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The National
27 minutes ago
- The National
Omani designer goes viral for hyper-realistic video game set in 1900s Gulf
Clips from a video game demo have gone viral among enthusiasts in the Gulf over the past several weeks. They show what looks to be an open-world game set in Oman, following a man dressed in the country's traditional thoob and distinctive headwear. The clips were posted by the game's designer, Almohannad Alwhaibi, a 24-year-old virtual-reality expert from Muscat who revealed he originally had no intention of making the game in full. 'It was actually just an experiment,' he told The National. 'My strength is in making realistic games, mainly so people get to know me and my work. "I worked on it for two or three weeks, along with my colleague, who is a designer. Together, we built it from scratch. I decided to post it on Instagram just to show people my work.' There's no story yet, but Alwhaibi knows the path he wants to follow. 'I want it to be story-based,' he said. 'The player will explore areas and solve puzzles while following the story. Some people suggested adding light horror or mild action. That's something we haven't fully planned yet.' The demo clips and images show that emphasis has been placed on replicating familiar and unique Omani landscapes. 'I want the story to draw from Omani heritage and folklore, from the days before cars,' added Alwhaibi. 'Many old stories include horror, action or significant events, so I expect the game's timeline to be set in that kind of era.' In his day-to-day job, Alwhaibi assists government entities in Oman with developing virtual-reality concepts. Despite only being at the early stages of development, the game could be made ready to play within a year, Alwhaibi said, if he receives the right support and investment. 'It will be a simple game, but it will also showcase the strength of Arabs, and Omanis in particular, in game development,' he added. He is committed to retaining autonomy and control. 'I would prefer getting investment, joining a ready-made team, or collaborating with another company,' Alwhaibi explained. 'But I won't hand over full ownership. I'd like to continue the game with support while keeping ownership. I would also consider collaborating with studios in Saudi Arabia or the UAE. 'I'm not committed to having only Omanis. There are very few skilled people here in realistic game development. So, I'll need a team from outside – Gulf-based or elsewhere – as long as they can follow the scenario with me.' Alwhaibi wants the game to demonstrate his passion for his country and culture. 'Attention to detail drives me – the environment, the trees, the sand, the clothing,' he explained. 'I aim to make a game that's highly realistic but optimised so it runs on all devices, even weaker ones, at 60 frames per second. That's always my focus: realism and optimisation.'


Broadcast Pro
16 hours ago
- Broadcast Pro
Asharq Documentary and BBC acquire NHK's ‘Kamikaze: An Untold History'
Directed by Takayuki Oshima, the documentary examines Japan's 'kamikaze' attacks on the Pacific front towards the end of WWII. BBC and Arabic-language free-to-air factual channel Asharq Documentary have acquired NHK's documentary Kamikaze: An Untold History. The programme, newly distributed earlier this year by NHK Enterprises to mark 80 years since World War II, forms part of NHK's annual summer programming dedicated to Japan's postwar history. The BBC aired the film at the end of last month, while Asharq's broadcast date is yet to be confirmed. The documentary explores the kamikaze missions carried out by Japan's imperial armed forces during the final months of the Pacific War. These suicide attacks, in which aircraft were deliberately flown into enemy targets, were launched with no expectation of return. Over a span of ten months, until the last day of the war, thousands of young pilots were sent to their deaths. In total, around 4,000 crew members lost their lives in the operations, which gripped the nation in a fervor that remains difficult to comprehend. Drawing on 15 years of extensive research, the film incorporates interviews with former US and Japanese military personnel, expert analysis and archival materials. It also makes use of a detailed 'hometown map,' created to honour and document each life lost, offering a deeply human perspective on the tragedy. Directed by Takayuki Oshima, the documentary investigates the origins, psychology and impact of the kamikaze missions. Oshima, who has spent more than a decade examining the subject, said the film aims to reveal the universal lessons of this dark chapter in history. 'Eighty years have passed since the end of World War II, yet conflicts continue to erupt, political tensions between nations persist, and events that seem almost 'insane' keep unfolding around the world. However, behind these 'insane' acts lies the same species—Homo sapiens. By exploring the kamikaze missions in depth, I hope that this documentary offers a lens through which we can examine universal truths that resonate today. I would be truly grateful if we could reflect on these truths together with people around the world.' With its blend of historical insight, personal testimony, and rigorous research, Kamikaze: An Untold History offers a sobering examination of one of World War II's most haunting legacies.


Campaign ME
20 hours ago
- Campaign ME
Miramax partners with Doha Film Institute to elevate Arabic-language storytelling
Miramax, the global film and television studio owned by beIN MEDIA GROUP (beIN) and Paramount Global, has revealed details about its partnership with Doha Film Institute (DFI) to launch the DFI x Miramax Writer's Programme. Aimed at supporting the development of premium, local Arabic-language content across the Middle East and North Africa, the programme will provide training, mentorship, and production and distribution resources for both emerging and established Arab writers. It will offer critical support for their projects, contributing to the expansion of the region's series content output, and strengthening Qatar's position as a leading media hub in the Middle East. 'At Miramax, we believe great storytelling knows no borders,' said Jonathan Glickman, CEO, Miramax. 'This partnership with DFI is a powerful step toward amplifying emerging Arabic-language voices and sharing their stories with audiences worldwide.' The DFI x Miramax Writer's Programme will involve the selection of up to five local and regional projects to develop each year. The Writer's Programme will tie into DFI's existing Series Programmes, with the goal of extending the reach and impact of these initiatives. The collaboration between Miramax, renowned for its film and television productions, and DFI, the leading film institute in the Middle East, addresses a key gap in the region's media industry by offering not only development support but also direct access to Miramax's vast distribution and sales network to reach audiences worldwide. Fatma Hassan Alremaihi, CEO of DFI said, 'At Doha Film Institute, we believe in the transformative power of storytelling to unite, inspire, and celebrate cultural identity. Our partnership with Miramax marks an exciting new chapter in championing original Arabic-language content that reflects the depth and diversity of our region. By creating compelling stories in our own voice, we not only preserve our heritage but also bring communities closer together through the universal language of cinema.' Miramax has had a standout year across both film and television, with highlights including Academy Award®-nominated The Holdovers; The Beekeeper, which grossed more than $160m worldwide; indie-hit Strange Darling; Golden Globe-nominated series The Gentlemen, which launched in March 2024, ranking #1 for three weeks on Netflix; and the fourth installment of the Bridget Jones franchise – Bridget Jones: Mad About the Boy, which premiered February 14, 2025. Upcoming Miramax projects include: Roofman, starring Channing Tatum, Kirsten Dunst and Peter Dinklage, set to premiere October 10, 2025, with Paramount Pictures distributing domestically and in the UK; the next installment in the Scary Movie franchise, set to premiere Summer 2026, distributed globally by Paramount Pictures, with Marlon, Shawn, and Keenen Ivory Wayans writing and producing; Colman Domingo's directorial debut Scandalous, starring Sydney Sweeney and David Jonsson; and The Faculty remake, being written by breakout talent Drew Hancock.