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Severance stars Tramell Tillman and Zach Cherry reflect on the masks we all wear at work

Severance stars Tramell Tillman and Zach Cherry reflect on the masks we all wear at work

CBC09-04-2025
Like many of us, Severance stars Tramell Tillman and Zach Cherry can relate to the idea of feeling like someone different at work. That's partly just the nature of acting — taking on a character while you're on set and hopefully leaving them behind when you get home.
"We talk a lot about what carries over and what bleeds through," Cherry says in a joint interview with Q 's Tom Power alongside Tillman. "For me as an actor, that is kind of a question when you're creating a character. You got to bring something of yourself to most of your characters, but not everything."
Severance, which aired its Season 2 finale yesterday, is a sci-fi thriller that explores a nightmarish experiment to enforce work-life balance by splitting a person's consciousness into two. There's the you that goes into work (your "innie") and the you that lives outside of work (your "outie").
WATCH | Tramell Tillman and Zach Cherry's full interview with Tom Power:
Before becoming full-time actors, both Tillman and Cherry worked as office managers in the non-profit world, so they know what it's like to have a nine-to-five desk job. They were able to draw on those experiences to develop their characters, the mysterious Mr. Milchick and the severed employee Dylan G.
"There's so many of us who spend a lot of time in the workplace and understand what it's like to be at a job that may not be as fulfilling," Tillman tells Power. "There's an identity there, too. I mean, the first line of the show is, 'Who are you?' And I think especially with Milchick, there's an identity that he is struggling with."
Cherry adds that in his own life he'd try to separate his personal and professional identities by putting on a "work mask" in the office.
"That idea of being someone slightly different at work, I can certainly relate to," he says. "When I was at my office job, I was also doing sketch comedy and improv comedy at night, but at work, no one really would have known that. I kind of didn't want to get into it. I didn't really want to bring that part of me into that place."
WATCH | Official trailer for Severance Season 2:
What's interesting about Cherry's character Dylan is that his innie and outie have distinct personalities as a result of living under completely different circumstances. Dylan's innie is confident and self-assured, whereas his outie is a husband and father who lacks purpose and direction in life.
"The innie is maybe the version of the outie who never had all that baggage build up, and the outie is a version of the innie that has had these life experiences that have maybe pushed him one way or the other," Cherry explains.
I think especially with Milchick, there's an identity that he is struggling with.
To craft Milchick, who doesn't have an outie life, Tillman says it's not clear who the character is, only that he's committed to the organization and has shown himself willing to do whatever it takes to meet its goals. The actor says he modelled Milchick after a panther.
"I feel like he's like this big cat," Tillman says. "He can pounce at any moment, but then there's this quality about him that he kind of bats people around, especially the innies. And he's always watching. He never strikes when it's not the right time. There's a plotting, there's a brooding that's there as well. And he's got that big smile, that big grin that can be very intoxicating and very mysterious as well. You don't know what that man's thinking."
As for which animal Cherry would be, he says probably a panda. "Or like one of those deep sea fish," he jokes. "They don't even have a name."
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Brownstein: Ben Stiller asked Jessica Lee Gagné to return to Severance, and now she has two Emmy nominations
Brownstein: Ben Stiller asked Jessica Lee Gagné to return to Severance, and now she has two Emmy nominations

Montreal Gazette

time31-07-2025

  • Montreal Gazette

Brownstein: Ben Stiller asked Jessica Lee Gagné to return to Severance, and now she has two Emmy nominations

Movies And TV By Jessica Lee Gagné felt most fortunate to have landed the position of cinematographer on the first season of the American psycho-thriller Severance, which began streaming on Apple TV+ 3 1/2 years ago. But when asked by series director and executive producer Ben Stiller to return for Season 2, the Montrealer initially declined, surmising she was ready to move on. However, Stiller, with whom Gagné had worked as cinematographer on the award-winning 2018 crime-drama series Escape at Dannemora, persisted. He not only wanted Gagné to perform cinematographic duties on the second season, but also for her to make her directorial debut on one of the episodes. After considerable deliberation, Gagné relented on both fronts. In retrospect, she realized that may have been one of the wisest decisions of her career. Gagné has earned Emmy Award nominations for best cinematography in the first episode and for best direction in the seventh episode of Severance's second season. Season 2, which debuted in January, has netted a leading 27 Emmy nominations in the drama category. For those yet to twig to it, Severance is a compelling, frequently disturbing series — a frightening metaphor about work/life balance. It is set at a futuristic company whose employees have gone through 'severance' surgery, wherein they have no memory of their outside lives while at work and vice versa. And let's just say it's more dystopian than utopian. 'It's actually quite bright in the show's 'innie' world, but it's quite a dark subject matter,' says Gagné, 37, accurately describing the show from a cinematographic and thematic point of view in an interview at the Ritz-Carlton Hotel. The terms 'innie' and 'outie' — which heretofore had belly-button connotations for most — take on brand new meaning here. The episode — titled Chikhai Bardo — that Gagné directed in the second season has been hailed as 'a television masterpiece' by Esquire entertainment editor Brady Langmann. 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'I've been a cinematographer for 15 years, having worked alongside directors and helping find a language with them. For me, the language of Severance was already quite distinct and I felt I had it in the bag. So, it was easier coming in as a director. You don't know it's not going to work out until you do it.' Now she knows it did work out. And with word that Severance will return for a third season, rest assured Gagné will be back in a dual role once again. She concedes she's really caught the directing bug. And like several Québécois directing luminaries before her — including Denis Villeneuve and Jean-Marc Vallée — Gagné can well expect lucrative offers to helm TV and film projects to come from Hollywood. 'What I realize now is I had this unconscious desire to direct that I hadn't been listening to. It had been bubbling up within and I have to give it a shot now. With the nomination, it's such a push for me to believe in myself for once,' notes Gagné, who was born in Quebec City to a franco mother and an anglo father but moved to Montreal two decades back to pursue film studies. After graduating from Concordia's esteemed film production program, Gagné spent the following 15 years as a cinematographer, working on a wide range of projects, local and international. Among her nearly two dozen credits are Québécois film collaborations with her friend Chloé Robichaud on Sarah préfère la course and Pays and with Denis Côté on Boris sans Béatrice, plus with Canadian director Jamie Dagg on Sweet Virginia. In addition to Escape at Dannemora — 'the work I'm most proud of' — she did the cinematography for another critically acclaimed small-screen series, Mrs. America. 'I had been very involved in the Montreal production scene, and then at one point I headed off to France and India, where I did some work. Later I came back to do Sweet Virginia, and before it was even out, Ben (Stiller) saw it, because he was looking at it for casting reasons for Escape at Dannemora. He ended up (taken by) the cinematography and there was not much time, to be honest, before he was about to shoot. So he reached out to see if I'd be interested — after I had just moved to Paris. So we met and clicked automatically. And I moved back again. 'Ben took a big leap with me. I was from the dark world of filmmaking and he was definitely from a whole other world. But our different backgrounds have meshed together well.' But the question that begs to be asked: Has Gagné gone through the severance process herself, though more symbolically than surgically? Is she able to cut herself off from her outie world when working? 'One hundred per cent, after I became a director and found that innie part of myself, the part that was free, allowing me to believe in myself and not be affected by my outside reality. I still love my outie, but I'm choosing to be with my innie and listening to it. It's keeping me motivated right now.'

Quebec Emmy-nominated cinematographer on how she created the ‘Severance' world
Quebec Emmy-nominated cinematographer on how she created the ‘Severance' world

CTV News

time29-07-2025

  • CTV News

Quebec Emmy-nominated cinematographer on how she created the ‘Severance' world

Quebecer Jessica Lee Gagné was nominated for two Emmy awards for her work on the hit TV show Severance. Jessica Lee Gagné put much of herself into her directorial debut in season two of the critically acclaimed television series Severance – even filming the episode in her own home. The cinematographer earned two of the show's 27 Emmy nominations – for outstanding directing and outstanding cinematography in a drama series – in June. Though Gagné submitted her work in the past, she was finally recognized for projects she felt especially passionate about. 'What I find really beautiful is that I gave myself a chance and there's something that came back from it,' she said. 'The fact that I followed my heart and did something that I really felt connected to means a lot more. It just makes me want to do it again!' Severance Dichan Lachman as Gemma Scout in Severance. (Courtesy Apple TV+) Severance follows Mark Scout (Adam Scott) and his work at Lumon Industries, where employees have undergone a procedure that surgically divides their memories between their work and personal lives. Scout soon finds himself at the centre of an unravelling mystery, raising questions about 'work-life balance,' the true purpose of Lumon Industries and the human mind itself. Inside the 'innie world' Gagné's cinematography earned her nominations for the Canadian Screen Award in 2015 and the Filmfare Awards in 2018. She is the first woman to be nominated for both outstanding directing and outstanding cinematography for a television drama series. Severance received the most nominations of any show this year, almost double the 14 nominations it got for its first season in 2022. The show gained traction for its bizarre explorations of memory and the subconscious, highlighted especially through the show's unique visual language developed by Gagné. READ MORE: Jessica Lee Gagné is the Quebec visionary behind the hit series Severance Gagné, originally from Quebec City, has been praised by viewers and colleagues for her technical prowess and creativity behind the camera. She previously said she first hesitated to jump on a project filming primarily in an office, a classically bland and sterile space. Thanks to Gagné's use of sets, lighting and colour, the Lumon offices grew into a stunning and Kafkaesque world of its own, complete with a goat pasture and a 200-piece marching band. When the second season aired last winter, viewers were blown away by its opening sequence, where Scott runs through seemingly endless white hallways. Gagné told CTV News she submitted the 'Hello, Ms. Cobel' episode for Emmy consideration, which earned her the cinematography nomination, in part because of the work that went into designing the hallway sequence. 'It really showed off the iconic language of the show, and that's probably the thing I'm most proud of,' she said. To create the dizzying maze and iconic 'oner,' Gagné needed the support of an entire team. 'We had to go back to the drawing board a lot,' she said. 'With the cameras travelling down a four-foot-wide hallway, there's a limit to what you can do with the laws of physics.' Even after meetings to tackle each part of the shot's design – cameras, gripping, lighting and visual effects – bringing it to life was another challenge. It included robotic arms that can move quickly and sliding cameras. 'You can have a shot in your mind but then making it real is the next level,' she said. 'We love those kind of robotic-style movements in the innie world, it's something we implemented in season one where the camera has a non-human approach to it. So this leaned into that idea even more.' 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The second season's eighth episode brought Gagné back to Canada when they filmed in Newfoundland, and she said she was happy to have the opportunity to work with long-time collaborators and her 'local family.' 'That was pretty magical, to be honest,' she said. Severance Severance's 'Sweet Vitriol' episode was shot in Newfoundland. (Courtesy: Apple TV+) She keeps a piece of Montreal with her while working, from problem-solving on set to the brutalist architecture featured in Lumon Industries. 'I love how we make movies here,' said Gagné. 'I do miss working here.' While working on Severance, she rented an old house near the New York Hudson Valley, where most of the show is shot, which was 'kind of falling apart,' but she loved it. She had no idea it would eventually become Mark and Gemma's house. 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Seth Rogen, Cristin Milioti, Noah Wyle and more react to Emmy nominations
Seth Rogen, Cristin Milioti, Noah Wyle and more react to Emmy nominations

CTV News

time16-07-2025

  • CTV News

Seth Rogen, Cristin Milioti, Noah Wyle and more react to Emmy nominations

Seth Rogan arrives for the series world premiere of "The Studio" on the opening night of the South by Southwest Film Festival on Friday, March 7, 2025, in Austin, Texas. (Photo by Jack Plunkett/Invision/AP) LOS ANGELES — This year's crop of Emmy nominees were announced Tuesday. 'Severance' led with 27 Emmy nominations, while 'The Studio' led comedy nominees with 23 in a dominant year for Apple TV+. The 77th Primetime Emmy Awards will air on CBS from the Peacock Theater in Los Angeles on Sept. 14. Nate Bargatze is slated to host. Here are the reactions for some of the day's notable nominees: Seth Rogen for 'The Studio' 'Being at this point in our lives and making a thing that has this type of attention is just so kind of novel in a lot of ways, and really exciting and thrilling and very validating in a way that I'm not used to being validated.' — Rogen, nominated for best actor in a comedy series as well as writing and directing, in an interview. Evan Goldberg for 'The Studio' 'My mother never wanted me to grow up to make a bunch of filthy R-rated comedies, but she is really proud today.' — Goldberg, nominated for outstanding writing for a comedy series, in an interview. Erin Doherty for 'Adolescence' 'What I love about this job is that when you do the work so wholeheartedly, even when you move on you learn lessons. If you just sit and listen, and let someone talk, that is such a gorgeous offering, and I don't think we do it that often. I'm trying to take that forward.' — Doherty, nominated for best supporting actress in a limited series or movie, in an interview. Katherine LaNasa for 'The Pitt' 'What does it feel like? it's like if you made coffee for somebody every day for 20 or 30 years, and you liked making coffee and you were paid well for making coffee ... and then one day, 20 or 30 years later, someone said, you know, we really love the way you make coffee and we really appreciate it! ... I love telling stories about the human condition and I really love acting, and so to suddenly get recognized and sort of applauded for it is just a delightful surprise, and just really feels so nice.' 'I went through cancer about a year before I got this job, and I spent some time in the emergency department. ... and one of my worst days was really saved by an emergency department nurse in Atlanta. The things that she said to me just really saved me, and she didn't need to do that. It was just emotional generosity on her part, and I brought all of that into Dana.' — LaNasa, nominated for best supporting actress in a drama series, in an interview after a day of filming 'The Pitt' Season 2. Noah Wyle for 'The Pitt' 'I'm overjoyed that the nominations were spread across all the different departments as it reflects our collective effort. A heartfelt congrats to all my fellow nominees. I'm humbled and grateful.' — Wyle, nominated for best lead actor in a drama series, wrote in a statement. Cristin Milioti for 'The Penguin' 'It's been so beautiful to see how many nominations the show has gotten. I'm so, so thrilled for my fellow cast and crew. It has been a really thrilling wonderful.' 'I had been wishing for a role like that for a long time and searching for one, and I just had the time of my life. You know, I connected with that character so deeply.' — Milioti, nominated for best actress in a limited series, heard about the nomination while running errands. She spoke in an interview. Dan Erickson for 'Severance' 'I cannot begin to express how excited I am to return to the Emmys and see if the sunglasses I left in the bathroom 3 years ago are still there.' — Erickson, who created 'Severance,' in a statement. Jason Isaacs for 'The White Lotus' 'People wanted to watch it. They wanted to talk about it. They wanted to dress as the characters. They wanted to drink pina coladas. They wanted, they wanted to meet, you know, and watch it together.' 'Look, the real world, the clouds are gathering and it's not that easy to be in. It's complicated and challenging to be in and to stay sane and happy and it gave people a happy place to be. And so they just wanted to continue it and so expand it into the periphery of us and our private lives, which seemed a bit odd, but I get why. They wanted to stay talking 'White Lotus' stuff.' — Isaacs, nominated for best supporting actor in a drama series, said in an interview. Michael Urie for 'Shrinking' 'I think there's something about the show that gives people permission to take care of their own mental health. And that is, I feel like, kind of a new thing for us, humans in this society, that we're allowed to talk about it and relish in it … and ask for help. So I'm glad that we're doing and I'm glad that the industry is into it too." 'I didn't really think this would ever happen. I mean, I certainly was aware that Emmys were a thing and that I might someday be in consideration for one, but it didn't seem like it was possible. So it does feel kind of dreamy.' — Urie, nominated for best supporting actor in a comedy series, said in an interview. Tony Gilroy for 'Andor' 'I'm really happy to see that the technical side of our show got recognized and Michael Wilkinson and Luke Hall and the sound departments and the visual effects department. I thought that really got a little bit overlooked last time. I wish there'd been more for the actors.' — Gilroy, nominated for best drama series and outstanding original music and lyrics, in an interview. Stephen Graham for 'Adolescence' 'Poleaxed is a good word, is it not? (I'm) just so happy and so full of gratitude for the ensemble, for the piece itself as a whole, as a collective... Just the fact that there's not one specific person or there's no one specific thing, but each element has been acknowledged, and to be a part of such a wonderful ensemble, to me, is what it's all about.' — Graham was nominated both for best actor and outstanding writing in a limited series or movie. He spoke in an interview. Connor Tomlinson for 'Love On The Spectrum' 'That's amazing...I feel like a leprechaun on St. Patrick's Day.' — Connor Tomlinson, a reality star on 'Love On The Spectrum,' reacting in a video message to the show's five nominations. Jenny Slate for 'Dying for Sex' 'I feel really proud, really proud of our show. Really proud of (show inspiration and producer) Nikki Boyer and all the work she's done. And I just feel so happy that this work came into my life. It's been one sort of happiness after another.' 'Our show really allows people to think about choices they want to make for themselves so that they could have more, so that they could step into the form that they actually like see themselves in, you know, like be the person that they feel that they are, but are somehow kept from.' — Slate, nominated for best supporting actress in a limited series or movie, spoke in an interview from her home in Massachusetts. ___ Interviews conducted and compiled by Associated Press journalists Hilary Fox, Liam McEwan, Brooke Lefferts, Itzel Luna, Jocelyn Noveck, Ryan Pearson and Alicia Rancilio.

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