
WIN a double pass to the preview performance of Never Have I Ever
West Rewards is giving you and a guest the chance to attend the opening night of
Never Have I Ever
by Deborah Frances-White, on
Saturday 14 June
at the
Heath Ledger Theatre
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This explosive, sharply funny play takes a bold look at the contradictions of modern society, power dynamics, and sexual politics. Expect to laugh, be moved, and leave with plenty to reflect on.
Discover more about this captivating production
here
.
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, at 11:59 pm.
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The Age
16 hours ago
- The Age
Alive and kicking: Capturing the colour and camaraderie of regional footy
This story is part of the August 16 edition of Good Weekend. See all 15 stories. Country footy is inherently generous, says photographer Cory White, summing up his impressions of his roving assignment. 'The game is played with such proximity, such intimacy and with such raw emotion that it's impossible not to feel 'part of something' when you are at a game.' White wants his photographs to serve as a celebration of sports and recreation in a regional setting. 'It's a pat on the back to the folks who make every weekend game or weekday training happen,' he says. 'I wanted to make a fly-on-the-wall document that makes people smile. I hope the book reads as a warm and positive batch of authentic moments that players, coaches, volunteers and spectators can connect with.' Sideline sympathy: First quarter leg injury, Cavendish, Victoria. One for All: Tiwi Bombers' halftime huddle, Darwin, NT. Newborn hope: A player cradles his son after a painful grand final loss in Kalgoorlie, WA. Go the pies: Post-game sustenance, Dunkeld, Victoria. Rock-solid: Diorites fan, Kalgoorlie, WA. The Diorites, also known as the Mines Rovers, play in the Goldfields Football League. Brothers in arms: Siblings compete for the ball in Cairns, Queensland. Back chat: Spectators avoid a wet-season downpour in Darwin, NT. Footy Country, by Cory White (Hardie Grant Books, hardback, $65), is out August 19.

Sydney Morning Herald
16 hours ago
- Sydney Morning Herald
Alive and kicking: Capturing the colour and camaraderie of regional footy
This story is part of the August 16 edition of Good Weekend. See all 15 stories. Country footy is inherently generous, says photographer Cory White, summing up his impressions of his roving assignment. 'The game is played with such proximity, such intimacy and with such raw emotion that it's impossible not to feel 'part of something' when you are at a game.' White wants his photographs to serve as a celebration of sports and recreation in a regional setting. 'It's a pat on the back to the folks who make every weekend game or weekday training happen,' he says. 'I wanted to make a fly-on-the-wall document that makes people smile. I hope the book reads as a warm and positive batch of authentic moments that players, coaches, volunteers and spectators can connect with.' Sideline sympathy: First quarter leg injury, Cavendish, Victoria. One for All: Tiwi Bombers' halftime huddle, Darwin, NT. Newborn hope: A player cradles his son after a painful grand final loss in Kalgoorlie, WA. Go the pies: Post-game sustenance, Dunkeld, Victoria. Rock-solid: Diorites fan, Kalgoorlie, WA. The Diorites, also known as the Mines Rovers, play in the Goldfields Football League. Brothers in arms: Siblings compete for the ball in Cairns, Queensland. Back chat: Spectators avoid a wet-season downpour in Darwin, NT. Footy Country, by Cory White (Hardie Grant Books, hardback, $65), is out August 19.

Sky News AU
11-08-2025
- Sky News AU
'Hot, horny and white': Hollywood's 'progressive snowflake era' is over, New York Times guest essay says
Hollywood's "progressive snowflake era" is over, with studios turning away from DEI and socially conscious programming, a New York Times column argued on Saturday. "Hollywood is rapidly shifting away from the socially conscious framework that for more than a decade has driven its narratives, casting and green lights," editor-in-chief for The Wrap, Sharon Waxman, wrote in a guest essay for The New York Times. Waxman pointed to the recent sale of an "anti-woke" reboot of the 1992 Paul Veerhoven film "Basic Instinct" as an example of how Hollywood is pivoting away not just from diversity, equality and inclusion in its business practices, but from a social justice-oriented outlook at the box office as well. She cited the Netflix show "The Hunting Wives" as evidence that Hollywood is no longer woke — proclaiming that everyone on the series is "hot, horny and white." Sydney Sweeney's American Eagle ad is further evidence of Hollywood's anti-woke shift, Waxman claimed. Upon the launch of the advertisement, both Sweeney and American Eagle received backlash, with critics claiming the ad was hinting at eugenics. However, according to Waxman, it failed to penetrate the Hollywood power centers in Burbank or Beverly Hills, and Sweeney was left unscathed from the controversy. "It's had no echo in Burbank or Beverly Hills, where not so long ago, Ms. Sweeney might have had to apologize for her insensitivity and make a donation to the A.C.L.U," she wrote. Waxman claimed that after a string of controversies that beset Hollywood — including the #OscarsSoWhite campaign and criticism of a lack of diversity among creators — the industry set out to course-correct by emphasizing diversity in its hiring practices and storytelling. Yet, the efforts to hire additional non-White directors, screenwriters and showrunners left many creatives in Hollywood feeling like they'd been pushed aside. "The new rules resulted in a strict if unspoken set of boundaries that tacitly put certain topics and categories outside the accepted circles of casting and green lights. It isn't only that conservative groups gripe that "their" stories… don't get produced," Waxman said. "But I also can't count the number of times I've heard quiet frustration from a reasonably accomplished white male screenwriter who felt cast out by the top talent agencies. In the process of "recentering" Hollywood, some people suddenly felt shunted to the side." Waxman said Hollywood's shift had been a long time coming, predating President Donald Trump's return to office. However, with the president's return to the White House, the trend has accelerated. His administration's fight against DEI has contributed to Hollywood studios abandoning the controversial policies. "At the talent agencies where Hollywood's hustlers are out selling scripts and projects, no longer are queer writers of color, for example, so much in demand. No longer are preferred pronouns expected on your email signature," Waxman said. Originally published as 'Hot, horny and white': Hollywood's 'progressive snowflake era' is over, New York Times guest essay says