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Sebastiao Salgado, photojournalism elevated to art

Sebastiao Salgado, photojournalism elevated to art

Observer3 days ago

Brazilian photojournalist Sebastiao Salgado, who died Friday, spent five decades chronicling the best and worst of planet Earth, from far-flung natural wonders to horrifying human catastrophes.
The self-taught photographer crisscrossed the globe throughout his life, from Rwanda to Guatemala, from Indonesia to Bangladesh, documenting famine, war, exodus, exploitation and other tragedies of the so-called Third World with the empathy of "someone who comes from the same part of the world," as he said.
His elegant black-and-white universe also celebrated the planet's immense beauty, such as the "flying rivers" of the Amazon rainforest, and served as a warning of nature's fragility in the face of climate change.
Sebastiao Salgado, photojournalism elevated to art
Sebastiao Salgado, photojournalism elevated to art
He leaves an iconic body of work, published in "Life," "Time" and other leading magazines, collected in a stunning series of books, and regularly exhibited in the museums of world capitals such as Paris, where he lived for much of his life.
Salgado won a long list of prestigious prizes across his career, including the Prince of Asturias and Hasselblad awards, and was the protagonist of filmmaker Wim Wenders' Oscar-nominated documentary "The Salt of the Earth" (2014), about the photographer's sojourns in distant corners such as the Arctic Circle and Papua New Guinea.
Sebastiao Salgado, photojournalism elevated to art
Sebastiao Salgado, photojournalism elevated to art
- From Africa to Reagan -
Born on February 8, 1944 in the rural county of Aimores in southeastern Brazil, Salgado grew up with seven sisters on their father's cattle farm.
He recalled it as a place where visiting friends and family meant traveling for days, which he said taught him the patience to wait for the magical "fraction of a second" of the perfect photograph.
He earned a master's degree in economics from the University of Sao Paulo, where he was active in the left-wing student movements of the turbulent 1960s. In 1969, he and his wife, Lelia Wanick, fled to France to escape Brazil's military dictatorship. He went on to receive French citizenship.
He picked up Wanick's camera by chance one day in 1970 and was instantly hooked.
"I realized snapshots brought me more pleasure than economic reports," he said.
His job with the International Coffee Organization took him frequently to Africa, where he started taking pictures on the side. He would go on to turn down a dream job at the World Bank in Washington to pursue photography full-time.
Wanick, who staunchly backed his career, stayed home raising their two sons, Juliano Ribeiro and Rodrigo, who was born with Down syndrome.
Sebastiao Salgado, photojournalism elevated to art
Sebastiao Salgado, photojournalism elevated to art
Salgado's photos of drought and famine in countries such as Niger and Ethiopia landed him a job at renowned photo agency Magnum in 1979.
He was working there when he captured one of the biggest news stories of the time, the assassination attempt on US president Ronald Reagan in 1981.
Salgado made front pages worldwide with his photos of the shooting -- 76 frames in 60 seconds.
But his true rise to fame came with his first book, "Other Americas" (1984) -- a series of portraits taken throughout Latin America -- and his unforgettable photographs of misery and resistance among the hordes of mud-covered miners at Brazil's infamous Serra Pelada, the biggest open-air gold mine in the world.
Critics accused him of "beautifying suffering," but Salgado never veered from his aesthetic or his work.
Sebastiao Salgado, photojournalism elevated to art
Sebastiao Salgado, photojournalism elevated to art
- Lens on Bolsonaro -
Painstaking and meticulous, he liked to take his time getting to know his subjects, his three Leica cameras hanging from his neck.
Photography "is a way of life," he told AFP in 2022, on a trip to Sao Paulo to present his exhibition "Amazonia," the product of seven years shooting the world's biggest rainforest.
"It's connected with my ideology... my human and political activity. It all goes together."
A dedicated climate activist, he was a fierce critic of Brazilian President Jair Bolsonaro (2019-2022) for the far-right leader's push to open the Amazon to agribusiness and mining.
Salgado also founded an environmental organization called Instituto Terra to revive disappearing forests in his home state, Minas Gerais, a successful project joined by more than 3,000 landowners. —AFP

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Sebastiao Salgado, photojournalism elevated to art
Sebastiao Salgado, photojournalism elevated to art

Observer

time3 days ago

  • Observer

Sebastiao Salgado, photojournalism elevated to art

Brazilian photojournalist Sebastiao Salgado, who died Friday, spent five decades chronicling the best and worst of planet Earth, from far-flung natural wonders to horrifying human catastrophes. The self-taught photographer crisscrossed the globe throughout his life, from Rwanda to Guatemala, from Indonesia to Bangladesh, documenting famine, war, exodus, exploitation and other tragedies of the so-called Third World with the empathy of "someone who comes from the same part of the world," as he said. His elegant black-and-white universe also celebrated the planet's immense beauty, such as the "flying rivers" of the Amazon rainforest, and served as a warning of nature's fragility in the face of climate change. Sebastiao Salgado, photojournalism elevated to art Sebastiao Salgado, photojournalism elevated to art He leaves an iconic body of work, published in "Life," "Time" and other leading magazines, collected in a stunning series of books, and regularly exhibited in the museums of world capitals such as Paris, where he lived for much of his life. Salgado won a long list of prestigious prizes across his career, including the Prince of Asturias and Hasselblad awards, and was the protagonist of filmmaker Wim Wenders' Oscar-nominated documentary "The Salt of the Earth" (2014), about the photographer's sojourns in distant corners such as the Arctic Circle and Papua New Guinea. Sebastiao Salgado, photojournalism elevated to art Sebastiao Salgado, photojournalism elevated to art - From Africa to Reagan - Born on February 8, 1944 in the rural county of Aimores in southeastern Brazil, Salgado grew up with seven sisters on their father's cattle farm. He recalled it as a place where visiting friends and family meant traveling for days, which he said taught him the patience to wait for the magical "fraction of a second" of the perfect photograph. He earned a master's degree in economics from the University of Sao Paulo, where he was active in the left-wing student movements of the turbulent 1960s. In 1969, he and his wife, Lelia Wanick, fled to France to escape Brazil's military dictatorship. He went on to receive French citizenship. He picked up Wanick's camera by chance one day in 1970 and was instantly hooked. "I realized snapshots brought me more pleasure than economic reports," he said. His job with the International Coffee Organization took him frequently to Africa, where he started taking pictures on the side. He would go on to turn down a dream job at the World Bank in Washington to pursue photography full-time. Wanick, who staunchly backed his career, stayed home raising their two sons, Juliano Ribeiro and Rodrigo, who was born with Down syndrome. Sebastiao Salgado, photojournalism elevated to art Sebastiao Salgado, photojournalism elevated to art Salgado's photos of drought and famine in countries such as Niger and Ethiopia landed him a job at renowned photo agency Magnum in 1979. He was working there when he captured one of the biggest news stories of the time, the assassination attempt on US president Ronald Reagan in 1981. Salgado made front pages worldwide with his photos of the shooting -- 76 frames in 60 seconds. But his true rise to fame came with his first book, "Other Americas" (1984) -- a series of portraits taken throughout Latin America -- and his unforgettable photographs of misery and resistance among the hordes of mud-covered miners at Brazil's infamous Serra Pelada, the biggest open-air gold mine in the world. Critics accused him of "beautifying suffering," but Salgado never veered from his aesthetic or his work. Sebastiao Salgado, photojournalism elevated to art Sebastiao Salgado, photojournalism elevated to art - Lens on Bolsonaro - Painstaking and meticulous, he liked to take his time getting to know his subjects, his three Leica cameras hanging from his neck. Photography "is a way of life," he told AFP in 2022, on a trip to Sao Paulo to present his exhibition "Amazonia," the product of seven years shooting the world's biggest rainforest. "It's connected with my ideology... my human and political activity. It all goes together." A dedicated climate activist, he was a fierce critic of Brazilian President Jair Bolsonaro (2019-2022) for the far-right leader's push to open the Amazon to agribusiness and mining. Salgado also founded an environmental organization called Instituto Terra to revive disappearing forests in his home state, Minas Gerais, a successful project joined by more than 3,000 landowners. —AFP

Norway film starring Elle Fanning gets 19-minute Cannes ovation
Norway film starring Elle Fanning gets 19-minute Cannes ovation

Observer

time24-05-2025

  • Observer

Norway film starring Elle Fanning gets 19-minute Cannes ovation

Director Joachim Trier found himself crying behind the camera as he shot "Sentimental Value", his moving new tale about a quietly fractured family that got an extraordinary 19-minute standing ovation Thursday at the end of its premiere at the Cannes film festival. "It sounds cheesy," he said, "but I wept a lot making this film because I was so moved by the actors" playing members of an arty family in Oslo who cannot talk to each other despite all their supposed sophistication. "The actors are my friends. I know that they were being halfway a character and halfway themselves. And that they were also dealing with stuff," said the maker of "The Worst Person in the World", which landed the Norwegian two Oscar nominations and won newcomer Renate Reinsve the best actress award at Cannes in 2021. Many critics that year said it also should have won the Palme d'Or top prize. "We were a family too," said Trier, rehearsing his script around the kitchen table of the beautiful old wooden home in Oslo where the film was shot, itself a character in the film. The heads that keep butting in Trier's on-screen family are the absent father, an arthouse filmmaker who has long been put out to grass, played by Swedish legend Stellan Skarsgard, and his stage actress daughter (Reinsve). "I think a lot of families carry woundedness and grief," Trier said. "And talk often doesn't help. It gets argumentative. We get stuck in our positions, the roles we give each other unconsciously." - Elle Fanning a 'mensch' - The bad old dynamics are changed by the arrival of a Hollywood star -- Elle Fanning playing someone only millimetres from her real self -- a fan of the father, who comes bearing lots of Netflix dollars to revive one of his long-stalled scripts. "We don't get too many Hollywood stars wanting to be in small Norwegian-language films," Trier joked. But just like her character in the film, Fanning got the part through complete fandom, flying to Oslo between shooting the Bob Dylan biopic, "A Complete Unknown", and the new "Predator" in New Zealand. "I am a massive fan" of Trier, she told AFP in Cannes, where the film is in the running for the Palme d'Or. "I think 'The Worst Person in the World' is easily one of the best films in the last decade or even longer. It is just perfect." "When Joachim sent me the script I read it and I was just crying and crying by the final page. It is so emotional," Fanning added. "It's a very personal piece for Joachim and you can just feel that rawness in it." Trier -- who comes from a family steeped in the Scandinavian film industry -- admitted it is all very "meta. You're making a film about a family with your filmmaking family. And you've got a meta Hollywood star." But they are not that many parallels with his biological family. "It's not like I'm throwing anyone under the bus. My whole family has actually seen the film and are very supportive," he said. The filmmaker father, he insisted, is a mash-up of great auteurs such as Ingmar Bergman, Krzysztof Kieslowski and John Cassavetes. Trier, 51, is famous for the bond he builds with his actors and he praised Fanning as the latest member of the family. "She is a real mensch -- a really kind and collaborative, cool person," he said. - Trier 'magic' - The "magic" that Fanning said Trier creates on set comes from taking your time, he told AFP, taking on the big themes with a light, humorous touch. "Anyone who's had experience of therapy -- and I have -- will know that it's about the silences and letting things arrive. Very often is also the case with actors," said Trier. "We had quite a few moments like that in the film actually. Renate would look at me and I look at her and I say, 'What was that? That was interesting.' And we don't talk about it anymore. "But when people see it in editing, they go, 'Wow!' That was also the reaction of most critics at Cannes, with The Hollywood Reporter calling it "exquisite" and Vanity Fair saying it was "gorgeous and gripping"." Deadline's Ellise Shafer said "Sentimental Value" "sneaks up on you... and has one of more satisfying endings I have seen in some time, perfectly pitched and worth the wait for its human truth." —AFP

Denzel Washington receives surprise honorary Palme d'Or at Cannes
Denzel Washington receives surprise honorary Palme d'Or at Cannes

Muscat Daily

time20-05-2025

  • Muscat Daily

Denzel Washington receives surprise honorary Palme d'Or at Cannes

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