logo
Mandy Patinkin and Kathryn Grody hope their ‘out of the box' comedy gets new life at Tribeca

Mandy Patinkin and Kathryn Grody hope their ‘out of the box' comedy gets new life at Tribeca

Los Angeles Times13 hours ago

When Mandy Patinkin was first handed a list of potential storylines for the television comedy 'Seasoned,' in which he co-stars with wife Kathryn Grody, he was a little taken aback.
''This is completely out of the box,'' he remembers thinking. ''This is the most original thing I think maybe I've ever seen. I don't think I can do this.''
But then his son, Gideon Grody-Patinkin, one of the co-writers on the project, had a way to convince him he was up to the task. On a video call with Grody, Grody-Patinkin, and director Ewen Wright, Patinkin explains that Grody-Patinkin reminded him that he's always playing intense, dark roles like his Emmy-nominated stint on 'Homeland.'
''You always say you want a break from it,'' Patinkin recalls his offspring saying. ''This is just you. Just be you. Just show up. Come to work. It should be very freeing.' Well, from the mouths of babes, he was a trillion percent right.'
And it's true: Speaking with Grody and Patinkin on Zoom is not that dissimilar from watching them in the pilot of 'Seasoned,' which premieres Sunday at the Tribeca Festival. In the episode, Grody and Patinkin play lightly fictionalized versions of themselves scouring New York for a place to eat dinner on their anniversary after they miss their reservation because Kathryn spent too long chatting with friends after a play. That leads to Mandy having a breakdown over a falafel truck driving away.
On our call, Patinkin clasps his arm around Grody, showering her with affection and telling her he adores her as she bursts out laughing. They casually bicker and lightly razz one another. ('Give me anything but rice and vegetables,' he jokes about their nightly dinners.)
It's a dynamic that was also on display in the viral videos they starred in, after encouragement from Grody-Patinkin, during the early days of the COVID-19 pandemic lockdown. Wright, a friend of Grody-Patinkin, joined their team when they began to direct their efforts to get out the vote for Joe Biden during the 2020 election.
Almost immediately, networks came sniffing, wondering if they could put the Grody and Patinkin show on a bigger platform. Grody-Patinkin says they turned down multiple reality offers, but when Patinkin was approached about whether he had anything he wanted to make, he realized he wanted to continue working with Wright. Wright, meanwhile, wanted to keep it all in the family.
'Obviously working with Mandy in any capacity would be thrilling and exciting and fruitful,' Wright says. 'But the secret sauce, to just cut you down a little bit Mandy, is adding Kathryn.'
Grody-Patinkin and Wright, who serve as writers, came up with a list of over 50 potential episodes. They shot the pilot in July 2022 and Showtime, Patinkin's former 'Homeland' base, picked up the series for a six-episode season. They submitted scripts just before the 2023 writers' strike hit. Once production resumed, the cable channel dropped the project.
'Showtime was amazingly gracious about letting us know, like, do not take this as a creative slight,' Wright says. 'This was purely a business decision in the middle of a crazy moment in the industry.'
But none of the foursome wanted to let 'Seasoned' go. Tribeca is a chance for it to get a new life. Grody remains optimistic.
'It's an expression that sounds better in Spanish — my older son says I overuse it — and it's not always true, but 'there's nothing so bad that good can't come from it,'' she says, noticing a bit of exasperation hit Grody-Patinkin's face.
'I just don't know how that phrase enters nine out of 10 of our family conversations,' Grody-Patinkin says. Patinkin adds, 'Learn it in Spanish by now.'
In part, they are looking to recreate the rush they got from making the pilot, which Patinkin describes as 'frigging thrilling.' The septuagenarian actors shot for five days straight from about 4 p.m. to 6 a.m.
'I know it's hard to believe looking at us, but we're not 30 years old,' Patinkin says. Grody interrupts, 'But we're not 100 either,' to which Patinkin adds, 'No, but we're not 30. And we really were thrilled at our ability to stay awake, to keep focused and to not kill each other.'
Grody is more used to live theater than television or film, but she got a kick out of the crew laughing at footage of her running around wearing a camera that captures a close-up of her face. 'I don't care if I look like some other species, it made them laugh,' she says. 'That was really fun.'
On social media, Grody and Patinkin are still posting videos that range from the silly (drawing on each other's faces) to the serious (speaking out for causes including Gaza aid and the climate). That mix of goofiness and genuine advocacy is part of the reason Grody is so passionate about having the rest of 'Seasoned' made.
'It blows apart assumptions about behavior, about relationships of people our age,' she says. 'I would hope it would be encouraging for young people to not be so frightened about getting to be older in this fakakta culture that is so youth-obsessed and so frightened about the privilege of getting older.'
Wright acknowledges that the show he and Grody-Patinkin wrote is that way because of who Grody and Patinkin are.
'You know my joke is I didn't expect my muses to be a Jewish couple in their 70s,' he says. 'And that's because of everything they're expressing about how they approach life. It's in who they are.'
But while the characters of Mandy and Kathryn aren't that different from Patinkin and Grody themselves, the scenarios are not entirely taken from real life. One script has them going to a sexy party, and, for what it's worth, Patinkin has never pulled out an Inigo Montoya impression to try to get a table at a restaurant.
He has, however, used his star power to try to get Wright and his young son into a sold-out Disneyland. At first it didn't work, but eventually an employee recognized him.
'We got in and we had a great time,' Wright says.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Will Season 5 of 'Hacks' Be the Last?
Will Season 5 of 'Hacks' Be the Last?

Yahoo

time44 minutes ago

  • Yahoo

Will Season 5 of 'Hacks' Be the Last?

Will Season 5 of 'Hacks' Be the Last? originally appeared on Parade. Hacks is officially coming back, but it's yet to be confirmed if it will be the show's curtain call. Max has renewed the Emmy-winning comedy for a fifth season, continuing the story of legendary comedian Deborah Vance (Jean Smart) and her relationship with young comedy writer Ava (Hannah Einbinder). While most seasons have seen the dynamic duo at odds, the pair found themselves on the same page by the end of Season 4. While an official premiere date hasn't been announced, Hacks has consistently returned each spring, with previous seasons debuting in April or May. Season 5 is expected to follow that pattern and arrive in spring 2026. Though there have been rumors that the show was designed with a five-season arc, the press release did not mention this being the final season. Here's everything you need to know. 🎬 SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox 🎬 Yes, the show was renewed for another season by HBO Max. While the show's creators have spoken about a five-season plan for Hacks, there was no mention of Season 5 being the last in the renewal announcement. Traditionally when show's are coming to an end, the last season is announced as the end from the jump, so it seems likely that we'll get at least a Season 6 of Hacks, but nothing has been announced officially. While a premiere date has not been made official, the comedy has consistently premiered every year in April or May. Expect Season 5 to premiere in spring 2026. Related: Of course, Hacks wouldn't be Hacks without Jean Smart and Hannah Einbinder. Series regulars Paul W. Downs, Megan Statler, Carl Clemons-Hopkins, Mark Indelicato and Rose Abdoo are all confirmed to return for Season 5. While the show will undoubtedly feature various cameos from Hollywood, according to the official Warner Bros. press release, guest stars for Season 5 include Dan Bucatinsky, Helen Hunt, Tony Goldwyn, Kaitlin Olson, Poppy Liu and Christopher McDonald. The show is available to stream on Max. It's most likely that there will be 10 episodes in Season 5. This is the same number there were in Season 1 and Season Season 5 of 'Hacks' Be the Last? first appeared on Parade on Jun 3, 2025 This story was originally reported by Parade on Jun 3, 2025, where it first appeared.

Logic explains how therapy and J.J. Abrams led to his directorial debut 'Paradise Records'
Logic explains how therapy and J.J. Abrams led to his directorial debut 'Paradise Records'

USA Today

timean hour ago

  • USA Today

Logic explains how therapy and J.J. Abrams led to his directorial debut 'Paradise Records'

Logic explains how therapy and J.J. Abrams led to his directorial debut 'Paradise Records' Show Caption Hide Caption Logic makes directorial debut with 'Paradise Records' The Rapper Logic sat down with Ralphie Aversa to talk about his directorial debut in new semi-autobiographical film, 'Paradise Records.' NEW YORK – What do J.J. Abrams, Seth MacFarlane and Kevin Smith have in common? They all endorsed Logic, the multi-platinum hip hop star, in his application to join the Directors Guild of America. Now the artist, born Sir Robert Bryson Hall II, makes his directorial debut in the Tribeca Film Festival with "Paradise Records," a workplace comedy that pays homage to movies like Smith's 1994 cult classic "Clerks." It was a big undertaking for Logic: He wrote, directed and starred in the movie. But besides the literal co-signings from established names in film and television, Logic's journey from the stage to the silver screen wouldn't have been possible without a series of events that took place almost five years ago. In July 2020, at the height of his career and in the middle of the COVID-19 pandemic, the hip hop star decided to "retire" from music. Logic wanted to focus on his family. He also went to therapy. "It's been such an incredible internal and spiritual journey," Logic, 35, tells USA TODAY. "I've learned things like the power of no, literally just how to say 'no.' I used to not do that because I wanted to people-please." Through conversations with his therapist, Logic also came to the realization that he should stay off social media. The artist says he hasn't been on any network in "almost eight years." What started as a personal journey also turned into a professional revelation. Logic parted ways with Def Jam Records, the label on which he recorded seven albums with including the Grammy-nominated single, "1-800-273-8255." The artist now releases music independently and no, he wouldn't divulge a date for his tenth LP "Sidequest." After Smith cast Logic in his 2024 semi-autobiographical film "The 4:30 Movie," he urged Logic to pursue filmmaking. Smith also presented an offer: he would serve as executive producer, editor and reprise his role of Silent Bob alongside Jason Mewes' Jay. Logic stars in the film with his real life best friend, Tremayne Hudson. Other actors who make cameos include Ron Perlman, Rainn Wilson and Joseph Gordon-Levitt in addition to rapper Juicy J and comedian Donnell Rawlings. Logic's family, including his father, oldest son and wife Brittney also appear in the project. The artist credits his wife with supporting his latest endeavor. The advice he received from Abrams helped too. The "Star Wars" director reminded Logic that he's "literally making a movie," so the top priority should be to have fun. "(Abrams) said, 'The second thing is you're gonna have every (department) coming to you, all these people constantly asking you for stuff,'" Logic recalls. "'At times it's going to feel overwhelming. Never forget that you're a human being and you have the power to say, "Give me five minutes," walk around your set and figure it out.'" That's what Logic did whenever there was an issue, from an actor getting COVID to an equipment malfunction. He took a break, walked and figured it out. Turns out Abrams was right after all.

‘Andor' star Genevieve O'Reilly on her unlikely two-decade Mon Mothma journey: ‘I've closed the circle on her'
‘Andor' star Genevieve O'Reilly on her unlikely two-decade Mon Mothma journey: ‘I've closed the circle on her'

Yahoo

timean hour ago

  • Yahoo

‘Andor' star Genevieve O'Reilly on her unlikely two-decade Mon Mothma journey: ‘I've closed the circle on her'

Andor actress Genevieve O'Reilly's Star Wars journey has been longer and more circuitous than most actors in the franchise, but what a payoff she received. The ethereal Rebel leader Mon Mothma was originally portrayed by actress Caroline Blakiston in Star Wars: Return of the Jedi. Though her appearance lasted less than 30 seconds, the character quickly became an iconic part of Star Wars lore. O'Reilly later stepped into the role in her 20s for Star Wars: Revenge of the Sith — a brief appearance as well, but one that laid the groundwork for her deeper involvement in the franchise later on. More from GoldDerby Tramell Tillman could make Emmy history as the first Black Best Drama Supporting Actor winner Kristen Kish dishes on Season 22 of 'Top Chef,' Emmys, and the show's global impact: 'It's all driven by the fans' Patricia Arquette's 'Severance' character talks like that because 'she thinks that's what power sounds like' Much to her surprise, O'Reilly returned to the franchise as Mon Mothma just over a decade later in a slightly more fleshed-out role for Rogue One: A Star Wars Story, accompanied by turns voicing the character for the animated series Star Wars Rebels. But those brief stints were just the amuse bouche for the gourmet feast that awaited the actress as Mon Mothma moved to the head of the table for Andor. The Chandrilan senator was given a sweeping backstory loaded with all the gravitas, sacrifice and subterfuge one could expect of an emerging Rebel hero; meanwhile O'Reilly was given her own epic opus as an actress. Attending an FYC event for the Disney+ series at the Writers Guild of America Theater in Beverly Hills, O'Reilly joined Gold Derby to reflect on her wildly unexpected two-decade tour of duty in the Rebellion (which has also continued forward in Ahsoka), including the challenging moments that tested her commitment as much as her character's. Lucasfilm/Disney Gold Derby: Is it too soon to lobby for a Mon Mothma series? From the end of this show to the end of , there's a lot of potential story still in there for her. Genevieve O'Reilly: I bet! Would you be excited if the right call came to pick this character up yet again? I mean, do you know what? It's been such a gift of a surprise for me to come back — and back — and Andor has been revelatory for me in regard to this woman. So, always! If we could go further, I don't know if that's possible because of what Andor has achieved, it's just extraordinary. But yes. You've participated in a lot of different projects. What did that mean to you to of be a part of what may be a whole new direction for a certain type of film or series? I can only speak from my perspective to the writing, to Tony [Gilroy] and all those writers and what they achieved, in regard to a depth of character, the depth of interaction. And I think something that Season 2 really achieved was by jumping that year every three episodes it allowed for a real specificity of character, a real specificity of this moment and who this is, which allowed for kind of big swings — swings of character. So that was really interesting to me, that you didn't have to carry the audience with you from one moment to the next. You could drop in and just reveal something quite different. Did you have any unanswered questions about Mon Mothma at the end of this, or are you pretty satisfied with what you do understand about her? I remember something when I started this so long ago, that there was something in Caroline Blakiston's performance [in Return of the Jedi] that I was really curious about, and what that pain was at the center of her. And I was always seeking that. And I feel like at the end of Andor I've kind of closed the circle on her. I understand her pain. I understand that personal trauma and that personal relationship to sacrifice the Rebellion much more. Tell me about when you got that very first call to pick up this character all those years ago, what your reaction was then? And now, when you're become truly the custodian of that character after all this time and really been the one who got to play the things that deepened her and filled out her mythology. Can you compare and contrast those moments? There're three big moments for me, actually. The first one was just getting that role when I was a very young actor and just being wide-eyed and just it was so extraordinary to step onto those sets and be a tiny part of that. The real interesting moment for me was when they called me to ask me to do Rogue One, because that was 10 years later. So much had happened in that time. They didn't have to ring. They didn't have to ask me, do you know what I mean? They kind of could have reached out to anyone at that point and that felt special. So I thought, 'OK, maybe I have something to offer here.' And then when Tony rang in regard to Andor, I mean he's such an extraordinary writer. He had such a vision for the piece and he really wanted to allow space for her to have a proper story, to have story time, narrative time, rather than just be an expositional force, which she was previously. What was the most challenging but perhaps the most gratifying day of work on for you? Yeah, that was the speech. Mon's speech. It took a day and it was extraordinary and that was so important to me. It was so important to me. I felt it was the fulcrum of who she is, really the center. I thought that everything else makes sense if she can land that, it was a real gift that he gave to me and trusted me with and, yeah, I brought everything I could to it. And I'm sure, too, the dance. The dance is her transition — now she's . There's blood in her hands at that point. And being able to release her physically was just everything, because it is a lens into character. And we'd never seen her move, we'd never really seen her outside of that calm that she has. So to be able to expose that trauma, that chaos, physically was so wonderful. Yeah, revelatory, I hope, for the audience, and also for me as an actor. Best of GoldDerby 'Say Nothing' star Anthony Boyle on playing IRA activist Brendan Hughes: We 'get to the humanity as opposed to the mythology' The Making of 'The Eyes of the World: From D-Day to VE Day': PBS variety special 'comes from the heart' From 'Hot Rod' to 'Eastbound' to 'Gemstones,' Danny McBride breaks down his most righteous roles: 'It's been an absolute blast' Click here to read the full article.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store