Paul Kelly fans are mourning the death of one of Australia's most loved song characters
The wry storyteller posted a Public Notice in a Melbourne newspaper on Monday announcing the death of Joe from his treasured 1996 song 'How To Make Gravy'.
The death notice, also shared on Kelly's social media with a succinct 'RIP Joe' message, revealed the convict cook and star of the accidental Aussie Christmas anthem died of 'sudden misadventure'.
'With great sorrow, we announce the death of Joe by sudden misadventure. Much loved father, husband, brother, brother-in-law and uncle to Dan, Rita, Stella, Roger, Mary, Angus, Frank and Dolly,' read the notice.
'We'll miss you badly, Joe. You loved life and went hard at it. You loved music, food, football, celebration, tall tales and strong argument. We can still see you cooking up a storm in the kitchen at our big family gatherings, pots and pans on the go, BBQ smoking outside, glass of wine in hand, your beloved reggae music on the stereo, Junior Murvin, Linton Kwesi Johnson, Gregory Isaac and the like. You filling up everybody's drinks and teasing the little ones.'
Of course the notice also acknowledged that 'Christmas just won't be the same this year without you.'
And it begged the question which is the signature lyric of Kelly's beloved song: 'Who's gonna make the gravy?'
'But we know you'll always be with us, hovering above us, floating all around us, making sure we get it right. And laughing when we don't.'
Kelly seems to be setting up the release of the long-anticipated sequel to 'How To Make Gravy', which polled at No.9 on Triple J's Hottest 100 Australian Songs last month and was brought to life in the successful Nick Waterman and Megan Washington film last year.
'The funeral and service will be on August 14th. Followed by a wake to end all wakes!
Further details to follow,' the notice concluded.
The 70-year-old songwriter flagged in May during a Double J interview that he had completed the sequel to 'How To Make Gravy' and it was called 'Rita Wrote A Letter.'
Lovers of the song know that in his December 21 letter from prison to his brother Dan that he knew he had feelings for Rita and begged him not to make a move on his wife.
Kelly told Double J he had the idea for the song in his notebook for 'quite a while.'
'I always wanted to sort of have more, I guess, her point of view in that whole situation. It took a little dark turn, but I can't really say much more about that,' he told host Henry Wagons.'
Fans were quick to quote 'Gravy' lyrics and send their 'condolences' when Kelly shared the death notice on social media.
'I guess the brothers are driving down from QLD for the funeral?' commented one fan.
'Do you Rita and Dan will finally get together?' posed one astute observer.
'So sorry to read this. Poor Rita. She's been through a lot,' added another fan.
Others got the cryptic clues that new music is on the way from Kelly.
'Just like the gravy, the plot thickens,' wrote one fan.
Any new song Kelly drops soon will likely get its live premiere when he embarks on his headlining arena tour later this month.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Sydney Morning Herald
an hour ago
- Sydney Morning Herald
Harry Gill, Warnie and the Flying Man: Crowd interactions unite us like little else
Harry does so and ... the ball sticks! GOT HIM, YES! Mahvellous catch, that. The cameras pan to Harry, as the whole thing is played in slo-mo on the big screen, and it is realised he didn't even spill a drop of the grog. The perfect catch. Oh, how the crowd roars, and the nation has a rare moment of complete unity. 'The catch was phenomenal,' Tom Birmingham of the Hello Sport podcast sagely observes. 'Two cans in the hand means he's an alpha male. He looked excited and pleased with himself, but also, in a way, like he does it all the time. This will be shown forever, like that guy smoking the dart behind the sight screen.' And you, Harry? What did you make of it? 'Happy with it,' he says with a smile. 'My phone is blowing up ... I wish I had a durry in my mouth.' And a star is born. Another way to fame for fans, of course, is when they interact with the players in a way that causes headlines. In Australian sport, an infamous occasion was five decades ago when the third streaker that day jumped the fence to disrupt the second Test between Australia and New Zealand at Eden Park. Our own Greg Chappell, frustrated beyond measure, chased the fellow – Leonard Bruce McCauley – and gave him a couple of smacks on the backside for his trouble. Marvellous stroke that. (McCauley sued for assault, lost and was fined for disorderly conduct. I'd like to think he declined to take his seat for the short court process, for comfort's sake.) And a globally famous episode was three decades ago, when Manchester United were playing against Crystal Palace at Selhurst Park, in January 1995, and Man U's Eric Cantona was sent off, only to receive a gobful of abuse from a spectator, in the front row, one Matthew Simmons. Something in Cantona snapped, and he launched a kung-fu-style kick right at him, connecting, and causing the immortal headline in the News of the World the next morning: 'THE SHIT HITS THE FAN!' (Cantona, was given a nine-month suspension and a £20,000 fine.) But, back to the catches. For my money, there'll never be a better fan catch than what happened one night during an NFL match between the Green Bay Packers and the Chicago Bears. When, on September 11, 1995, Chicago's Kevin Butler kicked a field goal– call it Frank Hyde, for the old days – It's high enough, it's long enough, and it's straight between the posts – the ball kept lazily spinning, arcing towards the stands. Suddenly, from the front row, a young Chicago fan, Mike Pantazis, leapt into the abyss to actually catch it, before plummeting some five or six metres to the ground, still with ball in hand! He tossed the ball to an official and resumed his seat, as the crowd went berserk. You honestly have to see it to believe it. Very, very occasionally, the fan who catches the ball already has a fame to rival the players. Such was the case in a tennis match between Roger Federer and Andrew Murray at the Australian Open in 2013, when Federer attempted an impossible return from a Murray lob, only for the ball to fly into the crowd.

The Age
an hour ago
- The Age
Harry Gill, Warnie and the Flying Man: Crowd interactions unite us like little else
Harry does so and ... the ball sticks! GOT HIM, YES! Mahvellous catch, that. The cameras pan to Harry, as the whole thing is played in slo-mo on the big screen, and it is realised he didn't even spill a drop of the grog. The perfect catch. Oh, how the crowd roars, and the nation has a rare moment of complete unity. 'The catch was phenomenal,' Tom Birmingham of the Hello Sport podcast sagely observes. 'Two cans in the hand means he's an alpha male. He looked excited and pleased with himself, but also, in a way, like he does it all the time. This will be shown forever, like that guy smoking the dart behind the sight screen.' And you, Harry? What did you make of it? 'Happy with it,' he says with a smile. 'My phone is blowing up ... I wish I had a durry in my mouth.' And a star is born. Another way to fame for fans, of course, is when they interact with the players in a way that causes headlines. In Australian sport, an infamous occasion was five decades ago when the third streaker that day jumped the fence to disrupt the second Test between Australia and New Zealand at Eden Park. Our own Greg Chappell, frustrated beyond measure, chased the fellow – Leonard Bruce McCauley – and gave him a couple of smacks on the backside for his trouble. Marvellous stroke that. (McCauley sued for assault, lost and was fined for disorderly conduct. I'd like to think he declined to take his seat for the short court process, for comfort's sake.) And a globally famous episode was three decades ago, when Manchester United were playing against Crystal Palace at Selhurst Park, in January 1995, and Man U's Eric Cantona was sent off, only to receive a gobful of abuse from a spectator, in the front row, one Matthew Simmons. Something in Cantona snapped, and he launched a kung-fu-style kick right at him, connecting, and causing the immortal headline in the News of the World the next morning: 'THE SHIT HITS THE FAN!' (Cantona, was given a nine-month suspension and a £20,000 fine.) But, back to the catches. For my money, there'll never be a better fan catch than what happened one night during an NFL match between the Green Bay Packers and the Chicago Bears. When, on September 11, 1995, Chicago's Kevin Butler kicked a field goal– call it Frank Hyde, for the old days – It's high enough, it's long enough, and it's straight between the posts – the ball kept lazily spinning, arcing towards the stands. Suddenly, from the front row, a young Chicago fan, Mike Pantazis, leapt into the abyss to actually catch it, before plummeting some five or six metres to the ground, still with ball in hand! He tossed the ball to an official and resumed his seat, as the crowd went berserk. You honestly have to see it to believe it. Very, very occasionally, the fan who catches the ball already has a fame to rival the players. Such was the case in a tennis match between Roger Federer and Andrew Murray at the Australian Open in 2013, when Federer attempted an impossible return from a Murray lob, only for the ball to fly into the crowd.

News.com.au
an hour ago
- News.com.au
‘Nobody's screaming at each other': The White Lotus actor addresses cast tensions
On the cusp of turning 40, Morgana O'Reilly finds herself in a career sweet spot thanks to The White Lotus. Having racked up almost 20 years of performances in shows such as Neighbours, Rosehaven and Wentworth, it was O'Reilly's small but memorably meme-able role as The White Lotus' officious hotel wellness mentor, Pam, which has thrust the Kiwi actor into the global spotlight. 'In my more vulnerable moments, I go, 'Oh my gosh. I can't believe this is all happening, right at this point. I mean, I don't look 28!' she reflects to Stellar. 'But it's also wonderfully indicative of what is available [to actors as they get older]. And it's also great, because I'm so much better at what I do now than when I was 28 and maybe, hopefully, it is indicative of a world where that's what we want to see.' O'Reilly will celebrate the big 4-0 singing and dancing with friends and family, noting that she was pregnant with her daughter when she turned 30 so a party is long overdue. Far from feeling anxious about the milestone, O'Reilly is impatient for her birthday, laughing: 'From 37 through to 40 just feels like waiting in line for the bathroom. 'It's just like, 'Hurry up! We may as well get there'. Let's just crack on.' And there's a lot to be excited about, thanks in part to The White Lotus. The anthology murder mystery series set in a chain of luxury hotels has become a water cooler hit of 2025. Having seen the hype around the first two series, reinvigorating Jennifer Coolidge's career and putting Aussie actor Murray Bartlet on the map, O'Reilly was understandably thrilled to be cast alongside Parker Posey, Carrie Coon and Sam Rockwell for the latest whodunnit in Thailand. And yet, O'Reilly didn't feel any pressure, reasoning: 'to the American market, I'm basically a nobody, so there were no expectations to meet. 'I just went in to do my best … I'm a fairly confident and outgoing person, but I found trying to be in that space — working with all those amazing fancy people — not that they ever made me feel like an outsider, I was going: 'you have a right to be here' quietly in my room before going out.' In the end, the cast became tight knit and O'Reilly now considers many of them friends. Scoffing at persistent rumours of tensions on set, O'Reilly explains: 'when you're working together, it's not all peaches and roses. 'But nobody's screaming at each other. If you lived with people for six months, you'd be like, 'Oh, that person's getting a bit annoying'. 'That's probably the extent of it. Otherwise, it was always just such lovely vibes. Everyone was such consummate professionals, and nobody's there being a diva or demanding more than other people. Everyone was beautiful, respectful and kind.' The White Lotus has opened doors for O'Reilly. 'People are so nice to me now,' she says, laughing. 'Not that they weren't before … but there's language in our industry which suggests a finish line, which is fictional. This idea that 'you've made it', that's not real. You haven't made anything. You haven't finished. It's all tides on the beach. 'But after doing that show, I felt maybe that has unlocked a special bonus round.' O'Reilly went straight from the Thai set of The White Lotus into shooting Stories About My Body – an upcoming film adaptation of her one-woman stage show directed by her husband, Peter Salmon – in New Zealand to filming Playing Gracie Darling in the Hawkesbury River region. In Playing Gracie Darling, O'Reilly plays Joni Gray, a child psychologist who is haunted by the disappearance of her best friend during a seance years earlier. When another member of the Darling family disappears, Joni returns to her hometown to face her demons and search for answers to both mysteries. Finding herself in the lead role on the mystery which also stars Dame Harriet Walter and Celia Pacquola was a dream come true for O'Reilly. 'I'm a Leo,' she hazards of her horoscope sign, which is typically associated with leadership. 'So, come on, it's delicious! It feels like being promoted to a managerial position.' The supernatural subject matter of Gracie Darling also struck a chord with O'Reilly who took part in a lot of slumber party seances when she was a kid. 'I am of The Craft generation!' she enthuses of the 1996 film about a high school coven starring Neve Campbell. 'I love a ghost story. I love anything a bit witchy.' O'Reilly has always been encouraged explore her imagination. The daughter of a choreographer and a graphic designer herself, O'Reilly 'grew up in rehearsal rooms and dark theatres, and mum's boot was always filled with strange costumes. 'And, yeah, putting on shows was just a very normal thing.' And she is proudly exposing her own kids Ziggy, six, and Luna 10 to that same sort of creative energy. 'I'm comfortable with the fact that they're not going to have a conventional life,' she smiles. 'I think if it was a priority for us that they have a conventional stay in the one school all the time life, then we would have to find different jobs. 'It's hard for them sometimes and then I have to remind them: 'Sorry, but you were just born into this crazy art family, and we're just going to go on lots of adventures. Some people go away to get away, and some people go away because it helps them understand what they love about home. And so, you'll understand home in a way that other people won't, because you'll be away from it for a bit'.' While the location of the fourth season of The White Lotus is still unknown, O'Reilly would happily pack up the family and head anywhere in the world that creator Mike White wanted should she be tapped to return. 'I'm not holding my breath but I did jokingly say to Mike when I last saw him: 'I work at the hotel, so I could come back in the fourth season. Right? Nudge, nudge …' And unlike some of her fellow cast, Pam didn't die and so, theoretically that makes her comeback a more likely proposition. Although O'Reilly has come to believe that anything is possible in TV – even a resurrection from the grave. 'I remember doing Neighbours and somebody saying to me: 'Well, nobody can really die on television,'' she laughs. 'And that's true. You know you can always come back. You can come back as a twin. You can come back as an apparition. You can come back with amnesia.'