
Fringe 2025 – Celebrating the Edinburgh National Partnerships programme
The 2025 shows which have benefited include those by theatre companies and playwrights which explore complex themes – everything from surviving a natural disaster, to creating your identity, finding a place to belong, when making a baby takes a miracle, and facing your long-forgotten past.
Alright Sunshine looks at the underside of Edinburgh and the safety of women in public spaces through the eyes of a police woman with a dark history. Our review is here. this is a Wonder Fools production. Wonder Fools are a deeply passionate and creatively restless young theatre company. They are based in Glasgow, but their impact extends across Scotland, the UK, and around the world. Wonder Fool's work spans various communities in Scotland with strategic focus in areas including East Lothian, Dumfries & Galloway, Ayrshire, Perthshire and the Highlands.
Down to Chance from Maybe You Like It, Theatre Royal Plymouth and Pleasance, follows the efforts of a part-time radio reporter and full-time mum to unite a community devastated by one of the strongest earthquakes to hit the US. Meanwhile, LEI – LDN from Na-keisha Pebody, Mya Onwugbonu,Leicester Curve & Pleasance explores identity through the eyes of a 17-year-old girl starting a new life in London.
The joy and adventure of creating your own family on your own terms (with help from your best mate's sperm) forms the basis of Relay from Leila Navabi, Sherman Theatre, Pleasance and TEAMCollective Cymru.
And, Rose + Bud from Commedia of Errors in Partnership with Lyric Belfast and Pleasance is a hilarious coming-of-age story about transitioning, tequila and tiaras.
Actors from all five companies met up at Middle Meadow Walk on Monday morning to celebrate the opportunity they have had.
Plymouth
Belfast
Cardiff
Pitlochry
Leicester
All five companies involved in the Edinburgh Partnership
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The National
2 hours ago
- The National
Are the Edinburgh Fringe food trucks worth it? Here's my verdict
There are a whopping 3352 shows across 265 venues, which can often result in a mad dash across the city between shows. You might not have a lot of time to grab food in between performances. Sometimes a meal deal or a Greggs is enough to get me through it, but I thought I'd explore some of the food options which are on offer at Fringe venues. READ MORE: I went to the 'first legal wedding' at the Edinburgh Fringe – here's what it was like With that in mind, I was kindly invited to try out the various food stalls at the Pleasance Courtyard – one of the festival's best known venues. Here's my honest review of everything I tried. Location Pleasance Courtyard is one of the main Fringe venues – and the one you're probably most likely to recognise in photos. Set in a literal courtyard (which is part of Edinburgh University), and spanning over several levels, there's plenty of things on offer here. And there should – theoretically – be plenty of places to sit, too. But more on that later. (Image: NQ) There's various food stalls dotted around the venue, and they're in a prime location for people who are already in the Courtyard, making it a great quick fix for anyone feeling a bit peckish in between shows. Options There's a good range of stalls at the venue. Here's everything that was on offer: Harajuku Kitchen: Japanese street food Japanese street food Mimi's Bakehouse: Coffee and sweet treats Coffee and sweet treats Mint: Flatbread wraps Flatbread wraps Pizza Geeks: Pizza (clue's in the name, really...) Pizza (clue's in the name, really...) Total Meltdown: Grilled cheese sandwiches There are also six bars across the venue, which are all excellently stocked. I started off with half a pint of Aspall's cider, which I got from Arthur's Bar and cost just over £3. I don't feel the need to review the drink itself, because you can get it pretty much everywhere! (Image: NQ) There was a lot of choice and the staff were really friendly. I can imagine it can get quite overwhelming when it's busy, but they were all lovely and I got some great service. I'd recommend walking past the bar in the main courtyard and visiting a bar on one of the other levels to avoid the worst of the queues. It can take a very long time to get a drink otherwise, but I didn't have to wait too long at one of the smaller bars. READ MORE: 'Kiss my a**': TV star hits out at BBC over 'disgraceful' Strictly Come Dancing snub It was difficult to pick where I wanted to eat from (I could have tried something from everywhere!) but I settled with Total Meltdown, a stall specialising in toasties. It's a very simple kitchen staple – quite difficult to get wrong – so I thought it would be interesting to see how they would make it stand out. (Image: NQ) (Image: NQ) There were loads of different options, and it looked great for vegans, which must be difficult to achieve when the main ingredient in the dish is cheese. I chose the Reuben, which had cheese, pastrami, sauerkraut and a creamy Thousand Island dressing, which is made from a mayonnaise, either ketchup or tomato puree, and chopped pickles. (Image: NQ) It tasted good. The sauce was nice, and it worked well with the pastrami, which I've never had before. But it was also £12. It was very small for that price, and the bread wasn't anything particularly special. I would have expected a bit more – both in quality and quantity – for that much. Honestly, it felt a bit like a rip off, especially for anyone who is buying for more than one person. I did really like the look of all the different flavour combinations, though – I would have loved to have tried the kimchi one. I just wish there was more of it. For dessert, I paid a visit to Mimi's Bakehouse, which I'm a big fan of anyway. You can find them nestled inside the children's area, which I think is a lovely idea for parents who might be in need of a coffee boost. (Image: NQ) They had a fantastic selection of sweet treats. I have a soft spot for carrot cake, so I went with one of their cupcakes. It didn't disappoint, it was very soft and had the perfect amount of icing. (Image: NQ) This is a great option for anyone looking for a change from the typical street food-style vendors you get everywhere else at the Fringe. I didn't try it this time, but I would highly recommend Harajuku Kitchen. It's one of my favourite places to eat in Edinburgh – I promise you won't be disappointed by the karaage chicken. I would also have liked to try Mint. The chicken and halloumi wrap is apparently a firm favourite among festival-goers. Price It goes without saying that the food here is expensive. There are less options in the area surrounding the courtyard, so I suppose people are less likely to be fussy (or they're too hungry to be that bothered) about paying a bit extra. READ MORE: Mel Gibson shows interest in Scottish producer's historic film about Irish king If you're prepared to pay that, that's fine. But the Fringe is an incredibly expensive festival as it is, and I don't feel as though this is going to be a realistic option for many people. Verdict The location of these food stalls could not be more perfect. There's so much choice, lots of meat-free options, and all the vendors are local to Edinburgh, which is fantastic. The venue had a great atmosphere to it, and it felt nestled away from the rest of the city, which I appreciated. You also have a good chance of spotting some famous faces, if that's something you're into. In the two hours I was there, I saw Rosie Jones, Jazz Emu and a Gogglebox star. With that said, it is pricey. This isn't unique to the Courtyard, however, and you're likely to pay a similar price at any of the food stalls you come across at the Fringe. Another point worth mentioning is that for anyone who struggles with big crowds or can get overstimulated, this may not be the place for you. It's incredibly busy and noisy, and despite there being lots of seating options they were all full when I was there – I ended up eating my cupcake sat on a wall. For anyone with accessibility needs, I'd bear this in mind. There is definitely something for everyone here, and I can imagine it being particularly useful when you have a day packed full of shows.


Edinburgh Reporter
10 hours ago
- Edinburgh Reporter
Edinburgh festivals – our best reviews from the second week
Our reviewers have been busy out and about at the Fringe and the International Festival this week. And they have found some four (and five) star gems. All of our Festival coverage can be read over here. Ahir Shah: Work in Progress Ahir Shah has become an established Fringe performer. After a series of nominations, he finally won the main Comedy Award in 2023. On the back of his Fringe successes, he's become a regular media figure, featuring on BBC Radio 4 (Ahir Shah's 7 Blunders of the World) and also has had HBO and Netflix specials. This year Shah is performing a limited series of shows (14 -24), advertised as a work in progress but very much on course to becoming a fully realised show. Read more here. Orpheus and Eurydice Despite the richness of the English language, I think there are not enough superlatives to praise the creation of this rendition of Gluck's Orpheus and Eurydice. From the very opening where we see the superb funambulist as Eurydice descend twisting into the underworld hanging from a harness to the final dénouement, the staging was outstanding, the music perfection, the singing immensely moving, and the acrobatics stunning. Read more here Wellpark Wanderer It is often said that Scottish performers are hard to find in the Festival and Fringe. Writing in 1976, the historian Owen Dudley Edwards suggested that 'there is little of Edinburgh, and even less of Scotland in the Festival'. Many see the Festival and Fringe as something imposed from outside on the people of Edinburgh. Such narratives persist. It's also widely argued that working class voices are marginalised within the Fringe. Especially, in the sphere of comedy, the Fringe is often seen as London-centric and dominated by middle class voices and perspectives. There are, fortunately, exceptions. Read more here Hingin Oan Fir Googsie The cast of Hingin' Oan Fir Googsie – John McColl (Gadge, also writer), Amy Fraser (Plucky), Jimmy Chisholm (Ghillie) and Alan Ireby (Potter), photo credit Liam Rudden Media Braveheart star Jimmy Chisholm leads cast in hilarious, thought-provoking Scottish comedy. Given up on Waiting For Godot? Never fear, you'll have a blast at Hingin' Oan Fir Googsie. Running for four more nights only, John McColl's new play at Braw Venues on George Street opened to much hearty laughter and rapturous applause from a largely local audience, an element of the warm reception no doubt down to the presence of Braveheart and River City legend Jimmy Chisholm, leading the cast as Ghillie. Read more here. Flamenco Guitar Odyssey If you're a bit worn out by all the noise and crowds of the festival city, why not take a break to visit Alba Flamenca on East Crosscauseway and enjoy some beautiful music? Philip Adie started life in Aberdeen, perhaps not somewhere we generally associate with flamenco, but for the past 25 years he has lived in mainland Europe, first studying under flamenco master Paco Pena in Rotterdam, then moving to Seville where he works as a flamenco guitarist. Now he's here in Edinburgh to share some tunes and tell us more about the origins and styles of this wonderful music. Read more here. Like this: Like Related


The Guardian
10 hours ago
- The Guardian
Mr Chonkers review – you never know what's going to happen next
With his show and persona Mr Chonkers, American clown John Norris scored a cult hit on the fringe three summers ago – and now a booking off comedy's beaten track, at anything-goes alt-theatre hub Summerhall. He'll fit in, because his is a show (seemingly the same one he performed in 2022) that marches to the beat of its own drum. The upside of that? You never know what's going to happen next. The downside: with little by way of theme, narrative or structure, there's not much left to hang on to when the laughs abate. A portion of the audience will be giggling too giddily for that to be an issue: Norris is the kind of act who, if he gets under your skin, doesn't get out again. After a dotty prologue as a faceless monk, he offers us a supposed showcase of his recently acquired performance talents – in poetry, comedy and theatre. With a Janus-faced manner that twins eagerness to please with disciplinarian tendencies, he then serves up a tenuous film star impersonation (that wraps up the comedy section), some verse (including a standout about 'horny wives in your area') and – the bulk of the show, this – a theatrical act-out of a Sicilian family drama. Frustrated he's not getting it right, Norris performs that scene over and again, in (not very) different ways. If you're barely amused by the arresting sight of him, in character as a little Italian boy, retreating his head into his neck, this looping scenario may test your patience. It did mine. There are strong stand-alone sections elsewhere: a none-more-clown sequence about his ever-shrinking headgear; a gestural dumbshow of the apologies we make in company when we're detained by a phone call. Strongest of all is Norris's existential angst as his gig collapses, leaving him exposed to the chill winds of post-show, pining to return to his imaginative world. Whither your self-esteem when you can't even get a performance with no rules right? I cherished this playful glimpse into the jester's abyss, delivered (like everything here) with a wonderful alertness to the moment, albeit in a show that may drive you to distraction as well as delight. At Summerhall, Edinburgh, until 24 August All our Edinburgh festival reviews