The First Teaser for Humayun Saeed's New Drama is Out
Alongside Aly and Saeed, the drama features Asif Raza Mir, Sanam Saeed Mirza, Azaan Sami Khan, Nameer Khan, Saba Faisal, Saba Hamid, and many others.
The director of 'Love Guru', Nadeem Baig, has directed this drama and the writer of 'Meray Paas Tum Ho', Khalil-ur-Rehman Qamar.
The teaser revealed teary moments, angry confrontations, and a magical wedding. The teaser does not reveal much about the plot, but fans are anxiously waiting for the premiere of the drama.
The drama is set to release after the release of Humayun Saeed's hit film 'Love Guru', which premiered on Eid Al Adha and featured Mahira Khan as his leading lady.
After playing the charismatic, romantic hero, fans are excited to see Humayun Saeed in this new avatar.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Khaleej Times
3 hours ago
- Khaleej Times
Pakistani singer Natasha Baig talks the heart and hustle behind her music
In Pakistan's ever-fluctuating pop landscape, few female artists have carved a lasting space for themselves. While the country continues to revere icons like Nazia Hassan and Hadiqa Kiani, singers like Natasha Baig have been quietly yet powerfully pushing the boundaries of what a female pop star can be. From her electrifying live Sufi rock renditions to her memorable performances on Coke Studio, she has struck a chord with audiences hungry for both authenticity and innovation. She acknowledges that being a vocalist is no easy feat. It's a relentless grind to deliver powerful performances, stay relevant, and remain financially sustainable in an ever-evolving music industry. Unlike acting, where one breakout role can define a career, the world of music, especially for vocalists, demands unwavering consistency, versatility, and an endless well of creative energy. Add songwriting into the mix, and the challenge multiplies. Crafting a memorable song or album often means sifting through countless drafts before finding the perfect words and melodies. It is a craft that calls for patience, introspection, and a mind that is constantly switched on. Recently, she lit up the stage in Dubai, performing at the Pakistani Independence Day celebrations at the Expo Centre Dubai and the Global Encounters Festival 2025. In conversation with City Times, the rockstar pulled back the curtain on her creative process, reflecting on what success truly means to her, how her passive riyaz keeps her sharp, and how her live performances win over audiences every time she takes the stage. Excerpts from the interview… On going beyond social media metrics It frustrates me sometimes. I don't believe a song's worth should be defined primarily by these metrics. I grew up in an era when such digitisation didn't exist, and by the time my turn came, the landscape had shifted completely. At first, I resisted it, but eventually I accepted that this is the new way of working. Still, I make sure I don't fall into the trap and stay true to my art. It is no secret that with the right PR push, even a subpar song can go viral. That's why I never judge a track purely by its numbers. I have to actually listen to it before deciding if it belongs on my playlist. Just because it has racked up millions of views doesn't mean it will become my favourite by default. Remember, there is a fine line between what is popular and what is memorable. Viral is not always valuable. On the real test of a singer Technology can fix a lot these days, and there is no harm in tidying up the loose ends. But in my view, a singer's true longevity comes only from being strong at live performances. The real test is your ability to hold an audience in a concert. In the studio, you can re-record, fix mistakes, or even start from scratch. On stage, there is no hiding; you are judged instantly. If you can ace an auditorium, you are made for this. We have all experienced songs that sound perfect in the car on Spotify, but when heard live, the reality feels very different. My forte is live singing. One of the reasons I feel I am cut out for this is because I deliver on stage. I have performed in front of a crowd of 60,000 at Expo and I have also sung in a room with only 10 people listening. My honesty remains the same in both settings. On Coke Studio focusing more on visuals than the traditional studio setting To be honest, I initially thought the same way. After all, that was the original format. But maybe if they had kept it exactly the same, monotony would have set in, and perhaps we wouldn't have had chart-toppers like Blockbuster or Tu Jhoom, where the visuals truly made an impact. So I adapted my thinking. Maybe the latest Coke Studio resonates more with Gen Z, which is the future. I'm not against the current format, but personally, I don't prefer music videos for my songs. Sometimes, a bad music video can kill a good song or shift the focus away from the singer. With so many singers emerging through various mediums, it is hard to put a face to a name. When a music video is made, it should do justice to both the song and the singer. After all, a song is a singer's battlefield, and I believe the impact gets diluted only when visuals start overshadowing the music. On what really moves her in music My playlist is a mix of everything. Like I said, I don't always go for the popular tracks. For me, the musical instruments used matter a lot. I listen to different languages, and I'm driven more by melody or tune than lyrics, even though my job is to sing the lyrics. It's the melody that catches me first. From Bollywood to retro, from Mehdi Hassan Sahab to Noor Jehan Ji, to Side B tracks that are mostly hidden gems, I enjoy them all. Sometimes I do feel left out when the world is catching up with AP Dhillon or Karan Aujla, but I like only some of their songs and appreciate their music. Still, I remain loyal to the tracks that truly resonate with me. Lately, I have been listening mostly to instrumentals, especially the hand-held ones played by Maltin, because they keep me creative and energised. Instrumentals are not dependant on the language and thus feel more universal to me. On behind the scenes: performance prep and Riyaz I used to take a lot of precautions before performing and would always worry about my vocal cords. I'd avoid certain foods and gargle regularly to keep them in good shape. But over time, I realised that much of it's mental control. Now, my ritual is to say a prayer before going on stage. Once the sound-check and rehearsals are done, I just relax backstage, talk to people, and trust my muscle memory. As for riyaz, I do more passive practice than active. I spend a lot of time listening. I even got validation for this approach from Shilpa Rao in one of her interviews where she said you can learn just as much by focusing on listening. I'm not a trained singer, so I rely more on my subconscious and sing instinctively. Though I wish I had an ustad, my experience wasn't very rewarding. Many tried to change my voice, which I wasn't willing to do. Instead, I learned a lot being part of the ensemble 'Sounds of Kolachi' led by my mentor Ahsan Bari, which beautifully blended ragas with western music. On music's deep bond with pain I believe pain is something you can't fake. It's one of the most common and genuine emotions we all experience. Humans connect because, deep down, we're each battling our own demons. Some conquer them, some are still fighting, and some have sadly given up. We've all been through this struggle. Pain drives us to express ourselves more deeply and often becomes a way to heal. Historically, people tend to gravitate toward melancholic or slow songs rather than heavier, more upbeat ones. The songs that linger longest are usually tied to the loss of a loved one or a memory that's hard to let go. There is a line in one song: ' Dard jab hadh se guzarta hai toh ga lete hein.' Truer words were never spoken.
The National
7 hours ago
- The National
Pakistani actor Fawad Khan's Bollywood comeback gets release date, except in India
A long-delayed Indian film, which was meant to mark the Bollywood comeback for Pakistani actor Fawad Khan, will now be released worldwide – except in India. Aabeer Gulaal, which was earlier titled Abir Gulaal, is a romantic comedy with Khan and Bollywood actress Vaani Kapoor in the lead roles. Kapoor plays Gulaal, who escapes an arrange marriage and goes to London, where she meets Khan's Aabeer, a restaurateur with a complicated past. Despite their differences, the two are drawn to each other and romance blossoms, but fate has other plans for them. Originally scheduled to be released on May 9, the film was delayed following the April 22 killing of 26 people when militants opened fire in the resort area of Pahalgam in Indian-administered Kashmir. India accused Pakistan of being involved in the attack, which Pakistan denied, leading to armed skirmishes between the two countries lasting over two weeks. As a result of the tension, India's broadcasting ministry said it would not allow Aabeer Gulaal to be released in the country. Pakistani distributors responded with a similar decision, effectively putting the film's future in doubt. On Monday, distributor Indian Stories Limited announced the film would release globally on August 29, except in India. Pakistani actors and musicians were once thriving in Bollywood. However, following the 2019 Pulwama attack, which killed 40 Indian security personnel and brought the two countries to the brink of war, a boycott on all Pakistani artists was instituted by an organisation representing Indian film workers. Khan, a massive star in Pakistan, was a rising star in Bollywood with roles in acclaimed films such as Khoobsurat (2014) and Kapoor & Sons (2016). In 2023, the Mumbai High Court ruled against a petition seeking to ban Pakistani artists from working in India. 'Arts, music, sports, culture, dance and so on are the activities which rise above nationalities, cultures and nations, and truly bring about peace, tranquillity, unity and harmony in nation and between nations,' the court said in its ruling.
Khaleej Times
a day ago
- Khaleej Times
Vaani Kapoor, Fawad Khan's 'Abir Gulaal' gets UAE release date
The much-discussed romantic drama Abir Gulaal, starring Bollywood's Vaani Kapoor and Pakistani heartthrob Fawad Khan, is finally gearing up for a global theatrical release on August 29, 2025 — and yes, the UAE is on the list. However, there's one major exception: India won't be getting a theatrical release at all. Why is it skipping India? Originally scheduled for May 9, Abir Gulaal ran into controversy after rising diplomatic tensions between India and Pakistan earlier this year, leading to renewed calls for a boycott of Pakistani artists in India. Producers decided to delay the release and eventually opted to bypass the Indian market entirely, despite the film's teaser and soundtrack initially receiving strong interest from Indian audiences — particularly from Fawad Khan fans, who were eager to see him return to Indian cinema after nine years. The project has faced intense online criticism, with calls for boycotts gaining traction. Vaani Kapoor, who stars opposite Fawad, addressed the negativity at a recent media event: 'There's so much toxicity and hate... I keep hearing 'boycott this one, cancel that one.' Mat karo yaar (don't do this), have room and let people be.' What's the film about? Directed by Aarti S Bagadi, Abir Gulaal tells the story of two wounded souls who meet by chance, finding solace in each other before their bond grows into love. Alongside Fawad Khan and Vaani Kapoor, the cast includes Lisa Haydon, Farida Jalal, Soni Razdan, Parmeet Sethi, and Rahul Vohra. The film is produced by Rakesh Sippy, Firuzi Khan, and Vivek Aggarwal. UAE release date Cinemagoers in the UAE will be able to watch Abir Gulaal from August 29, 2025, a Vox Cinemas listing confirmed. Given the star power of Fawad and Vaani, as well as the cross-border attention it's been receiving, the UAE could become one of its biggest international markets.
