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Mandy Patinkin and Kathryn Grody hope their ‘out of the box' comedy gets new life at Tribeca

Mandy Patinkin and Kathryn Grody hope their ‘out of the box' comedy gets new life at Tribeca

When Mandy Patinkin was first handed a list of potential storylines for the television comedy 'Seasoned,' in which he co-stars with wife Kathryn Grody, he was a little taken aback.
''This is completely out of the box,'' he remembers thinking. ''This is the most original thing I think maybe I've ever seen. I don't think I can do this.''
But then his son, Gideon Grody-Patinkin, one of the co-writers on the project, had a way to convince him he was up to the task. On a video call with Grody, Grody-Patinkin, and director Ewen Wright, Patinkin explains that Grody-Patinkin reminded him that he's always playing intense, dark roles like his Emmy-nominated stint on 'Homeland.'
''You always say you want a break from it,'' Patinkin recalls his offspring saying. ''This is just you. Just be you. Just show up. Come to work. It should be very freeing.' Well, from the mouths of babes, he was a trillion percent right.'
And it's true: Speaking with Grody and Patinkin on Zoom is not that dissimilar from watching them in the pilot of 'Seasoned,' which premieres Sunday at the Tribeca Festival. In the episode, Grody and Patinkin play lightly fictionalized versions of themselves scouring New York for a place to eat dinner on their anniversary after they miss their reservation because Kathryn spent too long chatting with friends after a play. That leads to Mandy having a breakdown over a falafel truck driving away.
On our call, Patinkin clasps his arm around Grody, showering her with affection and telling her he adores her as she bursts out laughing. They casually bicker and lightly razz one another. ('Give me anything but rice and vegetables,' he jokes about their nightly dinners.)
It's a dynamic that was also on display in the viral videos they starred in, after encouragement from Grody-Patinkin, during the early days of the COVID-19 pandemic lockdown. Wright, a friend of Grody-Patinkin, joined their team when they began to direct their efforts to get out the vote for Joe Biden during the 2020 election.
Almost immediately, networks came sniffing, wondering if they could put the Grody and Patinkin show on a bigger platform. Grody-Patinkin says they turned down multiple reality offers, but when Patinkin was approached about whether he had anything he wanted to make, he realized he wanted to continue working with Wright. Wright, meanwhile, wanted to keep it all in the family.
'Obviously working with Mandy in any capacity would be thrilling and exciting and fruitful,' Wright says. 'But the secret sauce, to just cut you down a little bit Mandy, is adding Kathryn.'
Grody-Patinkin and Wright, who serve as writers, came up with a list of over 50 potential episodes. They shot the pilot in July 2022 and Showtime, Patinkin's former 'Homeland' base, picked up the series for a six-episode season. They submitted scripts just before the 2023 writers' strike hit. Once production resumed, the cable channel dropped the project.
'Showtime was amazingly gracious about letting us know, like, do not take this as a creative slight,' Wright says. 'This was purely a business decision in the middle of a crazy moment in the industry.'
But none of the foursome wanted to let 'Seasoned' go. Tribeca is a chance for it to get a new life. Grody remains optimistic.
'It's an expression that sounds better in Spanish — my older son says I overuse it — and it's not always true, but 'there's nothing so bad that good can't come from it,'' she says, noticing a bit of exasperation hit Grody-Patinkin's face.
'I just don't know how that phrase enters nine out of 10 of our family conversations,' Grody-Patinkin says. Patinkin adds, 'Learn it in Spanish by now.'
In part, they are looking to recreate the rush they got from making the pilot, which Patinkin describes as 'frigging thrilling.' The septuagenarian actors shot for five days straight from about 4 p.m. to 6 a.m.
'I know it's hard to believe looking at us, but we're not 30 years old,' Patinkin says. Grody interrupts, 'But we're not 100 either,' to which Patinkin adds, 'No, but we're not 30. And we really were thrilled at our ability to stay awake, to keep focused and to not kill each other.'
Grody is more used to live theater than television or film, but she got a kick out of the crew laughing at footage of her running around wearing a camera that captures a close-up of her face. 'I don't care if I look like some other species, it made them laugh,' she says. 'That was really fun.'
On social media, Grody and Patinkin are still posting videos that range from the silly (drawing on each other's faces) to the serious (speaking out for causes including Gaza aid and the climate). That mix of goofiness and genuine advocacy is part of the reason Grody is so passionate about having the rest of 'Seasoned' made.
'It blows apart assumptions about behavior, about relationships of people our age,' she says. 'I would hope it would be encouraging for young people to not be so frightened about getting to be older in this fakakta culture that is so youth-obsessed and so frightened about the privilege of getting older.'
Wright acknowledges that the show he and Grody-Patinkin wrote is that way because of who Grody and Patinkin are.
'You know my joke is I didn't expect my muses to be a Jewish couple in their 70s,' he says. 'And that's because of everything they're expressing about how they approach life. It's in who they are.'
But while the characters of Mandy and Kathryn aren't that different from Patinkin and Grody themselves, the scenarios are not entirely taken from real life. One script has them going to a sexy party, and, for what it's worth, Patinkin has never pulled out an Inigo Montoya impression to try to get a table at a restaurant.
He has, however, used his star power to try to get Wright and his young son into a sold-out Disneyland. At first it didn't work, but eventually an employee recognized him.
'We got in and we had a great time,' Wright says.
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Tributes Pour In for Actor Terence Stamp
Tributes Pour In for Actor Terence Stamp

Time​ Magazine

time2 hours ago

  • Time​ Magazine

Tributes Pour In for Actor Terence Stamp

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He appeared in a 1960 episode of the BBC series Spy-Catcher, according to his IMDb profile, but he first gained global prominence after portraying an 18th-century seaman in the film adaptation of Herman Melville's novel Billy Budd in 1962. That drama directed by Peter Ustinov earned him an Academy Award nomination as well as a Golden Globe Award for 'New Star Of The Year.' Throughout the 1960s, Stamp worked with renowned British filmmakers like Ken Loach and John Schlesinger as well as Italians like Federico Fellini and Pier Paolo Pasolini. Stamp earned fame not only for his work, but also for his high-profile romances during that decade, including with supermodel Jean Shrimpton and actor Julie Christie. At one point, Stamp was even considered to be the next James Bond after Sean Connery, though he said in a 2013 interview with the London Evening Standard that he scared the filmmakers behind the popular spy franchise with his ideas for how to make the role his own. But just as Stamp felt he was entering his prime, work started to dry up. Stamp recalled to the Guardian in 2015 his agent telling him when he was only 31 or 32 that the movie studios were all 'looking for a young Terence Stamp.' 'When the 60s ended, I almost did too,' he said. In 1969, Stamp moved to an ashram in India. 'I thought I'm not going to stay around here facing this day-in-day-out rejection and the phone not ringing,' he told the BFI in 2013, looking back on that period in his life. General Zod and The Adventures of Priscilla Stamp was in India when he received a now-famous telegram addressed to 'Clarence Stamp' that would lead to his most recognized role of his career. It was an invitation to meet with director Richard Donner to join the ensemble cast, including Christopher Reeve and Marlon Brando, of a blockbuster adaptation of DC comic Superman. Stamp received widespread acclaim for his portrayal of the Kryptonian villain General Zod in the 1978 film and its 1980 sequel and said in 2013 that he 'can't go out on the street in London without somebody saying, 'It's Zod!'' Sarah Douglas, who played fellow villain Ursa in the films, remembered the late Stamp on Instagram as 'beyond gorgeous and talented,' adding: 'What a start to my career to have spent so many months in his company.' Stamp told BFI that the 'great blessing' of this next phase of his career was that he'd been 'transmuted from a leading man to a character actor.' Throughout the decades that followed, he was praised by critics for his performances, particularly in crime thrillers The Hit (1984) and The Limey (1999). But he appeared in a multitude of genres, and many consider his star turn in the 1994 Australian film The Adventures of Priscilla, Queen of the Desert, to be a standout example of his creativity and dedication to his craft. Departing from his traditionally hardman roles, Stamp portrayed transgender woman Bernadette alongside co-stars Hugo Weaving and Guy Pearce as drag queens. The endearing comedy became a cult classic, and Stamp earned his second BAFTA and Golden Globe nominations for his performance. 'You were a true inspiration, both in & out of heels,' Pearce posted on X after Stamp's passing. Stamp's work would continue on in the 2000s and 2010s, with roles in films like The Adjustment Bureau, Valkyrie, Big Eyes, and the movie adaptation of Miss Peregrine's Home for Peculiar Children. Before Stamp's passing, Priscilla director Stephan Elliott told the Guardian last year that Stamp was slated to return with Weaving and Pearce for a sequel, with a script already finished. Elliott described Stamp to the Guardian as someone who had left a lasting impression on him since he first saw Stamp in 1965 thriller The Collector. 'Terence's greatest beauties were his eyes—in some of the early films you don't see it, but in person, when they were shining, he could hold a room,' Elliott said. 'He'd show up, use the eyes and turn everybody to jelly.' Elliott also noted how Stamp became more discerning with his roles later in his career. 'If he'd already seen something like it, he didn't care. If something pressed his buttons and piqued his interest, he'd consider it,' Elliott said. Elliott remembered marveling at all the notable directors and actors Stamp got to work with throughout his career. 'He said to me, 'I just drifted from one to the other—if somebody had something interesting, I'd do it. That's the way it's always been.''

Bruce Dickinson reveals 2027 solo album plans, says Iron Maiden bassist Steve Harris loves it
Bruce Dickinson reveals 2027 solo album plans, says Iron Maiden bassist Steve Harris loves it

Yahoo

time3 hours ago

  • Yahoo

Bruce Dickinson reveals 2027 solo album plans, says Iron Maiden bassist Steve Harris loves it

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Mike White Envisioned the Ratliffs as 'the Brunette Version' of the Family From ‘White Lotus' Season 1
Mike White Envisioned the Ratliffs as 'the Brunette Version' of the Family From ‘White Lotus' Season 1

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time7 hours ago

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Mike White Envisioned the Ratliffs as 'the Brunette Version' of the Family From ‘White Lotus' Season 1

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