‘Talamasca: The Secret Order' Lures You Deeper Into the World of ‘Interview With the Vampire'
The trailer heavily features a very blonde Elizabeth McGovern doing her best to recruit Nicholas Denton's character (who has a special gift, we're told) into the group.
You also get a glimpse of guest star Jason Schwartzman having what appears to be an absolute blast playing a vampire—as well as Eric Bogosian, reprising his fan-favorite journalist character Daniel Molloy from Interview With the Vampire.
The rest of the cast includes William Fichtner, Maisie Richardson-Sellers, and Celine Buckens; the co-showrunners are John Lee Hancock (The Blind Side) and Mark Lafferty (Halt and Catch Fire).
Talamasca: The Secret Order hits AMC October 26.
Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
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Geek Girl Authority
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NAUTILUS 'Cold War' Sneak Peek Defies Pitt's Meet-Cute Plans
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Associated Press
2 days ago
- Associated Press
'Downton Abbey' star Elizabeth McGovern brings Ava Gardner's tumultuous life to the stage
NEW YORK (AP) — For all of Elizabeth McGovern's acting career, someone else wrote her lines. Now it's her turn. The 'Downton Abbey' star pivots from British aristocracy to classic Hollywood royalty this summer to portray screen legend Ava Gardner in a play she wrote. 'It's an incredible feeling to see other people embrace these things that were in your head,' she says. 'My feet haven't touched the ground since we started working on this in New York. I am just loving it so much.' 'Ava: The Secret Conversations' examines the sometimes-prickly, sometimes seductive relationship between Gardner and Peter Evans, a journalist assigned to ghostwrite her memoir in the years before her death in 1990. Though Gardner pulled the plug on the project before its completion, Evans eventually published their conversations in 2013. That book is the basis of McGovern's play. She says she was intrigued by the idea of 'a star on the wane of her career, sitting with a guy trying to glean from her the story of her life, and the two of them battling it out to control the narrative.' About 'Ava: The Secret Conversations' Directed by Tony Award-nominee Moritz von Stuelpnagel, the production co-stars Aaron Costa Ganis as Evans, who also channels Gardner's three famous husbands: actor Mickey Rooney, bandleader Artie Shaw and performer Frank Sinatra. It begins performances off-Broadway at New York City Center starting this week. McGovern says she wasn't initially a huge fan of Gardner — famed for her green eyes, photogenic features and understated acting style — before she embarked on the project. It was more the idea of how a memoir can become a battleground for legacy and a way to explore Hollywood fame. McGovern made her screen debut at 20 in Robert Redford's 'Ordinary People' in 1980 and went on to co-star with Hollywood's leading men, including Robert De Niro, Brad Pitt and Sean Penn. She landed an Oscar nomination for Milos Forman's 'Ragtime.' It's a career with many similarities to Gardner. 'I feel like I do have a natural affinity for who she is. I feel like we would really like each other. I don't know, I'm flattering myself, but it's possibly because I had a kind of similar trajectory in my early life,' says McGovern. 'I mean, it was not on any level close to hers, but I understood the whole kind of mechanics of it.' Gardner's reputation as a sex goddess was fully launched in 1946 film 'The Killers,' in which she co-starred with Burt Lancaster. She also starred opposite Humphrey Bogart in 'The Barefoot Contessa' and Richard Burton in Tennessee Williams' 'Night of the Iguana.' McGovern says Gardner was caught in the impossibility of women's expectations at the time — be sexy but not sleep around. She had many lovers but also felt the shame society imposed. 'I think she was a kind of a feminist, in spite of herself, really,' says McGovern 'I hope people are inspired by that — by the fact that she just did whatever she wanted to do and lived with the consequences.' A screen siren at the end of her life By the end of her life and when the play is set, Gardner has been partially paralyzed after a stroke, had emphysema and lived in seclusion. She decided on a quickie memoir to keep the bills paid. 'All my life I was the Woman Men Dream About. That was the only job I ever had,' she wails in the play. 'Where does that leave me now?' The 90-minute play, which has had previous runs in Los Angeles and London, goes to Chicago and Toronto this fall after New York. McGovern initially took the idea to two different writers who failed to produce anything. So she turned to herself, watching movies and footage of Gardner to nail her speech patterns and reading whatever she could about the actor's inner life. 'I literally would act it out in my room to myself and then write it down. So it was natural to think of myself playing it, obviously, but then writing a part for somebody else to play, I couldn't think of a way to do it except by doing the acting of that part and then write it down.' Costa Ganis, her co-star, says 'she's doing something very bold and very daring and very scary' and he rarely meets a playwright so adaptable. 'I think the thing that's so fun about working with her is just that she's such a collaborator,' he says. Music helped McGovern the playwright McGovern developed the confidence to write her first play through songwriting. She is the lead singer and an acoustic guitarist for Sadie & The Hotheads, which released their debut album in 2007 and their latest in July, 'Let's Stop Fighting.' 'It kind of embraces a lot of different styles and then ends up with something of its own,' she says of the ethereal jazz-folk the band makes, which is waiting for an audience to catch up. 'We're still waiting. It's been quite a while, but I'm fine,' she says with a laugh. Costa Ganis hears McGovern's musicality throughout the play, an internal rhythm she understands: 'So if something doesn't play right, she has a great sense of what sounds good and what moves things along.' McGovern will be nearing the end of her New York turn as Gardner when the latest 'Downton Abbey' hits movie theaters Sept. 12 — subtitled 'The Grand Finale.' She admits that she and the cast initially dreaded returning after the death of Maggie Smith, an audience favorite. 'I think everyone was afraid that without Maggie, it's daunting to keep the thing going. But surprise, surprise, I think it's our best movie,' she says. 'It just kind of clicked.' McGovern, who like Gardner lives in London, does music, TV, and film but always finds room for theater, where the smartphones disappear and performers meet the audience. 'It's so healthy to have two hours where you only have one job and that job is basically just to be present and I really feel like it's good for the brain.'
Los Angeles Times
3 days ago
- Los Angeles Times
For $27.99 a month, you can join the hottest Gen Z club: AMC A-List
Some L.A. singles attract potential dates with dog pics, gym mirror selfies or promises that they love 'going on adventures.' Joel Lingaur's calling card is membership to a not exactly exclusive but popular club: AMC A-List. The movie theater subscription service has taken on a life of its own on the internet and has become a bit of a 'dog whistle' on dating apps, Lingaur said. 'I really like having it on there because it shows that I'm into movies, but I don't want to come across as a film bro,' he said. 'That idea feels a little pretentious to me.' And it works. Lingaur, a 25-year-old actor based in Culver City, said boasting his A-List status on the Hinge app acts as a conversation starter, or just helps him in 'coloring the picture' of prospective dates when they have it listed on their profiles. Lots of young people, especially in L.A., have 'all agreed that A-List is the quirky thing to put on your profile,' he said. AMC A-List is the highest tier of the theater chain's loyalty program, which allows cinephiles to see up to four movies a week for a monthly cost starting around $20. In California, where ticket prices are generally higher, members pay $27.99 a month. There isn't an upcharge for Imax or other premium formats, one of several benefits A-Listers enjoy. The A-List program, which launched in 2018, was born out of competition AMC was facing in the late 2010s with the short-lived industry disruptor, MoviePass, which allowed subscribers to see virtually unlimited movies at practically any theater for a low base rate. Theater chains like AMC were also struggling to slow the gradual decline in attendance, which was slipping before the COVID-19 pandemic, collapsed as theaters temporarily shut down and has yet to recover. But A-List, which the company said has close to 1 million members, has become much more than just a subscription service. It's like being part of the in-crowd for many, except the only barrier to entry is a relatively low monthly fee and perhaps a propensity for movie theater popcorn. AMC is grappling with significant financial woes — the company has nearly $4 billion in debt, reported losses of more than $200 million in the first quarter of the year and is watching its stock price sag since it became a meme stock four years ago. While it once traded at record highs during the meme-fueled rally, it's now sitting at around $3. Amid those difficulties, A-List is a bright spot, proving the company has an avid base of supporters and challenging notions that moviegoing will no longer be a favorite pastime for younger generations. A-Listers who have a deep enthusiasm for the brand are consistently attending showings, buying concessions and even encouraging others to enlist in the program. There's merchandise, both authorized and unauthorized — including unusual options like a Christmas tree topper and cross-stitch patterns — viral memes galore and a very active online community of A-Listers who flaunt the membership status like a badge of honor on dating apps, social media and in casual conversation. 'They have become a little bit of a marketing machine for us,' said Carrie Trotter, AMC's vice president of loyalty and brand marketing. While other movie chains — including Regal Cinemas, Cinemark and Alamo Drafthouse — have subscription services and loyalty programs, the AMC version has risen to a completely different level of cultural relevance. That's in large part because of the specific quirks of AMC fandom that have given the world's largest theater operator a cult-like following. Much of that culture has developed thanks to actor Nicole Kidman, whose appearance in an advertisement for the chain plays before each movie and became an internet sensation. The script contains platitudes about movie magic and hits a climax with Kidman, an Academy Award winner, saying its most memorable line: 'Heartbreak feels good in a place like this.' The $25-million campaign from fall of 2021 was designed to increase theater attendance coming out of the COVID-19 pandemic, and while it may have helped revive quiet theaters, it also sparked memes, spoofs and parodies, including an SNL sketch. Peter Gerard, a 24-year-old special education teacher and friend of Lingaur, said he is among many A-Listers who can recite the script — or as many call it, 'the pledge' — from memory. In some showings with particularly enthusiastic crowds, there's a considerable audience reaction when the ad begins. 'I love it when people are in the theater and they're saluting, and they're clapping. I really enjoy that,' Gerard said. The reception to the ad exceeded the 'wildest dreams' of the team behind it, said Trotter, who was instrumental in its development. As for the spoofing and memeing of the 60-second spot, Trotter said she and her colleagues just 'can't ignore it.' AMC has sold merchandise with 'The Pledge' inscribed on it and has played into A-Listers' palpable enthusiasm through its own social media presence. As theatergoing faced an existential threat during COVID, many people assumed the joy of seeing a movie in theaters would be lost on younger generations, who often turn to social media, streaming and gaming for entertainment. But the program is hugely popular among Gen Z and millennials. Since the pandemic, Gen Z is the fastest growing audience segment within A-List, and the membership body is younger, more diverse and skews male compared to AMC's other loyalty programs and the general moviegoing audience as a whole, the company said. 'The movie theater is one of the last places you can truly disconnect and be in the moment,' Trotter said. 'With all the pressures going on, I think that that's one reason that Gen Z has really flocked to our A-List program. It gives them permission to disconnect just for a few hours. We want to be part of that, and so we can't help but lean into it as well.' These young people are eager to tell you they're enrolled in the program. Flaunting A-List status is often done in jest, but it also serves as 'a genuine signifier that you care about movies,' for Adora Adeyemi, a 22-year-old A-List subscriber who works as an assistant to a literary and talent manager. 'Even back to the days of the Beatles or what have you, it's not a new thing to want to rep what you care about,' Adeyemi said. A-List came out of a 'perfect storm,' striking at just the right moment, said Dan Murrell, a film critic and box office analyst. Murrell, an A-Lister himself, said the return-to-theaters crusade was aligned with a moment when many Gen Z folks were searching for a sense of community that they had missed out on during formative years through the pandemic. It also came just after AMC had served as meme fodder when it became a favorite stock of social media-savvy retail investors early in 2021, caught up in the 'meme stock' frenzy with GameStop and BlackBerry. The craze drove AMC's shares up exponentially at a time when it looked like the Leawood, Kan.-based company might have been on its last legs, something many Wall Street professionals were betting on. AMC Chief Executive Adam Aron warmly embraced the meme stock status, so when A-List and the Kidman ad started getting similar online treatment, it was only natural to welcome the attention. 'As a theatrical exhibition business, they need any kind of edge that they can get right now,' Murrell said. Several A-Listers said while the service is available nationwide, the 'cult' of A-List feels particularly strong in Los Angeles. Many A-Listers, speaking as they left or entered AMC locations across L.A., said they not only think they're getting a great deal given the area's high ticket prices, but they feel a strong sense of community among their fellow members. This is especially true because many in the city are either film fanatics or work in the industry. There's a subsection of A-Listers in L.A. — true film nerds — who attend AMC showings frequently but also patronize local independent theaters. One of those people is Ellie Bambach, who visits smaller theaters in addition to her AMC trips, which she said take place about twice weekly. Bambach, 32, said she enjoys the New Beverly Cinema in the Fairfax District and the Vista Theatre in Los Feliz, both of which are owned by the filmmaker Quentin Tarantino. The smaller theaters give her the chance to watch the classics, and her A-List membership means she can catch new releases, especially ones she wants to watch on premium formats like with Dolby audio and visuals that are available at AMC locations. There's another subset of A-List that might be ultra-specific to L.A., where parking can be infamously nightmarish. A handful of A-Listers said if they are at malls like the Grove or Westfield Century City to shop or dine, they often register for one of their four weekly showings so they can enter the theater just to validate their pricey parking garage ticket, exiting without catching a flick. But they insist they're still in it for the movies at the end of the day. Despite all the jokes, the half-ironic but half-sincere recitation of the AMC pledge of allegiance and a recent price hike, they remain loyal customers. 'L.A.'s a movie town … so if you like movies, I don't see how you could not have this at this point,' said Ellis Jones, a 25-year-old A-Lister. 'You're more a part of the conversation. Anyone I know who's interested in movies has A-List. If you don't have it, I'm like, 'Oh, you don't really want to see anything.''
