Australian collector buys Princess Diana's ‘caring dress' for $520,000
Renae Plant – who manages an archive of 2700 Diana pieces as well as the virtual Princess Diana Museum – fell to the floor crying after placing the final US$400,000 bid (plus US$120,000 in fees) for the Bellville Sassoon dress designed for then-prince Charles and Diana's 1988 tour of Australia to mark the bicentenary.
The floral day dress was expected to sell for between US$200,000 and US$300,000 according to pre-auction documents. It received its nickname after Diana wore it repeatedly to visit hospitals across the world, including in Nigeria, Brazil and Spain, says designer David Sassoon.
On the website for The Princess Diana Museum, Plant says she met the royal couple as a teenager during their 1983 and 1988 tours, and shook hands with the princess while she was wearing the dress at St Andrew's Cathedral in Sydney.
'When Diana saw me she reached up over the crowd and shook my hand!! As you can imagine, that was a dream come true, and definitely the beginning of a long journey … a lifelong passion for the Princess,' Plant wrote.
'Over the years, people have asked why Diana is so important to me. Here's why: Diana stood for change … She was the first royal to remove her gloves and shake the public's hands. That was huge. She brought much-needed attention and sympathy to the AIDS crisis, helping to diminish the fear and stigma associated with the disease … I can think of no one who has the same positive effect on the world that Diana did during the short time she was alive.'
Plant also operates the Princess and the Platypus Foundation – named after a ceramic platypus she says Diana dropped in 1983, which Plant still has today – a charity that raises money to acquire and maintain pieces for the museum, and donate to charities in Diana's honour.
Earlier in June, the museum's Instagram page posted a fundraising callout to raise money for the dress.
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West Australian
9 hours ago
- West Australian
JENI O'DOWD: Attention-hungry activism only lasts as long as people watch, and it's time to look away
There's activism, and then there's attention-hungry people like Tash Peterson. One fights for change, the other strips down, screams in restaurants and begs strangers for $30,000 to fund a trip to Britain because she's bankrupt. If this is the face of animal rights in Australia, no wonder most people roll their eyes and order another steak. Peterson, 31, has spent years perfecting the art of spectacle. She's stormed restaurants with a speaker blaring the 'screams of terrified animals', smeared herself in fake blood outside luxury stores and hurled abuse at butchers who are simply earning a living. She has even turned up topless in supermarkets, slogans scrawled across her body, ensuring the cameras caught every angle. In another spectacle, she marched semi-nude through public streets holding placards. Each performance was filmed, uploaded and designed for maximum outrage clicks. It's not activism. It's theatre. Then she went one step too far: in 2021, she and her partner Jack Higgs walked into a Perth vet clinic, filmed two cockatiels in a cage and falsely accused respected veterinarian Dr Kay McIntosh of 'eating her own patients'. They uploaded the footage online. McIntosh sued. Last year, the Supreme Court of WA found the accusations defamatory, ordering her to pay $280,000 in damages. Neither Peterson nor Higgs has reportedly paid a cent. Instead, they declared bankruptcy in May and were forced to surrender their passports. And now, rather than take responsibility for the harm they caused, they are asking strangers on GoFundMe to fund a $30,000 bond to unlock their passports so Peterson can keep touring her circus. 'We are bankrupt and need $30,000 to get to the UK for the Vegan Camp Out,' she said in a video on social media. 'The only purpose of our trip is to speak up for non-human animals. Not to run away,' she told Yeah right. Why don't you leave GoFundMe for donations for things that really matter, like paying for a child's funeral or helping a mother fund her cancer treatment? And why has she set up the page anyway, as she earns an eye-watering sum of money from her OnlyFans account, which she created 'because I think women should be able to do whatever the hell they want to with their bodies'. On that point, she is right. But let's not pretend it isn't part of the same ecosystem of self-promotion. Her notoriety as an activist fuels her subscriptions, her subscriptions bankroll more stunts and the cycle of outrage continues. What she presents as radical resistance is, in fact, a business model which only works as long as she stays controversial. Court evidence from the vet case showed she'd banked more than $400,000 by the end of the 2021/22 financial year, mainly from OnlyFans. She also earns money from her social media accounts. speaking engagements and even merchandise — if you want to pay US$40 for a tasteless t-shirt stating 'Eat Pussy, Not Animals.' Still, she won't pay the court-ordered damages to a vet who's actually dedicated their life to saving animals. Not much respect there. I don't have a problem with veganism. Animals should be treated decently and, when the time comes, put down in a way that isn't cruel. But it's a choice. Just as someone can choose to cut out meat, someone else can decide to order a chicken parmi. They don't need a pair of boobs shoved in their face to convince them otherwise. Australia is one of the most carnivorous nations on earth, eating about 103kg of meat per person each year. Chicken alone is served in seven out of 10 households every week. What I've never seen is Tash Peterson sitting down to have an actual, reasoned conversation about why Australians should give up meat. There are no solid facts, no talk about health or economics or sustainability, just shock stunts and tasteless Holocaust comparisons that turn people off. The irony is that other advocates are doing the work properly: doctors pointing out lower rates of heart disease, scientists warning about the cost to the planet and economists adding up the billions in meat subsidies. What Peterson is peddling is moral exhibitionism. And while she parades in fake gore for clicks, Australia continues to grapple with real crises — domestic violence killing one woman a week, child abuse destroying lives before they've even begun and homelessness forcing families to live in cars. Imagine if the same energy poured into topless protests outside David Jones was directed at those causes. In the era of influencers, Tash Peterson is a content machine whose real product is herself, making a nation of meat eaters roll their eyes while they fire up the barbecue. But like any circus act, the show only lasts as long as people keep watching. Let's look away.


Perth Now
10 hours ago
- Perth Now
Vogue Australia runway show to make Perth debut
A touch of Vogue magic will return to Karrinyup next month for a renowned weekend-long spring-summer fashion festival. The festival returns to Karrinyup Shopping Centre in partnership with Vogue Australia for an elevated four-day celebration of new season fashion trends, following its sold-out debut last year. To kick off the event, starting on September 4, customers can secure tickets to experience WA's first Vogue Fashion After Dark runway show, where the most coveted looks of the season will be showcased. It will take over Karrinyup's West Deck and is expected to set the tone for a style-filled weekend wrapping up on September 7. Some of the brands to feature on the runway, curated by Vogue's Australia fashion team, include Scanlan Theodore, Viktoria & Woods, Coach and Morrison. Vogue Australia's fashion director Kaila Matthews said she was thrilled to bring first-to-market looks to Karrinyup, giving guests the chance to experience new trends. 'The Vogue After Dark Runway will be a celebration of fashion in all its forms,' she said. 'We're bringing a breadth of statement styles – from effortless high-summer dressing to bold, head- turning evening wear – giving our guests a first look at what's next. It's an opportunity to experience the energy, creativity and glamour of the season.' The four-day festival will feature WA's first Vogue Fashion After Dark runway show. Credit: Supplied Karrinyup Centre general manager Trudy Cook said the centre was anticipating another record-breaking turnout for what is fast becoming one of WA's premier fashion events. 'Karrinyup continues to set the standard for exclusive and memorable experiences for our customers, unlike anywhere else,' she said. 'Building on last year's success, this will be a celebration of Australian fashion and showcase the true breadth of what our customers can experience in our centre.' People who miss out on tickets to the launch will have the chance to get a taste of the action in the centre's outdoor dining precinct, where the show will be projected live on the shopping centre's facade. Fashionistas can expect exclusive panels, workshops and fashion, beauty and interior styling masterclasses across the festival days. Event highlights also include in-store styling sessions, shop-and-sip experiences, matcha carts, exclusive Vogue merchandise and photo booth pop-ups. Tickets to Karrinyup's Vogue Festival events go on sale from Thursday at

Sydney Morning Herald
13 hours ago
- Sydney Morning Herald
Looking for a new book? Here are 10 new titles to try
This week's books include the fiction debut of the former 'queen of current affairs', some Australian coastal noir, two true wartime tales and shocking tales from Australia's paramedic frontlines. FICTION PICK OF THE WEEK The Far Side of the Moon Jana Wendt Text Publishing, $40 Anyone who had a nerd-crush on Jana Wendt growing up (raises hand) will be eager to read the short stories in her debut fiction collection, The Far Side of the Moon. Wendt was a fixture on Australian television for decades, establishing herself as a star reporter with Channel Nine's 60 Minutes in 1982 and going on to become – as her fictional alter ego is described in the story Fame and Nothingness – the 'queen of current affairs'. That story probes the disconnect between fame and the (often quotidian) private life of someone touched by it, with an appealing blend of wistfulness and playful bemusement. Only two of the tales are related: the final stories deliver drastically divergent perspectives from co-workers at a numismatics shop, in a fable-like illustration of the effects of cynicism and openness. It isn't Rashomon, exactly, but Wendt's keen intellect and imagination make for a strikingly plausible, humane contrast. Readers will take pleasure, too, in the volume's running themes – particularly the puzzles it constructs from the different kinds of truth, and the opposing strategies deployed to uncover them, in journalism and fiction. Billed as 'Great Ocean Road noir', Luke Johnson's King Tide is a foreboding, character-driven crime fiction set in the fictional town of Lagunes Bay on Victoria's Surf Coast. In the wake of a monster storm and king tide, a buried corpse is washed free from its sandy grave. The victim is a young woman, Hayley, who vanished from the town years before; suspicion falls widely in a community that did little to find out what happened to her. Now young adults, Hayley's peers must know something, and the gruesome secret implicates Tate, the town's golden boy who may have been Hayley's final boyfriend, and his 'bad boy' best friend Luther. Meanwhile, Brylie and her Anglican vicar father have returned to Lagunes Bay – the former still resentful and clueless about why they left town in the first place – setting everyone further on edge. King Tide leans into its rugged setting to amplify the sense of danger and deliverson genre tropes. Johnson has written a mystery laden with dark secrets, suspense, and small-town menace, while crafting young adult characters realistic and complex enough for a coming-of-age novel to infiltrate by stealth. Eva Reddy's Trip of a Lifetime Fiona McKenzie Kekic HQ, $32.99 Eva wakes up to the 50th birthday from hell. She receives an anonymous Facebook message informing her that her husband is having an affair. And she loses her job. As if that's not enough, her elderly parents have gone missing in India, Bollywood dancing their way to some obscure fate with only a trail of very weird TikTok videos as clues to their whereabouts. Eva decides to put miles between herself and her faithless husband and embarks on an epic rescue mission. What's disguised as a search for lost parents is, of course, a quest of self-discovery, as Eva steps outside her humdrum existence into a larger-than-life subcontinental adventure. Eva Reddy's Trip of a Lifetime is strongly reminiscent of The Best Exotic Marigold Hotel, though it'll also remind readers of the feelgood classic Shirley Valentine in its main arc – a middle-aged woman liberating herself from the weight of social expectation and reckoning with middle age, love, and second chances in an exotic locale. Luke Harris returns to Melbourne and appears to be an ordinary university student, but his past life won't leave him alone. As a teenager, Luke was an underworld enforcer, and his skills – from street smarts to how to bury a body – remain of value to Gus Alberici, the brutal crime boss he worked for. It was only a matter of time before Gus resurfaced, and when he does, it's to coerce Luke into finding a few things that have vanished – Luke's father, for one, and a large pile of Gus's cash, for another. Pressured to resume his old life, Luke seems to have no choice but to resort to nefarious skills to stay alive, track down his dad, and discover what happened to the missing loot. Stillwater is a gritty Australian crime thriller with plenty of action and suspense. It's artfully paced, written in a muscular style, and the fortunes of its flawed (anti)hero should keep readers on the edge of their seats. Land of Hope Cate Baum Indigo Press, $29.99 Land of Hope folds a dystopian fable into an Emily Bronte-like gothic novel. It's a fascinating idea for a crossover, and the central character, Hope Gleason, seems to emanate from the wild and windswept moors as if she were a ghost already. Rumours and myths about Hope – and her role in her husband's brutality – swirl long before an indescribable sound annihilates a nearby village. A weapon of some kind has been unleashed, and Hope takes an orphaned lad under her wing, as the two survivors embark on a grim quest for a serial killer amid the apocalypse. Like Bronte, Cate Baum uses the brooding, elemental landscape to expressionistic effect, and she channels the spirit of Cormac McCarthy in the mercilessness and extremity of the novel's examination of evil. The orphan is irritating, it must be said, but the passions at play and Baum's morbid imagination should have you hooked regardless, especially if you're a fan of Wuthering Heights, gothic sensibility, serial killer chillers, or all three. Survival in Singapore Tom Trumble Penguin, $36.99 In September 1943, Australian commandos – after having sailed from Australia in a craft disguised as an Asian fishing boat – entered Singapore Harbour and sank a reputed seven Japanese ships. The somewhat surprised Japanese assumed it was a local operation and arrested large numbers of suspects, including detainees in Changi prison. It's the repercussions of the raid that are the main focus of Tom Trumble's evocative study of extraordinary fortitude and inner strength. Elizabeth Choy, for example, who became known as the Heroine of Singapore, endured intense torture and brutal beatings, her ordeal (via a variety of primary sources) presented here in vivid, grim detail. Likewise, British diplomat Robert Heatlie Scott, who drew strength from a volume of the complete work of Keats given to him by an interrogating member of the Japanese military police. Both survived the war. It's not just the characters, though – Trumble is adept at describing the city itself at this time with eerie details like hooded Japanese informants cruising the streets. A comprehensive, dramatic (sometimes novelistic) re-creation of dramatic times. As F. Scott Fitzgerald wrote, 'The very rich are different from you and me'. Indeed! One measure of it can be found in the things they consume – such as the world's most expensive spirit, a US$44 million Limoncello. Coleman has fun delving into the obscenities of the rich and famous throughout history, which he divides into seven parts, one for each of the deadly sins. There's no shortage of rogues for the gallery, be it the aptly named Roman general Marcus Licinius Crassus, whose wealth equated to the yearly incomes of 32,000 citizens – or the almost universally detested Belgian king Leopold II, whose genocidal greed bled the Congo dry. From papal orgies hosted by the Borgias to exorbitant modern weddings, this is a chronicle of fantastical sounding but true excess. And, as much as we might think ordinary punters admire them, Coleman highlights the case of Luigi Mangione, who murdered multi-millionaire Brian Thompson and became something of a cult hero on social media. In the spirit of Boccaccio, funny and sobering. The Last Tour Ann Curthoys MUP, $39.99 When Paul Robeson sang to workers on the construction site of the Sydney Opera House, it became famous as the first concert on the site, but was one of many in the tour of Australia and New Zealand by Robeson and his wife, feminist and activist, Eslanda. This may be an academic study of what proved to be Robeson's last tour, but it's a very engaging one: Robeson is the subject of the book, but it's also a window into post-war, Cold War Australia. In what amounts to a portrait of the tour, Curthoys emphasises its many facets, especially its political side, Robeson being a Marxist who made his support of the USSR well known; a political stance that led to his and his wife's passports being revoked. Apart from the music, the Robesons were deeply interested in Indigenous and women's rights movements in Australia and New Zealand. Along the way, we learn about Robeson's studies and reading, Robeson being the only African American at Rutgers in 1915. First-rate cultural, political and social history. This series of dispatches from the battlefront of ambulance duty comes layered with grim humour, but as former journalist and ambo driver Tim Booth explains, it's a way of coping with the drama and sheer absurdity that can come with the job. Take Darlene and Fluffy. After being called by a neighbour, Tim and a workmate enter the stench of Darlene's flat and find her, barely conscious, cradling the rotting Fluffy. It's clear Darlene's not going anywhere without the pet, and so they wind up taking a dead cat to emergency. Other cases are just plain gripping, such as a car crashing through a clothing shop window, leaving a teenage girl critically injured. But, even here, the absurd is not far away – the site strewn with confusing, life-like mannequins. Other anecdotes include the time a young woman called 000 for a broken toenail. Collectively, they paint a darkly comic picture of a system stretched to its limit (in this case, NSW), that is also dealing with the absurdities of all-too-human foibles. Blamey Brent D. Taylor ABC Books, $36.99 In what became something of a controversial address, General Blamey (commander-in-chief of Australian military forces in WWII) spoke to troops who had just seen action in New Guinea in 1942, the rumour spreading afterwards that he had said they ran like 'rabbits'. It's part of the mythology surrounding the 'flawed' figure of Blamey that Taylor examines in this no-nonsense biographical assessment. He cuts through the innuendo, the quirks and the public image, and Blamey emerges as the country's greatest general. He coolly examines the facts of Blamey's career and concludes that, by any reasonable standard, he was an outstanding leader. Pivotal to this is the death rates of Australian troops in WWII, which were very low. He may or may not have been popular among the troops, but he was efficient and diplomatically successful in dealing with our allies in arguing for control of Australian troops. Taylor takes us back to a tough rural upbringing in NSW, his invaluable time under Monash in WWI (especially the groundbreaking significance of the Battle of Hamel), his civic life and sometimes controversial private life. A bit like Blamey himself, no fuss, and to the point.