logo
Anna Wintour to step aside as American Vogue editor

Anna Wintour to step aside as American Vogue editor

Independent5 hours ago

Dame Anna Wintour is stepping down from her role as the day-to-day editor of American Vogue.
She will continue to oversee Vogue globally and serve as chief content officer for Conde Nast, allowing her to focus on these broader responsibilities.
This change marks the end of her 37-year tenure as the editor of American Vogue, where she became a highly influential figure in the fashion and publishing industries.
Wintour stated her intention to help the next generation of editors, emphasizing the importance of continuous growth and new ideas in creative fields.
Despite this shift, she has no plans for full retirement, having recently affirmed her commitment to continue working after receiving the Order of the Companions of Honour.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

A real issue: video game developers are being accused of using AI – even when they aren't
A real issue: video game developers are being accused of using AI – even when they aren't

The Guardian

time20 minutes ago

  • The Guardian

A real issue: video game developers are being accused of using AI – even when they aren't

In April, game developer Stamina Zero achieved what should have been a marketing slam-dunk: the launch trailer for the studio's game Little Droid was published on PlayStation's official YouTube channel. The response was a surprise for the developer. The game looks interesting, people wrote in the comments, but was 'ruined' by AI art. But the game's cover art, used as the thumbnail for the YouTube video, was in fact made by a real person, according to developer Lana Ro. 'We know the artist, we've seen her work, so such a negative reaction was unexpected for us, and at first we didn't know how to respond or how to feel,' Ro said. 'We were confused.' It's not wrong for people to be worried about AI use in video games – in fact, it's good to be sceptical, and ensure that the media you support aligns with your values. Common arguments against generative AI relate to environmental impact, art theft and just general quality, and video game developers are grappling with how generative AI will impact their jobs. But the unexpected problem is that the backlash against generative AI is now hurting even those who don't use it. 'I would rather people be overly cautious than not,' veteran game developer and Chessplus digital director Josh Caratelli said. 'But being collateral damage does suck.' Caratelli and his game Chessplus were caught up in a similar situation when he posted some art to Reddit – sharing explicitly that it was commissioned and not made with AI. Even then, Caratelli said he's received several comments and direct messages accusing him of lying about it, or suggesting he'd been duped. 'It's very clearly hand drawn,' he said. 'It was a fair whack of money to spend for an indie team on a piece of art. We thought it was worth it.' It's becoming increasingly common for people to call out instances where a game seems to have used AI in a way that replaces human work. (Epic Games was singled out recently for its AI Darth Vader.) But sometimes, that anger is misdirected at people and companies that are simply believed to be using AI. This is what happened when a Magic: The Gathering artist was accused of using AI, forcing Wizards of the Coast to put out a statement on the false accusations. Even Nintendo was accused, in May, of using AI-generated images for in-game billboards in Mario Kart World. Nintendo put out a statement to deny the claims. Bigger companies such as Wizards of the Coast and Nintendo may be able to weather false accusations, but indie studios with less influence may have a harder time. Little Droid, released in April, stars a little robot navigating a lush pixel-art world. Its cover, on the other hand, renders the droid in a totally different style – with the smooth, glossy finish that people have come to expect from AI art generation tools. People in the YouTube comments pointed to specific details to 'prove' the art is AI-generated: the robot itself is asymmetrical, because AI has issues with symmetry; the glow or lighting look off; some naysayers simply argued that real people don't draw like that. Stamina Zero, in the comments, continued to hold its ground – that no AI was used in development of the game or its art. Then the studio posted a video it said proves it, showing several steps in the art's process. The video showed early art concepts, navigating different layers in Adobe Photoshop as a way to demonstrate how the art came together. 'We contacted the artist and asked her for all the available intermediate sketches and the source PSD with all the layers,' Ro said. 'Based on all the available files, we put together a video as quickly as possible and posted it … It was a damage control move – a way to calm things down and make the discussion more productive. We had nothing to hide and were ready to be transparent.' Some people relented, accepting the video as proof that AI was not used. Others were unconvinced. There's no actual drawing in the video, which would be impossible to share unless the artist was recording their entire process. That is something some artists do already – but it creates additional work for them. And, as Stamina Zero found out, there will always be people who still don't believe. 'To be honest, I don't have a clear strategy for how we will proceed in the future,' Ro said. 'There was advice on Reddit not to make art similar to the results of AI work, as this triggers people. And this tip could work. But AI learns from the work of artists and, in the future, it is quite possible that it will be able to replicate any style.' Caratelli shares the community's ethical concerns about AI plagiarism, environmental impact and human creativity. But he was dispirited by the accusations against Chessplus. 'It's really hard for AI to make things with meaning. It's a thousand little intricacies that make a game great … [That] work isn't being valued,' he said. Ro agreed: 'It's completely unfair that so many people who have honed their craft for years are facing this and being wrongfully accused.' Both of these games are examples of how generative AI has poisoned the creative well, even for creators who aren't using it. We can never be totally sure, now, whether we're looking at something that a human made or not, as even proof can theoretically be fabricated. For creatives and players, it will have to come down to a relationship of trust.

Tesco's ‘warm weather staple' dress that's cut to a flattering mini length & covers upper arms is slashed to just £13
Tesco's ‘warm weather staple' dress that's cut to a flattering mini length & covers upper arms is slashed to just £13

The Sun

time22 minutes ago

  • The Sun

Tesco's ‘warm weather staple' dress that's cut to a flattering mini length & covers upper arms is slashed to just £13

SHOPPERS are rushing to Tesco to snap up a "warm weather staple" that's been slashed to £13. With temperatures set to reach 28C today, Brits across the nation are trying to do all that we can to cool down. 3 And although purchasing a fan or making your own air conditioner may be your first thought, wearing the right clothing can make a huge difference. Tesco's F&F is one of the best-loved brands on the high street, and is constantly wowing us with its stylish but affordable fashion. From cute dresses to on-trend work attire, the supermarket fast-fashion range always hits the mark, and its new summer collection is no exception. Warm Weather Staple One dress that has caught the eye of shoppers is the F&F Linen Rich Leaf Print V-Neck Mini Dress in Multi Black White. The stylish frock comes in a loose-fitting design, which will help to keep you cool, and is cut to a flattering mini length. It also covers your upper arms, to protect from sunburn and maximise comfort and would look perfect dress down with sandals for beach days or dressed up with wedges for garden parties or summer events. Tesco said: "Add a jungle vibe to your wardrobe with this linen blend dress, cut to a flattering mini length. "Featuring a bold leaf and stripe print, short roll sleeves, and a classic V neckline, it's a timeless addition to your warm-weather staples. "Wear with flat sandals for a breezy summertime look or style up with wedge heels for dressier events." The dress is available in a wide range of sizes from size six to size 22. Tesco fans are set to love the latest items in stores for 25 per cent off when you use clubcard However, it has proved so popular with fashion fans that some sizes are already sold out - so you'd better be quick to snap up yours. The budget gown has been slashed from £25 to just £13, a saving of almost 50%. Plus, Clubcard users can get an extra 25% off if the dress is purchased before Sunday, June 29. Shoppers can find the dress in store or online on the Tesco website. How has Tesco's F&F upped its game By Fabulous' Fashion Editor Clemmie Fieldsend ZARA has become a high street staple in recent years thanks to its hot-off-the-catwalk designs and affordable prices. But recently those prices have risen with the brand's popularity. However, if you are looking for high fashion inspired outfits with low price tags you needn't drag yourself to your local shops, just head to the supermarket instead. F&F has come a long way from selling a few backs of T-shirts and fluffy dressing gowns and is now a must have shopping destination for thousands. They produce good quality, long lasting and on trend clothes that puts others to shame. F&F is filled with Zara dupes and other looks inspired by our favourite shops that will set you back less than £50 - and you can get them while you pick up your dinner. I for one love F&F denim, it's durable, fits really well and has all the best silhouettes. So even if you're not looking for reasonable prices but just want good clothes, get yourself to Tesco. More F&F Dresses The F&F Cotton Rich Sleeveless Ribbed Racer Midi Dress in Mink, has also caught the eye of shoppers, and has been slashed from £16 to just £9, a saving of almost 60%. The simple dress can easily be chucked on in hot weather, and the sleeveless design will help to cool down sweaty armpits. Tesco said: "This ribbed midi dress is an easy go-to for summer days. "Made from a cotton rich fabric, this midi dress is designed in a classic racer silhouette, making it a versatile piece for any wardrobe. Fashion fans have also been raving about another F&F buy, the 'OH ME OH MY Pure Cotton Halter Neck Denim Dress' is priced at £25. According to Tesco bosses, the F&F buy is a 'retro-inspired addition to your summer collection".

First Steps to ruin: Is Marvel's Fantastic Four finally about to let the bad guys win?
First Steps to ruin: Is Marvel's Fantastic Four finally about to let the bad guys win?

The Guardian

time30 minutes ago

  • The Guardian

First Steps to ruin: Is Marvel's Fantastic Four finally about to let the bad guys win?

What if Thanos really had finger-snapped away half of all life in the universe and then kicked back on his scorched Titan homestead like a giant, purple Cincinnatus? What if Ultron had succeeded in uploading himself into the cloud, turning every smart fridge and Fitbit into a genocidal death bot? What if Loki had kept the Tesseract, conquered Earth, and turned Avengers Tower into a golden skyscraper shaped like his own smirking face? These are the Marvel sliding‑doors moments we are secretly relieved that we will never see – too bleak, too bonkers, or too off‑brand to survive outside the whiteboard of producer and Marvel boss Kevin Feige. But what if the Disney-owned studio actually went there? What if the universe did end in tears, ash and the soft whirr of a retro‑futurist espresso machine sputtering out its final cortado as Galactus devours the sun? This may be the queasy promise behind The Fantastic Four: First Steps – a film that appears to revel in retro‑futurist utopian aesthetics but also looks likely to end in cosmic obliteration. Its latest trailer, out this week, certainly leaves us wondering if, this time, the bad guys may win. Sign up to Film Weekly Take a front seat at the cinema with our weekly email filled with all the latest news and all the movie action that matters after newsletter promotion Early glimpses of the film read like a love‑letter to a future that never was, all soft lighting, swooping mid‑century rocket ships and wholesome family dynamics. Reed Richards is busy tinkering with gadgets that run on vacuum tubes and barely repressed genius. Ben Grimm lurks in a letterman jacket, looking like a walking pile of regret. Sue Storm floats weightlessly in a zero‑gravity kitchen that wouldn't look out of place in a SpaceX commercial directed by Don Draper's artier younger brother, while Johnny Storm radiates cocksure charisma and combustion. All that Apollo‑era optimism curdles fast. We cut to trembling ground crews, misbehaving solar flares and giant shadow‑objects looming towards Earth – before Julia Garner's Silver Surfer glides in like a chrome‑plated herald of doom to announce that this planet is toast, and you may as well give up now. In any other Marvel movie, that would be the cue for a heroic fightback and Galactus being packed off to the nearest celestial naughty‑step. The end‑credits would show the team curing their hunger pangs in an all‑night diner. But there is something so downcast about this new trailer that you can't help wondering if everything is going to work out for the best this time. After all, this isn't the Marvel Cinematic Universe we have come to know and love. It may be a sleek, chrome‑plated utopia built on jetpacks and optimism, but as it is one of maybe a million universes, it is also eminently dispensable, instantly rebootable and narratively nonbinding. Could all those soaring space bridges, apple‑cheeked children and pastel dioramas be a plot device to show how easily the studio can destroy the visual playground in front of it – as long as it has 999,999 other realities to plunder for future episodes? Perhaps the biggest concern – for those who stayed through Thunderbolts* to its startling second post‑credits scene – is that the Fantastic Four's retro rocket ship is shown hurtling toward Earth‑616 like a vinyl‑wrapped harbinger of doom. Feige insists this may not be that ship, but if it is, then all those efforts in First Steps may just have been in vain. The opening moments of next year's Avengers: Doomsday could yet show the Four crash‑landing into the MCU, bruised, broken, and with apocalypse on their ash‑flecked lips.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store