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The Music Quiz: Rufus Wainwright once played himself an episode of which classic TV comedy?

The Music Quiz: Rufus Wainwright once played himself an episode of which classic TV comedy?

Irish Times25-06-2025
Complete the title of Daniel Lanois's 1993 album: For the Beauty of....
Ramona
Fiona
Simona
Wynona
In 2002, Rufus Wainwright played himself episode of which popular British TV comedy?
Which track off Arcade Fire's Neon Bible (2007) was performed by Peter Gabriel on his 2010 covers album, Scratch My Back?
My Body Is a Cage
Intervention
Black Mirror
Keep the Car Running
What is Neil Young's middle name?
Claude
Cyril
Bartholomew
Percival
Emm Gryner covers which Undertones tune on her 2005 album, Songs of Love and Death?
Teenage Kicks
Julie Ocean
My Perfect Cousin
Wednesday Week
In Alanis Morissette's Your House, the song's character plays a CD by Canadian artist...?
Leonard Cohen
Joni Mitchell
Neil Young
Jane Siberry
Whites Off Earth Now, the 1986 debut album by Cowboy Junkies, features how many exclamation marks?
!
!!
!!!
!!!!
What is the title of Leonard Cohen's first poetry collection?
The Spice-Box of Earth
Let Us Compare Mythologies
Parasites of Heaven
Flowers for Hitler
What's missing from the title of Joni Mitchell's The [Blank] Veils of Ardor?
Pretty
Velvety
Creamy
Silky
Which iconic Canadian is named in Lynyrd Skynyrd's song Sweet Home Alabama?
Robbie Robertson
Joni Mitchell
Gordon Lightfoot
Neil Young
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In the case of Emma Raducanu and the crying child, it's clear who's to blame
In the case of Emma Raducanu and the crying child, it's clear who's to blame

Irish Times

time2 days ago

  • Irish Times

In the case of Emma Raducanu and the crying child, it's clear who's to blame

As a childless man who hates sunshine, parties and the countryside, I am among the last people who should be consulted about banning young children from public places. What do you expect me to say? To quote an unfairly misused businessman in Charles Dickens's most adapted story, 'Are there no … union workhouses?' Okay, I don't exactly think that. But this week's contretemps at the Cincinnati Open tennis tournament did bring out the Scrooge in me. Emma Raducanu became visibly irritated at the continuous crying of a small child. As the British ace prepared to serve, she turned to the umpire and remarked, 'It's been, like, 10 minutes.' Here's where it got interesting. 'It's a child. Do you want me to send the child out of the stadium?' the umpire replied in an apparently puzzled tone. Not unreasonably, Raducanu, who seems a polite young woman, gestured in exasperation to those fans who were answering the (presumably rhetorical) question with a firm 'Yes!' As ever with such viral moments, if you dig a little deeper you discover the lines of combat were not so starkly drawn as online commentary suggested. 'I can call in, but we need to continue for the moment,' the umpire said during a later break. READ MORE Raducanu, ranked 39th in the world, did go on to lose the match against Aryna Sabalenka but, taking the world number one to a tiebreak in the deciding third set of an excellent match, the Brit recovered impressively from that irritating distraction. Never mind reality. The online mob had soon gathered a library of related issues to chew over. Polls came out in favour of expelling wailing children. The cadre of digital grumps who like to 'blame the parents' were there to blame the parents. One entertaining strain of pointless whinge wondered why tennis and golf – unlike, say, boxing or soccer – demand that audiences remain silent during play. Was this a class thing? Well, not really. For all the waistcoats and bow ties, snooker, during which sepulchral calm reigns, remains a working-class sport. The notion that any referee might allow a baby to cry himself out while Mark Selby was accumulating 147 is beyond absurd. Individual sports that require focused attention on a discrete task – putting a golf ball, serving at Wimbledon , cueing on the baize – are in a different category from those in which a player strives continuously as one collective against another. Even the famously raucous crowd at darts matches will quieten down a little when Luke Littler approaches the oche. Most of the debate was, however, around the age-old question of where we should allow young people to be and how we should then expect them to behave. People who aren't me (honest) favour the approach taken by stern imperialist fathers in 19th-century England. They would be shown a son at birth and not meet him again until, standing nervously before their mahogany desk, he said goodbye in uniform before going off to be garotted in Bechuanaland. Get this right and it was almost like not having children at all. Don't mind my facetious ragging. It is now a happier time to be a parent and to be a child. Over the past 50 years or so we have allowed the walls between generations to fall away. We go to restaurants together. We attend sporting events together. A few thousand teenagers will, no doubt, be accompanying parental Oasis fans to see that Status Quo tribute act at Croke Park this weekend. Good luck to them. They were always better at this in mainland Europe. The French snort at the notion of not allowing their eerily well-behaved children to share every social event. That's probably how they got to be so eerily well-behaved. For all that, the discussion around Raducanu's inconvenience reflected a belief that too many parents have now got a little too indulgent of their littler ones. You really should not bring babies to operas, cinemas or snooker tournaments. If you do then you should be prepared to remove them once they make any noise louder than a gentle sniffle. There is a separate debate to be had (look, I'm pretending to be tolerant here) about whether venues should make more allowances for parents of young children: glassed-off areas, creche arrangements, whatever the heck else these people want. But, while such facilities remain unavailable, those attending should expect the conventions to be observed. You turn off your mobile phone. You muffle sneezes. 'It's a child!' is a perfectly reasonable riposte to some jerk complaining about your offspring crying in the supermarket. It does nothing to excuse your bringing the unfortunate wee fellow to Fidelio or the French Open. Which, now I think of it, is me admitting that, yes, I blame the parents.

From set list to stage times – everything you need to know before heading to Oasis live '25 at Croke Park
From set list to stage times – everything you need to know before heading to Oasis live '25 at Croke Park

The Irish Sun

time2 days ago

  • The Irish Sun

From set list to stage times – everything you need to know before heading to Oasis live '25 at Croke Park

AS Oasis Mania reaches fever pitch across the capital, fans are eagerly awaiting their opportunity to see the brothers live at GAA HQ. Oasis Live '25, has brought Noel and Liam Gallagher back on stage together for the first time in 17 years — and they're set to rock Croke Park this weekend. 3 Closed roads and route map for Croke Park later Credit: 3 Oasis mania has swept the capital ahead of their anticipated return to Ireland Credit: Big Brother Recordings. Advertisement GATE AND STAGE TIMES Ahead of these gigs here's everything you need to know. Doors open for the gig at Croke Park at 5pm and organisers are expecting huge crowds from early in the afternoon and have put out a warning to people arriving before 5pm. There's strictly no camping allowed outside, and if people get there early they are being warned they will be turned away from the gates and directed to designated areas to minimise disruption for people living around the stadium. The first of Oasis' support acts, CAST - a fellow Brit-pop 90's band - will open their show at around 6pm. Advertisement Their set will swiftly be followed by The Verve's Richard Ashcroft, at 7pm, who will perform his band's hit, Bitter Sweet Symphony along with some of his solo tunes. Then the main act of the evening, Oasis, will take to the stage for their first Irish gig in over 16 years at 8.15pm. Organisers have put reminders that these are guide times and are subject to change. GETTING THERE With traffic delays highly possible, fans are being encouraged to walk, cycle or use public transport. Advertisement For those heading to Dublin by train the nearest railway stations are Drumcondra and Clonliffe Road, which are a five-minute walk from Croke Park. The closest Dart stations are Connolly, which is a 15-20 minute walk, and Clontarf, which is a 20-25 minute walk. The following Dublin Bus routes all serve Croke Park: 1, 7, 13, 14, 16, 19, 27a, 29a, 31a, 31b, 32, 33, 40, 40b, 40d, 41, 41b and 41c. There is no public parking at Croke Park and traffic cordons will be in place at least two hours before the event. WHAT WILL THEY PLAY? Seeing as these two Irish nights are the 17th and 18th gigs of their reunion tour, it is fair to say we have a good idea of what the brothers will play. Advertisement Across the European leg of their tour they have seldom made changes to their set list. In an electric moment for any hardcore Oasis fans, the pair will walk out to F***** in the bushes, which swiftly leads into; ⁠1. Hello 2.⁠ ⁠Acquiesce 3.⁠ ⁠Morning Glory 4.⁠ ⁠Some Might Say 5.⁠ ⁠Bring It On Down 6.⁠ ⁠Cigarettes & Alcohol 7.⁠ ⁠Fade Away 8.⁠ ⁠Supersonic 9.⁠ ⁠Roll With It 10.⁠ ⁠Talk Tonight 11.⁠ ⁠Half the World Away 12.⁠ ⁠Little by Little 13.⁠ ⁠D'You Know What I Mean? 14.⁠ ⁠Stand by Me 15.⁠ ⁠Cast No Shadow 16.⁠ ⁠Slide Away 17.⁠ ⁠Whatever 18.⁠ ⁠Live Forever 19.⁠ ⁠Rock 'n' Roll Star ENCORE 20.⁠ ⁠The Masterplan 21.⁠ ⁠Don't Look Back in Anger 22. Wonderwall 23. Champagne Supernova The monster set list which covers the major tracks and fan favourites of the brothers discography clocks in at just over two hours - guaranteeing a fantastic evening of Oasis glory! STRICT SEARCHES Due to health and safety, there is also a list of items prohibited from the gigs this weekend. They added: "Due to health and safety, there are strictly no camping/collapsible chairs permitted on site. Please do not bring these items as security will have to refuse you entry with them." Advertisement "Patrons are especially advised not to bring large bags/backpacks as they may experience delays or be refused entry. "There will be no storage facilities on site. Any items left at entrances/in surrounding areas will be removed and disposed of accordingly." Strict security checks will be in operation, with everyone subject to be searched as a condition of entry. Searches can also take place once inside the venue. Meanwhile, Freenow is offering drivers up to €500,000 in incentives to support taxi supply as Dublin prepares for a busy weekend of music. Advertisement These incentives boost driver's earnings by offering bonuses for completing a specific number of rides within a set time frame. Punters will benefit too as more drivers will be available to complete more trips.

The Imagined Life by Andrew Porter: an achingly beautiful story of human love
The Imagined Life by Andrew Porter: an achingly beautiful story of human love

Irish Times

time2 days ago

  • Irish Times

The Imagined Life by Andrew Porter: an achingly beautiful story of human love

The Imagined Life Author : Andrew Porter ISBN-13 : 9781787705906 Publisher : Europa Editions Guideline Price : £ 16.99 'Vertiginous, alcohol-soaked evenings in the backyard of our house, the black-and-white flicker of my father's makeshift theater, the verdant splendor of my mother's garden, the flowing laughter of their guests.' This is the hazy Californian backdrop of Andrew Porter's The Imagined Life, which tells the story of a man stuck between the frames of his own life, past and present, determined to carry out an investigation into finding the father who disappeared from his life when he was 12. Porter's writing is infused with nostalgia – a yearning for childhood, and for lost innocence. This nostalgia is artfully crafted by setting; The Imagined Life takes place across a surreal landscape, resplendent with cloudless skies and palm trees, soundtracked by Fleetwood Mac and Frank Sinatra. Our narrator, Steven, has a dreamlike childhood; he gazes out of his bedroom window to watch his young, beautiful parents throw pool parties for their closest friends, before settling down to watch black and white movies. But one party sticks in Steven's mind – the gathering where he witnesses the moment that changes his father forever. READ MORE Steven and his father's relationship is complicated; it's mired in idolatry, derailed by an act of betrayal that's almost unforgivable. Through Steven's narration, we learn of his anger towards his father – yet also his grief for him, for his failures, and for the possibility that he might be hurtling towards a similar fate. The question of whether we're doomed to repeat our parents' mistakes is raised several times; as a child, Steven has a blurred, desirous relationship with his best friend Chau, and it's only long after the two have parted ways that Steven is able to admit his true feelings. His desperation to hide his desires has the potential to lead to a downfall like his father's, and his eventual escape from this is entirely down to an acceptance of them both, flaws and all. The Imagined Life is many things: a deft exploration of male relationships, a mediation on how much we inherit from those who raise us, a study of shame set across the Aids epidemic, but above all, it's a poignant, achingly beautiful story of human love, and the lengths we'll go to for those we care for.

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