
Sen. Ernst tells town hall ‘we're all going to die' when pressed on GOP's proposed changes to Medicaid
GOP Sen. Joni Ernst on Friday faced concerns from town hall attendees over potential cuts to Medicaid and SNAP programs as a result of President Donald Trump's sweeping domestic policy bill, saying at one point, 'Well, we're all going to die,' and insisting that those who are eligible for Medicaid will continue to receive payments.
One audience member at the meeting in Parkersburg, Iowa, raised concern that changes in the legislation to Medicaid and the Supplemental Nutrition Assistance Program, or SNAP, as food stamps are formally known, could harm local economies and cost jobs. Ernst, in response, emphasized that those who are in the country illegally or do not qualify for the programs under current law will be removed as recipients from the rolls.
When someone in the audience yelled out, 'People will die,' Ernst replied, 'People are not – Well, we all are going to die.'
The comment drew sizable reaction from the crowd.
Ernst went on to say, 'For heaven's sakes, folks. OK … What you don't want to do is listen to me when I say that we're going to focus on those that are most vulnerable. Those that meet the eligibility requirements for Medicaid, we will protect. We will protect them.'
Ernst was among the few Republican lawmakers who held town hall meetings during Congress' recess this week. Those meetings – the first since the House GOP passed its version of the sweeping tax and spending cuts bill – have featured a steady drumbeat of questions related to the package and its Medicaid provisions.
The Senate is preparing to take up – and is expected make changes to – the House-passed version of the bill when lawmakers return to Washington. Changes to Medicaid eligibility have become a flashpoint in debate over the legislation, with several GOP senators warning that they don't want to see their constituents lose coverage.
Discussing the House's version of the bill, Ernst said, 'Some people currently on Medicaid would not be able to receive Medicaid,' but she argued, 'That's because they're not currently eligible by the original definition of Medicaid, and they will be moved off of those Medicaid rolls.'
'When we are talking about the corrections in this reconciliation bill — again, it's corrections of overpayments and people that have not been eligible for these programs by law as it is currently written,' she continued, as audience members began to shout over her.
'If you don't want to listen, that's fine,' Ernst later added, 'but what I'm doing is going through and telling you that those that are not eligible, those that are working and have opportunities for benefits elsewhere, they should receive those benefits elsewhere and leave those dollars for those that are eligible for Medicaid.'
In response to a request for comment on the exchange, which was swiftly seized on by critics of the proposed changes, a spokesperson for Ernst said: 'While Democrats fearmonger against strengthening the integrity of Medicaid, Senator Ernst is focused on improving the lives of all Iowans.'
'There's only two certainties in life: death and taxes, and she's working to ease the burden of both by fighting to keep more of Iowans' hard-earned tax dollars in their own pockets and ensuring their benefits are protected from waste, fraud, and abuse,' the spokesperson continued.
The House version of the bill would institute work requirements for some Medicaid recipients, a longtime GOP goal.
It would also reduce federal support for Medicaid by nearly $700 billion over a decade, according to a Congressional Budget Office analysis. However, House Republicans made several changes to the legislation before final passage in the chamber, which were not evaluated in this CBO report – including moving up the timeline so that the requirement will take effect by the end of 2026.
The legislation would additionally extend the work requirement for SNAP to those ages 55 to 64, as well as to parents of children between the ages of 7 and 18. Plus it would curtail states' ability to receive work requirement waivers in difficult economic times, limiting them only to counties with unemployment rates above 10%.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
24 minutes ago
- Yahoo
Knusford Berhad Full Year 2025 Earnings: EPS: RM0.11 (vs RM0.092 in FY 2024)
Revenue: RM80.5m (down 46% from FY 2024). Net income: RM10.5m (up 15% from FY 2024). Profit margin: 13% (up from 6.2% in FY 2024). The increase in margin was driven by lower expenses. EPS: RM0.11 (up from RM0.092 in FY 2024). Trump has pledged to "unleash" American oil and gas and these 15 US stocks have developments that are poised to benefit. All figures shown in the chart above are for the trailing 12 month (TTM) period Knusford Berhad shares are down 3.0% from a week ago. You still need to take note of risks, for example - Knusford Berhad has 2 warning signs (and 1 which is a bit concerning) we think you should know about. Have feedback on this article? Concerned about the content? Get in touch with us directly. Alternatively, email editorial-team (at) article by Simply Wall St is general in nature. We provide commentary based on historical data and analyst forecasts only using an unbiased methodology and our articles are not intended to be financial advice. It does not constitute a recommendation to buy or sell any stock, and does not take account of your objectives, or your financial situation. We aim to bring you long-term focused analysis driven by fundamental data. Note that our analysis may not factor in the latest price-sensitive company announcements or qualitative material. Simply Wall St has no position in any stocks mentioned.


Forbes
24 minutes ago
- Forbes
‘Sinners' Won't Get A Sequel And That's Exactly Why It Works
Despite speculation and wishes from fans of Ryan Coogler's recent project, Sinners, the Oakland filmmaker, confirmed that this film wasn't going to have any sequels or spinoffs. While some may find this decision surprising, especially after the film's historic box office run, which grossed $341 million, many saw this decision as a welcome change in an industry that champions cinematic universes, reboots, and spin-offs. Coogler understands that, sometimes, the creative process on its own is enough, and, with much of his career involving him breathing life into several different serialized franchises, his decision comes across as bold and earned. 'I've been in a space of making franchise films for a bit, so I wanted to get away from that,' Coogler told Ebony. 'I wanted the movie to feel like a full meal: your appetizers, starters, entrees and desserts, I wanted all of it there.' Now, especially with a rep from Warner Bros. Discovery recently dismissing claims that a sequel was in the works, Coogler's vision for an original standalone film serves as a stark contrast to the state of the diminishing returns found in other Hollywood franchises and films. Sinners, some might argue, achieved its success because it was something new and because that fresh unfamiliarity gave viewers something that they couldn't expect or easily predict. Franchise Burnout Everywhere, you can see fans of different films, TV shows, etc., experiencing burnout for sequels and franchises that, at one point in time, started as original ideas that inevitably became serialized because of their overwhelming initial success. There's been a shift in how people are consuming the films they watch, where previously reliable IPs were guaranteed to be a success, some have begun underperforming in reviews and at the box office, or even lost their goodwill amongst critics and fans alike. For example: The Marvel Cinematic Universe (MCU) is currently in its fifth phase. While it's one of the most discussed IPs on the planet and has shown its success through films like Avengers: Endgame (2019) where it earned its #2 spot on the highest-grossing films of all time, bringing in $2.79 billion and a certified fresh at 94% on Rotten Tomatoes. Still, since then, many fans feel like the introduction of TV shows on Disney+ in addition to the films of their fourth and fifth phase has made keeping up with the story feel like homework instead of entertainment, coining the term 'superhero fatigue.' By 2023, The Marvels had earned the MCU its lowest box office amount and Rotten Tomatoes score, at $210 million and 62% respectively, a stark decline. Star Wars, one of the most popular and iconic franchises in our cultural zeitgeist, has also suffered from fatigue. The Rise of Skywalker (2019) earned half of what The Force Awakens made, earning $1.077 billion and a certified rotten score of 51% in comparison to $2 billion and a certified fresh score of 93%. Since then, Disney has elected to focus on creating new Star Wars content through shows on Disney+, with several of their shows finding success and some, like The Acolyte, being cancelled after one season. Harry Potter, while the franchise is still going strong with a reboot currently in the works, its spin-off Fantastic Beasts and Where to Find Them earned $814 million and a certified fresh score of 74%. Still, the film, which was originally standalone, turned into a trilogy and by its end Fantastic Beast: The Secrets of Dumbledore earned nearly half of the first films' profits at $405 million and even getting a rotten score of 46%, something previously unprecedented for a franchise that help build and inspire the imaginations of an entire generation. The Fast & Furious franchise, probably the most well-known for its sequels on this list of examples, is still profitable, with its latest installment, Fast X, earning $710 million in 2023. Still, critics and fans alike wonder where else the franchise can go, since the cast has literally taken their cars into outer space at his point in the series. Some critics have even described the IP as 'running on high octane fumes.' The Beauty In Telling A Complete Story Having the restraint to end something, the strength to say 'enough,' when that something has the potential to become an IP with sequels that bring in large amount of cash, but also the potential for those sequels to become stretched thin or 'trapped' following a specific formula to guarantee success, is proof that Coogler not only respects his characters and the story he wanted to and did tell, but also serves as proof that he respects his audience. I've seen Sinners six times. I fell in love with the characters, with the music, with the cinematography. I even ran to see it in IMAX 70mm to get the full experience, even though I had already seen it five times before that. I completely understand the desire for more that a story like this invokes, but I also understand the beauty and strength in telling a finished story. We're so used to watching films and shows that we know we will get a sequel or inevitably be renewed, but for Sinners, a film that's so complete in what it wants to share with it's audience, we can understand that a story doesn't need speculation or expansion. Sinners stands out by telling us that a singular story with a clear beginning, middle, and end is enough to leave us content and satisfied, viewer and director alike.


Fox News
24 minutes ago
- Fox News
George Wendt's mistaken jabs at John Boehner link 'Cheers' and Ohio politics
There was no mistake when the beloved but forlorn accountant Norm Peterson chugged his way into the fictional TV bar "Cheers." "Norm!!!" hollered the regulars in unison, ranging from mail carrier Cliff Clavin to "Mayday" Sam Malone, the former Major League pitcher-turned barkeep. If only former House Speaker John Boehner, R-Ohio, or late Rep. Buz Lukens, R-Ohio, had been as recognizable to George Wendt, the actor who played Norm on the sitcom. Wendt died last week at age 76. The portly, everyman, "Willy Loman" character Wendt created was one of the most iconic in the history of comedic television. Wendt's portrayal of Norm earned him six consecutive Emmy nominations for Best Supporting Actor in a primetime series. But during Boehner's first race for Congress in 1990, Wendt inadvertently manufactured a bizarre and permanent connection to the future Speaker of the House. In 1989, Lukens represented Ohio's 8th Congressional District. But WSYX-TV in Columbus, Ohio, secretly recorded Lukens at a McDonald's speaking with the mother of a teenage girl. Lukens talked to the woman about getting her a government job. He hoped to keep her quiet about his sexual activities with her daughter. Lukens denied any wrongdoing in public. He was charged and later convicted of contributing to the delinquency of a minor. The House Ethics Committee launched an investigation. But Lukens declined to step aside. That teed up a three-way Republican primary between Lukens, the former congressman who represented the district, the late Rep. Tom Kindness, R-Ohio, and Boehner. Boehner was a state legislator at the time. The scandal embroiling Lukens created a rare opportunity to head to Washington. As strange as it seems now, Boehner was the least-known of the three Republican candidates in what turned out to be a brutal primary. But Boehner's innate political acumen shone through – decades before he would ascend to the Speaker's suite. Despite the scandal, Lukens remained popular in the district. He had served as the congressman decades earlier and returned to the House when Kindness ran unsuccessfully for the Senate against late-Sen. John Glenn, D-Ohio, in 1986. So with the Lukens scandal, Kindness wanted his job back. And Boehner hoped to capitalize on the opportunity. Can you top a name like that? "Congressman Kindness." No wonder it was such a challenge for the upstart, future Speaker with the unpronounceable, Teutonic surname. But Boehner won. And even though he felled Lukens and Kindness, it was not a done deal that Boehner would win the general election. Boehner ran against Democrat Greg Jolivette, the mayor of Hamilton, Ohio, the biggest city in the 8th Congressional District. Jolivette was best known for changing the name of "Hamilton," to "Hamilton!" in the 1980s. He also ran Jolly's Drive-Ins in Hamilton. Imagine 1970s hamburger joints where you can order from your car, bedecked in orange. But we're talking about "Cheers" here. Not "Happy Days." Wendt was at the height of his popularity during the summer of 1990 as Boehner and Jolivette barreled toward a general election faceoff. So Wendt appeared on late-night TV on "The Arsenio Hall Show." Look him up, kids. Hall's syndicated show was never going to beat NBC's "The Tonight Show with Johnny Carson" in the ratings. But the program scored major headlines in 1992, when future President Bill Clinton played saxophone on the show in an effort to appeal to a younger demographic, which gravitated to Hall rather than Carson. Clinton's appearance was a seminal moment in American politics and may have helped him win the election. Certainly the most important political event on Hall's show. Wendt's appearance proved to be the second-most important. Jolivette was Wendt's brother-in-law. He periodically parachuted into Ohio's 8th District to campaign for Jolivette and against Boehner. So Hall asked him about Wendt's political involvement and Jolivette. Wendt proceeded to essentially libel Boehner on the air. Wendt never mentioned Boehner by name. But Wendt mixed up Lukens and his sex scandal with Boehner. On national TV, no less. "The guy he's running against had some problems a while back," said Wendt, referring to Jolivette's opponent, but mixing Boehner up with Lukens. "The guy from the 8th District had some convictions, some felony or a misdemeanor or something. So I think it's time for a change. One thing's for sure, I know, Greg's not going to be a criminal." Hall is an Ohio native. But he was apparently not versed in the Lukens scandal – even though it was a national story and commanded daily headlines. He didn't inquire further or correct Wendt. After all, this was a late-night comedy and variety show. Not "Meet the Press." A publicist for Hall blamed the issue entirely on Wendt, saying the host has no control over "what (guests are) going to say." Things then turned nasty when Boehner's team put out a statement. "We, like a lot of viewers, are confused about the conversation last night. We don't know if they were talking about Congressman Lukens' problems or perhaps the theft complaint filed with the Hamilton (Ohio) Police against Greg Jolivette," said the Boehner campaign. Jolivette's campaign argued this was an old allegation and it wasn't true. They then demanded that Boehner fire Barry Jackson, Boehner's campaign manager. Jackson called the episode "cheap gutter politics." Boehner himself pinned the case of mistaken identity on Wendt. He believed the actor should have been more responsible for what he said on national TV. Boehner didn't fire Jackson. Jackson worked with Boehner for years and later served as his chief of staff when he became House speaker. Wendt's gaffe was not fatal for Boehner. Even though there were nearly as many Democrats as Republicans registered in the 8th District in those days, it had elected Republicans for years. And Boehner vanquished Jolivette 61-39 percent in the general election. The rest is history for Boehner. Fast-forward to today. Boehner took to X after the actor's death. The former Speaker explained how Wendt was the brother-in-law of his opponent and "went on a late-night TV show and said some tough things." Boehner said that Wendt was "confusing me with someone else. He called later to apologize and we had a great conversation. Raising a glass tonight to the man America will always remember as Norm." Or, as they might say on the show, "Cheers."