logo
What to Watch: Our Medicine, And Just Like That, Pee-wee As Himself, Bono: Stories Of Surrender and Dept. Q

What to Watch: Our Medicine, And Just Like That, Pee-wee As Himself, Bono: Stories Of Surrender and Dept. Q

West Australian23-05-2025

Leah Purcell narrates this fantastic doco series, which takes viewers behind the frontline of Australia's medical services — but from a very different perspective.
The series focuses on the excellent work being done by First Nations healthcare professionals across Australia, including doctors, nurses and paramedics, as well as practitioners of traditional medicine, all working to improve healthcare outcomes for Aboriginal and Torres Strait Islander people.
The doco crew was granted unique access to various teams, embedded with the Royal Flying Doctors Service (RFDS), Queensland Ambulance Service, Cairns Hospital and Royal Melbourne Hospital — they also spent time with the folks at Jalngangurru Healing in Western Australia.
In episode one, we learn how patients are being treated using traditional practices by local healers in Fitzroy Crossing. Then it's over to a busy ER on the other side of the country to check in with the many and varied cases coming through Cairns Hospital's doors.
As the documentary points out, life expectancy for First Nations peoples in Australia is approximately eight years lower than that of non-Indigenous Australians, and it's great to see trials like the one being done in the Kimberley approaching issues in healthcare through a new lens.
As Purcell says in the first episode, 'From maintaining and reviving cultural practices, to making their mark in our overburdened health services, these are the medical practitioners blazing a trail to better outcomes.'
This is a brilliant insight into the work being done to make healthcare better — hats off to everyone involved.
Matthew Goode stars as DCI Carl Morck, a once-brilliant detective battling some serious inner demons. He's been put in charge of a cold case department, set up as a PR stunt to distract from the failures of the Edinburgh police force he was once an integral part of. Along with his unusual basement-dwelling colleagues, he's reopening a case most would rather be kept forgotten. This is generating lots of early buzz — don't miss it.
Pee-wee Herman was a huge part of our lives in the 80s and 90s — if you know anything about the comedian, real name Paul Reubens, you'll be aware of the reasons why he retreated from the spotlight. This doco, made with Reubens' approval before his death in 2023, attempts to paint a picture of who he was away from his cartoon persona, using interviews with the star and archival footage. But by the end, are we any closer to learning where Reubens ends and Pee-wee begins? Maybe not.
And just like that, we're back again with Carrie and the gang for season three as they navigate this next chapter of their post-menopausal life in New York City. Thankfully, this time the ever-annoying Che Diaz isn't along for the ride. But Aidan is — whether you'll be pleased about this very much depends on where you sit in the Aidan-Carrie debate. Still enjoying this show and won't hear a bad word against it — anything that celebrates
women-of-a-certain-age
living their best lives, I can very much get onboard with.
'These are the tall tales of a short rock star,' says Bono in this doco, which made its debut at this year's Cannes Film Festival. It sees the Irish rocker solo on a stage, riffing about his family, his life and his astonishingly successful career. It's a very different setting to the mega-arenas Bono is used to, and between his anecdotes, the star performs 'unplugged' renditions of some of his biggest songs accompanied by harp and cello. One for fans, of which there are plenty.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Yirra Yaakin Theatre Company presents Wesley Enoch and Deborah Mailman's The 7 Stages Of Grieving in Subiaco
Yirra Yaakin Theatre Company presents Wesley Enoch and Deborah Mailman's The 7 Stages Of Grieving in Subiaco

West Australian

time30 minutes ago

  • West Australian

Yirra Yaakin Theatre Company presents Wesley Enoch and Deborah Mailman's The 7 Stages Of Grieving in Subiaco

Powerful Aboriginal Australia story The 7 Stages Of Grieving has become a theatrical classic over the past 30 years as a way for directors to showcase their skills and shine a light on a talented actor in the sole role of narrator. While the one-woman play written by Wesley Enoch and Deborah Mailman may not have originated with such lofty ambition, it is nonetheless an incredible honour for the close friends who met during their days at Queensland University of Technology. 'We were looking for a project to do together and then my grandmother died,' 56-year-old Enoch says, a proud Quandamooka man from Stradbroke Island (Minjerribah). 'When I was explaining to Deborah the grief ritual that my family undertakes, she said 'That might be what we need to make the show on' and off we went from there.' Presented by Kooemba Jdarra Indigenous Performing Arts, The 7 Stages Of Grieving first premiered in Brisbane in 1995 with Enoch directing Mailman as she stood alone on stage tracing the seven phases of Aboriginal history — Dreaming, Invasion, Genocide, Protection, Assimilation, Self-Determination and Reconciliation. 'We were so caught up in it and didn't even know what it was,' Enoch shares. 'But there's a story I tell about opening night where this elder stood up clapping and then walked down the stairs to the stage, walked onto the stage and grabbed Deborah, hugging her, crying. There was this moment where we went, 'Oh, we've done something more than just make a show here'. 'As a country in 1995, we were on this journey of reconciliation. There was a sense of hope, a sense of what would go forward, but then a very complex sense of 'What do we leave behind? What do we grieve for in our history, that needs to be told?' It's interesting now, after the referendum in particular, we're in this moment of saying 'Actually we're engaged in truth-telling'. We're trying to tell the truth, and the best way to tell the truth is by telling the stories of our families.' Yirra Yaakin Theatre Company is presenting a 30th anniversary season of The 7 Stages Of Grieving with the WA premiere featuring an all-female team of creatives, as director Bobbi Henry works with actors Shontane Farmer and Shahnee Hunter performing as narrator in alternating shows. Enoch will be in Perth for Yirra Yaakin's opening night, the play coinciding with a writers' retreat here for another he is working on, and visiting his long-term and long-distance partner, WA Ballet guest artistic director David McAllister. The playwright defines the production as a collection of stories that has an accumulative emotional impact on an audience. It features a series of 23 vignettes to express the grief, but also the joy, of being Aboriginal in this country. 'Someone told me that what makes it a classic is that it's open to interpretation and open to people finding their own way through it,' he says. 'Deborah and I have always been open to allowing productions to shift the order of scenes and keep it alive for the now, because what was right 30 years ago, may not be right now. 'When I look back over my body of work, I am fascinated by women and fascinated by women's perspectives on stories, even though I'm a man. This notion of how women see the world differently. There's a toughness in women that also goes hand in hand with a vulnerability. Not to say men can't do that, but there's something about watching a woman go through the emotional highs and lows and the anger of it, it says something about our history and the resilience of women.' Enoch's own anger as a young man, resulting in violent and antisocial behaviours as a tween, is what led him to find the therapeutic benefits of the arts, discovering a release through storytelling. 'I found that the art could actually heal me, and by telling my story, I could actually help others,' he adds. Starting out as an actor, he soon discovered he did not respond well to the required repetition, something he takes his hat off to other actors for, especially Mailman who toured in The 7 Stages Of Grieving sporadically for six years. 'I remember her saying at one point, 'I don't know if I can cry anymore' and I said, 'Oh, you're an actor, you'll find a way', but there's something in going over that emotional territory where I'd rather be moving on to the next thing,' Enoch says. 'I love Deborah. We use the word 'love' flippantly, but there is such a deep bond and love for that woman, and I am so happy for all of her success. 'I'm incredibly grateful for 7 Stages. I call it 'the ambassador piece' . . . it gave me every other job for the next 10 years.' The 7 Stages Of Grieving is at Subiaco Arts Centre, July 3 to 12. Tickets at

Wild One: Drifting Clouds - Bawuypawuy
Wild One: Drifting Clouds - Bawuypawuy

ABC News

time17 hours ago

  • ABC News

Wild One: Drifting Clouds - Bawuypawuy

Conceived in the homelands of Bunhungura, ancient landscapes combine with ancestral Songlines for this week's transcendent Wild One from Yolngu artist Drifting Clouds, 'Bawuypawuy'. Drifting Clouds is the solo project of Terry Guyula, who draws upon an eclectic mix of musical genres, ancestral Songlines, Dreamtime stories, indigenous culture and life in community to create an inspired vision of First Nations artistry. Terry explains that his debut single 'Bawuypawuy', sung in his first language; Liyawulma'mirr-Djambarrpuyngu, a language of Yolngu Matha, 'is about the sea becoming rough and tough and also it is on the Songlines we dance and sing". The music video is directed by rage favourite Matt Sav, who skillfully captures the gorgeous natural beauty of Larrakia Country in all its dreamy 16mm glory. "It is a huge privilege to work on a project that is a songline from Terry's country' says Matt. 'I need to thank Zac who asked if I could help out and who collaborated on it from the start, and Terry for trusting me with his song. Also I want to Acknowledge and pay my respect to the Larrakia people whos country we shot the video on. 'This was my first time shooting on 16mm by myself with a super 16 bolex that my star dp Lewis Potts' dad jimmied with a lightswitch so we can power it with a V-Lock [battery]. Ghetto but functional setup'. Matt's ghetto/functional setup also translated into the set design for 'Bawuypawuy', with the whole team coming together to ensure that every piece of equipment was right where it needed to be. He explains 'we needed to prop the speakers up with something, and Zac (producer) said 'what about bricks? I have heaps of bricks at home'. I said 'I don't think we should use bricks, we need to carry them 500m across sand while the tide is moving fast. Have you carried any bricks before Zac?'. The next morning at sunrise, I ask Zac, what did you bring to prop the speakers up. He looks at me with a sheepish grin, ' Well if you look at the bts closely you can see us all happily carrying bricks across a croc infested creek as the tide is rising." "The funniest is about making this video, my director put me in the lake when it's cold season' says Terry. He also adds 'the BTS Crew makes me feel more confident by talking to me what to do and how to look at the camera."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store