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MOVIES: A big showdown for the US long weekend: Tom Cruise in action vs Disney's live action Lilo & Stitch

MOVIES: A big showdown for the US long weekend: Tom Cruise in action vs Disney's live action Lilo & Stitch

It seems that we've got another case of two big films going head to head. It's Memorial Day weekend in the US and both Mission Impossible The Final Reckoning starring Tom Cruise and Lilo & Stitch, Disney's latest live-action remake of an animated film, are both predicted to be smash hits. The only question is, which one will be at the top. The other will be right behind.
And here's a fun fact: Angela Bassett is an actor in one; her husband Courtney B. Vance is in the other.
We've got other choices too, including a Jane Austen-inspired rom com and a gay rights/anti-Communist dissertation with a small Canadian connection.
And watch out for a film I didn't have a chance to preview: Ocean with David Attenborough. It promises to be stocked with his usual wisdom about the natural world and revel in spectacular cinematography.
And take note that Incandescence, the film about forest wildfires that I reviewed a month and a half ago, is about to start on the National Film Board (nfb.ca) website. It'll be free and with wildfire season starting up again, essential.
In theaters, we have these:
Mission Impossible The Final Reckoning: 3 stars
Lilo & Stitch: 3
Jane Austen Wrecked My Life: 4
Bad Shabbos: 2 ½
MISSION IMPOSSIBLE THE FINAL RECKONING: This film finishes the story that started in Mission: Impossible – Dead Reckoning two years ago and is predicted to be a much bigger hit. But it's not the story that you come to it for; it's the action, the driving narrative and Tom Cruise again doing his own stunts. I don't know if he really did the main sequence, dangling from a plane in midair after jumping from another. Then climbing up to overpower the pilot. It's thrilling and pretty-well sums up what summer movies are all about. Don't explain, just energize.
The story has Cruise as Ethan Hunt continue searching for the people behind a malevolent use of Artificial Intelligence. It's a program called The Entity. It can invade any computer system on earth and considering how much of our world is now run with computers poses an extreme threat. Nuclear missiles will launch in three days unless Ethan can stop the Entity. He has half of a key (he got hold of it last film) and now needs something called the Podkova, a gadget apparently sitting in a Russian submarine that sank, also last film. He assembles his crew (Ving Rhames and Simon Pegg, holdovers, and Hayley Atwell and Pom Klementiff, newcomers) and with the U.S. president (Angela Bassett) urging him on, gets to work. The details don't make sense and take almost three hours to play out but for gung ho action and intense moralizing this is more than worthwhile. (In many theaters) 3 out of 5
LILO & STITCH: Disney is at it again. They've made this live action version of the animated film which came out 23 years ago and has been very popular with children. This new one will probably be also, with kids about 8 or 10 years old. They'll love the recurring scenes of havoc and probably the family connections it espouses. Adults may find it glossy and pleasant but bland and repetitive, a milder counterpart of better films like ET, lower in emotional impact and certainly not bringing on tears. Instead it plays like a run-of-the-mill family drama like Disney used to make regularly.
Lilo (played winningly by newcomer Maia Kealoha) is a young girl living in Hawaii. She's been raised by her older sister (Sydney Elizabeth Agudong) after their parents died sometime in the past. Lilo is a bit of a troublemaker at school (in self-defense) which brings both a teacher and two children's services people calling. Sis assures her she's not bad. 'You just do bad things sometimes,' she says.
All that changes dramatically because out on a planet somewhere in space a rogue genetic experiment has produced a 'monstrosity.' The queen orders it disposed of. It looks like a small animal with a soulful face and ends up on Earth where an animal rescue group saves it and Lilo finds and adopts it. She thinks it's a dog.
Cue the havoc it causes at her home, at various locations and even on a surfboard. All that is fun but very silly, as are the forces closing in. One is the CIA (really? Operating internally in the USA?). Courtney B. Vance is the agent investigating. Also in pursuit are a couple of agents sent from the planet that Stitch came from. They disguise themselves as humans (Zach Galifianakis and Billy Magnussen) but prove to be bumblers. Children may enjoy that. What may affect them more is the family separation threat looming over Lilo thanks to the child social workers. The film follows the original closely, with only a few changes. And live action isn't 100%. Characters on and from the alien planet are still animated; earthlings are live. Any reason, I guess, to re-visit old favorites. (In theaters) 2 ½ out if 5
JANE AUSTEN WRECKED MY LIFE: Here's a better-than-usual romantic comedy powered by a literary and classic English ambience. The word 'wrecked' don't fit though. The main character is a reader of Austen's novels and quite longing for some of the life in there, but she's not, as far as I can see, damaged by her. Influenced, sure. Agathe, played by Camille Rutherford, is single, hasn't had sex in years, writes but hasn't finished a novel yet, seems to be suffering a writer's block, and works in a bookstore alongside Felix (Pablo Pauly). She is attracted to him but makes no effort to show it. Felix says to her 'You don't live. You hide.'
He helps, though. He reads the start of her in-progress novel, declares it good and recommends her to an English writers retreat. She's accepted, sheepishly goes and meets Oliver (Charlie Anson) who is a great, great, great, great nephew of Jane Austen's. He's a professor of English literature and considers Austen 'overated' which prompts Agathe to declare him 'unbearable and arrogant.'
If you've seen any rom com before you know that feeling won't last. Gradually she warms to him and a love triangle, with him versus Felix, takes shape. Much like in an Austen novel. There are other smaller parallels envisioned by writer/director Laura Piani who herself, like Agathe, worked in a Paris bookstore. She steers the film's main theme to fight self-doubt and do what you dream of. A surprise cameo late in the film by the documentary filmmaker Frederick Wiseman sums that up. Satisfying. (Theaters in Toronto, Montreal and Vancouver) 4 out of 5
BAD SHABBOS: The Jewish Sabbath is supposed to be a day of rest and family gatherings but is noisily disrupted in this comedy. Too bad it's not as funny as the writers, Daniel Robbins, who is also the director, and Zack Weiner, seem to think it is. It feels like one of those SNL skits that starts with a good idea but comes up short in the writing. It's not all that clever and the story reminds me of several films done before.
At heart this is a standard meeting-of-cultures film. David, who is Jewish and played by Jon Bass, is engaged to marry Meg, a Christian, and brings her home to his family for dinner on the Sabbath evening. Her parents are to arrive later. So there are many opportunities to have slightly awkward misunderstandings over Jewish traditions. Meg (Meghan Leathers) says she has always wanted to find out more about Judaism and thinks the Torah is a prequel to the Bible. (One of the better jokes in here). Kyra Sedgwick and David Paymer play the Jewish parents; she written stereotypically and he easygoing. Another son is the problem. Adam (Theo Taplitz) dreams of joining the JDF (the Isreali army) but sets off a huge problem with a prank that causes the death of another of the evening's guests. How to hide the body before the potential in-laws arrive? Do you call the police? 911? Good complications but lackluster debate and an unsatisfying solution follow. And the laughs are pretty mild in this would-be dark comedy, although the rapper Method Man contributes some good ones as a doorman who helps. The film has been popular at many festivals including Tribeca, in New York. (In theaters: Toronto, North York and Vancouver, soon Victoria). 2 ½ out of 5

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CJ 4DPLEX Achieves Record-Breaking May Box Office in North America
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‘Pretty' is back in fashion, and this time it's being weaponized
‘Pretty' is back in fashion, and this time it's being weaponized

Globe and Mail

time14 hours ago

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‘Pretty' is back in fashion, and this time it's being weaponized

It's just a bow. A sweet, simple reef knot of ribbon encircling a ponytail or perched at the crown of the head. Satin, grosgrain or velvet, nothing says 'femininity' like a bow. And they're back. Not since the days of Hayley Mills have bows so dominated the fashion landscape. And not just bows – 'pretty' is back. It's back without apology. Without irony. And it's been weaponized. The question is why? And how? And who? And ... huh?! Before we untie the bow question, consider for a moment the basque waist, another ultrafeminine feature from the archive of the female wardrobe. What, you ask, is a basque waist? A basque waist is when the bodice of a dress dips over the abdomen in a V, thereby accentuating the torso while enhancing the hips. The design feature hails from Basque Country in northern Spain, but it most certainly has its apogee in the land known as Disney in Southern California. If you've ever had a fairy godmother or animated birds and mice whip up a dress for you, that dress will most likely have had a basque waist. From Cinderella to Sleeping Beauty, princesses-in-the-making all rock a frock with a basque waistline. So, the question expands: Why now for bows and basque waists? What's driving this princess-ification of fashion? Perhaps the answer lies with the 'dress that broke the internet.' Not the striped dress of 2015, but the 'raw milkmaid' dress recently offered by Evie, the magazine The New York Times calls the 'Conservative Cosmo.' (The 'raw' part is a nod to the politicization of unpasteurized dairy.) Imagine Kim Kardashian as a Wisconsin dairy farmer's daughter. The dress features a tavern wench's plunging neckline with breast-amplifying shirred fabric along with wayward puff sleeves. The skirt boasts an up-to-there slit intended for straddling ... a milking stool? The basque waist highlights the hip-to-waist ratio, which is further enhanced by a lace-up back for a torso-defining fit. At the bosom, a delicate bow beckons. Of the dress, the publisher of Evie warns, 'Side effects may include unplanned pregnancy.' (The publishers of Evie also market a fertility-tracking app that eschews contraceptives.) Across the fashion spectrum, a sea change seems to be taking place. Reports from recent runway shows remarked on Victorian flourishes. Perhaps sensing the change, the Cannes Film Festival put the kibosh on excess nudity on its red carpet this year. Even the local mall is suddenly festooned with basque waists and raw milkmaid and eyelet lace dresses. Girlishness rules. Where's it all coming from? Carlyn Shapiro is qualified to comment. She lives in Dallas and is a director at Alvarez and Marsal Consumer and Retail Group. She specializes in turnaround management and performance improvement for major retailers – essentially, putting out corporate fires or igniting corporate fires. She's all about the next big thing in retail. The biggest arbiter in fashion right now, she tells me, is TikTok. And right now TikTok is taking its cue from the new conservatism defined by the American Republican party. The Secret Lives of Mormon Housewives, Ballerina Farm, Nara Smith making bubble gum from scratch while wearing a couture gown – these are the current superstars of the internet. So-called 'tradlife,' which catapults well beyond the virtues of homemaking and matrimony, offers up a performance of domesticity lashed to ultratraditional gender roles. And let's not forget the push-up bras. It's sort of Tricia Nixon meets-Pamela Anderson (Baywatch years)-meets Oliva Walton, mother of seven children on the 1970s' The Waltons. Better yet, think of tradlife as a track meet for Stepford Wives wherein impossibly beautiful women compete to deliver impeccable wifely and motherly service. Shapiro says that, as the conservative values from influencers gain traction on TikTok, 'those values get translated into likes and views on outfits with bows and lace and longer hemlines. Fashion buyers take note of these trends and start buying and marketing more feminine clothing. For the consumer, no matter your political leanings, it's now hitting you from every angle: social media, merchandising, marketing, TV.' The slurry from whence this ethos emerged can be traced to Project 2025, the encyclopedic wish list produced by the Heritage Foundation, a Washington right-wing think tank founded in 1973 but most influential of late. It aims to expand presidential power and instate an ultraconservative, Bible-based social program for the United States. Central to its mandate is a nostalgic vision of the family as the centrepiece of American life, wherein reproductive rights are eliminated and gender equality is a non-starter. It's not enough for a woman to milk cows: She has to do it in a come-hither dress and acknowledge submission to God, country and her man. The Conservateur magazine – referred to as the 'Conservative Vogue magazine' – piles onto this aim, with the added objective to 'Make America Hot Again.' Alexandria Ocasio-Cortez is just so ugh! Both it and Evie are enraptured by images such as the one of Lara Trump, Donald Trump's daughter-in-law and former co-chair of the Republican National Committee, in a chiffon evening gown astride a horse that's wearing a diamond ... let's call it a tiara. This performative fashion sometimes goes by the name 'coquette aesthetic,' but you can cover off the trend's top notes by labelling it 'authoritarian Christian nationalist aesthetic.' Trump's insistence that he's going to 'protect the women of our country ... whether the women like it or not' gave many American women the shivers, but a surprisingly large percentage of them have embraced his vision. One needs only to look at Trump's appointees to find evidence of his narrow view of American womanhood - the crucifixes, the girlishness, as well as a general flag-ification of fashion. Love it or hate it, fashion is nothing if not organic. It speaks to us of ourselves. What we wear, or covet, evolves based on what's happening in our current moment. And what's happening right now is adherence to a rigid interpretation of traditional values demonstrated online as religious catechism. From the treacly postings of idealized rural life at Ballerina Farm, to the anthropomorphism of Old Glory explicit in the Republican dress code, conservative values are laying siege to the marketplace. Tradlife, which hinges on a woman being deeply submissive to an authority far greater than herself, is fed by a political manifesto intent on reshaping society along hypertraditional gender roles. Magazines for young Conservative women may offer beauty tips for all, but the sex tips are for married women only. All of this can be summed up in a baby-blue eyelet halter dress accessorized with Mason Cash mixing bowls and a crucifix. Yes, data mining is thriving and coming to a closet near you. Maybe it's not just a bow after all. Jane Macdougall is a writer based in Vancouver.

Whistler has a new brasserie — with traditional tortière and a connection to TV's Mad Men
Whistler has a new brasserie — with traditional tortière and a connection to TV's Mad Men

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With Lorette Brasserie, Whistler's restaurant scene is expanding with rich, hearty servings of Quebecois cuisine. 'Our impression was that there was nothing really like this in Whistler,' said Lorette co-owner James Paré. 'People will do French or whatever, but no one is really doing what we're doing. And I feel like the culture is growing. Customers are becoming more aware and more excited to try different things. We have some unique flavours and some items that people are excited to try, and maybe not just one night, but maybe a couple nights in a row.' Along with his uncle Jay, James is co-owner and operator of Lorette's parent company, Paré Restaurant Group, which includes two other Whistler restaurants, Quattro and Caramba. Get top headlines and gossip from the world of celebrity and entertainment. By signing up you consent to receive the above newsletter from Postmedia Network Inc. A welcome email is on its way. If you don't see it, please check your junk folder. The next issue of Sun Spots will soon be in your inbox. Please try again Interested in more newsletters? Browse here. Caramba serves European-inspired comfort food, including steak, duck, and pasta, while Quattro is Italian. For their new restaurant, the Parés wanted to draw on their Quebecois heritage. 'We knew cretons for sure would be on the menu, and that tourtière was going to be on the menu,' James said. Cretons, a pork paté with pear served on toast, was a favourite of his when he was a kid, Jay said. 'Tourtière was something we had usually at breakfast time and special occasions.' A traditional French Canadian meat pie, the Lorette version of tourtière is made with suckling pig, confit duck, 'grandma's ketchup' and pan-seared foie gras. However, it's temporarily off the menu, probably until fall. 'It's such a heavy dish,' James said. Other plates include rillettes, a cured salmon spread served on crostini; petites pois à la Francaise, a braised peas and lettuce dish with lardons, baby gem, and lemon cream; coquilles St. Jacques, scallops and morels with comté and pomme purée; and beef tartare and bone marrow. Trained in the classical French culinary arts, James developed the menu with Lorette head chef Shane Sluchinski for six months before the Parés opened the doors on April 26. 'We did a lot of tastings, with Jay and myself, and we did a lot of collab that way as well, where we kind of just cooked food, tried it, and said, 'Oh, that'll be great with a nice Pinot Noir' or whatever,' James said. 'We were always trying to think of what that was going to look like. We haven't had to make a ton of tweaks, because we cooked so much of it.' The wine list is petite. 'We wanted to keep it nice and tight while appeasing all palates,' Jay said. 'It's predominantly French, with some BC wines that are French-focused as well.' Signature libations include the Montreal Margarita (Altos Plata tequila, china china, lemon lime, sea buckthorn cordial) and Lorette Fizz (Citadelle Jardin d'Ete, a French gin, with Lillet Blanc, lime, honeyed Riesling, and elderflower orange blossom foam). For beer, the brasserie is pouring an exclusive, a full-bodied, layered blanc from Whistler's Coast Mountain Brewing. 'We were down at a Seahawks game with Kevin [Winter, co-owner of Coast Mountain] last year,' James said. 'And he just said, 'Hey, I want to brew a beer for you guys.' When we tasted it for the first time, we were stunned.' Family photos, including one of Jay's mother who was Canada's first certified female ski instructor, add to the chic rustic charm of the restaurant's interior. She helped inspire the brasserie's name. 'My late mom's name was Lorene, and Jay's mom's middle name was Loretta. We were sitting at the bar one day and Jay said, 'What about Lorette?' And I was like, 'Oh my God, I love it. So we stuck with that from that point forward.' Another notable Paré is Jessica, who is perhaps best known for her role in Mad Men as the character Don Draper's French-Canadian wife Megan, the actor is one of the many cousins that show up for the annual 200-strong Paré Labour Day family reunion in Quebec. 'She needs to endorse us,' said James. 'We need to get her here.'

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