logo
The Mandalorian & Grogu footage teases Rotta the Hutt, Baby Yoda using the Force, and classic Star Wars action, while a new photo shows a maskless Pedro Pascal

The Mandalorian & Grogu footage teases Rotta the Hutt, Baby Yoda using the Force, and classic Star Wars action, while a new photo shows a maskless Pedro Pascal

Yahoo18-04-2025

When you buy through links on our articles, Future and its syndication partners may earn a commission.
At this year's Star Wars Celebration, The Mandalorian & Grogu screened new footage behind closed doors for those in attendance.
GamesRadar+ is on the ground for the convention in Japan, and Pedro Pascal, Sigourney Weaver, Jon Favreau, Dave Filoni, and even Grogu were also in attendance to show off the film, which was announced back in January 2024.
The footage opens with Mando blasting his way through some troopers on a ship. It's classic, season 1 style action. Then, we see Weaver's character telling Mando that "right now, you work for us." Grogu uses the Force to try and steal some food, which doesn't escape Weaver's notice.
We also see Grogu using the Force to destroy a droid, while he also goes swimming at one point.
Then, right at the end, we saw a brief tease of what appears to be Jeremy Allen White's Rotta the Hut, though he's all grown up now. The Hutt was cheering in a fighting ring, with Mando and Grogu seated in the audience (and Grogu was eating some snacks).
Plus, it appears Mando will be going without his helmet at least once in the movie, as a new look at the film shows Pascal without his mask. Check out some pictures below.
The movie is set to release in theaters on May 22, 2026. The Mandalorian creator Jon Favreau is directing, with Lucasfilm's chief creative officer Dave Filoni and Lucasfilm president Kathleen Kennedy producing.
Beyond The Mandalorian & Grogu, other Star Wars movies in the works include Shawn Levy's Star Wars movie starring Ryan Gosling, which will arrive in 2027 (as confirmed at Celebration).
Next up for Star Wars is Andor season 2, which arrives in a triple episode premiere on Disney Plus this April 22 in the US and April 23 in the UK.
For more, check out our guide to all the upcoming Star Wars movies and shows – and see our roundup of what to expect from Star Wars Celebration 2025 through the link.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Disney+ is the new streaming home of live Champions League football... and it won't cost you a penny more
Disney+ is the new streaming home of live Champions League football... and it won't cost you a penny more

Yahoo

time37 minutes ago

  • Yahoo

Disney+ is the new streaming home of live Champions League football... and it won't cost you a penny more

When you buy through links on our articles, Future and its syndication partners may earn a commission. Credit: Florencia Tan Jun - UEFA / UEFA / Getty Images Quick Summary Disney+ has announced a new partnership with UEFA to stream live Champions League matches from next season on, and at no extra cost. Advertisement All Women's Champions League games will be exclusive to the platform for the next five years. Disney+ is moving into live sports in the UK and Europe. It has announced that it will exclusively show live Champions League matches from next season. It will join the likes of Amazon Prime Video and Apple TV+ in streaming live football, while Netflix has also recently moved into live sports broadcasts too, with WWE Raw being available on the platform around the world, and the other WWE shows and events in regions outside the US. Streaming services are increasingly rivalling traditional broadcasters when it comes to bidding for sporting rights. Advertisement That now includes Disney+ as, from October 2025, it will be the new and exclusive home for the UEFA Women's Champion League for the next five years. What matches will be live on Disney+? Disney has signed a deal to show all 75 matches in each season of the Women's Champions League, from 2025/6 to 2029/30. They will be available at no extra cost to Disney+ subscribers. The rights extend to the whole of Europe, so no matter your region you'll be able to follow the action on the streaming platform. ESPN will produce the coverage and commentary will be offered in multiple languages. There will also be pre- and post-match programming to enjoy. Advertisement "Bringing this incredible tournament to Disney+ customers and audiences speaks to our commitment to delivering a huge range of bold and dynamic entertainment," said the general manager of Disney+ in the UK and Europe, Karl Holmes. "As women's football continues to grow with audiences worldwide, we're proud to offer the thrill and excitement of every single match to Disney+ customers across Europe, at no extra cost." What about this year's final? With the deal not starting until later this year, you might be wondering how to watch the 2025 final, which takes place this Saturday, 24 May. Well, the Arsenal vs Barcelona match will kick off in Lisbon at 17:00 BST and be shown live on TNT Sports in the UK, or Discovery+ if you want to stream it.

'Andor' showrunner denies hit 'Star Wars' show is a 'left-wing' political story
'Andor' showrunner denies hit 'Star Wars' show is a 'left-wing' political story

Fox News

timean hour ago

  • Fox News

'Andor' showrunner denies hit 'Star Wars' show is a 'left-wing' political story

"Andor" series showrunner Tony Gilroy said Thursday he does not believe his "Star Wars" series is "left-wing." In an interview with New York Times columnist Ross Douthat on his podcast "Interesting Times," Gilroy denied that he wrote the show to represent a left-wing revolution against fascist authoritarians. "I never think about it that way. It was never- I mean, I never do. I don't," Gilroy declared in response to Douthat asking if he agreed the show is a "left-wing work of art." The second season of the critically acclaimed series debuted on Disney+ in April. It follows the adventures of Cassian Andor, a key player in the rebellion against the Galactic Empire. He was a main character in the hit 2016 movie "Rogue One." The show, which lasted two seasons, provides a dark and realistic depiction about how individuals ban together to resist a creeping authoritarian government that uses deception, censorship and violence to cement its own power. In the interview, Douthat said he believes Gilroy's depiction of the rebellion against the empire in the series is distinctly left-wing. While introducing his guest, he said, "The 'Star Wars' serial 'Andor' has somehow managed to pull off originality within the constraints of a familiar franchise, pleasing obsessive fans and critics alike. Part of its originality is that it has an explicitly political and, to my mind, left-wing perspective on its world, without feeling at all like tedious propaganda." Gilroy admitted the work was political in that it was inspired by his fascination with revolutions in world history. "The canvas that was being offered was just a wildly abundant opportunity to use all of the nonfiction and all the history and all the amateur reading that I'd done over the past 40 years and all the things I was fascinated by, all the revolution stuff that not only I would never have a chance to do again, but I really wondered if anybody else would ever have a chance to do again," he said. Elsewhere, he told Douthat that he was particularly inspired by dictatorships throughout history, like Italian dictator Benito Mussolini's regime. "I want to pay as much attention to the authoritarian side of this, the people who've cast their lot with the empire, who get burned by it all," he said. However, the showrunner denied he meant to portray the empire as a right-wing authoritarian government being undone by left-wing freedom fighters. "But it's a story, but it's a political story about revolutionary ––" the conservative columnist protested. Gilroy interjected, "Do you identify with the Empire? Do you identify with the Empire?" "No, I don't," Douthat said. "But I don't think that you have to be left-wing to resist authoritarianism. I see the Empire as you just described it: It's presented as a fascist institution that doesn't have any sort of communist pretense to solidarity or anything like that. It's fascist and authoritarian, and you're meditating on what revolutionary politics looks like in the shadow of all that."

How this S.F. company's $100 million gamble made ‘Lilo & Stitch' one of Disney's biggest hits
How this S.F. company's $100 million gamble made ‘Lilo & Stitch' one of Disney's biggest hits

San Francisco Chronicle​

time3 hours ago

  • San Francisco Chronicle​

How this S.F. company's $100 million gamble made ‘Lilo & Stitch' one of Disney's biggest hits

There's an old Hollywood adage, attributed to comedian W.C. Fields, that advises filmmakers and actors never to work with children or animals. Good thing the makers of the new live-action ' Lilo & Stitch ' didn't listen to such nonsense. In the less than two weeks since its release, the Disney film is one of the most beloved of the year, pulling in more than $600 million at the global box office. It is already the second-biggest Hollywood release of 2025, and has a good shot at supplanting ' A Minecraft Movie ' ($947 million) as the top earner. Obviously, one of the reasons it has become one of Disney's most successful live-action remakes is audiences' warm memories of the 2002 animated film. But a major factor is the undeniable chemistry between 6-year-old Maia Kealoha, who plays Lilo, and the beautifully realized 2025 version of Stitich, the tiny irrepressible alien who lands in Hawaii and becomes Lilo's chaotic companion. The secret to developing that relationship was spearheaded by Industrial Light & Magic, based at the Presidio in San Francisco. As the visual effects team was grappling with how to turn the 2D animated version into a fully fleshed-out CGI character, a crucial decision was made: to aid the-yet-to-be-cast child actress who would play Lilo, the $100 million production would use animatronic puppets to interact with her and serve as a visual guide for the VFX team. 'They immediately had a bond,' animation supervisor Matthew Shumway said during a recent Chronicle visit to ILM. 'Every day there would be cute moments on the set. It was really important to let (Maia) have a friend on set. It was really cute to see how black (Stitich's) nose was by the end of production; it was pretty rubbed off because she kissed it so much.' Shumway, who filmed test footage with his own 6-year-old daughter before Maia was cast, and visual effects supervisor Craig Hammack turned to Legacy Effects, a Los Angeles company that specializes in animatronic puppets (Grogu of ' The Mandalorian '), to create a series of Stitch puppets, including one suited for underwater scenes. Hayes called the child's performance 'huge.' 'A 6-year-old girl, a lot on her shoulders, and there's only one of her, you know?' Hayes said. 'She nailed the character, and she was very professional, and very impressive.' Hammack, a two-time Oscar nominee as visual effects supervisor on ' Deepwater Horizon ' (2017) and ' Black Panther: Wakanda Forever ' (2022), agreed. 'Maia was phenomenal — very honest, very focused,' he said. 'It didn't feel like (the production) was being tailored to a child in that everything was able to stay on track and very productive for the time we had with her.' Because Lilo first thinks Stitch is a dog, some of the character's movements were dog-like. In those scenes, a French Bulldog named Dale stood in for Stitch in scenes with Maia. The animal 'always gave a little bit of unpredictability,' Hammack noted, which added spontaneity to the film. Somewhere, the ghost of Fields was spinning. Blending live actors with animated characters has been a thing since at least 'Anchors Aweigh,' the 1945 MGM musical in which Gene Kelly famously danced with Jerry the Mouse. The landmark 1988 film 'Who Framed Roger Rabbit' upped the ante. But counterintuitively, because of ILM's cutting-edge technology, 'Lilo & Stitch' was able to deliver something Kelly didn't have: a physical scene partner. 'Our work works because Seth did his job,' Shumway said. 'Without it, we would maybe get a stale performance from Maia. By the time it gets to (the VFX team), we digitally remove (the puppet), but then we've got all the other elements that benefited from the work that he did. Because Maya gave a really good performance, then we can give a really good performance with Stitch. 'So really, it's an old school process, but it's still very modern in how we approach it.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store