
Robert Benton, Oscar-winning ‘Kramer vs. Kramer' filmmaker and screenwriter, dies at 92
John Benton, the filmmaker's son, said the director died Sunday at his home in Manhattan of 'natural causes.' He was 92.
Robert Benton, during a career that spanned from the mid-1960s to the early aughts, was best known for projects that explored common lives and the connections between family and community, from the fallout of a divorce in 'Kramer vs. Kramer' to the toll of loss on a single mother in 'Places in the Heart.' He was nominated for seven Oscars (including a co-nomination with late scribe David Newman for 'Bonnie and Clyde') and won three, among them a directing award for 'Kramer vs. Kramer.' He also received writing Oscars for 'Kramer vs. Kramer' and 'Places in the Heart.'
Veteran actors including Paul Newman, Dustin Hoffman, Meryl Streep and Sally Field also enjoyed Oscars glory for their work in Benton's films. Newman received a lead actor nomination for 'Nobody's Fool' and Hoffman and Streep each won their first Oscars for 'Kramer vs. Kramer.' Field won the lead actress prize for her work as single mother Edna Spalding in the Great Depression-set 'Places in the Heart.'
'I loved Robert Benton with my whole heart. He was a rare artist and equally rare human,' Field said to The Times on Wednesday. 'I was lucky to know him. There will never be another. Rest, if you can, Benton.'
His Oscar-nominated projects also include 'Bonnie and Clyde,' 'The Late Show' and 'Nobody's Fool.'
Benton, deemed 'one of our last remaining masters of humanist drama' in 2007 by former Times film critic Patrick Goldstein, was born in Waxahachie, Texas, on Sept. 29, 1932. He struggled with reading in his childhood and found comfort in drawing, which he said 'allowed me to extend my attention span and rejoin the world.'
His passion for film and knack for storytelling can be traced back to trips to the cinema with his father. 'I became a storyteller just watching the stories on screen,' he recalled in 2007.
He attended University of Texas and Columbia University and served in the U.S. Army from 1954 to 1956. Before breaking into the entertainment industry in 1964 with the short film 'A Texas Romance, 1909,' Benton moved to New York and was an art director for Esquire magazine. During his tenure, he helped the outlet launch its Dubious Achievement Awards with former colleague and 'Bonnie and Clyde' co-writer David Newman.
He told The Times that his career in the editorial world encouraged him to move past certain creative inhibitions, which would later serve him in filmmaking, specifically for 'Bonnie and Clyde.' The classic film, which premiered in 1967, was directed by Arthur Penn and starred Faye Dunaway and Warren Beatty as the titular crime duo.
'It taught you to be a lot less constipated about having a bad idea or being made fun of,' he said of his time at Esquire. 'You'd just cut loose.'
After the success — and critical scrutiny of brutal violence — of 'Bonnie and Clyde,' Benton made his feature directorial debut in 1972 with 'Bad Company,' according to IMDb. He reunited with David Newman to co-write the western, which starred Jeff Bridges. For Benton, writing and directing films would prove lucrative and he would hold directing and writing credits for films including later projects 'Still of the Night' (which reunited him with Streep), 'Nadine,' 'Nobody's Fool' and 'Twilight.'
'Kramer vs. Kramer,' which premiered in 1979, was an adaptation of Avery Corman's novel of the same name. The film starred Hoffman as an advertising executive and Streep as his ex-wife who navigate the throes of divorce and its effects on their young son.
Despite often pulling double duty, Benton told The Times he saw himself 'like Dracula — I don't leave a trace in the mirror,' and said he is 'shaped by who I collaborate with.' Notable collaborators included Anthony Hopkins, Nicole Kidman, Morgan Freeman and Radha Mitchell, among others.
Later in life, Benton struggled to earn the same critical acclaim that defined his film career. 'Nobody's Fool,' which starred Paul Newman as an aging trouble-maker, earned Newman his second-to-last Oscar nomination and also starred Bruce Willis and Jessica Tandy. Benton was nominated for adapted screenplay.
The 2005 Christmas action-comedy 'The Ice Harvest' was Benton's final writing credit and 2007's 'Feast of Love,' starring Freeman and Mitchell, marked his final directing project. Ahead of the film's release, Benton told The Times about his more laissez-faire approach to filmmaking.
'The gift of getting older is the gift of making things simpler,' Benton said. 'I used to agonize over things. I worry a lot less today. You realize that what shows up in the process, that might take you by surprise, is often better than what you'd planned for.'
Benton, who briefly dated writer-activist Gloria Steinem, married artist Sallie Rendigs in 1964. She died in 2023 at age 88, according to the Hollywood Reporter. They had one son.
The Associated Press contributed to this report.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

an hour ago
Ariana DeBose says mom Gina Michelle DeBose has died of complications from ovarian cancer at 57
Ariana DeBose's mother Gina Michelle DeBose died Sunday morning "due to complications with stage 3 ovarian cancer," the actress and singer said this week. The "West Side Story" and "Love Hurts" star took to Instagram on Tuesday, posting a carousel of photos and a touching tribute to her "gorgeous, hilarious, outspoken, warrior queen Mother." "I couldn't be more proud of her and how she fought this insidious disease over the past 3 years. She was 57 years young," DeBose wrote in the caption. "She was my favorite person, my biggest fan and toughest critic. My best friend. She was my date to every important moment in my professional and personal life - and I wouldn't have it any other way," the post continued. "It had always been the two of us for as long as I can remember." DeBose said her mom "fought like hell to give me a good life, a good education and every opportunity in the world. I wouldn't be where I am without her." The Academy Award winner recalled a moment from her 2022 Oscars acceptance speech -- delivered after winning the award for best supporting actress for her role as Anita in "West Side Story" -- writing, "I meant it when I said my Oscar 'is just as much hers as it is mine.'" DeBose also highlighted her mom's purpose in life, to educate young people. "She passed just shy of delivering 30 years of service as a public school teacher," she wrote. "She was beloved and incredibly respected by her colleagues and students alike. The greatest advocate for the underdog, a believer in arts education and the smartest person I know - with a willingness to speak her mind regardless of the consequences." She added that her "greatest and most proud achievement will always be to have made her proud." In one of the carousel photos, DeBose left a detailed note outlining where people could donate in her mother's memory. "Details for a celebration of her life will be made available in the coming weeks," the note read. "At this time, I ask that my family's privacy be respected." A representative for DeBose did not immediately respond to ABC News' request for comment. What to know about ovarian cancer Ovarian cancer is the second-most common gynecologic cancer in the U.S., according to the Centers for Disease Control and Prevention. According to the agency, the disease "causes more deaths than any other cancer of the female reproductive system." While most women who are diagnosed with ovarian cancer are not at high risk, according to the CDC, there are many factors that could potentially increase a woman's risk for ovarian cancer, including a family history of the disease; a genetic mutation such as BRCA1 or BRCA2, "or one associated with Lynch syndrome"; a history of breast, uterine or colon cancer; or a diagnosis of endometriosis, described by the CDC as a condition where tissue from the lining of the uterus grows elsewhere in the body. Those who are middle-aged or older, people with an Eastern European or Ashkenazi Jewish background, or those who have never given birth or who have had issues getting pregnant may also be at increased risk for ovarian cancer. Symptoms can include abnormal vaginal bleeding, pelvic pain or pressure, bloating, a change in bowel habits, or "feeling full too quickly, or difficulty eating." Knowing risk factors is imperative as the Pap test does not screen for ovarian cancer, and the CDC says "there is no reliable way to screen for ovarian cancer in women who do not have any symptoms."


Los Angeles Times
4 hours ago
- Los Angeles Times
Could this movie based on a Hindu epic become India's ‘Avatar?'
Movies from India's prolific film industry have found success on the world stage before. 'RRR,' an over-the-top Telugu-language action film, energized audiences in the U.S. and elsewhere a few years ago, even scoring a history-making Oscar for its original song 'Naatu Naatu.' Hindi screenings have long drawn crowds to American multiplexes. But the filmmakers behind 'Ramayana' — an upcoming two-part epic based on one of the most important ancient texts in Hinduism — have something more ambitious in mind. The massive productions — each estimated to cost $200 million to $250 million — are aimed not merely at an Indian audience, nor are they meant to appeal primarily to Hindus, who number an estimated 1.2 billion globally, according to Pew Research Center. Rather, the goal is to turn 'Ramayana,' with its grand-scale adventure story and high-tech computer-generated effects, into a full-blown international blockbuster, filmed specifically for Imax's giant screens in what is intended to be the largest-ever rollout for an Indian film, according to its backers. Executive Namit Malhotra — who is financing and producing the project through his firm Prime Focus — set the bar high in a recent interview with The Times, comparing his film to the likes of James Cameron's 'Avatar,' Ridley Scott's 'Gladiator' and the movies of Christopher Nolan. While Hollywood studio bosses talk about reaching all four demographic 'quadrants' (men and women, young and old) with their tentpole movies, Malhotra wants to draw two additional categories: believer and nonbeliever. For such a so-called six-quadrant movie to work, to use Malhotra's terminology, it would have to succeed in the U.S. 'In my mind, if people in the West don't like it, I consider that as a failure,' Malhotra told The Times recently. 'It is meant for the world. So if you don't like it, shame on me. We should have done a better job.' It's a major gamble for Malhotra, who founded Prime Focus in Mumbai in 1997. The firm expanded significantly when it acquired British effects house Double Negative, and rebranded as DNEG. Malhotra owns nearly 68% of the parent company, Prime Focus Ltd. He's going to great lengths to make sure his big bet pays off. DNEG, headquartered in London with offices in India, Los Angeles and elsewhere, is handling the visuals. The firm has produced special effects for global studio features for years, creating Oscar-winning work for such movies as Denis Villeneuve's 'Dune: Part Two' and Nolan's 'Tenet.' 'Ramayana' is directed by Nitesh Tiwari, the man behind 2016's 'Dangal,' the highest-grossing Bollywood film ever, including huge sales in China. Hans Zimmer and prolific Indian musician-composer A.R. Rahman ('Slumdog Millionaire') are collaborating on the score, while the visual effects and production design team includes veterans from 'Mad Max: Fury Road,' 'Avengers: Endgame' and the 'Lord of the Rings' franchise. The success of 'RRR,' which told the story of two Indian legends with larger-than-life abilities fighting British imperialism, is one reason Malhotra is confident that 'Ramayana' might connect with Westerners more familiar with the Bible and 'The Odyssey' (the subject of a much-hyped 2026 Nolan film) than with Hindu mythology. U.S. cinephiles have in the past embraced mythical Asia-set films such as Ang Lee's 'Crouching Tiger, Hidden Dragon' and 'Life of Pi.' So why not 'Ramayana?' After all, family, good vs. evil and personal striving are all key themes that transcend national borders. 'Emotions are universal,' said Tiwari in a video call. 'If the audience connects with you emotionally, I think they will connect with the whole story. Emotions have powers to travel across boundaries.' Filmed entirely on soundstages, the first part of 'Ramayana' is scheduled to hit theaters next year, with a significant push from Imax. 'Part 2,' currently in production, is planned for 2027. Each part is timed for Diwali, the Hindu festival of lights. The films do not yet have a U.S. distributor. This comes as Imax has beefed up its clout as what is increasingly seen as a linchpin component for the release of big-screen movies, not just for Hollywood spectacles but also, lately, for local language films. Imax showcased just a handful of Indian movies on its screens in 2019, according to Chief Executive Richard Gelfond. Last year, the company played 15. So far this year, international films made in their local language have accounted for more than 30% of Imax's total global box office revenue, Gelfond said. Much of that tally came from 'Ne Zha 2,' a Chinese-produced animated film that grossed roughly $2 billion worldwide, mostly from its home country. As such, Gelfond has high hopes for 'Ramayana.' 'Judging from what we've seen, this has all the elements to be a global success,' Gelfond said. At its core, 'Ramayana,' based on the epic poem from thousands of years ago, tells the story of Hindu deity Rama, an incarnation of the god Vishnu, and his quest to rescue his love Sita from the demon king Ravana. A three-minute teaser trailer introduced the concept, emphasizing the big names attached (including actors Ranbir Kapoor as Rama, Sai Pallavi as Sita and Yash as Ravana), displaying some 'Game of Thrones' opening credits-style visuals and conveying the tale's historical importance. 'Our truth. Our history,' reads the onscreen text. The video has 9.4 million views on YouTube. 'Ramayana' is a quintessentially Indian story. It has been adapted for stage and screen before, perhaps most notably as a series for Indian TV in the late 1980s. For the new version, Malhotra wants to eliminate any language barriers. DNEG is using syncing technology from its Brahma AI unit to seamlessly present the film in local languages for international audiences. In the U.S., for example, the movie will screen in English. 'It's a global film from the day we start,' he said. 'I'm not trying to make it to appease Indian people in India. … If you go and watch 'Ramayana' and your family watches it, and people in India watch it, what's the difference? It should speak to you like any other film.' Airing election misinformation continues to be expensive for cable news networks. Newsmax will pay $67 million to settle a defamation suit filed by Dominion Voting Systems over false claims about voter fraud in the 2020 election that aired on the right-wing news channel. The network announced the settlement with the voting equipment maker Monday but did not apologize for its reporting. Fox News settled a similar case with Dominion in 2023 for $787.5 million after it aired incorrect election claims. Newsmax is much smaller than Fox, which continues to battle a lawsuit from another voting machine company, Smartmatic. Streaming is getting closer to another major milestone. According to Nielsen's the Gauge report, streaming services accounted for 47.3% of U.S. TV usage in July, compared with 22% for cable and 18.4% for broadcast. That's what happens when there's new 'Squid Game' on Netflix and there's not much on regular TV. Listen: No Joy, 'Bugland.' Excellent '90s-style rock.
Yahoo
5 hours ago
- Yahoo
Ray Winstone on Marvel vs. 'Cultural Films,' Angelina Jolie, Steven Spielberg, Gary Oldman as His Favorite Director, and Boxing as Prep for Acting
Ray Winstone, who has played the London tough man and much more over the course of his career, shared insight into working with the likes of Angelina Jolie, Steven Spielberg, Martin Scorsese, and Gary Oldman, during a masterclass at the 31st edition of the Sarajevo Film Festival on Tuesday before receiving the honorary Heart of Sarajevo award in recognition of his 'remarkable acting career and exceptional contributions to the art of cinema.' Asked about the state of the movie business in the social media age, Winstone said: 'It affects your approach, I guess, because it's all about selling tickets, isn't it? It's like anything today, it becomes a business,' he said. 'We see what's happening in Hollywood with Marvel and all that kind of stuff, the franchises. And we love watching those films. They are fun, but it kind of takes away from your cultural films, which are best for the actors … [and] really active parts. It's probably getting more and more difficult to do that.' More from The Hollywood Reporter Soho House Agrees to Go Private Again, Ashton Kutcher Joins Board Political Drama 'Number 10' On Its Way From 'Sherlock' Creator Steven Moffat and Channel 4 (Exclusive) Oscars: Ireland Picks 'Sanatorium,' Doc on Ex-Soviet Wellness Resort in Ukraine, as Best Int'l Feature Submission Continued Winstone: 'As for social media, if you're not on social media now, you're sometimes not even considered to be in a movie, because they want the fan base to come with that. 'You have to go on Instagram,' you know. But it's part and parcel of the job that you do now. Whether that's a good thing or not, I don't know. But if it brings people into the cinema and it creates more jobs and more films are being made,' he sees that as a positive. Winstone concluded: 'But I'd like to see much more, I guess, cultural films being made. I think it's where the best cinema is.' The star would especially love to see 'more films from the British film industry,' highlighting: 'The French do it, they make their own cultural films. The Germans do it. Hopefully, you'll do it more here [in Bosnia and Herzegovina], and that's the way it should be, that's where filmmakers come from. The trouble is that they get dragged to America and work for the studios, and they get their hearts broken.' The actor shared that he wouldn't want to live in Los Angeles as that would force him to 'live and breathe [my work] every day of my life.' Later in the masterclass, he was asked about experiences of rejection, recalling his frustration with reshoots on Marvel's Black Widow, in which he portrayed the villainous Dreykov. He lauded the 'amazing' director Cate Shortland, sharing that, 'we worked on what my character was going to be. He was like a pedophile running around among all these girls, and they'd become black widows.' He recalled earning raves on the set, concluding: 'It was probably the best thing I'd done for a really long time.' But then things changed. He received a call telling him about reshoots, and when he asked how many scenes were affected, he was told all of them. 'So I said she should recast, but I was contracted, so I had to do it,' Winstone shared. 'I go back, they do my hair all nice, put me in the suit, and I couldn't do it. … There's nothing worse than doing something, leaving it on the floor, and then being told it's not right.' The boxer-turned-actor, 68, first made a name for himself on the silver screen when he played a juvenile delinquent in Alan Clarke's 1979 drama Scum, followed by his portrayal of tough-guy mod Kevin in Franc Roddam's Quadrophenia that same year. With those and his later roles, such as Gary Oldman's Nil by Mouth (1997) and Jonathan Glazer's Sexy Beast (2000), Winstone earned raves for combining muscle and intensity with vulnerability. 'I had done a school play because I fancied a girl in the play, and I had enjoyed it,' he shared about his first steps into acting. And he discussed his success in boxing before hanging up the gloves, saying it prepared him for acting work. 'Boxing teaches you to respect an opponent,' which mirrors the respect you need on a film or TV set or a theatre stage. 'You rely on the actors, the director, the crew.' Asked about the two versions of his first film Scum, directed by Clarke, the star offered: 'The first version is actually a better film, because we were younger, and it's a film about young people…and how they treat each other.' He lauded Clarke as getting good work out of him and teaching him all the basics. Clarke, therefore, was the director who likely influenced his acting most, Winstone shared. He also discussed playing a singer together with musicians from The Clash and Sex Pistols in Ladies and Gentlemen, the Fabulous Stains, and 'growing old together' with them, sharing that in his family, he grew up singing songs, including those by Frank Sinatra. Asked about starring in Gary Oldman's directing debut Nil by Mouth. Gary is probably of our our best cinema and stage actors' and had written a script. 'I like films about social issues,' including 'deprived areas' and drugs. 'I'm from a working-class family,' so he was familiar with such themes. Oldman is 'probably the best director I have worked with' because he knows acting. The film is about abuse, but he trusted all creatives on it, and he was able to leave the violence and pain on set, while playing a pedophile in The War Zone, directed by Tim Roth, really 'hurt,' Winstone shared. Discussing Sexy Beast, he lauded Ben Kingsley for his 'range' that has seen him play many different characters – from Gandhi to a psychopath in that film. Winstone shared that he likes to play the bad guys as good guys and vice versa to make violence and the like more impactful. Audiences also know Winstone as a mob enforcer in Martin Scorsese and Jack Nicholson's The Departed (2006) and, more recently, as the imprisoned drug boss Bobby Glass in Guy Ritchie's Netflix hit series The Gentlemen. Over his career, Winstone has also voiced Mr. Beaver in the 2005 fantasy epic The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, and appeared in such big-budget blockbusters as Black Widow and as Beowulf in Robert Zemeckis' 2007 animated action film Beowulf. Asked about his work with Scorsese, the actor said he met the director in a London hotel and was supposed to play a policeman, suggesting to the man whom 'I call Marty now' that he could play a different role. Scorsese liked his coat and asked if he could wear it for the role, which he did. How was work with Steven Spielberg on Indiana Jones and the Kingdom of the Crystal Skull? 'Spielberg was great,' he replied. 'It's amazing when he makes films, how he shoots. He films differently.' He said he loved standing behind Spielberg and Scorsese, watching them do their magic. A fan in the audience asked the star what it was like to work with Jolie in Beowulf. 'Angelina was fantastic. What an actress the girl is,' he said. 'You know, she's not just beautiful. She can really do business, and [is] a good kisser as well, I must say,' he added about kissing scene shoots, drawing laughter from the audience. Which of the many characters or professions he has played did he enjoy portraying the least? 'The pedophile,' he said right away. Asked about the best advice he ever received, Winstone said it was a criticism that his eyes looked dead in a scene, sharing that he learned right then and there that much of acting comes from and through the eyes. What's next for him? 'I'm doing some more of The Gentlemen,' Winstone said in discussing current work, adding that he has also shot a biopic about English snooker player Jimmy White that is directed by Steven Waddington and which stars Welsh actor Aneurin Barnard. 'He is an actor who has captivated audiences for five decades with his great talent and undeniable presence,' said Sarajevo Film Festival director Jovan Marjanovic. 'With honesty and intensity that resonate far beyond the screen, he has given us many unforgettable characters.' Winstone also captivated the Tuesday masterclass with his humor, at one point sharing that he was feeling the red wine thahad t he had the night before. 'The local wine is really good,' he said to laughter. Best of The Hollywood Reporter 10 Wrestlers Turned Actors, Ranked The 25 Best U.S. Film Schools in 2025 The 40 Greatest Needle Drops in Film History