logo
Campaigner says 'it's heartbreaking' as Birmingham shown 'what we could have won'

Campaigner says 'it's heartbreaking' as Birmingham shown 'what we could have won'

Yahoo03-05-2025
When a National Trust vision for one of Birmingham's most significant streets was shared this week, it sparked hope for Brummies who wish to see it thrive once more.
Station Street is the home to three significant spaces, the country's oldest repertory theatre The Old Rep, the Electric Cinema - the UK's oldest working cinema before it closed in 2024 - and The Crown pub, known for being the birthplace of heavy metal.
Of those three on the 120m-long street, only The Old Rep remains open to visitors, with the future of both The Crown and The Electric Cinema uncertain.
Read more: Council moves to 'reassure' residents after images of 'significant' Birmingham street unveiled
Read more: Vision to completely transform 'important' Birmingham city centre street
Campaigners who have worked to protect Station Street have now spoken out about the National Trust images, which form part of a wider document that shows what the area could look like were stakeholders to step up and invest in protecting it.
It's understood that the document has been shared with Birmingham City Council, the West Midlands Combined Authority and other interested parties, though no formal plan for Station Street has been forthcoming since the vision was revealed.
Among those involved in the development of the vision document is Jez Collins, a campaigner from the Birmingham Music Archive, who was intrinsic in securing a Grade-II listing for The Crown.
He said: "I think the fact an institution such as the National Trust sees the cultural value of Station Street shows us Brummies just how unique the street is.
"The visuals by Intervention Architecture haven't come out of thin air. Myself and Ian Francis from Flatpack Festival worked with them to create an alternative vision and there is also a lot of economic data and case studies that supports the financial viability of such an approach.
"They've taken all this and come up with a beautiful vision that is achievable if the will is there. But is it?
"I think it's a huge opportunity for Birmingham to lead the way on a culture led regeneration of Station Street.
"Who wouldn't want to see a reimagined and reopened Crown showcasing our brilliant music, The Electric being a film hub for aspiring actors, directors, cinematographers and Brummie cinephiles and The Old Rep nurturing the future stars of stage and screen all on a pedestrianised, active and vibrant street?
"I'd love this to influence the developers and landowners!"
Darren John runs the Save Station Street campaign. He says that the lack of action since the document was created is 'heartbreaking'.
Darren said: "We're pleased to see these plans are now publicly available.
"Like Jim Bowen said on Bullseye, it's a real 'look what you could have won' moment: an arts led celebration of Brum cultural history and rejuvenation of the UK's most historic grassroots arts street for future Brummie greats, residents and tourists.
"We're astonished that those in power didn't bite the hand off the National Trust to pursue this vision for Station Street.
"Council leaders and the mayor should have been banging down the door of the Culture Secretary for the money to make this a reality.
"It is heartbreaking to see the lack of urgency and vision from those who could be driving a unique, globally appealing cultural attraction in the heart of Birmingham that is as joyously Brummie as Joe Lycett, in fancy dress as Ozzy Osbourne, riding the Bullring bull round the Rotunda".
You can see the full gallery of images, created by Digbeth design company Intervention Architecture, in this gallery.
Birmingham City Council has responded to the images, saying it is committed to preserving the future of Station Street.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Night Always Comes' Review: Vanessa Kirby Gets Put Through the Wringer in Netflix's Grim Neo-Noir Odyssey
‘Night Always Comes' Review: Vanessa Kirby Gets Put Through the Wringer in Netflix's Grim Neo-Noir Odyssey

Yahoo

time2 days ago

  • Yahoo

‘Night Always Comes' Review: Vanessa Kirby Gets Put Through the Wringer in Netflix's Grim Neo-Noir Odyssey

Set over the course of a single harrowing night and driven by a performance from Vanessa Kirby bristling with raw nervous energy, hunger and searing inner conflict, Netflix's Night Always Comes is more compelling than the average original streaming movie even if it could use an extra shot of emotional power. Adapted from the well-received novel by Willy Vlautin, the gritty neo-noir is high on atmosphere. But it's more attentive to the protagonist's spiraling desperation than the canvas of an ever-gentrifying America's unforgiving economic climate, diluting the social context of the book. Reuniting with Benjamin Caron, one of her directors on The Crown, Kirby plays Lynette, who lives in her dilapidated childhood home in Portland with her developmentally disabled older brother Kenny (Zack Gottsagen) and their flaky mother Doreen (Jennifer Jason Leigh), who works for a grocery store chain. Their father took off some time back. More from The Hollywood Reporter First Look at 'Nobody Wants This' Season 2 Sees Adam Brody and Kristen Bell Still in Love 'Wednesday' Reveals Return of Deceased Major Character in Season 2 Part 2 Trailer Claire Danes-Matthew Rhys Thriller 'The Beast in Me' Gets Premiere Date, First Look from Netflix Amid soaring housing prices, a cratering job market and escalating inflation, Lynette is trying to buy the house to give the family permanence and keep social services away from Kenny. 'I just want to have one win,' she says, encapsulating countless stories of working-class Americans living hand-to-mouth. Their landlord, David (J. Claude Deering), has cut them a deal to buy the house, which Lynette recognizes as their best — perhaps last — chance of stability. But she needs Doreen to cover the downpayment. At first the film, adapted from Vlautin's novel by Sarah Conradt, plays like a character study of an emotionally and physically exhausted woman, shouldering much of the responsibility for Kenny's care with unreliable backup from her selfish mother. Lynette juggles three jobs — working the assembly line at a commercial bakery, serving in a bar and turning occasional tricks with well-heeled businessman Scott (Randall Park). It gradually emerges that she has a violent past and a history of trauma from her teens, for which Doreen accepts no responsibility. Her attitude, echoed by others in the film, is that Lynette was wild in her youth, meaning she asked for whatever damage was inflicted on her. The trigger for an all-night odyssey that switches gears into crime-thriller mode comes soon after Lynette's meeting with David to close on the house, at which her mother is a no-show. Instead, Doreen turns up a couple hours later with a new car, unapologetic about reneging on their agreement. 'I thought why not do something nice for myself once,' she says with a shrug, seemingly indifferent to the threat of eviction they face. After failing to convince her mother to return the car to the dealership, Lynette sets out to raise the $25,000 by the following morning at 9 a.m., David's final extension. (The plot is basically One of Them Days without the comedy or daylight.) The time appears at intervals on the screen throughout the action, starting at 6:12 p.m. In a strong scene that points to the cold remove of the moneyed class from those living on the poverty line, Lynette meets married family man Scott at the hotel where their assignations take place. He laughs at her request for help with the money, refusing to listen to her family troubles: 'I pay you to have a good time, not to hear about that stuff.' They move from the bar to a room anyway, after which Lynette pockets Scott's key fob and takes off in his wife's Mercedes. At that point she's still incredulously asking herself what she's doing, but as the night wears on, any qualms Lynette has about resorting to crime steadily fade, at the risk of self-sabotage. She attempts to claim repayment on a loan to fellow escort Gloria (Julia Fox, playing trashy self-absorption to the hilt), who's set up in a swanky apartment by her high-powered john and is unsympathetic to her problems. But a safe containing fat wads of cash and a large cocaine stash presents an opportunity. The filmmakers never judge Lynette as her actions grow more reckless, even when she's forced to pick up Kenny and take him along on a series of dangerous encounters. She enlists help from her ex-con bar co-worker Cody (Stephan James); he takes her to see safecracker Drew (Sean Martini), who quickly turns menacing. Her next stop is to see Tommy (Michael Kelly), a sleazy figure from her past who stirs up disturbing memories. From there, she heads to the home of rich, hard-partying creep Blake (Eli Roth), where things turn ugly when he makes aggressive moves on her. As morning rolls around, there's no redemption for Lynette. Caron, who in addition to The Crown has directed episodes of Andor and the Julianne Moore Apple TV+ movie Sharper, steers the action along with an assured hand, making good use of talented Mexican DP Damián García's inky location shooting and Brit composer Adam Janota Bzowski's correspondingly moody score. But a confrontation with Doreen near the end that becomes a self-reckoning for Lynette undersells the pathos. It perhaps doesn't help the emotional heft that Doreen is a character begging to be strangled. The movie's most affecting moments are between Lynette and her brother, played with disarming cheerful innocence by Gottsagen and with alarming distress when Kenny is placed in tense situations. Kirby, also one of the producers, deftly offsets Lynette's sharp edges with a haunted quality; as a vehicle for the skilled actress, Night Always Comes is certainly solid and always absorbing. But despite touching on the disparities of class, income and opportunity in America and the fragility — even futility — of hope for many people barely scraping by, the script's universal truths land with a soft impact. Best of The Hollywood Reporter The 25 Best U.S. Film Schools in 2025 The 40 Greatest Needle Drops in Film History The 40 Best Films About the Immigrant Experience Solve the daily Crossword

Birmingham gives an emotional farewell to Ozzy Osbourne as tearful family lead tributes

time31-07-2025

Birmingham gives an emotional farewell to Ozzy Osbourne as tearful family lead tributes

BIRMINGHAM, England -- BIRMINGHAM, England (AP) — Ozzy Osbourne returned to the 'home of metal' for the last time on Wednesday as an emotional Birmingham honored one of its most cherished sons. Thousands of Black Sabbath fans paid their respects to the band's frontman as his hearse made its way through the city center followed by his tearful wife and children. The hearse carrying Osbourne, who died last Tuesday at the age of 76, went down Broad Street, one of the city's major thoroughfare, to the Black Sabbath bench, which was unveiled on the Broad Street canal bridge in 2019. 'Ozzy, Ozzy, Ozzy, oi, oi, oi,' fans screamed. Six vehicles carrying the Osbourne family followed the hearse, accompanied by police motorcycle riders and a police car. The family emerged briefly to inspect the array of tributes, with his wife of 43 years, Sharon, visibly moved and wiping away tears. And long after the hearse had moved on for the private funeral, the city, which has embraced its reputation as the citadel of heavy metal, was pounding to the beat of Black Sabbath. It was in Birmingham, where he grew up, that the world-conquering heavy metal band was formed in 1968. Osbourne embraced the city in central England as much as it embraced him, as was evident on the streets. Long-time fan Antony Hunt said it has been an 'emotional' day and that he wanted to be in the city to pay his respects. 'What's amazing is there's so many, such a wide variety of age groups, from little, little children, teenagers to people in their 60s, 70s, so it's great to see that,' he said. Katie Brazier, head of events at Birmingham City Council, said Osbourne meant 'everything' to the city. 'He never forgot where he came from,' she said. 'You could still hear that Brummie accent wherever he was, you know, I think some people have hidden away from the fact that they are from Birmingham and they've got that accent but he kept it all the way through.' Osbourne and his Black Sabbath bandmates — Terence Butler, Tony Iommi and Bill Ward — were recently awarded the Freedom of the City in recognition of their services to Birmingham. Black Sabbath's story began in Birmingham in 1968 when the four original members were looking to escape a life of factory work. Without doubt, the sound and fury of heavy metal had its roots in the city's manufacturing heritage. Osbourne never forgot his working-class roots. The band has been widely credited with defining and popularizing the sound of heavy metal — aggressive, but full of melodies. Osbourne was Black Sabbath's frontman during its peak period in the 1970s. His antics, on and off stage, were legendary, and often fueled by drink and drugs. He was widely known as the 'Prince of Darkness.' The band's eponymous debut album in 1970 made the U.K. top 10 and paved the way for a string of hit albums, including 1971's 'Master of Reality' and 'Vol. 4' a year later. It went on to become one of the most influential and successful metal bands of all time, selling more than 75 million albums worldwide. At the final show on July 5, 42,000 fans watched the band perform for the first time in 20 years at Villa Park, home of the city's biggest soccer club, Aston Villa, with Osbourne seated on a black throne. Osbourne had been in poor health in recent years, especially after being diagnosed with Parkinson's disease in 2019. Osbourne, who also had a successful solo career, found a new legion of fans in the early 2000s reality show 'The Osbournes' in which he starred alongside Sharon and two youngest children, Kelly and Jack.

Birmingham gives an emotional farewell to Ozzy Osbourne as tearful family lead tributes
Birmingham gives an emotional farewell to Ozzy Osbourne as tearful family lead tributes

Hamilton Spectator

time30-07-2025

  • Hamilton Spectator

Birmingham gives an emotional farewell to Ozzy Osbourne as tearful family lead tributes

BIRMINGHAM, England (AP) — Ozzy Osbourne returned to the 'home of metal' for the last time on Wednesday as an emotional Birmingham honored one of its most cherished sons. Thousands of Black Sabbath fans paid their respects to the band's frontman as his hearse made its way through the city center followed by his tearful wife and children. The hearse carrying Osbourne, who died last Tuesday at the age of 76 , went down Broad Street, one of the city's major thoroughfare, to the Black Sabbath bench, which was unveiled on the Broad Street canal bridge in 2019. 'Ozzy, Ozzy, Ozzy, oi, oi, oi,' fans screamed. Six vehicles carrying the Osbourne family followed the hearse, accompanied by police motorcycle riders and a police car. The family emerged briefly to inspect the array of tributes, with his wife of 43 years, Sharon, visibly moved and wiping away tears. And long after the hearse had moved on for the private funeral, the city, which has embraced its reputation as the citadel of heavy metal, was pounding to the beat of Black Sabbath. It was in Birmingham, where he grew up, that the world-conquering heavy metal band was formed in 1968. Osbourne embraced the city in central England as much as it embraced him, as was evident on the streets. Long-time fan Antony Hunt said it has been an 'emotional' day and that he wanted to be in the city to pay his respects. 'What's amazing is there's so many, such a wide variety of age groups, from little, little children, teenagers to people in their 60s, 70s, so it's great to see that,' he said. Katie Brazier, head of events at Birmingham City Council, said Osbourne meant 'everything' to the city. 'He never forgot where he came from,' she said. 'You could still hear that Brummie accent wherever he was, you know, I think some people have hidden away from the fact that they are from Birmingham and they've got that accent but he kept it all the way through.' Osbourne and his Black Sabbath bandmates — Terence Butler, Tony Iommi and Bill Ward — were recently awarded the Freedom of the City in recognition of their services to Birmingham. Black Sabbath's story began in Birmingham in 1968 when the four original members were looking to escape a life of factory work. Without doubt, the sound and fury of heavy metal had its roots in the city's manufacturing heritage. Osbourne never forgot his working-class roots. The band has been widely credited with defining and popularizing the sound of heavy metal — aggressive, but full of melodies. Osbourne was Black Sabbath's frontman during its peak period in the 1970s. His antics, on and off stage, were legendary, and often fueled by drink and drugs. He was widely known as the 'Prince of Darkness.' The band's eponymous debut album in 1970 made the U.K. top 10 and paved the way for a string of hit albums, including 1971's 'Master of Reality' and 'Vol. 4' a year later. It went on to become one of the most influential and successful metal bands of all time, selling more than 75 million albums worldwide. At the final show on July 5, 42,000 fans watched the band perform for the first time in 20 years at Villa Park, home of the city's biggest soccer club, Aston Villa, with Osbourne seated on a black throne. Osbourne had been in poor health in recent years, especially after being diagnosed with Parkinson's disease in 2019. Osbourne, who also had a successful solo career, found a new legion of fans in the early 2000s reality show 'The Osbournes' in which he starred alongside Sharon and two youngest children, Kelly and Jack. ___ Pylas contributed from London.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store