
'My little trick makes your living room look 10x more expensive - and it's free'
For anyone who enjoys decorating their home to give it a relaxing feel and entertaining guests, this hack could become your new favourite thing to do. I discovered it myself last night and have been trying it ever since. All it involves is a flat-screen smart TV and access to YouTube, which most smart TV s have.
It instantly makes your room look ten times more expensive, creating the illusion of a large piece of artwork in your living room. Given how costly artwork is, especially if you buy a large canvas, this trick helps enhance your room to give it that 'luxury' feel for free.
It works best if you have a TV hanging on your wall, but I still think it looks great if you have a TV on top of a stand or cabinet. All you need to do is use YouTube's wide variety of arty 'screen savers'. By putting one on your TV, you can turn the screen into an expensive-looking piece of art. There are so many to pick from - from famous paintings by Van Gogh and Monet, to colourful landscapes and close-up flowers.
The "YouTube wall art TV hack" is a technique for turning an ordinary smart TV into a display that looks like framed artwork, typically by using certain YouTube channels and videos. This method replicates the "Art Mode" feature available on certain Samsung Frame TVs, but it doesn't require you to buy that particular model.
Although I've only just discovered the trick, it has been around for a while, and several people have already posted about it across social media. One TikTok user, LaraJoannaJarvis, took to the video-sharing platform to give homeowners a glimpse of what the hack looks like when used in her living room.
She said, "I saw this hack online, and I want to see if it works and if you can use it, too. If you want one of these really aesthetic-looking TVs but you don't have one, this is a free trick to get it on your television. We're going to search here for framed Christmas TV art." Putting one example up on her screen, she added, "How freaking cute is that?"
She continued her demonstration, saying, "Let's choose another one—isn't that just so cute? I love that you can choose loads of different frames and lots of different pictures within the frames as well. I really hope that was helpful. Let me know if you guys try it and maybe share this with someone who might like it, too."
In the comment section, one viewer replied: "THAT'S SO CUTEEE." Lara wrote back: "Thank you! It looks so sweet, doesn't it?" Another said: "Clever! Those ambient jazz YouTube videos with beautiful scenery are my daily go-to. I love the decorative picture, soft music, raindrops, or fire crackle, as I can't have a fireplace myself."
How does the YouTube wall art hack work?
First, you have to search for the art you want on YouTube using keywords like "framed art," "TV art slideshow," or "TV artwork." There are several channels to explore that specialise in providing free digital art for TVs, including those offering rotating art pieces or specific themes like vintage art or landscapes. Some also play music at the same time, which is great for creating a relaxing ambience.
If your smart TV doesn't have YouTube, you can download it from the TV's app store. If you have the YouTube app on your phone, you could always cast it. Alternatively, you can use a streaming device (like a Fire TV Stick).
If you really want to achieve that 'luxury' look, you could even attach a wooden frame around the edge of your TV. This can be done using Velcro, elastic straps, or other methods that allow for easy removal.
To enhance the picture, consider art mode settings. If your TV has an Art Mode feature, explore its options for adjusting display settings, such as brightness, contrast, and sleep settings. Some TVs allow you to display photos or artwork from your own collection via apps like Google Photos. This "hack" allows you to enjoy a visually appealing art display on your TV without the need for a specialised "Frame TV".

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
2 hours ago
- The Guardian
The Hundred is just influencer sport and is the worst cricket thing ever invented
Who's your favourite influencer? For me it's Ashton Hall, an inspiring and cheerful man on YouTube whose fame has been brief, beautiful and as fragile as a butterfly lifespan. But who was for a period earlier this year the greatest influencer on the planet, propelled to that status by a video showing his 'extreme morning routine'. The routine is amazing. It starts at 3.52am. The standard kick-off time for The Grind used to be 5am. Sod that. Ashton Hall gets up at 3.52. Ashton Hall gets up the day before to prepare for his getting up. In the video, fast-cut and excitingly soundtracked, he showcases a rigidly structured roster of wellness acts. He journals. He press-ups. He sprints. He prays. He moisturises with banana peel. Sombrely, tenderly, he dunks his face in iced mineral water. He leaps into a pool and lurks for ages, being well. We don't get to see him vaping and having a shit. But if we did it would be slick, snappy, moving, cinematic and soundtracked by clunk, fizz, snap fzzt, pft, shtm. The effect is visceral. Ashton Hall in his morning routine is like some super substance, like perfect human metal. His body is a clean space, his mind pristine. He looks as though he smells of musk, lemon, honey and breast milk. He looks like the word Readiness and also Love, Hope and Money, packed into a single preternaturally muscular torso, eyes like Roman candles, an avatar of American can-do, a place that is all frontier, where it's always a sunrise, and where Ashton Hall is always out there at 3.52am like a sandpiper running ahead of the surf line. The routine ends with the start of his work day at 9.26am, signalled by an unseen hand presenting him with avocado on toast as he settles gravely at his desk. By this stage Ashton Hall has been up for almost six hours, brooding, banana-peeling, communing with his inner energy. And by now some alarm bells have begun to ring. The thing with Ashton Hall, the great unspoken question is … what does he actually do? What is all this preparation for? There is a vague hint of some kind of business being done. We hear him say: 'We've got to get at least 10,000', but he could be talking about playing Minecraft or making a Lego petrol station. Is anyone else on that phone line? Is it plugged in? Is the receiver actually a frankfurter? The fact is, and we can say this now because it has become a huge self-fulfilling success, the morning routine is the thing. It is the content. Ashton Hall is a man who is always getting ready, whose business is being ready for business, like watching the same glittering marble endlessly shifted about between the cups of a street magician. This is the real brilliance of Ashton Hall. The routine is like a deeply caustic one-man art installation, a real-time satire on the decline of industry, on the fact all life is simply staging and show now, getting ready to be ready, because looking like a human engaged in human activity is the last remaining pillar of reality. Once you've accepted this it becomes deeply addictive. There is another video where you can watch Ashton Hall running for an hour, not actually going anywhere, just running, with a kind of Palladian symmetry to his lines and angles, arms pumping, all balance and perfect levers, a Leonardo set to the music of the spheres, or at least to the music of a high-energy techno montage. And this is fine because we are post activity now, post making or doing. Wealth is just numbers moving around. People are shapes and sounds. The world is a stage-set made of pixels. Ashton Hall knows this. He's up at 4am preparing for it because preparing is content, because we will simply slide down the surface of things, beautifully. OK. Fine. A trick of the light. The thing that isn't really a thing. A sales pitch that is, it turns out, the only product. What, you might ask, does this have to do with the Hundred? Well, there you make an interesting point. Because four years on, at the start of the final season before the new ownership kicks in, we can say this now. What the England and Wales Cricket Board has created is basically Ashton Hall cricket, a stage pretending to be a thing. And as things go, this isn't even a very good one, to the extent that pound for pound, product versus hype, there is a fair argument the Hundred is the worst cricket thing ever invented. I've tried hard with it. I've watched the games and enjoyed the family vibe. There will always be good bits, because cricket is good. I know there are also commentators who like to say that the Hundred is good because it is disruptive and new, it freaks out the squares, and that's all fine. Plus there is of course a more managed gush around the product. Everyone here is hyped up. Everyone is Ashton Halling it. More cynically the Hundred has done a good job of selling itself on the back of manipulative waffle about diversity and openness, notably the lie that this is the only way, the only way you hear, that women's cricket can be properly funded. Kids like it, we are told. Do they? One key thing having kids tells you is that kids really shouldn't be allowed to decide the best thing to do. Kids also like drinking four litres of Dr Pepper for dinner. As for that parroted line that young people only like short things and brain-frazzling clips on social media, this has long since been discredited. Try watching a Marvel film. It's like sitting through six hours of medieval church music. Sign up to The Spin Subscribe to our cricket newsletter for our writers' thoughts on the biggest stories and a review of the week's action after newsletter promotion The reality is simple enough. The Hundred is just a bad product, bad sport, a force-grown entity that struggles to justify its bizarre state of prominence. The gear change from a brilliant Test series is the obvious point of contrast. But you don't need to go that far. The Hundred has terrible staging. The cramming of a complex activity into such a small space means the basic nuts and bolts are weird and fiddly, with no room for narrative or for players to properly excel. The Hundred has generated very few moments. It has developed no male players. It has helped by giving female cricketers more games to play and an income stream, but has the England team got better or worse in its lifespan? Base, low-skill, tediously repetitive acts are met with head-slapping disbelief, booming victory music. This is just colour, noise, content without features. There are 32 Hundred games. Why? Why not screen the same one 32 times and rest the players? More widely, we know the Hundred has been a loss leader. As of this week we also know there is no evidence the Hundred has actually attracted any new people to the sport. Chuck in the confusion of the summer, an age of talented but pathway-less players, the Jacob Bethell effect. Does it really matter? This thing is clearly a stepping stone, a sellable warm-up routine, prep for the actual business of the future. In a final monetising of the family furniture the ECB has managed to sell this empty box for a lot of money. There are two things worth saying about this. For all the backslapping over headline figures, this is basically severance money. It will keep some jobs running. It will also disappear into debt and losses like water down an open drain. Selling off the English summer. Is this really the most logical way of trying to save the English summer? And from this perspective there is also cause to be hopeful now. Change must be good. Basically, bring on the new owners as quickly as possible. I used to think the problem with English cricket was that it was run by marketing people. In fact the problem is being run by really bad marketing people. A common refrain is that the new owners won't have English cricket's interests at heart. Well, who has down the years? How could they be any worse than the previous administrators, a stream of semi-competent business people called things like Lord Cakebread and Sir Gordon Cardboard-Box? Making an English IPL, for example, sounds like an excellent idea. The IPL is for people who actually like cricket. It makes players. It works. At the very least it seems highly likely the new owners will move on from the silliest format and make it into a T20, a big step in the right direction. When that comes, who will remember this interlude, our Ashton Hall phase, noise and energy for the sake of noise and energy? English cricket's admin arm has long since lost faith in making its best parts work and in the intelligence of its own customers. So bring on the future. Put down the hotdog phone. Remove the banana skin. Silence the generically shrieking voices. Can we just get on to the actual thing now?


Scottish Sun
3 hours ago
- Scottish Sun
Clarkson's Farm star Harriet Cowan admits she is ‘not making any money from farming' despite show appearance
Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) CLARKSON'S Farm star Harriet Cowen has opened up on how little the farming industry earns – revealing she makes no money. The 24-year-old made her debut on the latest season of Jeremy Clarkson's beloved Prime Video documentary as a helping hand at Diddly Squat farm. Sign up for the Entertainment newsletter Sign up 5 Harriet has become a loved face on Clarkson's Farm 5 Before appearing on the show, Harriet grew a following on TikTok thanks to her followers Credit: instagram 5 Harriet offered Jeremy advice on farming Credit: YouTube A social media star thanks to her TikToks dancing on her tractor, Harriet's main livelihood comes from farming, having grown up on her granddad's livestock farm. But Harriet revealed that the industry has little financial gain for the family, explaining it's a lifestyle more than a business. Speaking on BBC's Farmwatch, she explained: "We cannot reiterate how important this is for us, that we don't do this because it's going to make us money. Because probably 90% of farms do not make money from the farm, I know I don't." The Great British Bake Off's Mike Wilkins added it was because farmers don't pay themselves, with any money being fed back into the farm. Agreeing, Harriet added: "We just work for free seven days a week, and it becomes such a lonely, lonely place." "Profitability is so under pressure," added Mike. "Most farms aren't making any money, and people really are doing it because it's their lifestyle." Harriet joined the team at Diddly Squat Farm when regular face Kaleb Cooper was on tour promoting his book. Away from the series, Harriet is a full-time nurse as well as helping on her family's farm. A new series of Clarkson's Farm is currently being filmed, and promises to show the most brutal side of the farming world yet with Diddly Squat suffering due to weather and illness outbreaks including an outbreak of Bovine Tuberculosis. Earlier today, Jeremy shared they're preparing for a 'disastrous' harvest as a result of the issues they've faced. Jeremy Clarkson suffers another blow as he reveals beloved dog died as Diddly Squat closed for 2 MONTHS over TB outbreak "It looks like this year's harvest will be catastrophic," he wrote on X. "That should be a worry for anyone who eats food. "If a disaster on this scale had befallen any other industry, there would be a lot of wailing and gnashing of teeth." When one fan told him that this particular 'drama' will make 'good TV' in a future episode of Clarkson's Farm, the former Top Gear star replied: 'Yes. But most farms don't have TV shows to keep them going.' 5 The star says that noone makes money in the industry Credit: Instagram/harrietcowan_x


Scottish Sun
3 hours ago
- Scottish Sun
Two Doors Down stars spotted filming Christmas special
The cast and crew were on set on Avonbrae Crescent in Hamilton BACK ON THE CRESCENT Two Doors Down stars spotted filming Christmas special Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) STARS of the hit BBC comedy Two Doors Down have been spotted on set. Elaine C. Smith, Doon Mackichan, Alex Norton, Arabella Weir and Joy McAvoy, and Grado took part in filming for a Christmas special earlier today. Sign up for the Entertainment newsletter Sign up 6 Filming for this year's Two Doors Down Christmas special is underway Credit: Steve Welsh 6 Actor Graeme 'Grado' Stevely (Alan Edgar) on set with Joy McAvoy, his on-screen sister Michelle Young Credit: Steve Welsh 6 Alex Norton (Eric Baird), Arabella Weir (Beith Baird) and Joy McAvoy on set Credit: Steve Welsh 6 Elaine C. Smith has returned as screen favourite Christine O'Neal Credit: Steve Welsh 6 Doon MacKichan (middle) on set as Cathy Whyte Credit: Steve Welsh 6 Joy and Grado took time out from filming to pose for photos with fans Credit: Steve Welsh The cast and crew were on set on Avonbrae Crescent in Hamilton. Smith arrived for recording in sandals, black trousers, white jumper and dark shades. After a change of clothes and makeup, she looked like a completely different woman with greyer locks as she reprised her beloved character, Christine O'Neal. Grado was seen beaming as he greeted locals and posed for photos with some fans of the award-winning series. Last month, it emerged that the cast would get back together for a Christmas special episode. The announcement came after the show was shelved after the last series following the tragic death of co-creator Simon Carlyle. The residents of Latimer Crescent will congregate at Beth (Arabella Weir) and Eric's (Alex Norton) house to celebrate the big day. And all the neighbours are also back, including Christine (Elaine C Smith), Cathy (Doon Mackichan) and Colin (Jonathan Watson), Alan (Graeme Stevely) and Michelle (Joy McAvoy), plus Beth and Eric's son Ian (Jamie Quinn) and his fiancé Gordon (Kieran Hodgson). Gregor Sharp, who has written the new Christmas special, said: 'It's really exciting to be revisiting Latimer Crescent with all the regular cast for this new episode. "Christmas is a time for getting together with friends and family and then becoming low-level irritated by them, so it feels like they're the perfect group to celebrate the season with.' BBC director of comedy, Jon Petrie, added: 'There's something comforting about having the neighbours round for Christmas, even if they bring minor chaos. Towie's Dani Imbert speaks for first time about snogging two Love Island boys in one night - after BOTH lads are dumped for cheating "Gregor and the gang bring the warm laughs, sly digs and brilliantly petty moments that make Two Doors Down such a cracking comedy. Expect it to sparkle on BBC iPlayer and BBC One faster than Cathy can pop a prosecco.' Josh Cole, head of comedy at BBC Studios Productions and Steven Canny, executive producer, said: 'We're so pleased to be returning to Latimer Crescent and can't wait for the audience to be back in Beth and Eric's for another tortuous Christmas. "Gregor and Simon created a brilliantly funny show that has an outstanding cast of memorable and loveable characters and we're hugely looking forward to seeing them torment each other again.' Louise Thornton, BBC Scotland's head of commissioning, said: 'I'm delighted to be working with our network comedy colleagues to bring Two Doors Down back to our screens for a festive special. "It holds a very special place in the heart of our audiences and we're looking forward to seeing what Christmas treats will be unwrapped with our friends at Latimer Crescent.' Two Doors Down, created by the late Simon Carlyle and Gregor Sharp, started as a one-off special in 2013. Since then, there have been seven series and three previous Christmas specials. The sitcom has seen a steady growth in audiences from 1.3million in 2016 to 2.8m for the last series. Two Doors Down has also scooped several awards, including an RTS Scotland Award for best comedy in 2024 and 2017 and BAFTA Scotland best actress awards for Doon Mackichan in 2024 and for Elaine C. Smith in 2018.