Tate McRae at 3Arena review: An impressive performance
Tate McRae
3Arena, Dublin
★★★★☆
The popular phrase 'the girls, gays and theys' may not be one that appears in The Irish Times all that often, but it is essential when writing about the audience at the first of two nights of Tate McRae's
3Arena
shows.
Even if you haven't heard of this Canadian singer-songwriter and dancer, you've definitely heard a few of her hits on
TikTok
. Friday night at Point Village, however, is taken over by fans, the majority of whom have on some form of hockey or American football jersey – a signature style among the fan base.
Inside the venue, an impressive stage has been configured – made up of moving platforms, a T-shaped extension into the standing pit, scaffolding and two huge yellow cranes. While it's just the standard set-up for the singer's Miss Possessive world tour, one can't help but feel it fits right in down at Dublin's docks.
McRae, who made a name for herself through
YouTube
, puts on a pretty impressive show. Supported at most times by a team of dancers, the choreography is so polished that it's satisfying, such as during Revolving Door when McRae sings and dances as the others glide – you guessed it – revolving doors around her, creating an interesting visual effect.
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Make no mistake, she can hold her own, too, such as when she casually skips around the stage alone, dancing as if no one is watching while singing She's All I Wanna Be.
We see an intimate side to this performer as she is lifted up on a smaller platform at the back of the standing area, giving those in the tiers above an incredible view at almost eye level. It feels personable, and nice even, with main lights turning on and fans looking, literally, straight into the singer's face.
During this sequence, McRae swaps her leotards and short-shorts for a long flowy skirt, which she jokes about getting caught in while sitting down to a keyboard. Here she feels her most real, and we are treated to a trip down memory lane. She sings some of her earliest YouTube material, going as far back as One Day, which she wrote when she was 13. It is a real treat for her long-standing fans.
Here she speaks more than at other points in the show – though, with all that's going on, that's not necessarily missed. She's here to put on a show, and she does it really well.
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We're snapped back into star mode – not before a few Olés from the crowd – as the dancers perform an ode of sorts to Chicago's Cell Block Tango. This vibe sums up the show – sexy, fun and powerful.
The final leg of the night consists of the real TikToky songs, Exes and Greedy, and she and the team give us one last perfectly put together routine amid a rainfall of confetti.
The behind-the-scenes work on this show is so impressive that it almost feels wasted in an arena and not a stadium, and McRae definitely has the stage presence, and the moves, to prove herself among the pop girlies.
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