These Trends Are Defining Bridal Style In 2025
If you've ever started researching wedding dresses, you know how quickly the endeavor can get overwhelming. There are so many options—satin vs. lace, minimalist vs. maximalist, ball gown vs. sheath—and it feels like the trends change every time you refresh your feed. One minute it's all about clean lines and subtle silhouettes, the next it's corsets and drama and ten-foot trains.
While personal style always comes first, knowing what's trending can actually help narrow the options and spark ideas you hadn't considered. To make sense of what's ahead for 2025 brides, I asked two industry insiders for the trends they're seeing on the runway and in their showrooms.
Dorothy Silver, Director of Merchandising at Kleinfeld Bridal, and Christina Blanchette, VP of Sales and Marketing at Maggie Sottero, shared what's in, what's evolving, and what brides are asking for right now.
Waistlines are shifting—literally. Basque waists, known for their signature V-shape that dips below the natural waistline, are showing up in new collections but with a twist. 'Basque waists are getting softer at the waist instead of coming to a sharp point,' Silver says. 'Brides are leaning into this silhouette due to its elongated, flattering look.'
Some silhouettes are just timeless. According to Silver, 'Ball gown is the number one silhouette for today's bride and will remain at the forefront for fashion-savvy brides.'
Blanchette echoes that sentiment, adding that ballgowns are 'making a resurgence, especially with dramatic skirts and structured corsetry.' Designers are leaning into volume, architectural lines, and bold fabrics to give this classic silhouette a modern edge.
With their fitted bodices and sweeping skirts, ball gowns still hold that fairytale appeal—but the 2025 versions feel bolder, cleaner, and far more customizable than the princess gowns of the past.
While ball gowns bring drama, A-line and sheath silhouettes are offering something a little more low-key—and just as stylish. 'A-line gowns remain a top choice for their universally flattering fit,' says Blanchette. Sheath dresses are also getting a lot of love for their clean, tailored look. 'They're trending for their modern, minimalist appeal,' she adds.
These cuts work across a range of styles—from classic to contemporary—and are perfect for brides who want something elegant but unfussy. They also tend to be easier to move in, which makes them a smart pick for outdoor ceremonies or more laid-back venues.
Corsetry is back in a big way, and not just for period-drama fans. 'Corsets are also making a comeback due to the rise in popularity of the Bridgerton-esque trend along with the red-carpet celebrity trends,' Silver explains.
Beyond aesthetics, brides love the way a corset shapes the torso and gives structure to a dress without sacrificing comfort. Millie Bobby Brown tapped into this look with one of her multiple wedding dresses—a custom Galia Lahav gown featuring a lace-up corset bodice and delicate straps. It struck the perfect balance between romantic and modern.
Texture and detail are playing a big role in 2025 collections. Silver points to jacquard fabrics and hand-painted textiles as trending choices—both of which offer visual interest without relying on heavy embellishment.
Blanchette is seeing similar movement. 'Soft, draped fabrics like crepe and satin are trending for their effortless elegance,' she says. 'Tulle and organza add a touch of romance and volume,' while lace is evolving with '3D floral appliqués and embroidered details for added texture.'
There's also a growing interest in sustainable materials, reflecting the demand for more eco-conscious bridal fashion.
Red carpet fashion continues to shape what brides are drawn to, whether consciously or not. 'When the bride walks down the aisle, she wants that red carpet feeling,' Silver says.
From large bows to feather accents, plunging necklines, and dramatic ruffles, bridal designers are borrowing directly from Hollywood. Blanchette notes that oversized bows are especially popular right now. 'They're having a major moment, adding a bold, fashion-forward touch that's perfect for the cool-girl bride,' she says.
If you caught Rita Ora's wedding look—an ivory Tom Ford gown with a dramatic sheer panel and bow detail—you know just how impactful those little accents can be.
While veils will always have their place, other accessories are gaining ground. According to Silver, chiffon scarves are emerging as a modern alternative: 'Soft chiffon flowing scarves are replacing the traditional veil. To make a statement on your big day, I suggest a soft scarf around the neck and cascading to the floor.'
Gloves are back too—especially opera-length in lace or sheer fabrics. Paired with a lace choker that mirrors the bodice of the dress, they offer a coordinated and high-fashion twist on bridal tradition. Blanchette also points to detachable sleeves and gloves as smart, versatile options. They let brides transition from ceremony to reception without a full outfit change.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
18 hours ago
- Yahoo
Jonathan Bailey says Wicked sequel is ‘darker' and will ‘go there politically'
Actor Jonathan Bailey has said the Wicked sequel is 'darker' and is 'going to go there politically as well'. The Bridgerton star, 37, plays Prince Fiyero in the films, also starring Cynthia Erivo and Ariana Grande, which are adapted from the musical of the same name. 'Being slightly off the M1 in Munchkinland, with Ari singing a beautiful mezzo soprano, and then seeing cars pulling up on the hard shoulder trying to record it, and then seeing men in the sky, (which) turned out to be microlights and drones, it was like Independence Day,' he told British GQ. View this post on Instagram A post shared by British GQ (@britishgq) He added: 'I remember having four hours to learn how to do a dance move. I did it with Ari, headbutted her, and was like, 'Gotta go!'. 'I think she might have even headbutted me, but it was a meeting of minds, literally.' Wicked's next instalment will arrive in cinemas in the UK and Ireland from November 21 and will cover the years after Elphaba, played by Erivo, parted ways with her friend Glinda (Grande). Wicked: For Good will also show Elphaba being demonised by those in Oz, and transformed into The Wicked Witch Of The West. The films have been adapted from the musical, which was based on Gregory Maguire's 1995 novel – which was in turn inspired by the story first told in L Frank Baum's 1900 children's novel, later adapted into the 1939 film starring Judy Garland as Dorothy Gale. Bailey said: 'It's darker, and I've got a sense it's going to go there politically as well. 'Fiyero's arc really kicks off and he literally is transformed by the end.' Other stars of Wicked include Malaysian actress Michelle Yeoh as Madame Morrible, and US actor Jeff Goldblum as the Wizard. View this post on Instagram A post shared by British GQ (@britishgq) Both Bailey and Goldblum are part of the Jurassic Park franchise. Goldblum played Dr Ian Malcolm in the original 1993 adventure/sci-fi while Bailey stars as Dr Henry Loomis in Jurassic World: Rebirth, which is yet to be released. 'We'll see how it goes, but there might be a few films down the line where me and him can appear in Jurassic together,' Bailey said. He added: 'Dr Ian Malcolm and Dr Henry Loomis on a night out.' Bailey stars on the cover of the summer Heroes issue of British GQ and will be speaking at the GQ Heroes conference, taking place at Soho Farmhouse, Oxfordshire from July 2 to 4. The Heroes Issue of British GQ is available via digital download and on newsstands on June 10.
USA Today
a day ago
- USA Today
Something insidious is coming out of the Diddy trial: Laughter
Something insidious is coming out of the Diddy trial: Laughter | Opinion We must resist the urge to make everything into a joke. We must take some things seriously – and domestic violence should be one of those things. Show Caption Hide Caption Security guard says Sean Combs offered cash for hotel video Eddy Garcia testified Sean Combs paid $100K for hotel footage showing him kick, hit and drag Cassie Ventura Fine, according to court testimony. There's something I've been noticing when I scroll through Instagram. Any time I see an advertisement, any advertisement, really, there always seems to be a peculiar comment underneath the video. 'Nice try, Diddy.' The spam comment, which refers to rapper Sean 'Diddy' Combs, has been around for almost a year now. According to Know Your Meme, a Wikipedia-esque website dedicated to the inside jokes of the internet, it's unclear what the spam comment means. What is clear is that it is as commonplace as these advertisements themselves. What's also clear is that people are joking about something that isn't really that funny. 'Nice try Diddy' is not the only joke that's come out of the bombshell sex crimes trial against Combs, in which the rapper and mogul has been charged with racketeering, sex trafficking and transportation to engage in prostitution. For the past year, people have latched onto the salacious details of the case – from 'Diddy parties' and 'freak offs' to baby oil to the sketches from the courtroom – to joke about on the Internet and with their friends. The only problem? We seem to always be laughing about the wrong things. SNL, memes mock Diddy trial. But it can retraumatize survivors of abuse. There are more than 70 lawsuits against Combs, with at least 81 people accusing the rapper of sexual assault. What we've heard has been harrowing. Casandra 'Cassie' Ventura Fine, who dated Combs on and off from 2007 to 2018, testified in the first days of the trial about the physical and emotional abuse that she suffered. There is a video of him physically assaulting her at the InterContinental Hotel, a video that a hotel security guard alleges he was paid $100,000 to destroy. There's footage of Combs throwing a vase at her head. There are photos of bruises and cuts that Ventura Fine allegedly suffered after altercations with Combs. A friend of Ventura Fine's testified that he threw a knife in the singer's direction. That's not the only testimony that stands out. In May, rapper Kid Cudi testified that his car was set on fire by an 'incendiary device,' alleging that Combs was the perpetrator. Bryana 'Bana' Bongolan testified on June 4 that Combs dangled her over a 17-story balcony and threatened to kill her. I encourage anyone joking about this case to read the victims' statements – they are no laughing matter. Opinion: Diddy trial and Macron shove reveal our blind spots about domestic violence That hasn't stopped comedians, whether they be on Instagram or on "Saturday Night Live," from lampooning the trial as it unfolds. It hasn't stopped the memes, like "The Diddler" and baby oil. There were also jokes about Amber Heard during her trial with Johnny Depp, jokes that experts claimed exacerbated the trauma survivors suffer from. In the same way, levity about the alleged abuse and coercion that Combs' victims experienced could hurt people who have also experienced these things. When will we stop laughing at abuse victims? I understand the urge to make a joke out of serious matters. Humor helps us cope with the horrific realities of life. It's akin to the way people joke about President Donald Trump's administration: The details are so egregious, they feel like parody. But for victims of sexual violence, this trial is anything but funny. It isn't just a meme or a spicy headline; it's the terrifying reality of abuse. It's the reality of a world where women are not believed, and where the justice system fails to intervene until the damage is already done. Opinion: I work with sex trafficking victims. Here's how Diddy's trial could help them. Despite the mountain of evidence against Combs, there are still people who believe he is innocent, or at least shouldn't be the only one on trial. On 'Piers Morgan Uncensored' in late May, rapper Ray J told the host that there were never any 'freak offs.' About the same time, Death Row Records cofounder Suge Knight told journalist Chris Cuomo that he believed his longtime musical rival should walk free, saying that other executives were involved in the events. Everyone is innocent until proven guilty, including Combs. Still, it makes me uneasy that there are people who would be so quick to defend him. To me, the flippancy with which people are treating the case is just as dangerous as the jokes made about it. We must resist the urge to make everything into a joke. We must take some things seriously – domestic violence should be one of those things. We can't let our urge to laugh at discomfort win over our desire for justice. Something has to matter. Follow USA TODAY columnist Sara Pequeño on X, formerly Twitter: @sara__pequeno
Yahoo
a day ago
- Yahoo
Chloë Sevigny on Kitty Menendez and ‘Monsters' fascination: ‘People are endlessly curious about those who have privilege and abuse it'
"People are endlessly occupied, enthralled, and curious about people who have privilege and abuse it," Chloë Sevigny tells Gold Derby about the fascination behind Netflix's Monsters: The Lyle and Erik Menendez Story. Sevigny plays Kitty Menendez, who was gunned down in a double parricide alongside her husband, José Menendez (Javier Bardem), by their sons Lyle (Nicholas Alexander Chavez) and Erik (Cooper Koch) on Aug. 20, 1989. The brothers claimed years of sexual and emotional abuse at the hands of their parents before being convicted of their murders in 1996 and sentenced to life in prison. More from GoldDerby 'Wicked: For Good' trailer teases more monkeys, a wedding, and Dorothy Walton Goggins and Aimee Lou Wood: The debunked 'White Lotus' feud explained Justine Lupe on the unexpected chemistries that power Netflix's 'Nobody Wants This' "How did this unfurl? How did this happen to them? Did it really happen to them? It's kind of a mystery," Sevigny says, speaking about viewers' fascination with the story. The limited series became Netflix's most-watched program since Bridgerton in 2024. "People can take a stance. People get excited when they can have an opinion in that way." After two highly publicized trials, the Menendez brothers became infamous in the '90s, but much remained unknown about Kitty. "There were a couple books that I read that talked about her upbringing, but there wasn't a lot about her," Sevigny says about her preparation for the role. "Her father had been abusive, so that was a real key into how she behaved with José — how she allowed [the abuse] and how she self-medicated. Her mother had left her father, so she grew up without one. Maybe this is why she stood by her man — how one normalizes it and isolates — all these things that happen when one is living in a cycle of abuse." Dominick Dunne's articles in Vanity Fair gave her another perspective. "Those articles were very pro-Kitty," Sevigny reflects. "At first, I was just thinking of her as a monster. I was like, 'How am I going to access this person who doesn't have one truth?' Every episode portrays a different perspective on her. I just tried to ground her in each episode." Sevigny also touched on a subtle but taboo aspect of Kitty's story: "A lot of women feel like the children come between them and their partners. I just thought it was an opportunity to explore those kinds of feelings that you don't get to hear a lot about on television." Sevigny says Kitty was trying to save her family — she just didn't know how to. "She tries a few times to confront [José] throughout the season, in a submissive way, but she's also a product of her time. Women weren't as empowered then. What was she going to do if she left?" Playing across Javier Bardem, Sevigny found him both terrifying and brilliant as José. "It's not that hard to play scared when his anger bubbles up. He was very good at playing that." Despite his intimidating performance, Bardem was approachable on set. "He's a big movie star. He was so generous with Nicholas and Cooper — really buoying them. He helped them access things they didn't know they had in them. He's very paternal. It was a big deal for Nicholas and Cooper to have these parts — their first big roles — and Javier really helped them and elevated the whole experience." The rising fame of Chavez and Koch doesn't surprise Sevigny. "I knew the media would be attracted to them," she says, referencing Koch's openness about his sexuality and his relationship with the real Menendez brothers. "A lot of young stars navigating press and media are a little tentative to speak out because you can get in trouble quite easily. They aren't afraid of that, and I think it's refreshing." The Oscar-nominated actress describes shooting the murder scene — which took two days of rehearsal and two days of filming — as emotionally and physically taxing. "You don't normally shoot a scene in that kind of way," she explains. "There's different versions of it. It took a toll on me, physically. And the noise — because they're shooting blanks — and the smell of it. At the end of the first day I was wrecked — really shaken up. But then, you become numb to it, which is more disturbing in a way." Beyond her work in Monsters, Sevigny discusses her longstanding creative relationship with Ryan Murphy, reflects on the 30th anniversary of her acting debut in Kids, and her upcoming projects. She is set to star in Luca Guadagnino's next film, After the Hunt, marking her third collaboration with the director. "I think that movie is going to be really good and a little controversial — which just keeps happening to me!" she says with a laugh. "People just cast me and think, 'Oh, she's that person!' But it stars Julia Roberts, so it can't be that controversial." Monsters: The Lyle and Erik Menendez Story is streaming on Netflix. Best of GoldDerby Jason Isaacs relives filming 'The White Lotus' piña colada scene: 'It was one of the reasons I was worried about taking the job' Kaitlyn Dever on playing 'horrible' characters in 'Last of Us', 'Apple Cider Vinegar': 'I just don't see any other option but to give 100 percent' The Making of 'Out of My Mind': Inside the groundbreaking Disney+ film redefining disability representation on screen Click here to read the full article.
