Madeleine Haeringer To Join MSNBC As Senior VP Of Digital, Audio And Longform
Madeleine Haeringer, most recently a top executive at Crooked Media, is joining MSNBC as senior vice president of digital, audio and longform.
Haeringer will manage MSNBC.com, MSNBC social accounts and audio products and longform production. She will start on May 7 and report to MSNBC President Rebecca Kutler.
More from Deadline
Donald Trump And Paramount Reportedly Pick Mediator In '60 Minutes' Lawsuit; CBS Challenges POTUS For Proof Of $20 Billion Damages Claim
ESPN's Stephen A. Smith Says He's "Officially Leaving All Doors Open" To Potential Presidential Bid
HBO Sets Premiere Dates For Alex Gibney Docs 'Ohio Confidential' & 'Wealth Of The Wicked'
Her appointment is one of Kutler's latest high-profile hires as the network prepares to be spun off from parent Comcast, along with other cable networks.
At Crooked Media, Haeringer has served as executive vice president and general manager, overseeing development, programming and editorial for the podcast-led media outlet.
Haeringer previously was senior vice president of editorial for NBC News, and also worked as executive producer of international news. She also was in the field as lead producer for NBC News' coverage of the 2011 Arab Spring protests, and served as Middle East bureau chief for the network. She also covered the wars in Afghanistan and Iraq. Her documentary War Zone Diary won the Alfred I. DuPont Columbia University Award and the Medill Medal for Courage in Journalism. She also was executive producer of Vice News Tonight on HBO.
As NBC News no longer will be a sister network, Kutler is establishing an MSNBC Washington, D.C. bureau, and is hiring a head of talent and content strategy. Scott Matthews joined the network last month as senior vice president of newsgathering.
Best of Deadline
Brad Pitt's Apple 'F1' Movie: Everything We Know So Far
Everything We Know About 'Tron: Ares' So Far
Everything We Know About 'Only Murders In The Building' Season 5 So Far
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
‘The Studio' and ‘Hacks' Are Two of the Best Shows Ever About Hollywood — But Are They Too Inside or PTSD-Inducing?
Hollywood seems to always take that cliché 'write what you know' to heart when it comes to producing scripts about Hollywood. I enjoy those tales, of course, but that's because my chosen profession is to report on this fascinating business. There's clearly enough money, creativity, mystery, farce, scandal, glamour and spectacle for us to cover every single day at Variety. And all of the stuff that makes for good copy also makes for entertaining TV and film plot lines. So perhaps we shouldn't be surprised that three of this year's biggest Emmy comedy contenders play in that space: 'Hacks,' 'The Studio' and 'Only Murders in the Building.' All three have quite a bit of fun with industry tropes, and come a little too close for comfort with some of its satire. And they even crash into each other: 'Hacks' creators Lucia Aniello, Jen Statsky and Paul W. Downs cameo as themselves on an episode of 'The Studio,' while Ron Howard is among this year's hot TV trends, playing himself on both 'The Studio' and 'Only Murders.' More from Variety How 'The Studio,' 'Yellowjackets,' 'Monsters' and 'White Lotus' Make Bad Behavior Appealing Emmy Voters Don't Forget: The Powerful Women of 'The Righteous Gemstones' 'Handmaid's Tale' and 'Day of the Jackal' Producers on Rewriting Literary Worlds With TV Adaptations So, we always ask, do audiences outside Hollywood get the jokes, or care? Sometimes, yes. The entertainment business as a series setting goes back to the early days of TV, as even 'I Love Lucy' had a bit of showbiz as its backdrop. Then came 'The Dick Van Dyke Show,' a TV show about the making of a TV show that won the outstanding comedy Emmy three times. HBO built an entire network partly on the premise of shows about show biz — 'The Larry Sanders Show,' 'Entourage,' 'Curb Your Enthusiasm,' 'The Comeback.' (I'm not including 'The Idol' there, for obvious reasons.) One of Netflix's best early shows was the animated 'BoJack Horseman.' But just as often, it seems like shows about the biz nail it with critics and awards, but audiences are less interested. In TV circles, we still talk about Fox's groundbreaking 1999 comedy 'Action,' about a nasty Hollywood producer played by Jay Mohr, but it was canceled after eight episodes. They added a laugh track to ABC's 'Sports Night' in a desperate attempt to make it work. NBC's '30 Rock' won three consecutive comedy Emmys and is beloved by many — yet was never a megahit. Comedy Central and HBO Max gave us three fantastic seasons of 'The Other Two,' but I'm still angry at all of you who didn't watch. I think audiences are watching 'Hacks' (especially this season as Deborah Vance tackles talk), 'The Studio' (the best biz parody in years) and 'Only Murders' (which addressed Hollywood this season) because they're just damn good. But in the industry, they're elevated because we feel a special kinship with them — and that's OK. I'm hearing from a lot of execs in the business who bristle at 'The Studio' because some of its cringe is a little too close to home. I decided to do an experiment on LinkedIn and ask other industry folk whether these shows give them PTSD. I was delighted to learn that, for the most part, it's a no, that they enjoy seeing the satire. 'It's fun for this 10-year Warner Bros. vet to get more glimpses of that classic old lot,' one exec says of 'Hacks.' Former CBS research exec Eric Steinberg says he sees 'lots of relatable moments in 'Hacks' now that the main character has her own show. It will be no surprise to you that I found the audience research episode particularly fun. And, the exteriors at TV City bring back lots of memories. PTSD? Hardly!' Communications exec Stacey Luchs adds, 'There are moments that really hit home — the kind of thing people outside the entertainment world probably wouldn't believe. Sometimes it feels like I'm in on an inside joke, and it just makes me smile.' My former (and longtime) Variety colleague Steve Gaydos perhaps says it best: 'The writers of 'Hacks' and 'The Studio' have been reading our mail. But Billy Wilder turned it into art 75 years ago with 'Sunset Boulevard.' He didn't just shoot fish in a barrel. His fish had souls, and their fates mattered — then and just as much now, on stage with music and on screens of all sizes in black and white. That's the ultimate achievement and though these current TV shows contain moments of pathos, it will take time before we can measure their memorability.' Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Sci-Fi Surges, FYC Crunch Pressure, and Comedy Category Shakeups Across 94 Races
Yahoo
an hour ago
- Yahoo
Bridget Everett on How ‘Somebody Somewhere' Was the Best Experience of Her Life: ‘It's Like, Now What Am I Gonna Do?'
Bridget Everett isn't quite sure how she could ever top 'Somebody Somewhere.' The show ended its three-season run at the end of 2024 with a moving gathering of the show's characters and a strong musical number in which her character, Sam, finally feels ready to accept the love and friendship of the community she has created in her small hometown. 'I'm so grateful that I got to do it, and I miss doing it all the time,' Everett tells Variety's Awards Circuit Podcast of her HBO series. 'I still think about them. I think about the show and people come up to me a lot, so it lives on for me. I talk to people about it on the street all the time and as much as I am uncomfortable having conversations with strangers, I really enjoy it because it's personal to me. I love that people connect to it, and sometimes in a profound way, because they've dealt with a similar kind of grief.' More from Variety Alexis Bledel Withdraws From Emmy Race for 'The Handmaid's Tale' Due to New Guest Actor Rules (EXCLUSIVE) 'The Studio' and 'Hacks' Are Two of the Best Shows Ever About Hollywood - But Are They Too Inside or PTSD-Inducing? How 'The Studio,' 'Yellowjackets,' 'Monsters' and 'White Lotus' Make Bad Behavior Appealing 'Somebody Somewhere' stars Everett as Sam, a woman who moves home to Manhattan, Kan., as she mourns the death of a sister while reconnects with her other sister Trisha (Mary Catherine Garrison). Along the way, she builds new bonds with friends like Joel (Jeff Hiller), his eventual husband Brad (Tim Bagley) and Fred (Murray Hill). 'It's changed me and helped me be a lot more at peace with myself,' Everett says. 'You get the dream of making a show with people that you love and in a way that you want to tell a story, and then if it makes you feel better in the end, I mean, it's like, now what am I gonna do? Because I feel like I've had the best experience of my life.' On this bonus edition of the Variety Awards Circuit podcast, we tackle that question of what Everett might do next, how the folks in her hometown reacted to being put in the spotlight, and how 'Somebody Somewhere' really resonated with audiences as something truly special. Also on this episode, we talk to Paul Giamatti about his standout episode of this season's 'Black Mirror.' Listen below! Everett has an amazing voice, as fans of her cabaret shows, theater performances and other music gigs (including her band The Tender Moments) can attest. But 'Somebody Somewhere' viewers got a taste of that singing prowess too — particularly in the show's series finale. 'There's nothing that makes me happier than singing, and there's nothing that makes me sometimes sadder than singing,' she tells Variety's Awards Circuit Podcast. 'But it's really, putting the show together, to find a way to incorporate music that that felt organic. We never wanted to do a big 'Glee'-style number. We wanted to do something how music sort of is part of the fabric of my life or Sam's life.' In the finale, Everett's character Sam brings her friends and sister together to the bar where she works, and she sings 'The Climb,' by Miley Cyrus. 'I used to sing that song live in some of my road shows, and I've always loved it,' she says. 'It is kind of sentimental and on the nose, like the lyrics are very literal. But to me, I never get tired of singing it.' Besides tackling grief, friendship, love and relationships, 'Somebody Somewhere' shined a spotlight on the kind of town that is rarely seen on TV. 'My family, we're all from there — my brother still lives there, and my mom lived there at the time when she was still alive,' Everett says. 'I was like, I want them to be proud of this. I want Manhattan to be proud of this. 'We did a final watch party there, and the cast all came back with me,' she says. 'The feeling in the room was like a rock concert. It was so emotional. I was weeping, just being around all these people that the show connected with that were from there. Feeling like we got that right was so moving to me.' So what is next? 'We're trying to dream up something else,' Everett adds.' I want to do something that feels right, but I want to work. I want to do something. It's hard after you do something that's built for you. I had such a big part of the creative elements, the writing, the producing, all that business. I want to be able to do that again.' Variety's 'Awards Circuit' podcast, hosted by Clayton Davis, Jazz Tangcay, Emily Longeretta, Jenelle Riley and Michael Schneider, who also produces, is your one-stop source for lively conversations about the best in film and television. Each episode, 'Awards Circuit' features interviews with top film and TV talent and creatives, discussions and debates about awards races and industry headlines, and much more. Subscribe via Apple Podcasts, Stitcher, Spotify or anywhere you download podcasts. Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Sci-Fi Surges, FYC Crunch Pressure, and Comedy Category Shakeups Across 94 Races
Chicago Tribune
2 hours ago
- Chicago Tribune
Letters: Ukraine is using the weapons of the future
Most wars are started on the basis of the previous war and then upgraded during the next war. Today we are spending hundreds of billions on weapons that are ready to fight the last war against countries that were using weapons from their previous war. Fancy jets and ships are going to be worthless. The war in the Ukraine is a great example of today's technology. The Ukrainians have damaged or destroyed most of the Russian Black Sea Fleet while they were at sea or tied to a dock. They hit air bases, warehouses, troop concentrations and refineries with their drones. Smaller drones have destroyed armored personnel carriers, trucks and tanks. Even smaller ones are being used to kill soldiers at the front. All of that was done without putting a soldier in danger. Most of the drones are GPS controlled. Some are by controllers using drone videos with some now using AI. Russia is a second rate military and was caught cold on their invasion of Kyiv by drones, which have advanced faster than their defenses have been able to counter. A recent '60 Minutes' episode had an item about drones from an American company designing AI drones for our military. They range from small to the size of jet aircraft. Imagine an aircraft carrier group besieged by a thousand drones in the Persian Gulf or Arabian Sea. The entire fleet could be damaged or sunk. Imagine a cargo ship sailing into the Chesapeake Bay and launching hundred of drones at Washington D.C. and the Norfolk naval base. Imagine a dozen more ships scattered around the country using longer range drones. Most of our non-nuclear forces would be decimated. That could be tomorrow!While it is highly debatable that Larry Hoover should have his sentences commuted one thing that we need to focus on is why. While Mr. Hoover may not have been directly linked to anyone's murder, it is safe to assume that due to the nature of being a gang leader he may have ordered murders and probably influenced a lot of his members to commit heinous crimes as well. But as some are celebrating the move by President Donald Trump (hopefully not many), I am of the opinion that Trump is trying to sneak one past us. He has ordered the closing of the Job Corps: a program designed to tackle youth unemployment that has been in existence since 1964. Countless youth were able to take advantage of this program which probably kept them from the tentacles of street gang life. While Trump may seek the approval of some in the African- American community, hopefully they don't ignore the disastrous effects closing a program like Job Corps can readers must be familiar with the Broken Windows Theory of policing, introduced by James Q. Wilson and George L. Kelling in 1982, that suggested that unchecked small offenses like broken windows, graffiti, and litter lead to greater crimes and societal breakdown. Donald Trump and his posse are throwing as many rocks as they can as fast as they can at the windows of our republic, collaterally damaging the rule of law, trust, civility and other civilizational essentials in the process. They cannot operate to their own best advantage in a healthy democracy and legal system, so they are trying to undermine it by accustoming citizens to broken political and legal windows. Trump's ideal environment is one in which there is so much corruption and illegality that he can ask, 'Whaddya looking at me for?' It is working. Several prominent people (Anne Applebaum, Maria Ressa and Gary Kasparov) who are either scholars of authoritarianism or have been dissidents in nations ruled by authoritarians have expressed surprise, not at what Trump is doing, but at the speed with which his project to dismantle our republic is progressing. He has not matched Adolf Hitler's legal neutering of Germany's republic in only 53 days after taking power, but this is hardly a reassuring thought. I continue to be puzzled by the disinterest with which many people respond to what is happening. The scholars and dissidents whom I cited agree that we do not have as much time to turn back the threat to our nation as many people seem to think that we have. The hope that things will simply self-correct is a fading one. Our leverage diminishes daily. Those who are working at changing our system to one that they can control and profit from and use to inflict damage on the officially unfavored are counting on our apathy. We should, at least, be openly discussing what is happening. The usual rule about about avoiding the subject of politics should be suspended for as long as the threat lasts.I find it interesting that when the Democrats, under Joe Biden and his minions, literally threw money at anything that moved, very few Democrat voiced any criticism. I mean, what is a few trillion dollars here and there? Now that Republicans try to find a way to undo the massive deficits, Democrats are screaming about Republicans trying to cut the deficit, and complain bitterly about the GOP adding to it. Such short to Ashley Nunes' June 2 article 'Outrage over Trump's EV policies misplaced,' Mr. Nunes' essay clumsily dances around the paramount need for electric vehicles — the Earth is too hot and getting hotter. The devastation caused by climate change — wildfires, floods, excessive heat, more numerous and catastrophic storms — is wreaking havoc on the planet. According to the EPA, 29% of greenhouse gas emissions are from cars, trucks, buses, etc. Transportation electrification would contribute mightily to the abeyance and cessation of these current and future disasters, saving untold property and lives. Mr. Nunes' dubious arguments belie the cataclysm facing the world.
