Big Thief Announce New Album Double Infinity, Release Single 'Incomprehensible': Stream
Big Thief are back with a new double album called Double Infinity. Stream the lead single, 'Incomprehensible,' below.
Due out September 5th via 4AD, Double Infinity marks Big Thief's sixth studio album and was produced by longtime collaborator Dom Monks. Recorded over three weeks this past winter at Power Station in New York City, the band biked between Brooklyn and Manhattan each day for the sessions. Many of the tracks were captured live, shaped through in-the-moment collaboration and improvisation, with minimal overdubs.
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The lead single, 'Incomprehensible,' demonstrates this sound, with a warm, textured arrangement that naturally ebbs and flows beneath Adrianne Lenker's expressive vocal performance. Lyrically, she grapples with the brevity and wonder of life, ultimately declaring: 'Incomprehensible, let me be.' Stream the single below.
Double Infinity is the follow-up to Big Thief's 2022 album, Dragon New Warm Mountain I Believe In You, and will arrive shortly before the kick-off of their 2025 tour, dubbed the 'Somersault Slide 360 Tour.' The jaunt begins on September 17th in Sacramento, California, and will stop in Los Angeles, Boston, Philadelphia, Atlanta, New Orleans, Dallas, and other cities, before wrapping on November 7th in Houston. Get tickets here.
Artwork:
Tracklist: 01. Incomprehensible 02. Words 03. Los Angeles 04. All Night All Day 05. Double Infinity 06. No Fear 07. Grandmother 08. Happy With You 09. How Could I Have Known
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Big Thief: ‘Our bassist leaving was like a divorce... the change is very significant'
I'm not one of those people that's like, 'I can't listen to my own music,'' says Adrianne Lenker, the ineffably serene frontwoman of Big Thief. 'I f***ing love our music! Like, it's good! It's so fun to listen to.' She says that Double Infinity, the American indie band's new record, is 'one of my favourite albums ever'. Put these words in the mouth of someone like Liam Gallagher or Drake, and it might sound like excruciating egotism. Coming from Lenker, it just sounds like the truth. It helps, of course, that she's bang on the money: Big Thief's music is fun to listen to – albeit a soulful, bittersweet, altogether quite involved type of fun. After breaking onto the scene with 2016's Masterpiece, the band rapidly became one of the most respected and consistent forces in modern music. They are the sort of band that inspires ardent fanaticism: dense and vibrant on record, even more so live. 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Double Infinity arrives on a more conventional timeline, being the band's first release since the brilliant 2022 double album Dragon New Warm Mountain I Believe in You. Well, that's if you don't count last year's album Dance of Love, by singer-songwriter Tucker Zimmerman, on which Big Thief served as the backing band. Or the odd standalone single ('Vampire Empire' and 'Born for Loving You', for instance). Or the trio's solo projects, which include, for Lenker, a Grammy-nominated solo album, a charity EP in aid of Palestine, and a 43-track live album, all released within the last year and a half. Meek released his third studio solo album, Haunted Mountain, in 2023, while Krivchenia has been all over the place: releasing a solo album and recording with artists such as Taylor Swift, Ed Sheeran and Gracie Abrams. For Double Infinity, there were, says Meek, 'something like 50 or 60 songs floating around that we started moving in different places. But then we narrowed down.' 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For most of her childhood, Lenker lived in and around Minnesota in the upper Midwest (probably best known to Brits as Fargo country); you can hear it passingly in her accent, in the cosy lilt of words like 'sturdy'. By age eight, she had already moved around a lot, and started writing songs; she released her first record at 13, under the auspices of her musician father. She met Meek in 2012, first pairing up creatively – releasing an album as a duo, 2014's a-sides and b-sides, before forming Big Thief in 2015 – and then romantically. Lenker and Meek were married for three years, divorcing in 2018. But they have continued playing together, harmoniously. Now it feels sturdy, and like where we're meant to be. It feels like the three of us are strong, and inspired Adrianne Lenker, singer-songwriter Last year, the band embarked on a short European tour, in which they debuted, experimented with and honed many of the songs that would go on to form Double Infinity, and which included a headline slot at Wales's mountain-flanked Green Man festival. A few days ago, I was speaking to someone who described that set as 'historic': a word that would probably sound like hyperbole to anyone who wasn't there. 'There was a magic that night,' Lenker says. Tracks such as 'Grandmother' – the first song co-written by all three band members, channelling inter-generational feelings into rock 'n' roll – or the searching, propulsive 'Words' – became immediate favourites. 'Incomprehensible' was an unfamiliar song that nonetheless had the crowd singing along in rapture. 'So much of what we played on that tour felt really tough,' admits Lenker. It was tough, in part, behind the scenes: that being their first time playing without Oleartchik. (For the tour, they were joined by Justin Felton on bass, as well as Jon Nellen on a second drum kit.) Lenker grows, for a moment, slightly sombre. Meek places a hand on her arm. 'It feels very different than what we're used to, because we spent 10 years as a four.' she says. 'We have partnerships together. We spend so much time together, we basically live together, and have been through so much. It's like a marriage. So the change is very significant. 'It took a while, just like getting a divorce would. Like when Buck and I got divorced… It took a while to smooth out into the new space where we are.' Meek did in fact briefly step back from the band, during a tour while the divorce was at its rawest. Lenker would go on to write songs about the breakup, which the band would perform onstage – a sort of exposing process, though one that Meek was 'supportive of', according to Krivchenia. The confessional aspect of Lenker's songwriting does not seem, at the moment, to have extended to Oleartchik's departure, which remains, for now, slightly opaque. Fans have speculated that the Israeli bassist's exit was related to his politics surrounding Palestine, but the band have not addressed this. In 2022, the band cancelled two controversial gigs in Oleartchik's hometown of Tel Aviv, having initially defended the decision to perform in Israel on social media. Announcing the cancellation, they described the 'recklessness and naïvete' of their previous defence of the gig, which they said had stemmed from 'a simple belief that music can heal', before adding, 'We now recognise that the shows we had booked do not honour that sentiment.' Double Infinity sheds no light on the rift; for the remaining three, it seems like there is a comfort in the reset. 'Now it feels sturdy, and like where we're meant to be. It feels like the three of us are strong, and inspired,' says Lenker. The other two band members nod. 'It feels like the three of us are motivated, and equally committed to each other, as friends and creative partners,' says Meek. '[For Double Infinity], we opened it up' – also like a marriage, I suppose – 'and let go of all control, not delegating anything. I could really feel our core within that.' 'Big Thief,' says Lenker, 'is something that is flexible and fluid, and can expand and contract. In those moments of playing with everybody, we were all Big Thief.' 'It's just a name,' adds Meek – echoing, perhaps unintentionally, one of the lyrics in 'All Night All Day', Double Infinity's second single: 'Love is just a name/ It's a thing we say/ For what pulls through/ 'Til we come together.' The track, incidentally, is wonderful – Lenker's songwriting at its precise and soul-stirring best. Given Lenker's place at the head of the group, and the sheer rarity of her talent, Big Thief is too often discussed through the sole lens of her artistry. 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