career spanning more than five decades through the Quarrymen, the Beatles, Wings and McCartney solo projects.
The former Beatle will officially reopen Hamilton's downtown arena on Nov. 21 as part of his Got Back tour.
Here's a look back from The Spectator archives when photojournalist Cathie Coward shot these photos of the One on One tour on July 21, 2016.
Outside the FirstOntario Centre in Hamilton for the Paul McCartney concert July 21, 2016.
Bob (left) and David (right) Vandenberg outside the venue at the Hamilton Paul McCartney concert July 21, 2016.
Sir Paul McCartney performed at FirstOntario Centre July 21, 2016 in Hamilton.
Paul McCartney at FirstOntario Centre July 21, 2016 in Hamilton.
Sir Paul McCartney performs to a capacity crowd at FirstOntario Centre July 21, 2016 in Hamilton.
Paul McCartney performance at FirstOntario Centre July 21, 2016 in Hamilton.
Sir Paul McCartney plays to a capacity crowd at FirstOntario Centre July 21, 2016 in Hamilton.
Sir Paul McCartney plays to a capacity crowd at FirstOntario Centre July 21, 2016 in Hamilton.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘A Chorus Line' turns 50 — and Broadway is desperate for another hit musical like it
‘A Chorus Line' turns 50 — and Broadway is desperate for another hit musical like it

New York Post

timea day ago

  • New York Post

‘A Chorus Line' turns 50 — and Broadway is desperate for another hit musical like it

Watching a new Broadway musical early on, you can always tell when one is going to be really big. The standing ovation is physically involuntary — not out of politeness or a ploy to be first in line to the bathroom. The departing audience's euphoric buzz drowns out the din in Times Square — where the air suddenly smells sweet. And your last thought as you leave the theater is the first word of one of the greatest really big musicals of all time: 'Again.' 5 'A Chorus Line' opened 50 years ago on Broadway. Kevin Mazur That's 'A Chorus Line,' Marvin Hamlisch and Edward Kleban's heart-stopper of a show about the inner lives of dancers that had its first performance on Broadway 50 years ago on Friday. The supremely inventive piece — conceived, directed and choreographed by the genius Michael Bennett — revitalized Broadway and New York City in the 1970s with electricity, humanity and modernity during a fallow period. 'A Chorus Line' became a giant unlikely hit and gave us the songs 'What I Did For Love,' 'The Music and the Mirror' and 'One.' Its unitard-clad actors step, kick, kick, leap, kick, touched at the Shubert Theater for 15 years. From the start, everybody knew it was the 'One.' Post theater critic Martin Gottfried reviewed the experimental musical in its first risky days downtown at the Public Theater, well before the non-profit venue got a reputation as an incubator of Broadway musicals. By curtain, he realized he'd just experienced a singular sensation. 5 Donna McKechnie starred in the original production of 'A Chorus Line' on Broadway. Martha Swope/New York Public Library 5 Innovative 'A Chorus Line' tells the story of struggling Broadway dancers trying to get a gig. New York Post 'As 'A Chorus Line' launched into its finale on opening night at the Newman Theater, the audience rose and cheered,' Gottfried wrote. 'Its applause continued throughout the number. I can't recall that happening ever before.' Goosebumps. And a historic moment worth celebrating. For me, however, the mood of 'A Chorus Line''s half-century fete is bittersweet. Because the last time I walked out of a new Broadway musical feeling the thrill of having just watched a really big hit was a decade ago. Not since exiting the doors of Lin-Manuel Miranda's 'Hamilton,' which will party for its own 10th anniversary on August 6th. 5 'Hamilton,' which opened 10 years ago, was Broadway's last truly major hit. AP There have been wonderful, profitable shows post-'Ham,' of course, such as 'Dear Evan Hansen' and 'Come From Away.' But not the sort of musicals your cousin Ann in Oshkosh texts you nonstop for tickets to. Beg, borrow, steal shows. 'Maybe we could sell our French Bulldog' shows. Those flagships' absence is glaring and alarming. During the 40 years from 'A Chorus Line' to 'Hamilton,' Broadway enjoyed a huge smash that got a ton of national press attention just about every five years, more or less. Some of those titans: 'Annie,' 'Evita,' 'Cats,' 'Les Miserables,' 'The Phantom of the Opera,' 'Rent,' 'The Lion King,' 'The Producers,' 'Wicked' and 'The Book of Mormon.' That all-important well has dried up. I was wrecked by 'The Outsiders' last year, but it's not in the major league. I still find myself explaining to casual theater fans what last season's deserving Best Musical Tony Award winner 'Maybe Happy Ending' is. 5 Smaller 'Maybe Happy Ending' was this year's Best Musical Tony Award winner. Getty Images for Tony Awards Productions Solving the problem of the big-hit rut is tricky. Because, like a person whose life has spiraled out of control after a small mistake, the causes have exploded beyond an easy fix. Broadway's 18-month Covid closure forever changed audience habits. Then, costs rose astronomically and investors grew skittish. Movie studios became too involved, and plopped Saltine songs on Hollywood IP. Original musicals turned tiny and niche. I'm also convinced that the current class of producers has terrible taste and minimal skill. It rots from the head. True, the past season came close to 2019 sales numbers. But that was thanks to lousy plays starring celebrities with disgusting ticket prices, a few new musicals performing admirably and Cole Escola's comedy 'Oh, Mary!'. But A-List interventions and a bunch of quirky musicals flopping after a year will not save Broadway in the long run. It's the only-in-New-York, must-see, can't-get-in musical that is Broadway's lifeblood. The ones that, pardon the cliche, raise all boats. The ones that become tentpoles of American culture. The a-five-six-seven-eights. And, despite the odds, I'm holding out for another. I'll take the optimistic advice of 50-year-old 'A Chorus Line.' Kiss today goodbye, and point me toward tomorrow.

Paul McCartney's 1985 Live Aid performance, his first live show in five years, was nearly derailed by a tech glitch
Paul McCartney's 1985 Live Aid performance, his first live show in five years, was nearly derailed by a tech glitch

CNN

timea day ago

  • CNN

Paul McCartney's 1985 Live Aid performance, his first live show in five years, was nearly derailed by a tech glitch

PROGRAMMING NOTE: Watch CNN Original Series 'Live Aid: When Rock 'n' Roll Took On the World,' celebrating the definitive story of how two rockstars inspired the largest global music events in history. The four-part series continues Sunday, July 27 at 9pm ET/PT. Paul McCartney hadn't taken the stage in over five years when he sat down at his piano to sing 'Let It Be' for Live Aid on July 13, 1985, in a performance that was almost totally derailed by a single tech glitch. There the music legend was – performing live for the first time since his post-Beatles band Wings had broken up, and his lifelong friend and Beatles bandmate John Lennon had been assassinated – to sing 'Let It Be,' one of the last songs the Fab Four ever released… and minutes into the performance, McCartney's microphone died. 'One guy. A mic and a piano (and) a mic for the voice. Really simple. What happened?' Live Aid organizer and musician Bob Geldof recalled thinking at the time in CNN's 'Live Aid: When Rock 'n' Roll Took On the World.' Geldof added that he thought, 'Oh no, it's going to be a disaster.' All of the estimated 1.8 billion viewers tuning into the mega benefit concert couldn't even hear McCartney, let alone the massive crowd that stood before him at London's Wembley Stadium. Then something magical happened: the crowd started to sing along and help pick up the song for McCartney. But it wasn't just the crowd who saw that McCartney needed help, either. 'There were a bunch of people standing around and either Pete (Townshend, of The Who) or David (Bowie) said to me, 'Come on, let's help him.' Literally if you can think of a moment where 'I am not worthy' is beyond true, it's that moment,' Geldof recalled. Townshend, Bowie, Geldof and singer Alison Moyet huddled behind McCartney on stage to help him sing the song's final verses when the microphones started to work again, allowing the impromptu quintet – along with the singing Wembley crowd – to complete the song. Afterward, Townshend and McCartney hoisted Geldof on their shoulders before the Wembley Stadium headliners, including George Michael, Bono, members of The Who, Bowie, McCartney, Queen and many more, all joined together on stage to sing Band Aid's 'Do They Know It's Christmas' to close out the show. The Live Aid benefit was organized by musicians Geldof and Midge Ure to draw attention to a famine in Ethiopia. It spanned multiple locations, drew nearly two billion viewers around the world and raised more than $125 million for relief efforts. While Geldof had already secured a lineup of the most famous and revered rock 'n roll musicians for Live Aid, he said in an interview with Ultimate Classic Rock earlier this month that he felt he needed a Beatle to participate and wrote McCartney a letter at the time outlining his case, asking him to play one song at the end of the show. 'I knew he must get a hundred requests to do things, but I really felt like the program would not be complete without him there. I was not writing to Paul McCartney, the man, I said, but to PAUL MCCARTNEY, the phenomenon,' Geldof explained. 'If he played, millions would watch who would not otherwise watch. That would mean money would come in that would not otherwise come in.' McCartney and his band Wings hadn't performed since 1979's Concerts for the People of Kampuchea, and shortly thereafter disbanded in 1981. McCartney hadn't taken the stage after that but did continue to release new music over the next few years. So when Geldof approached him about Live Aid, McCartney recalled telling him, 'I can't Bob, I haven't got a band together now.' Geldof, according to McCartney, didn't find that to be a problem at all, telling him, 'Well, you just sit at the piano and play your own number.' Ultimately, McCartney agreed. 'I just had to come. Simple as that,' McCartney said, adding that Geldof was also the person who chose the song that McCartney would sing. 'He's running the whole bloody show!' Geldof told Ultimate Classic Rock that 'there is a hierarchy in rock 'n' roll,' with the Beatles being at the top. 'So he goes on, one song, to give us the benediction, to give us the Beatles imprimatur, and of course it's 'Let It Be,' which I had asked him to do.' Live Aid wound up not just being McCartney's return for a one-off performance. He's been touring regularly ever since – even up until today, as McCartney, now 83, is set to continue his Get Back tour in the US this fall. Turns out, the legendary musician isn't quite ready to just let it be.

Paul McCartney's 1985 Live Aid performance, his first live show in five years, was nearly derailed by a tech glitch
Paul McCartney's 1985 Live Aid performance, his first live show in five years, was nearly derailed by a tech glitch

CNN

timea day ago

  • CNN

Paul McCartney's 1985 Live Aid performance, his first live show in five years, was nearly derailed by a tech glitch

People in entertainment Paul McCartney Music BeatlesFacebookTweetLink Follow PROGRAMMING NOTE: Watch CNN Original Series 'Live Aid: When Rock 'n' Roll Took On the World,' celebrating the definitive story of how two rockstars inspired the largest global music events in history. The four-part series continues Sunday, July 27 at 9pm ET/PT. Paul McCartney hadn't taken the stage in over five years when he sat down at his piano to sing 'Let It Be' for Live Aid on July 13, 1985, in a performance that was almost totally derailed by a single tech glitch. There the music legend was – performing live for the first time since his post-Beatles band Wings had broken up, and his lifelong friend and Beatles bandmate John Lennon had been assassinated – to sing 'Let It Be,' one of the last songs the Fab Four ever released… and minutes into the performance, McCartney's microphone died. 'One guy. A mic and a piano (and) a mic for the voice. Really simple. What happened?' Live Aid organizer and musician Bob Geldof recalled thinking at the time in CNN's 'Live Aid: When Rock 'n' Roll Took On the World.' Geldof added that he thought, 'Oh no, it's going to be a disaster.' All of the estimated 1.8 billion viewers tuning into the mega benefit concert couldn't even hear McCartney, let alone the massive crowd that stood before him at London's Wembley Stadium. Then something magical happened: the crowd started to sing along and help pick up the song for McCartney. But it wasn't just the crowd who saw that McCartney needed help, either. 'There were a bunch of people standing around and either Pete (Townshend, of The Who) or David (Bowie) said to me, 'Come on, let's help him.' Literally if you can think of a moment where 'I am not worthy' is beyond true, it's that moment,' Geldof recalled. Townshend, Bowie, Geldof and singer Alison Moyet huddled behind McCartney on stage to help him sing the song's final verses when the microphones started to work again, allowing the impromptu quintet – along with the singing Wembley crowd – to complete the song. Afterward, Townshend and McCartney hoisted Geldof on their shoulders before the Wembley Stadium headliners, including George Michael, Bono, members of The Who, Bowie, McCartney, Queen and many more, all joined together on stage to sing Band Aid's 'Do They Know It's Christmas' to close out the show. The Live Aid benefit was organized by musicians Geldof and Midge Ure to draw attention to a famine in Ethiopia. It spanned multiple locations, drew nearly two billion viewers around the world and raised more than $125 million for relief efforts. While Geldof had already secured a lineup of the most famous and revered rock 'n roll musicians for Live Aid, he said in an interview with Ultimate Classic Rock earlier this month that he felt he needed a Beatle to participate and wrote McCartney a letter at the time outlining his case, asking him to play one song at the end of the show. 'I knew he must get a hundred requests to do things, but I really felt like the program would not be complete without him there. I was not writing to Paul McCartney, the man, I said, but to PAUL MCCARTNEY, the phenomenon,' Geldof explained. 'If he played, millions would watch who would not otherwise watch. That would mean money would come in that would not otherwise come in.' McCartney and his band Wings hadn't performed since 1979's Concerts for the People of Kampuchea, and shortly thereafter disbanded in 1981. McCartney hadn't taken the stage after that but did continue to release new music over the next few years. So when Geldof approached him about Live Aid, McCartney recalled telling him, 'I can't Bob, I haven't got a band together now.' Geldof, according to McCartney, didn't find that to be a problem at all, telling him, 'Well, you just sit at the piano and play your own number.' Ultimately, McCartney agreed. 'I just had to come. Simple as that,' McCartney said, adding that Geldof was also the person who chose the song that McCartney would sing. 'He's running the whole bloody show!' Geldof told Ultimate Classic Rock that 'there is a hierarchy in rock 'n' roll,' with the Beatles being at the top. 'So he goes on, one song, to give us the benediction, to give us the Beatles imprimatur, and of course it's 'Let It Be,' which I had asked him to do.' Live Aid wound up not just being McCartney's return for a one-off performance. He's been touring regularly ever since – even up until today, as McCartney, now 83, is set to continue his Get Back tour in the US this fall. Turns out, the legendary musician isn't quite ready to just let it be.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store