Opinion - Leland Vittert's War Notes: Born Lucky
NewsNation Chief Washington Anchor and On Balance host Leland Vittert was a foreign correspondent for four years in Jerusalem. He gives you an early look at tonight's 9 pm ET show. Subscribe to War Notes here.
We heard from a lot of you after my Father's Day essay – read it here.
But the essay is a very small part of a larger story – that story comes out September 30 in my new book, 'Born Lucky.'
Special thanks to my co-author Don Yaeger – he's taught me far more about writing, reporting and the human equation than four years of journalism school did.
Click here to preorder.
Click here to watch the launch video
There are about 15 million American kids, and roughly 20% have a diagnosis of a mental, behavioral or developmental disorder.
And Lord knows parts of the other 80% deal with constant problems, from bullying and self-esteem to making friends and academics.
I am writing 'Born Lucky' to give them and their parents hope.
I'm living proof you don't have to be defined by your diagnosis – as a little boy, child psychologists told my parents I have what we now know as autism.
My middle school principal told my parents that I was quite weird – they were both right.
YIKES: I didn't talk until I was three.
Among many problems, it led to bullying, of course.
I had no friends – and teachers got in on the fun too.
In the 8th grade, my art teacher said in front of the entire class that if his dog was as ugly as me, he would shave its ass and make it walk backward.
My dad made me go to art class the next day with the same teacher.
And that's what this story is about – my dad.
Realization: Dad refused to allow psychologists to diagnose me with anything. He knew the world wouldn't change for me – he had to change me. This is that story.
Dedication: He sold his company, stopped his career and dedicated the next 18 years of his life to helping me.
Dad decided pushups would whip my 7-year-old body into shape so that no schoolyard bully would dare mess with me – soon, he had me doing 200 pushups a day.
Unable to read social cues, he would take me to dinners.
When I became too loud or off rhythm, he would casually tap his watch.
That was my signal to stop talking – later we postgamed what I had missed.
Unwavering standards: My diagnosis as having an IQ spread from genius on half of the test to mentally retarded on others would have gotten me significant special treatment. That was en vogue during the late 1980s and 90s.
Dad knew a cruel world after high school would not make such accommodations. He was right.
He became my best friend for a long time – my only friend, protector, cheerleader and harshest critic.
Journey: Those lessons took me from a kid who could barely talk and didn't understand basic social interaction around the world to:
The White House North Lawn.
The battlefields of the Middle East.
The anchor desk of two national networks.
This is the love story of a father who quit his job to help his son – and how with a lot of love, hard work and unyielding standards, you don't have to be defined by a diagnosis. Nobody does.
Be smart: I know what you are thinking – the world doesn't need a TV journalist, of all people, lecturing parents about how to fix their autistic kids. And you are right – but that's not what this is about.
Hope: This is about giving hope to tens of millions of parents whose kids are struggling every day – not just with autism and the spectrum but ADHD, learning disabilities, anxiety, bullying and the difficulties of growing up.
Truth: Your kid doesn't have to be defined by the diagnosis.
Life in the real world doesn't give participation trophies.
And the experts aren't always right.
I've never talked about this before, but it's time to say thank you to my dad.
Click here to preorder the book.
Friends, don't take my word on the book, read the announcement from the great Mike Allen at Axios here.
Best line: 'Mark Vittert — once the future anchorman's only friend — is now his golf partner.'
Now onto the news!
Think about President Donald Trump's week:
An upcoming choice for American 'Liberation Day' of:
Appearing weak and backing off from tariffs.
Or crashing the American economy with them.
Mixed stocks on Monday show Wall Street's discomfort with the uncertainty ahead.
SignalGate.
A Ukraine-Russia ceasefire deal is all but hopeless.
Trump even telling NBC News that he is 'very angry' and 'pissed off' at Putin.
The race to fill former representative turned national security adviser Mike Waltz's seat in Florida is looking too close for comfort for Republicans.
The House GOP already holds a very slim majority over Democrats, and the majority in the House is critical for Trump to move his agenda forward.
Plus, the Wisconsin Supreme Court race, which is also too close for comfort for Trump.
Elon Musk held a town hall in Wisconsin on Sunday in support of the conservative candidate.
Now think about what the media is talking about:
The superimportant story of this Monday: Who controls the seating chart in the White House press briefing room?
What if Trump runs for a third term, three years and nine months from now?
Kid Rock's visit to the Oval Office.
Boom! All of Trump's problems are solved.
President Trump isn't joking when he says he has not ruled out running for a third term – he is trolling.
Trump is an expert at changing the newscycle away from things that are bad for him.
Tariff troubles: They aren't tax cuts as Peter Navarro wants you to believe.
You trust us to tell you the truth – tariffs aren't tax cuts.
They are taxes paid by consumers.
Read conservative commentator Erick Erickson's latest post on Substack with moral clarity on Trump's belief in tariffs.
Just because the media is out to get Trump, it doesn't mean they are always wrong.
'Why Trump's auto tariffs will hurt his working-class supporters,' headlines Reuters.
Trump and his top trade adviser, Peter Navarro, can make an argument that tariffs are worth it – but saying they won't raise prices just isn't true.
'We've got the biggest, most pro-worker tax cut in history that's moving forward at a breakneck speed … I think the naysayers will be proven wrong if they're a little bit nervous about the blips from this week to next,' Navarro said about the tariffs on Sunday.
Reality check: Who are you going to believe – Peter Navarro or Ronald Reagan?
Ronald Reagan on tariffs back in 1987:
'At first, when someone first says 'let's impose tariffs of foreign imports,' it looks like they're doing the patriotic thing by protecting American products and jobs and sometimes for a short while it works, but only for a short time. What eventually occurs is, first, home grown industries start relying on government protection in the form of high tariffs, they stop competing, and stop making the innovative management and technological changes they need to succeed in world markets. And then while all this is going on something even worse occurs. High tariffs inevitably lead to retaliation by foreign countries and the triggering of fierce trade wars. The result is more and more tariffs, higher and higher trade barriers, and less and less competition, so soon because of the prices made artificially high by tariffs that subsidize inefficiency and poor management, people stop buying, then the worst happens. Markets shrink and collapse, businesses and industry shut down and millions of people lose their jobs.'
Watch tonight: Bill O'Reilly on how long Trump can play the media.
Will his economic plan work in time?
How does a party that covered up the president in rapid decline regain the trust of the American people?
Starting this week, a series of three books that will make Joe Biden look really bad is coming out.
'Fight: Inside the Wildest Battle for the White House,' by Jonathan Allen and Amie Parnes, which will be released tomorrow.
'Uncharted: How Trump Beat Biden, Harris, and the Odds in the Wildest Campaign in History,' by Chris Whipple, publishing April 8.
'Original Sin: President Biden's Decline, Its Cover-Up, and His Disastrous Choice to Run Again,' by Jake Tapper and Alex Thompson, which comes out May 20.
These books will expose things the Left and their friends in the media called 'conspiracy theories' that later proved to be true.
This is an indictment of Team Biden and the Left-leaning media but also the Democratic Party at large.
'How Biden's frailties hampered Harris,' writes our partners at The Hill of one upcoming book.
Hey, Democrats!
You are going to have to admit that Harris hampered Harris – it's the double speak and rationalization that got you here in the first place.
Watch tonight: David Pakman, host of 'The David Pakman Show,' on the unique opportunity the books present for Democrats!
Tune into 'On Balance with Leland Vittert' weeknights at 9/8 CT on NewsNation. Find your channel here.
The views expressed in this article are those of the author and not necessarily of NewsNation.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
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This is my first streaming show, and we are doing it in a traditional drop a week. So I've never had a show that was bingeable. I don't know any other way. At one point, they were going to release three episodes at once, but they only released two [at the start]. I don't have a dog in that fight. I think my show, just because of the nature of it, would be very hard to binge. Rogen: As someone who's been bingeing it, I can attest to that. [To Cahn] Yours comes out all at once. Cahn: It does. I don't love that. It's not what I would choose. I think Netflix offers a lot of other pluses. [It's] got a big audience all over the world and that's really nice. But I came up in broadcast television, and the idea that you've created this thing and it's a story that you've experienced over time, and then people are like two days and done, it just — Mazin: It's weird. Cahn: And it changes the way that you write. Mazin: Over the last few years, what's happening is, for shows that are coming out week by week, people will now save up three at a time. So they don't want to watch week after week. There's this weird accordion thing going on, and I don't know where this is going. I don't think any of us do. I'm a little nervous about the week by week. I am just hoping that it remains. I thought for sure one day Netflix would go, 'Why are we doing this?' Because I really didn't understand. I still don't understand. Cahn: I have this question every three months. Rogen: They don't have an answer. Cahn: It works for them. Gemmill: Wonder why they complain about grind. Because it's not there. Well, it's because you put it all out at once. Mazin: But then what I'm worried about is that they're right. I'm just wondering if people are starting to lose their patience. Statsky: Attention span. I think they are. I've even noticed, because we used to drop two a week. In this season for 'Hacks,' we've done one a week. I saw a couple tweets where people were like, 'Why are the episodes shorter this year?' I was like, 'Well, they're not. You used to watch two.' But I do think the one-a-week model, because now people are so trained [to binge] — like you're saying, the attention span, it's scary. I don't think people want to watch like that anymore. Rogen: I produced 'The Boys,' and we actually went from them all coming out at once to weekly. And it did not affect the viewership in any way, shape or form was what we were told. What it did affect, that we could just see, was it sustained cultural impact. People talked about it for three months instead of three weeks of incredibly intense chatter. It just occupied more space in people's heads, which I think was beneficial to the show. Cahn: When they're coming out one a week, you can repeat things that you can't when they're coming out all together. You have to look at them in terms of, did they each have the same rhythm? Are they each really featuring the same characters and storylines? You have to think about it in terms of, 'If people do three at a time, what's their experience going to be?' It's terrible. The talk of the town is runaway production and how to stop it. Scott, 'The Pitt' is set in Pittsburgh and you did film exteriors there, but principal production happened on the Warner Bros. lot. Talk about why that was important for you. Gemmill: The show could have been shot in Moose Jaw. But it was important to bring the work here, so we fought really hard to get the California tax credit. The most important part of my job besides writing producible scripts that are on time is to keep my show on the air as long as possible, to keep everyone employed as long as possible. And that's the thing I like the best about it. This is the first show that Noah [Wyle]'s done since he left 'ER' that's shot in Los Angeles. It's a shame. There's more production now, but when we first were at Warner Bros. for this, it was a ghost town. It's so sad because I've been in the business for 40 years and still get excited when I go on a lot. And to see them become unused just because it's cheaper to shoot somewhere else ... and there's so many talented people here, and it's hard on their families if you have to go to Albuquerque for six months. I don't ever want to leave the stage again. Mazin: We did our postproduction on the Warner Bros. lot, but we shoot in Canada. And I love Canada. But yeah, of course, I'd love to be home. I like doing postproduction here. I'll take what I get. The financial realities are pretty stark, that's the problem. If you are making a smaller show, the gap is not massive. If you're making a larger show, every percentage becomes a bigger amount of money and also represents a larger amount of people to employ. But what's good is it seems like they're starting to get their act together in Sacramento. I do worry sometimes it's a little bit too late, because the rest of the world seems to be in an arms race to see how many incentives they can give to get production to go there. I'm hoping that at least we can start to move the needle a bit because, listen, that Warner Bros. lot, when I was a kid starting out, I would go on that lot, I would see the little 'ER' backlot with the diner and all of it. And I was like, 'That's on TV. It's here.' And now I walk around the Warner Bros. lot and it's just a single tram full of tourists and no one else. And it's so, so sad. LeFranc: It's really heartbreaking. You used to be able to write what you're doing, produce, do post all on the same lot. You had a family that you were able to form, and you could mentor writers. I would not be able to be a showrunner if not for all the people who came before me who mentored me, and I could walk to set, produce my own episode, and then I can walk to post. It's so hard now where you're asking writers, especially if networks aren't paying for writers to go to set, 'Can you pay for yourself to fly to New York?' It just makes it so hard to be able to educate people in the way that I feel like I was privileged enough to be educated. What are we going to do about that? Gemmill: Mistakes get made. The best part about the whole business is it's collaborative. But when you're separated by thousands of miles, sometimes there's a disconnect. Before we wrap, please tell me what you're watching. Jen, we were talking about 'The Valley' earlier. Rogen: Oh, I watch 'The Valley' too. It's amazing. Do you watch 'The Valley' aftershow? It's almost as good as 'The Valley.' Statsky: I'm really worried about Jax. Rogen: We watch reality television. I see the blank looks on everybody's face. Statsky: We're in comedy. Mazin: I can't believe how scared I was when you were talking, and then how good I felt when you're like, 'It's a reality show.' Statsky: So, you know 'Vanderpump Rules'? Mazin: Ish. Statsky: It's an offshoot. Rogen: Which is an offshoot of — Statsky: 'Real Housewives.' Mazin: This is an echo of an echo. Go on. Statsky: Yes, it's an echo of an echo of garbage. Rogen: But it's so good. Statsky: But it is the worst indictment of heterosexual marriage I've ever seen. Rogen: Yes, it really is. Mazin: Oh, so incidentally, the San Fernando Valley is what it's [about]? It's about Valley Village. Statsky: Valley Village. It's the couples that have moved to the Valley and are having children and — Rogen: And they are all in very bad places in their lives. It's amazing. Statsky: You think [in] reality shows most people are in bad places. That's sadly what people want to watch. These people are in particularly bad places. Rogen: And the show seems to be compounding it, I think. Statsky: Yeah, weirdly, being on a reality show is not helping their problem. Rogen: I find that I watch reality TV because when I watch all of your shows, I find them intellectually challenging. They make me self-conscious, or they make me inspired or something, which is not how I want to feel necessarily after a long day at work just watching something. And so reality TV makes me feel none of those things. It in no way reminds me of what I've done all day. Mazin: If you make me dissociate, I'm watching. Statsky: You're going to love it. But once you start watching, Jax owns a bar in Studio City. We can all go. We can reunite. Mazin: I've gone to that bar. Rogen: You been to Jax's? Mazin: Yes, I've been to that bar. Statsky: Wait, hold on. But everyone else in that bar was there because they watched the reality show. Why were you there? LeFranc: Out of context, I'm so invested in all this. Rogen: You've got to watch it. ... Nothing I will ever make is as good as 'The Valley.'