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Rock legend shares heartfelt message after canceling final show of career

Rock legend shares heartfelt message after canceling final show of career

Yahoo25-07-2025
Jeff Lynne, frontman of Electric Light Orchestra, has updated fans about his health after he canceled his band's final show ever because of an illness.
'I am now at home recuperating,' Lynne wrote in an Instagram post Friday, July 18. 'I was absolutely gutted to have to cancel the final two shows. I send my heartfelt thanks to all of the fans as well as my band and crew for all their support and love.'
Lynne's post was met with supportive comments from fans and loved ones alike.
'Your achievements are so great and you are so treasured and loved,' one comment read. 'Congratulations on a tremendous final tour. We love you Jeff. Glad you are home and safe and healthy.'
'I flew to London for the show, but as soon as I heard you were unwell, all I cared about was you getting better,' another Instagram user commented. 'ELO has been the soundtrack to my life — my favorite band of all time. I'm endlessly grateful for the joy your music has brought me. So glad I got to see you in California last year. Wishing you strength and a smooth recovery."
ELO's last show ever on the 'Over and Out' farewell tour, was supposed take place at Hyde Park in London on Sunday, July 13. However, Lynne canceled the show the day before because of 'a systematic infection,' according to a statement on ELO's X page.
'Jeff Lynne is heartbroken to report that we will not be able to perform at tomorrow's BST Hyde Park Show,' the statement read. 'Jeff has been battling a systematic infection and is currently in the care of a team who have advised him that performing is simply not possible at this time nor will be able to reschedule.'
It continued, 'The legacy of the band and his longtime fans are foremost in Jeff's mind today — and while he is so sorry that he cannot perform, he knows that he must focus on his health and rehabilitation at this time."
Ticket holders were directed to BST Hyde Park's website for refunds.
ELO's penultimate show was also canceled due to Lynne's health. The band's show on July 10 at Co-Op Live in Manchester, England was set to be the second-to-last show on the 'Over and Out' farewell tour, but the concert was axed just minutes before showtime, according to NME.
'Unfortunately due to illness tonight's (Thursday 10th July 2025) scheduled performance of Jeff Lynne's ELO at the Co-Op Live will not be going ahead,' a statement on ELO's X page read. 'Jeff is devastated he cannot perform this evening. More information will become available as soon as possible. For refunds please go to your point of purchase.'
Lynne had reportedly been struggling with his health while on tour. The musician broke his hand at the start of the final leg of the 'Over and Out' tour on July 5, Ultimate Classic Rock reported.
Concertgoers have also shared concerns about the 77-year-old's health on social media. One fan wrote in a July 9 Facebook post that Lynne 'had to be helped onto the stage' and was 'missing his cues, forgetting words and almost collapsed two thirds of the way through' a concert they were at.
'They had to bring him a chair and he was struggling to stay on it. By the end of the concert the band had to sing Mr Blue Sky for him and his backing singers looked visibly shaken up,' the fan wrote. 'At the concert end the crew rushed onto the stage to help him off. So sad to see my musical hero in such a state. How on earth he will manage tomorrow's Mcr gig and Hyde park on Sunday I cannot imagine. Thanks Jeff for the fantastic music and enjoy your retirement. So So sad.'
The final performance would have marked the end of a 55-year run for ELO, which formed in 1970 in Birmingham, England.
The band released its eponymous debut album in 1971. ELO gained traction throughout the '70s and in the 1980s with hits like 'Evil Woman,' 'Turn to Stone,' 'Strange Magic' and 'Don't Bring Me Down,' which peaked at No. 4 on the Billboard Hot 100, Billboard reported.
ELO has since released 15 studio albums, with 'From Out of Nowhere' in 2019 being their most recent. Several of the band's albums, including 1977's 'Out Of The Blue,' have been certified platinum status in the U.S. by the RIAA.
The band split up in 1983 after Lynne began feuding with manager Don Arden but the breakup was finalized in 1986 because of contractual agreements.
ELO reunited for a short period from 2000 to 2001 but didn't begin touring again consistently until 2014. ELO made its United States performance debut in 2018 after being inducted into the Rock & Roll Hall of Fame.
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Appreciation: Tex-Mex titan Flaco Jiménez knew how to best beat la migra: humor
Appreciation: Tex-Mex titan Flaco Jiménez knew how to best beat la migra: humor

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Appreciation: Tex-Mex titan Flaco Jiménez knew how to best beat la migra: humor

The accordionist commands the stage, his eyes staring off as if in a trance, his fingers trilling out the opening notes of a tune. It's a long, sinuous riff, one so intoxicating that the audience in front of him can't help but to two-step across the crowded dance floor. He and his singing partner unfurl a sad story that seemingly clashes with the rhythms that back it. An undocumented immigrant has arrived in San Antonio from Laredo to marry his girlfriend, Chencha. But the lights on his car aren't working and he has no driver's license, so the cops throw him in jail. Upon being released, the song's protagonist finds a fate worse than deportation: His beloved is now dating the white guy who issues driver's licenses. 'Those gabachos are abusive,' the singer-accordionist sighs in Spanish in his closing line. 'I lost my car, and they took away my Chencha.' The above scene is from 'Chulas Fronteras,' a 1976 documentary about life on the United States-Mexico border and the accordion-driven conjuntos that served as the soundtrack to the region. The song is "Un Mojado Sin Licencia" — "A Wetback Without a License." The musician is Tex-Mex legend Flaco Jiménez, who died last week at 86. Read more: Tejano music legend Flaco Jiménez dies at 86 Born in San Antonio, the son and grandson of accordionists became famous as the face of Tex-Mex music and as a favorite session player whenever rock and country gods needed some borderlands flair. He appeared alongside everyone from the Rolling Stones to Bob Dylan, Buck Owens and Dwight Yoakam on 'The Streets of Bakersfield' to Willie Nelson for a rousing version of 'Blue Eyes Crying in the Rain.' With Doug Sahm, Augie Meyers and fellow Tejano chingón Freddy Fender, Jiménez formed the Texas Tornadoes, whose oeuvre blasts at every third-rate barbecue joint from the Texas Hill Country to Southern California. Jiménez was a titan of American music, something his obits understood. One important thing they missed, however, was his politics. He unleashed his Hohner accordion not just at concerts but for benefits ranging from student scholarships to the successful campaign of L.A. County Superior Court Judge David B. Finkel to Lawyers' Committee, a nonprofit formed during the civil rights era to combat structural racism in the American legal system. Jiménez and the Texas Tornadoes performed at Bill Clinton's 1992 inauguration ball; 'Chulas Fronteras,' captured Jiménez as the headliner at a fundraiser for John Treviño Jr., who would go on to become Austin's first Mexican American council member. It's a testament to Jiménez's heart and humor that the song he performed for it was 'Un Mojado Sin Licencia,' which remains one of my favorite film concert appearances, an ideal all Latino musicians should aspire to during this long deportation summer. The title is impolite but reflected the times: Some undocumented immigrants in the 1970s wore mojado not as a slur but a badge of honor (to this day, that's what my dad proudly calls himself even though he became a U.S. citizen decades ago). Jiménez's mastery of the squeezebox, his fingers speeding up and down the rows of button notes for each solo like a reporter on deadline, is as complex and gripping as any Clapton or Prince guitar showcase. What was most thrilling about Jiménez's performance, however, was how he refused to lose himself to the pathos of illegal immigration, something too many people understandably do. 'Un Mojado Sin Licencia,' which Jiménez originally recorded in 1964, is no dirge but rather a rollicking revolt against American xenophobia. The cameraman captures his gold teeth gleaming as Jiménez grins throughout his thrilling three minutes. He's happy because he has to be: the American government can rob Mexicans of a better life, "Un Mojado Sin Licencia" implicitly argues, but it's truly over when they take away our joy. Read more: Pepe Aguilar drops new song for immigrant rights: 'I'm not making a cent off this song' 'Un Mojado Sin Licencia' is in the same jaunty vein as other Mexican classics about illegal immigration such as Vicente Fernández's 'Los Mandados,' 'El Corrido de Los Mojados' by Los Alegres de Terán and 'El Muro' by rock en español dinosaurs El Tri. There is no pity for undocumented immigrants in any of those tracks, only pride at their resilience and glee in how la migra can never truly defeat them. In "Los Mandados," Fernández sings of how la migra beats up an immigrant who summarily sues them; "El Corrido de Los Mojados" plainly asks Americans, "If the mojados were to disappear/Who would you depend on?" Even more defiant is "El Muro," which starts as an overwrought metal anthem but reveals that its hero not only came into the United States, he used the titular border wall as a toilet (trust me, it sounds far funnier in the Mexico City lingo of gravelly lead singer Alex Lora). These songs tap into the bottomless well that Mexicans have for gallows humor. And their authors knew what satirists from Charlie Chaplin to Stephen Colbert knew: When life throws tyranny at you, you have to scoff and push back. There are great somber songs about illegal immigration, from La Santa Cecilia's haunting bossa nova 'El Hielo (ICE)' to Woody Guthrie's 'Deportee (Plane Wreck at Los Gatos),' which has been recorded by everyone from the Byrds to Dolly Parton to Jiménez when he was a member of Los Super Seven. But the ones people hum are the funny ones, the ones you can polka or waltz or mosh to, the ones that pep you up. In the face of terror, you need to sway and smile to take a break from the weeping and the gnashing of teeth that's the rest of the day. I saw 'Chulas Fronteras' as a college student fighting anti-immigrant goons in Orange County and immediately loved the film but especially 'Un Mojado Sin Licencia.' Too many of my fellow travelers back then felt that to party even for a song was to betray the revolution. Thankfully, that's not the thinking among pro-immigrant activists these days, who have incorporated music and dancing into their strategy as much as lawsuits and neighborhood patrols. The sidewalks outside the Metropolitan Detention Center in downtown L.A., where hundreds of immigrants are detained in conditions better suited for a decrepit dog pound, have transformed into a makeshift concert hall that has hosted classical Arabic musicians and Los Jornaleros del Norte, the house band of the National Day Laborer Organizing Network. Down the 5 Freeway, the OC Rapid Response Network holds regular fundraisers in bars around downtown Santa Ana featuring everything from rockabilly quartets to female DJs spinning cumbias. While some music festivals have been canceled or postponed for fear of migra raids, others have gone on as planned lest ICE win. Musicians like Pepe Aguilar, who dropped a treacly cover of Calibre 50's 'Corrido de Juanito' a few weeks ago, are rushing to meet the moment with benefit concerts and pledges to support nonprofits. That's great, but I urge them to keep 'Un Mojado Sin Licencia' on a loop as they're jotting down lyrics or laying down beats. There's enough sadness in the fight against la migra. Be like Flaco: Make us laugh. Make us dance. Keep us from slipping into the abyss. Give us hope. Get notified when the biggest stories in Hollywood, culture and entertainment go live. Sign up for L.A. Times entertainment alerts. This story originally appeared in Los Angeles Times. Solve the daily Crossword

William & Kate Reportedly Looking into Moving After Rumors Harry & Meghan Are Relocating Back to the UK
William & Kate Reportedly Looking into Moving After Rumors Harry & Meghan Are Relocating Back to the UK

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