Tom Cibrowski
Broadcast news veteran and award-winning journalist Tom Cibrowski is president and executive editor of CBS News, where he oversees CBS News, including all newsgathering, units, and broadcasts. He reports to Wendy McMahon, president and CEO of CBS News and Television Stations and CBS Media Ventures.
Cibrowski joined CBS News in March 2025. In a career that spans more than 30 years, Cibrowski has honed a deep understanding of the news landscape, ensuring that stories are told with fairness, integrity, and impact. This also marks a return to CBS News for Cibrowski, who was a broadcast producer for CBS News' "The Early Show."
Before joining CBS News, he spent 30 years at ABC News in multiple leadership roles.
Cibrowski served as senior vice president of ABC News Programs, News Gathering, and Special Events, where he was responsible for global newsgathering, breaking news, and content across all ABC News programs and platforms, including "Good Morning America," "World News Tonight," "Nightline" and "20/20."
At ABC, he rose through the "Good Morning America" ranks for over a decade. He served as senior executive producer of the broadcast when it took over the No. 1 morning show position from "Today" after 16 years, then described as a "once in a generation change."
In those leadership positions, Cibrowski oversaw coverage of the 2016 presidential election and election night and worldwide breaking news events, including the Royal weddings, the devastating earthquake in Haiti, and the disappearance of Malaysian Airlines Flight 17. He produced the historic interview with Robin Roberts and Barack Obama on gay marriage and President Donald Trump's first interview as the 2016 Republican presidential nominee.
Earlier in his career, Cibrowski spent a decade covering war zones in Iraq and Kosovo and was on the scene for the downfall of dictators in Haiti and Indonesia. He had multiple tours in Baghdad before and during the Iraq war. He was with Diane Sawyer in Iraq immediately before the U.S.-Iraq war started in 2003 and returned with Robin Roberts to Fallujah six months after combat began. He also traveled to Bahrain and Kuwait with Charlie Gibson to produce a series about the generals leading the war effort.
Cibrowski spent seven years as president and general manager of KGO-TV, the Disney-owned television station in San Francisco. During his tenure there, Cibrowski maintained the station's No. 1 position with viewers and led the team in modernizing and transforming the legacy linear brand to maximize relevancy and connection with multi-platform audiences.
Cibrowski is no stranger to CBS News. He was the broadcast producer for the "The Early Show" with Bryant Gumbel when the program transitioned to a dynamic street-side studio. He was also responsible for the morning program's coverage during the attacks on 9/11.
He has received multiple Emmy and Edward R. Murrow awards for overall excellence for his work. He was also the Daytime Emmy Award winner for four years at "Good Morning America" and won the George Foster Peabody Award for "Robin's Journey," the story of the top morning anchor's recovery from a bone marrow transplant.
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50th anniversary of 'Jaws': How the film impacted public perception of sharks
A theme song consisting of a simple two-note motif has kept swimmers terrified of open water for decades. John Williams' iconic score for the movie "Jaws," which celebrates the 50th anniversary of its release later this month, is instantly recognizable -- the sound of which is enough to prompt people to look around for a monster of the sea to emerge from the surface, even if they are no where near the ocean, shark experts told ABC News. The movie, one of the first feature films directed by Hollywood legend Steven Spielberg and based on the book of the same name by Peter Benchley, shifted the collective consciousness surrounding sharks and the danger they present for the past 50 years, some experts said. Based in a coastal town in New England, residents are terrified after a woman is killed by a great white shark that seems to want to continue raising its number of human kills as it stalks boats and swimmers. "Jaws" is almost synonymous with the American summer -- similar to Fourth of July and apple pie, Chris Lowe, director of the Shark Lab at California State University Long Beach, told ABC News. The film tapped into humans' primal fear and became a social phenomenon in the U.S. and abroad, grossing over $470 million at the box office, adjusted for inflation. Shot at water level, which is where humans see the water, "Jaws" instilled a fear of the unknown -- which is why it is still relevant today, Ross Williams, founder of The Daily Jaws, an online community dedicated to celebrating the movie, told ABC News. "It villainized sharks and people became absolutely terrified of any species that was in the ocean," James Wilkowski, director of the Coastal Oregon Marine Experiment Station at Oregon State University, told ABC News. 'Jaws' transformed sharks into the new marine villain When "Jaws" was released on June 20, 1975, it transformed the apex predator into an underwater villain whose presence made water unsafe, Wilkowski said. Whales were the most feared marine animal in the generations before "Jaws," said Lowe, who grew up in Martha's Vineyard, where the movie was shot. Lowe's grandfather was a commercial fisherman, and his grandfather's uncles were commercial whalers, who passed down the terror of whales to the subsequent generations, Lowe said. The fear was based on stories of sailors coming back from whaling expeditions where friends and family had died, Lowe added. "Moby Dick," the 1851 novel by Herman Melville about a whaling ship captain named Ahab and his quest to get revenged on the giant white sperm whale that bit off his leg, likely contributed to the trepidation as well, Lowe said. But the anti-shark propaganda had been brewing long before the movie was released, Williams said. Horror stories published during World War II and films that preceded "Jaws" did not paint sharks in a nice light, Williams said. Chapple, who started his career in Cape Cod, knew people who saw the movie as a kid and still refused to enter ocean waters as an adult. "It was really in the psyche of the community," he said. Misconceptions about sharks due to 'Jaws' Like many fictional films, there were several exaggerations or dramatizations about sharks included in "Jaws" for cinematic effect. The most glaring inaccuracy is that sharks want to attack or eat people, the experts said. The notion that sharks are some "mindless killer" that are going to kill anyone who is swimming in the water or on a boat is inaccurate to the nature of the predator, Taylor Chapel, co-lead of Oregon State University's Big Fish Lab, told ABC News. "We're not on a shark's menu," Wilkowski said. "They don't want to eat us, and if they did, we'd be easy pickings. It'd be a buffet." Shark research began in the 1970s, so at the time, scientists -- and especially the public -- didn't know a lot about them, Chapple said. There are also anatomical inaccuracies in the shark animatronic itself -- including bigger teeth, larger "dark, black" eyes and an unrealistic 25-foot body, Wilkowski said. Technology at the time made it difficult for the filmmakers to get actual footage of the sharks, so there are barely any glimpses of real sharks in the movie and filmmakers largely relied on the animatronic as well, Lowe said. "When the movie came out, it was probably the most deceptively but brilliantly marketed movie ever," Williams said. The biggest misconception that still reverberates among public fear is that a shark sighting is a "bad thing." But the presence of sharks is actually a sign of a healthy ecosystem, Wilkowski said. "To see sharks in an environment is a good thing," he said. "...we just have to learn how to coexist with them." After the movie was released and permeated society's awareness of the dangers that lurk beneath the surface of the water, there was a direct correlation of shark population declines due to trophy hunting, Wilkowski said. "Because people's perceptions of sharks were negative, it made it easier for them to allow and justify overfishing of sharks, regardless of the species," Lowe said. Both Spielberg and Benchley have expressed regret in the past over how "Jaws" impacted the public perception of sharks. But Chapple has noticed a shift in the past two decades, where sharks have transformed from a "terrifying" creature to one people are fascinated by, instead, he said. "The fascination has outlasted and outpaced the fear," Williams said. Humans are actually a much bigger threat to sharks, killing up to 100 million sharks per year as a result of overfishing, according to the Shark Research Institute. Climate change and shifting food sources are also causing species-wide population declines, the experts said. Sharks are crucial for a healthy ocean ecosystem. The apex predators maintain balance in the food web and control prey populations. "If we lost sharks, our marine ecosystem would collapse," Wilkowski said.
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Russia pummels Kharkiv with drones and bombs, Ukraine says
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