logo
British icon David Bailey to be celebrated in Marta Ortega Foundation's next exhibition

British icon David Bailey to be celebrated in Marta Ortega Foundation's next exhibition

Fashion Network25-04-2025
The Marta Ortega Pérez Foundation (MOP), led by the chair of fashion group Inditex, will dedicate its fifth exhibition to British photographer David Bailey. Known for capturing the spirit of London's 1960s scene and its iconic figures, Bailey will be the focus of his first major retrospective in Spain. The exhibition will run from June 28 to September 14 at Muelle de Batería in A Coruña.
Titled "David Bailey's Changing Fashion," the exhibition will feature more than 140 photographs from the 1960s and 1970s, including several previously unseen works. The showcase will place special focus on "David Bailey's Box of Pin-Ups," a 1965 portfolio featuring images of 36 icons from London's cultural scene at the time, ranging from Jean Shrimpton to Mick Jagger, Rudolf Nureyev, Michael Caine and Cecil Beaton.
The exhibition will also feature a curated selection of objects reflecting the essence of Bailey's studio, along with a short film created exclusively for the event that reinterprets Bailey's "Box of Pin-Ups." A publication inspired by Ritz, the magazine Bailey co-founded with David Litchfield in 1976, will also be released.
"David Bailey is, without a doubt, the owner of a visual language that is entirely his own. From the very beginning, he remained true to his vision, breaking the rules of fashion and photography and creating new ones. No one moved more effortlessly through music, fashion and 1960s style. It is incredibly exciting to host a top-tier photography exhibition in our A Coruña space again. This show captures a fleeting golden era that completely changed the history of style, photography and culture," said Marta Ortega Pérez, president of the foundation that bears her name and non-executive chair of Inditex.
Ahead of the David Bailey exhibition, the foundation's space will host the group show "Future Stories," featuring works by four emerging Galician photographers. In addition, the summer program will include a series of talks and conferences under the name "The MOP Talks."
The MOP Foundation was launched in April 2022 as a private nonprofit entity that promotes and supports culture, art, and literature, focusing on audiovisual arts and photography. It also aims to raise international awareness of A Coruña, the birthplace of Inditex and the location of its headquarters in Arteixo.
Since its founding, the MOP Foundation has presented monographic exhibitions dedicated to Peter Lindbergh, Steven Meisel, Helmut Newton and Irving Penn. David Bailey will join the list this summer.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Pink Slip returns: What are the best fictional movie bands?
Pink Slip returns: What are the best fictional movie bands?

Euronews

time3 hours ago

  • Euronews

Pink Slip returns: What are the best fictional movie bands?

When Freaky Friday came out in 2003, teenage dreams felt simple: a belly button ring, electric guitar, and pop-punk band destined for stardom. In Mark Waters' update of the 1976 Jodie Foster–Barbara Harris classic, Anna (Lindsay Lohan) is a rebellious teen who swaps places with her uptight therapist mum, Tess (Jamie Lee Curtis), after eating a magic fortune cookie. Comedic mayhem follows - but what fans still hold dearest are the details: Anna's embroidered guitar shirt, Tess's quotes ("make good choices!") and Pink Slip's riot grrrl-inspired songs. Its sequel, Freakier Friday, knows this - and leans heavily into the sparkly, scrappy, and superficially aspirational aesthetics of a Y2K Disney Channel era. Set twenty two years later, Tess is attempting to start a podcast ahead of publishing her book, "Rebelling with Respect". Anna is a music manager and single mum to surf-loving teen Harper (Julia Butters), who's constantly clashing with her soon-to-be British step-sibling Ella (Maitreyi Ramakrishnan). With family tensions high, a hyperactive Etsy psychic (Vanessa Bayer) intervenes - and sets in motion a quadruple body swap. Yes, it's as chaotic (and initially headache-inducing) as it sounds! While Harper and Ella (as Anna and Tess) decide to sabotage their parent's wedding plans, Anna and Tess (as Harper and Ella) search for a solution - but not before embarking on a junk food binge:"I haven't digested like this in decades!" While convoluted and deliberately heavy on fan service, Freakier Friday is ultimately a joyful nostalgia trip, like playing dress-up with a bunch of old friends. There are scrapbook-style graphics, outfit-change montages, oversized safety pin accessories - and even a blooper reel. The return of characters like Anna's old crush, Jake (Chad Michael Murray), gives it the comforting feel of a sitcom - everyone is older, but basically the same. Lohan and Curtis carry the comedic parts, the latter a delight to watch posing for author photos with lip plumper on - or grabbing adult diapers and enemas with perfectly affected teenage disgust. But it's the performance by Anna's band, Pink Slip, that will have millennials more rapturous than a retired raver at an Oasis reunion. In the finale, Lohan reunites with bandmates Christina Vidal and Haley Hudson to belt out their classic hit 'Take Me Away' before a packed stadium crowd. And suddenly, we're thirteen again - yearning for pop stardom, and a time when we loved things not because they were good, but because they felt like ours. So, in honour of Freakier Friday's release, here's a list of some of our other favourite fictional bands that have stood the test of time. Whether headlining stars or supporting acts, '90s boybands or hapless heavy metal rockers, their music continues to live - in the indelible lyrics of Pink Slip - "on and on and on and on." Sex Bob-Omb - Scott Pilgrim vs. the World (2010) The scrappy Toronto-based punk trio who want to 'make you think about death and get sad and stuff,' Sex Bob-Omb are fronted by Stephen Stills (Mark Webber), Kim Pine (Alison Pill), and bassist-slacker Scott Pilgrim (Michael Cera), with Young Neil (Johnny Simmons) as their eager understudy. In Edgar Wright's adaptation of Bryan Lee O'Malley's comic series, musician Beck composed the band's grungy, irreverent anthems, from 'We Are Sex Bob-Omb' to 'Garbage Truck'. It's a sound that drives the film's frenetic energy and fight choreography - rivalled only by The Clash at Demonhead and their killer cover of Metric's 'Black Sheep'. PoP! - Music and Lyrics (2007) A relic of the 1980s pop explosion, PoP! were once floppy-haired chart-topping heartthrobs. But in Music and Lyrics, former frontman Alex Fletcher (Hugh Grant) is now living off the dregs of nostalgia, performing the occasional reunion gig while struggling to get a solo career off the ground. While the movie itself is quite forgettable, PoP!'s 1984 hit 'PoP! Goes My Heart' is certainly not - even 18 years later, we're still humming it. A perfect parody of schmaltzy synth-pop, it's both irresistibly catchy and hilariously grating, complete with a music video full of white suits, melodrama, and tightly choreographed hand gestures. Hugh Grant even admitted in a 2016 Reddit AMA that he still performs the moves for his kids. Spinal Tap - This Is Spinal Tap (1984) They're the loudest band in rock history, and probably the funniest. Spinal Tap are the stars of Rob Reiner's cult mockumentary about a British heavy metal band attempting a comeback tour. Frontman David St. Hubbins (Michael McKean), guitarist Nigel Tufnel (Christopher Guest), and bassist Derek Smalls (Harry Shearer) began life as a sketch for a 1979 comedy show, with their debut single 'Rock and Roll Nightmare' featuring folk legend Loudon Wainwright III on the keyboards. They're also due to crank things up to 11 once again, with Spinal Tap II: The End Continues due out in September. Bring earplugs. Stillwater - Almost Famous (2000) In Cameron Crowe's semi-autobiographical tribute to music fandoms, Stillwater are the up-and-coming Southern rock band that teenage writer William Miller (Patrick Fugit) is sent to profile for Rolling Stone. Channeling the swagger and soul of Lynyrd Skynyrd and the Eagles, their sweaty anthems exude the sex, drugs and rock 'n' roll energy of the early '70s. The tracks were written by Crowe and his then-wife Nancy Wilson of Heart, with Peter Frampton and Pearl Jam's Mike McCready also contributing. 4*TOWN - Turning Red (2022) Pixar's Turning Red introduced us to puberty as a big red panda - but also 4*TOWN, the boyband obsession of teen protagonist Mei Lee (Rosalie Chiang). Despite the name, the group actually has five members. This is due to four being considered an unlucky number in Chinese culture, according to the film's director Dommee Shi. Styled in the fashion of '90s to early '00s pop groups like the Backstreet Boys, their tracks were written by Billie Eilish and Finneas O'Connell - and perfectly capture the squeaky clean studio sound of teenage millennial nostalgia. Josie and the Pussycats - Josie and the Pussycats (2001) Adapted from the Archie Comics and Hanna-Barbera cartoon, this 2000's staple follows bandmates Josie (Rachael Leigh Cook), Melody (Tara Reid) and Val (Rosario Dawson) as they become pawns in a corporate mind-control plot. From the antsy pop of '3 Small Words' to the melodic melancholy of 'You Don't See Me', their songs were written to reflect the studio-controlled, manufactured feel of music at the time. "We were coming out of an era with Nirvana and Pearl Jam and Sonic Youth, bands that really encouraged dissent and individuality. It was like the music industry suddenly decided we need to course-correct," co-director Deborah Kaplan told BuzzFeed in 2017. "It was kind of a reaction to that.' Sing Street - Sing Street (2016) Thick eyeliner, ruffled shirts and teenage yearning - Sing Street are the Irish 80s amateur band at the heart of John Carney's award-winning musical rom-com. Formed by struggling teen Conor (Ferdia Walsh-Peelo) with a group of his schoolmates, fame and fortune were never the goal - just impressing his crush, Raphina (Lucy Boynton). Almost every track is addictively good, from the high-energy, Hall & Oates-inspired 'Drive It Like You Stole It', to the mellowing ballad 'To Find You'. It's the sound of nostalgia that feels both old and new, charged with the naivety and buoyant energy of youthful escapism. School of Rock - School of Rock (2003) They've got guitars in their hands and rock in their hearts! School of Rock is the student band founded by Dewey Finn (Jack Black), a failed musician posing as a substitute teacher in Richard Linklater's beloved comedy. While they ultimately lose at the Battle of the Bands competition, their final song, 'Rock Got No Reason', remains an absolute banger. It has epic guitar solos, groovy backing harmonies, and some feverishly funky keyboard playing. And to their encore of AC/DC's 'It's a Long Way to the Top'? We salute. Freakier Friday is out in cinemas now.

Paris deputy mayor calls for better regulation of tourism to avoid protests
Paris deputy mayor calls for better regulation of tourism to avoid protests

Local France

time7 hours ago

  • Local France

Paris deputy mayor calls for better regulation of tourism to avoid protests

Tourism in Paris is nothing new - the city welcomes between 35 million and 40 million visitors a year and has some of the most-visited tourist attractions in the world including the Eiffel Tower (7 million visitors per year) and the Louvre (10 million visitors per year). But those already impressive numbers seem to have received a post-Olympics boost with Frédéric Hocquard, the Paris deputy mayor in charge of tourism and the night-time economy, saying that the city has seen a significant post-Olympics bounce, with provisional figures showing a 5-10 percent increase on previous years. He added that the Olympics also seems to have changed the profile of visitors - previously tourists to Paris largely comprised of family groups or people wanting to visit cultural sites, this year has seen a big increase in younger visitors interested in nightlife and entertainment. Advertisement This year's Fête de la musique in Paris was much busier than usual, which organisers think was partly due to British and American influencers promoting the event in advance to their followers as 'France's best all-night party'. The Paris Olympics opening ceremony and the Games vibe of 'Paris est un fête' (Paris is a party) is credited with making the city a cooler destination for younger visitors. While welcoming the interest, Hocquard told French newspaper Libération that he believed the time had come to better regulate Paris tourism, or risk rejection from locals and possibly the type of anti-tourism protests seen in Spain and Italy. While remaining the world's most-visited tourist destination, France has so far managed to avoid the protests against over-tourism seen around Europe. READ ALSO : How has France avoided Europe's anti-tourism protests? He told the paper: "Paris is usually more of a family tourist destination, but we've had an influx of young, party-loving tourists this year. "The rules of tourism have been turned upside down. Now it's a mix of Fête de la Musique and Fashion Week. "For several months now, in certain places, we've been seeing tourists who say they've come to see a particular artist. When they're in Paris, they no longer just go to clubs for their last night out. "And for the first time, we've had tourists coming in droves during the first half of August. My question now is: will we see the same phenomenon for the rest of the year?" Advertisement He added: "I am sounding the alarm because Paris has been a tourist destination for a very long time - but I am not sure we have the capacity to absorb an increase in visitor numbers. "We are starting to see congestion in the centre of Paris. If we are not careful and do not regulate tourism after the Olympics, we risk the population rejecting tourists. We are not there yet, but we are asking for regulation." His solution is twofold - better regulation of certain tourist-related activities and a wider spread of tourists so they are not all staying in the same small area of central Paris. He said: "We need regulation - we need to get tourist coaches out of the city and have fewer flight slots. "We also need to spread the load across the greater Paris area - the city centre is saturated. "We work a lot with [the suburban département] Seine-Saint-Denis. The development of cycling also helps with this. On foot, you don't go two kilometres from your hotel, but by bike, it's easier to get around. It's also a question of public service, both in terms of transport and ensuring cleanliness. Apart from business tourism, we are no longer in the business of conquering new markets. "In short, we are no longer promoting Paris, and we are starting to regulate."

Harry and Meghan sign reduced deal with Netflix
Harry and Meghan sign reduced deal with Netflix

France 24

timea day ago

  • France 24

Harry and Meghan sign reduced deal with Netflix

The estranged British royal and his wife have worked with Netflix since 2020, producing documentary "Harry & Meghan" and lifestyle series "With Love, Meghan." The latter showcased the Duchess of Sussex as a thriving domestic maven, hosting guests, harvesting honey and mixing bath salts against an idyllic California backdrop. It has been extended for a second season, and a holiday special due in December, Netflix said. But while the pair's previous Netflix deal bought the streamer exclusive rights to their output, the new multi-year agreement is a "first look deal" In Hollywood parlance, this means Netflix has the right to say yes or no to a project before Harry and Meghan's media company Archewell Productions can shop it around other studios. Typically, first-look deals are less lucrative than exclusive deals, though they also provide producers with more flexibility. "We're proud to extend our partnership with Netflix and expand our work together to include the 'As ever' brand," said Meghan, referring to her recently re-branded line of lifestyle products including rose wine and apricot spreads. Bela Bajaria, Netflix's chief content officer, described Harry and Meghan as "influential voices whose stories resonate with audiences everywhere," in the statement. Harry and Meghan wed in a fairytale ceremony in 2018, before splitting from the British royal family and moving to California two years later. Cut off from the royal purse, the pair signed their first Netflix deal in 2020 for a reported $100 million. That figure was never confirmed, and no financial terms have been revealed for the extension. The New York Times reported Monday that the new deal is worth less for Harry and Meghan than the previous agreement, citing a person familiar with the terms. "Harry & Meghan," a six-episode tell-all about their relationship and exit from the House of Windsor, drew 23 million views in its first four days -- a record for a Netflix documentary. Despite withering reviews from critics, "With Love, Meghan" had over five million views in the first half of 2025, making it Netflix's most-watched cooking show. The upcoming holiday special will feature Meghan hosting "friends and family" as they "deck the halls, create holiday feasts, craft heartfelt gifts, and share lots of laughs," the statement promised. Later this year, Netflix will release a short documentary from Archewell Productions about a small orphanage in Uganda.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store