Succession star Brian Cox to bring one man show to Dublin
Cox said: "I am looking forward to this tour as it marks something a little different for me - sharing the stage with myself.
"As the title indicates, the show will focus more than ever on my life and career. It should be a lot of fun."
Cox, who was born in Dundee, will be joined on stage for the show's second half by producer Clive Tulloh, who will put questions from the audience to him.
Publicists said Cox will "take audiences on a journey through his life and incredible career - from the backstreets of Dundee to the glittering lights of Hollywood - a journey that is full of laughter and pathos.
"Expect candour, searing honesty and hilarious stories."
Cox trained at Dundee Rep Theatre before going on to work at the Royal Lyceum Theatre, the Royal National Theatre and the Royal Shakespeare Company, where he first gained recognition for his portrayal of King Lear.
His accolades include two Olivier Awards and a Primetime Emmy Award. He also won a Golden Globe for his portrayal of Logan Roy in Succession.
Tickets will go on sale at 10am on Wednesday here.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Irish Sun
8 hours ago
- The Irish Sun
Lewis Capaldi reveals he was ghosted by huge A-list singer as he opens up on shock snub
Lewis said he thought that he and the star were going to be best mates FORGET ME Lewis Capaldi reveals he was ghosted by huge A-list singer as he opens up on shock snub LEWIS Capaldi has revealed that he was ghosted by a huge A-list singer, as he opened up on the shock snub. The Scottish singer opened up about a night out with pop sensation Justin Bieber at a star-studded bash, but says the Baby singer failed to message him back. 4 Lewis Capaldi reveals Justin Bieber 'ghosted' him after wild night out Credit: Capital Breakfast 4 Justin and Lewis had hung out at a starstudded bash Credit: Shutterstock Editorial Advertisement 4 Lewis said he thought that he and the star were going to be best mates Credit: Capital Breakfast Lewis, 28, said that he and Justin had exchanged numbers but after dropping him a message the following day, Lewis was left with no reply. Chatting to Chris Stark on Capital Breakfast, Before You Go singer Lewis revealed: 'It was amazing, there was famous people, Charli xcx was there, Justin Bieber was there. 'Justin Bieber comes over and said 'hey man, what's going on?' And I said, 'you don't remember my name?' And he said, 'of course I do, you're Lewis Capaldi.' Advertisement 'Me and Bieber had this super night together, like really lovely evening together. We didn't spend the night together, but we hung out and I'm like 'me and the Biebs are gonna be best pals, this is huge.'' Read More on Lewis Capaldi THE EX FACTOR Lewis Capaldi opens up about Paige Turley split with rant on live radio But things didn't turn out as planned for the singers, as Lewis continued: 'And he's like 'man make sure I get your number tomorrow.' And I was like 'me and the Biebs, this is huge.' 'I text him maybe the most sucking up his a*** text. I said, 'Just wanted to jump on bro, last night was so special, great guy, so nice to hang out with you, such a dude.' 'He likes it and doesn't reply. So if you're out there Bieber, wherever you are, text me back please. Bieber aired me.' Advertisement Scots singer Lewis made his long-anticipated return to Glastonbury this summer, two years after he broke down on the very same stage. Capaldi, who had Tourette's, took a two-year hiatus from performing after his 2023 Glasto set saw him tear up and suffer repeated tics. Lewis Capaldi reveals he reached 20st & is on anti-psychotic medication after Glastonbury breakdown But he made an emotional return as he swaggered onto the stage as a crowd of more than 100,000 people chanted his name. The Bathgate-born popstar told fans the past two years had been 'difficult' but admitted he had unfinished business to resolve. He said: "Glastonbury, it's so good to be back. I'm not gonna say much up here today because if I do, I think I'll probably start crying. Advertisement "But I said it's just amazing to be here with you all, and I can't thank you all enough for coming out and coming and seeing me.' Making light of his 2023 performance, which he was forced to cut short, he said: "Second time's a charm on this one, everybody. "It's just a short set today, but I just wanted to come and finish what I couldn't finish the first time.' Festival-goers teared up and chanted 'Oh Lewis Capaldi' as he treated them to the surprise 35-minute set with hits like Before You Go and Hold Me While You Wait. 4 Lewis Capaldi performed on the Pyramid stage during day three of Glastonbury festival this year Credit: Getty
RTÉ News
9 hours ago
- RTÉ News
Death announced of Scottish comedian Gary Little
The death has been announced of Scottish comedian Gary Little, who has been described as one of "Scotland's finest comedians". Little, who was due on stage this weekend in The Glee Club in Glasgow, was in his 60s, he rose to prominence in the early 2000s. He went on to perform regularly at the Glasgow International Comedy Festival and the Edinburgh Glee Club in Glasgow, where the comedian was due to perform on Friday, confirmed his death on social media. It said: "Gary wasn't just one of Scotland's finest comedians, he was a true original. "He had a huge heart, a razor sharp sense of humour, and a knack for making you feel like you'd known him forever. "He could make an entire room feel like they were sitting with an old friend. He played our opening weekend, and was a permanent fixture at the venue ever since." Little never shied away from discussing his brushes with the law, he often drew from controversial personal experiences in his material - including his time in prison. Prior to his Comedian career, Little had spent time in jail on a drug dealing charge. His stand-up shows tackled themes of mental health and addiction. In 2024, he created a four-part stand-up series for BBC Radio 4 called Gary Little: At Large, which explored life "before, behind and beyond bars".
Irish Examiner
17 hours ago
- Irish Examiner
Irish Examiner view: Guinness and co are in need of a masterplan
Netflix may have its critics, but its sense of timing is usually good. Whether that is positive news for the Guinness brewing dynasty, and the brand's parent company Diageo, is something we will discover next month. That's when a new eight-part drama hits our screens recounting the creation of a global business empire which has become synonymous with Ireland. The House of Guinness is set in 19th-century Dublin and New York and unfolds the complexities of a Succession-style plot following the death of Benjamin Guinness and the Machiavellian impact of his will on the lives of his four adult children: Arthur, Edward, Ann, and Ben. The vice-president in charge of content at Netflix explained the attraction of the story: '...wealth, poverty, power, influence, and great tragedy are all intertwined to create a rich tapestry of material to draw from. I've always been fascinated by their stories, and am excited to bring the characters to life for the world to see.' That responsibility falls to someone with an impressive CV in shows with cult potential — the writer Steven Knight who has delivered memorable scripts for SAS Rogue Heroes and, of course, Peaky Blinders, the iconic six-instalment series which showcased the adventures of a mixed heritage Birmingham, Romany, and Irish gang in the UK in the years following the First World War. There's an impressive cast, with a major role undertaken by James Norton, who played the chilling sociopath Tommy Lee Royce from Happy Valley, exchanging his (natural) West Riding accent for training in the tones of 19th-century Dublin. Norton plays Seán Rafferty, a company hardman whose job it is to keep the Guinness workforce on their toes. Other cast members include Dervla Kirwan, Anthony Boyle, and Cork-born actor Jack Gleeson, memorable for his portrayal of the sinister and sadistic Joffrey Baratheon in Game of Thrones. Knight has a ready plotline should he be tempted to use it with the emergence of southern rivals, Beamish and Murphy's, who bridle against the dominance of the capital city's favourite tipple. But perhaps he has already been there and done that with his account of the power struggles between the Shelbys, the Sabinis, and Alfie Solomons's Camden Town gang. Whether Guinness benefits from this publicity, and whether it is brand-enhancing, we will be able to discern more clearly by late autumn. But it comes during a period when there have been some uncharacteristic lapses in the company's usual stately progress. On the plus side, it ousted Budweiser in 2024 to commence a four-year stint as 'the official beer of the Premier League'. It is also the 'official beer' of the Six Nations international rugby competition. This week it moved further into club competition by agreeing separate partnerships with Arsenal and Newcastle, the latter in a city which has its own legendary beverage, Newkie Broon ale. While Guinness may be everywhere, with countless memes about 'splitting the G', there are signs of shareholder discontent with its parent company. It is less than a month since its CEO Debra Crew stepped down without a succession plan. Ms Crew, who had been in place since June 2023, received a total pay package equivalent to €4.17m for the financial year ending June 30. The company's shares have lost a third of their value since the summer of 2023. Diageo reported a drop in both sales and profits in the six months ended December 2024, according to figures released this week. This was despite growth in demand for Guinness which resulted in supplies running out or being rationed in the UK last Christmas. We all noted the news that spending by Cork's hurling fans plummeted by 13% on July 20, the day of the All-Ireland defeat by Tipperary. No doubt the reason for raising a glass by some visitors to Dublin was undermined by that dispiriting defeat. It's down to Oasis fans to make up for that shortfall with the concerts in the city today and tomorrow, and there's every chance that they will. But for Guinness and Diageo, a renewal of confidence requires, in the words of Noel Gallagher, a masterplan. And just like that, soccer is back It may stick in the throat of GAA diehards but there won't be many Irish sports fans who haven't noticed that, with the appearance of champions Liverpool at Anfield last night, the Premier League is back.. And so, after one apparently interminable season, we are about to commence on another which will finish on July 19, 11 months from now, with the World Cup final at MetLife Stadium in New York and another photobomb opportunity for US president Donald Trump. Before then, there will be 380 games in the Premier League plus countless subsidiary divisions; the League of Ireland; the Champions League; the Europa League; the Conference League; assorted cup competitions; and internationals, friendly and otherwise. Plus the burgeoning and increasingly popular women's game. No wonder Sky is pioneering a new multi-view service which allows you to watch four games at once. A small hint to broadcasters. This isn't enough for computer game veterans who are adept at multitasking. And where's the soco-bot which can be sent out to watch all the matches the viewer doesn't want ... those 0-0s on a rainy night in Stoke? Arguments over identifying ethnic origins There is no indication, as yet, of any great support for the proposition that the ethnicity or nationality of suspects should be drawn to the attention of the general public at the point at which they are charged and enter the criminal justice system. Indeed, the whole issue of court procedure is one on which there are wildly varying opinions. One contributor to the Irish Examiner this week took the view that defendants should not be named until a trial has ended, and only when a conviction is secured. The media (and social media), he wrote, 'could lead the way by doing the right thing and have a shred of humanity and not name or identify any suspect unless or until they have been found guilty of the crime with which they were charged'. While it is possible to construct mighty arguments around this proposition, it is enough to note that ordinary people are thinking about the administration of justice and whether it can be made better. Or, given the law of unforseen consequences, worse. In Ireland, An Garda Síochána does not usually release the ethnicity of individuals charged with crimes. Sometimes restrictions are cited for reasons of privacy or data protection, although these arguments are increasingly governed by the law of diminishing returns for some citizens. There are exceptions where it is deemed necessary to assist investigations or head off potential public order problems stimulated by the circulation of misinformation. In Britain, the College of Policing and National Police Chiefs' Council says forces should consider releasing the ethnicity and nationality of suspects at the point of charge. This follows mounting public concerns and is part of a review to ensure processes are fit for purpose in an age of rapid information spread. The touchstone was last year's knife murders of three small children and serious injuries to 10 others at a Taylor Swift dance class in Southport. The murderer, 17-year-old Axel Rudakubana, was born in Cardiff to an evangelical family from Rwanda. In the information vacuum which followed his arrest, Britain experienced serious rioting. That data blackout is now perceived as a serious error of judgement. The complexities were underlined this week when the family of six-year-old Bebe King, one of the three girls killed, urged ministers to reconsider their support for disclosing the ethnicity of serious crime suspects. Michael Weston King, the victim's grandfather, said such information is 'completely irrelevant', and that 'mental health issues and the propensity to commit crime happens in any ethnicity, nationality, or race'. This is true, but we would be naïve to think that such demands for 'disclosure' and 'transparency' will not gather strength in our own country. Each one of us, rather like our letter writer on Monday, must decide where we stand.
