logo
Ahmed Khan on bagging 'Rangeela' after Saroj Khan-Ram Gopal Varma fallout: ‘I was just the boy swaying to 'Tanha Tanha'

Ahmed Khan on bagging 'Rangeela' after Saroj Khan-Ram Gopal Varma fallout: ‘I was just the boy swaying to 'Tanha Tanha'

Time of India13-05-2025
Renowned choreographer and filmmaker
Ahmed Khan
recently opened up about his early years in the Hindi film industry, reflecting on his journey from being mentored by the legendary
Saroj Khan
to carving his own path. Speaking to The Indian Express, Ahmed recalled the changing landscape of Bollywood choreography in the 1990s and how it shaped his career.
'I used to keep telling Saroj aunty that the time has come; we need to understand, we need to change,' he said, referring to the shift in musical trends with the rise of hip-hop and fusion influences. Songs like
Ole Ole
and
Yeh Kaali Kaali Aankhen
, which he choreographed, exemplified his contemporary style and helped redefine dance on screen.
Although Saroj Khan initially found the emerging musical style unfamiliar, she and Ahmed Khan eventually collaborated on a song in
Baazigar
that blended her classical finesse with his modern rhythm. Ahmed recalled that after "Yeh Kaali Kaali Aankhen...", Saroj Khan had hugged him and told him that he had changed things for her.
by Taboola
by Taboola
Sponsored Links
Sponsored Links
Promoted Links
Promoted Links
You May Like
Readers says this maybe the best Cable TV
Communications
Undo
Ahmed also recounted how he unexpectedly landed the iconic Aamir Khan-Urmila Matondkar starrer '
Rangeela
'. Originally, the film's choreography was to be helmed by Saroj Khan, but creative differences with director
Ram Gopal Varma
led to her stepping away. 'The first song was '
Tanha Tanha
' and I used to sway to it on set,' Ahmed said. 'Ram Gopal Varma saw me and told Saroj ji, 'I want something like this boy's style.' He didn't even know my name at the time.'
According to Ahmed, Saroj Khan envisioned a more traditional style for the film, while Ram Gopal Varma was keen on experimenting with a freer, more contemporary visual aesthetic. 'That's where the creative conflict happened,' he explained. 'She said she wanted to do it one way, and he wanted something entirely different.'
The disagreement eventually led Saroj Khan to exit the project, citing date issues, and Ahmed was offered the film. Although it was a big opportunity, he was apprehensive. 'Today, people talk about how I got
Rangeela
, but back then, it wasn't a big deal for Saroj ji—she had films like 'Khalnayak'. For her, if it was gone, it was gone,' he said. 'I was scared. I kept thinking, 'What if it doesn't work? What if Saroj ji doesn't take me back?''
Despite his initial apprehensions, 'Rangeela' became a defining moment in Ahmed Khan's career. He revealed that he was paid ₹25,000 per song—an impressive amount for a choreographer in the 1990s, particularly since Saroj Khan was known to charge ₹20,000. 'It was a big deal back then,' he recalled.
The film not only established him as a leading choreographer but also marked a stylistic shift in Bollywood dance, reflecting the evolving tastes of a new generation.
Check out our list of the
latest Hindi
,
English
,
Tamil
,
Telugu
,
Malayalam
, and
Kannada movies
. And don't miss our picks for the
best Hindi movies
,
best Tamil movies,
and
best Telugu films
.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Pinkvilla Predicts: Opening day Hindi net box office collections for War 2, Coolie, Param Sundari, Dhurandhar, and The Raja Saab
Pinkvilla Predicts: Opening day Hindi net box office collections for War 2, Coolie, Param Sundari, Dhurandhar, and The Raja Saab

Pink Villa

time3 minutes ago

  • Pink Villa

Pinkvilla Predicts: Opening day Hindi net box office collections for War 2, Coolie, Param Sundari, Dhurandhar, and The Raja Saab

The Indian cinema has some very exciting releases over the next few months. Fans are eagerly waiting for action-packed thrillers, romantic comedies, and horror-comedy dramas. Pinkvilla predicts the opening day India Hindi nett collections for War 2, Coolie, Param Sundari, Dhurandhar, and The Raja Saab. Here's what we expect these films to earn on their first day. Upcoming Movies And Their Expected Day 1 India Net Hindi Collections 1. War 2: August 14, 2025 Predicted Opening: Rs 50.00 crore to Rs 52.00 crore War 2, directed by Ayan Mukerji, is the sequel to the 2019 blockbuster War. Starring Hrithik Roshan, Jr NTR, and Kiara Advani, this action thriller is part of YRF's Spy Universe. The trailer has created huge buzz with its high-octane action and star power. Despite clashing with Coolie, the film's release on August 14, 2025, during the Independence Day weekend, should boost its numbers. We predict a massive opening of Rs 50.00 crore to Rs 52.00 crore for the Hindi version, driven by its pan-India appeal and premium formats like IMAX and Dolby Cinema. 2. Coolie (Hindi): August 14, 2025 Predicted Opening: Rs 3.25 crore to Rs 3.75 crore Coolie, directed by Lokesh Kanagaraj, is a Tamil action thriller starring Rajinikanth, Nagarjuna, and Shruti Haasan, with a cameo by Aamir Khan. The Hindi-dubbed version releases on August 14, 2025, clashing with War 2. The film's gritty action and emotional storytelling are generating buzz, especially in urban multiplexes. However, the clash may limit its Hindi market share. We expect Coolie to open between Rs 3.25 crore and Rs 3.75 crore in Hindi net collections, with potential to grow if word of mouth is strong. 3. Param Sundari: August 29, 2025 Predicted Opening: Rs 11.00 crore to Rs 12.00 crore Param Sundari, directed by Tushar Jalota, stars Sidharth Malhotra and Janhvi Kapoor. This romantic comedy, set in Kerala, releases on August 29, 2025. Its cross-cultural love story and the catchy song Pardesiya have created good pre-release buzz. The film targets youth and family audiences, which could help it perform well in multiplexes. We predict an opening day collection of Rs 11.00 crore to Rs 12.00 crore, with positive reviews likely to push its weekend numbers higher. 4. Dhurandhar: December 5, 2025 Predicted Opening: Rs 21.50 crore to Rs 22.50 crore Dhurandhar, a Ranveer Singh starrer, is an action-comedy directed by Raj Kumar Gupta. Set to release in 2025, the film has generated mixed-to-positive buzz due to its quirky premise and Ranveer's energetic performance. The movie's mass appeal and action-packed trailer could attract audiences in both multiplexes and single screens. We predict an opening day collection of Rs 21.50 crore to Rs 22.50 crore for the Hindi version. 5. The Raja Saab: December 5, 2025 Predicted Opening: Rs 10.00 crore to Rs 12.00 crore The Raja Saab, directed by Maruthi, stars Prabhas, Malavika Mohanan, and Sanjay Dutt. This horror-comedy with romantic elements releases on December 5, 2025, in multiple languages, including Hindi. Prabhas' star power and the film's unique blend of horror, comedy, and romance have created strong buzz. Horror-comedies like Stree 2 have done well in Hindi markets, and we expect The Raja Saab to open between Rs 10.00 crore and Rs 12.00 crore in Hindi net collections.

I will always stand with the creator of the film: Farhan Akhtar on 'Raanjhanaa' row
I will always stand with the creator of the film: Farhan Akhtar on 'Raanjhanaa' row

Hindustan Times

time3 minutes ago

  • Hindustan Times

I will always stand with the creator of the film: Farhan Akhtar on 'Raanjhanaa' row

Mumbai, Filmmaker-actor Farhan Akhtar on Tuesday said though he does not know much about what went into the AI-altered re-release of "Raanjhanaa", his loyalty will always be with the creator of the film. I will always stand with the creator of the film: Farhan Akhtar on 'Raanjhanaa' row Both director Anand L Rai and Dhanush, who made his Hindi cinema debut with the 2013 movie, have spoken out against production banner Eros International's decision to create an alternate "happy ending" for the movie through the help of artificial intelligence. Akhtar was asked about the controversy during the teaser launch of his upcoming film "120 Bahadur". "I will always stand with the creator of the film and the creator of the film was unhappy about his or her work being changed, I will always support the creator. So that's where my loyalty lies. The rest of the fine print of what happened there, I have no , but that's all I can say," Akhtar told reporters here. Excel entertainment's Ritesh Sidhwani echoed Akhtar's thoughts. "I absolutely agree to the fact that you can't do it without the consent ," Sidhwani said. He also added that AI should be used smartly to the film's advantage. Akhtar will be essaying the role of Param Vir Chakra awardee Major Shaitan Singh Bhati in "120 Bahadur". The war drama is directed by Razneesh Ghai and produced by Sidhwani and Akhtar via their Excel Entertainment and Amit Chandrra of Trigger Happy Studios. The film is based on the real life incident of 120 Indian soldiers who fought off over 3000 Chinese in the 1962 battle of Rezang La. Akhtar, whose 2004 film "Lakshya" was loosely based on the Kargil War, said the intent of "120 Bahadur" is to inspire "more writers, filmmakers and directors to look into India's glorious past. "We have incredible moments of bravery, courage and decisions taken in some tremendous adversity that now make us the country we are today," he added. Ghai said he "grew up with the story" and it took him eight years to work to fine tune it. The film also stars Jinkya Ramesh Deo, Eijaz Khan, Vivian Bathena, Ankit Siwach and Rashii Khanna in pivotal roles. "120 Bahadur" is set to release in theatres on November 21. This article was generated from an automated news agency feed without modifications to text.

India's first Jubilee Girl, her film ran in theatres for 76 weeks, broke record of another blockbuster, movie name is..., she was...
India's first Jubilee Girl, her film ran in theatres for 76 weeks, broke record of another blockbuster, movie name is..., she was...

India.com

time3 minutes ago

  • India.com

India's first Jubilee Girl, her film ran in theatres for 76 weeks, broke record of another blockbuster, movie name is..., she was...

Long before the glitz of modern cinema and the mega-stars we know today, there was a quiet era when stories ruled the silver screen and performances spoke louder than fame. In this golden age of Indian cinema, one actress left a mark so deep that her record remained untouched for nearly eight decades. Her films weren't just popular — they were milestones. Audiences lined up for weeks, theaters stayed houseful, and her name became synonymous with success. Yet, with all her achievements, her story slowly faded from memory. Who was this star? This trailblazing actress was Late Mumtaz Shanti, the original Jubilee Girl of Indian cinema. Born in Lahore in 1926, she entered the film industry in the late 1930s and rose to fame during the 1940s, time when Indian cinema was still finding its identity. She starred in many successful films and became a household name with her charm, elegance, and emotional depth on screen. How did Mumtaz Shanti earn the title of Jubilee Girl? Mumtaz Shanti worked alongside some of the biggest legends of the time, including Late Ashok Kumar, Late Motilal, and Late Dilip Kumar. Her 1943 film 'Kismet' opposite Ashok Kumar was a turning point not just for her but for Hindi cinema itself. The film ran continuously for 76 weeks at a single cinema in Kolkata, record that was unbroken until 'Sholay' came along in 1975. This massive success earned her the title of Jubilee Girl, marking her as the first female star in India whose films guaranteed long-running box office triumphs. Her other notable films include Chitralekha, Poonji, and Aurat, where she consistently delivered emotionally resonant performances. Mumtaz Shanti's on-screen presence was subtle yet powerful, and she had a unique ability to connect with audiences without the loud glamour that often defined stardom later on. Why did Mumtaz Shanti leave the Film Industry? Despite her enormous popularity, she chose to step away from the spotlight. After marrying renowned film director Wali Sahab, Mumtaz Shanti gradually withdrew from the film industry. She moved to Pakistan after the Partition, where she lived a quiet life away from fame and cameras. She never returned to films and over time, her name faded from the public eye, remembered by only the most devoted fans of classic Indian cinema. Mumtaz Shanti passed away in 1994, her record-setting film runs and timeless performances serve as reminder of era when storytelling reigned and simplicity shone the brightest.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store