
How did an Ayrshire bin end up in a German village?
A North Ayrshire Council bin has swapped Saltcoats for sauerkraut - after being unexpectedly found in a German village.The wheelie bin was spotted in the village of Viernau by an intrigued local, who took to social media to ask if anyone had any idea how it had arrived there.North Ayrshire Council told BBC Scotland News it was uncertain how the container had managed to wind up abroad, but the continental jaunt could be linked to its manufacturer, the German company SSI Schaffer.Comments in the Dull Men's Club Facebook group suggested it had perhaps fallen foul of safety regulations in the UK, and then been reused in Germany instead.
Christian Kühne posted the image, and wrote: "A wheelie bin from the North Ayrshire Council appears in front of my company. In the middle of Germany."I'm confused and curious what might be the story behind it. Is someone in the North Ayrshire Region missing his wheelie bin?"Commentors also pointed out it was a combination of a brown bin - meaning it should be used for garden waste - with a blue bin lid, which should be for paper and recycling. A spokesperson for North Ayrshire Council confirmed to BBC Scotland News that Viernau - in the state of Thuringia in the eastern part of Germany - had not been added to the local authority's usual bin collection routes.They said: "This German street is definitely not part of our regular collection route so we're very curious as to how it ended up here."We can say that this bin was manufactured more than 20 years ago by a German company, SSI Schaffer, so it may have been a spare from the manufacturer which found its way into local use."As bins are the property of residents, it's also possible that it could have been taken to Germany by a former resident moving to the area and may have been used to store items in the move."The spokesperson said the council would be interested to find out how it arrived. Social media suggestions ranged from realistic possibilities about it being reused by the manufacturers to pondering whether an unfortunate person in Ayrshire was currently wondering where their bin had gone.
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The Guardian
3 hours ago
- The Guardian
Gordon Baldwin obituary
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His mature pieces were 'diaries of thought', with poetic titles that often referred to particular artists, literature or music that absorbed him. Visually, figures like Arp, Klee and Brancusi remained significant, prompting fresh responses to these returning obsessions. It was a sign of his endless invention that, often making in series, he remained ahead of the game, even as grand old man. Baldwin used the vessel as a metaphor for imaginary terrains and travel, enjoying the questions it might hold, especially where his sculptures were virtually sealed off but for one small aperture or opening. This fascination with the inner nature of an object or idea was defined by the poet Gerard Manley Hopkins as 'inscape', a phrase he loved. His important locations were often those on borders, where the land transforms, perhaps watery places, such as the untamed rocky beach at Porth Neigwl, on the Llŷn peninsula in north Wales, which he christened 'the place of stones'. Or the Normandy coast that Proust knew, another important writer for Baldwin, one who produced his own diaries of thought. This was not surprising for a man brought up in a sea-edged county, Lincolnshire, and as a youth he made a memorable cycle trip from his birth-city of Lincoln to the coast, surely an environment that gave him an early awareness of light, texture and changing atmosphere that would imbue the spirit of his ceramics. He was the only child of Lewis Baldwin, an engineer, and Elsie (nee Hilton). He attended Lincoln school, followed by Lincoln School of Art to study painting, and where he was introduced to pottery by Robert Blatherwick. There Baldwin met Nancy Chandler, a fellow student and his future wife, who became a fine painter herself, and a crucial partner and catalyst. In 1951 both enrolled to study ceramics at the Central School of Art in London, then still surrounded by bomb damage. 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From the mid-80s he sometimes used vivid blues and yellows on his surfaces, but he still liked the nuances of monochromes, and the late work seen at Marsden Woo gallery in London was generally more understated and condensed. The 2012 retrospective toured by York Art Gallery revealed the extent of his activity on paper, drawings and collages which enriched his three-dimensional concerns. Baldwin's eyesight seriously declined after the York show, forcing him to give up clay, but he allayed his frustration with a flurry of playful and spontaneous charcoal drawings which showed that his mind's eye, in many ways so aural too, had not dimmed. Honours came his way, including being appointed OBE in 1992, and a doctorate from the Royal College of Art eight years later, but it was the early morning visits to the studio that really counted, those moments of journey and discovery which had to be shared. An exhibition marking his achievement is now showing at the Kunstverein in Hamburg until August. Nancy predeceased him in 2021. He is survived by his children, Raef, Amanda and Flavia, his grandchildren, Raman, Jago, Freya, Fleur, Harry and Imogen, and great-grandchildren, Otterlie and Theo. Gordon Baldwin, potter and sculptor, born 10 July 1932; died 18 May 2025


The Sun
3 hours ago
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Shoppers go wild for privacy fence on Amazon that's easy to install, sturdier than bamboo and costs less than £30
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BBC News
3 hours ago
- BBC News
New visitor hub at Laxey Wheel gets planning committee approval
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