
Mini Creations by Swedish Artists 'Anonymouse,' Dubbed 'Banksy Mouse,' Go From Street to Museum
After nine years scurrying in the shadows, the two-person Swedish street art collective known as Anonymouse – dubbed 'Banksy Mouse' by Swedish media – has finally stepped out of the dark and into a museum exhibition.
The mystery began in late 2016 when miniature homes and businesses, all measuring well below knee height, began appearing on the streets of southern Sweden. It looked like a bunch of mice had opened a tiny restaurant named 'Il Topolino' and a neighboring nut delicatessen, 'Noix de Vie.' There was no clue as to who created them besides a signature from anonymous artist group Anonymouse. The following years saw more mouse homes and businesses appear in unexpected places: first in Sweden, then all over the world, from the UK to Canada. The original creation on Bergsgatan, a busy street in Malmö, quickly attracted attention and went viral, drawing crowds. The project was even featured on the popular US TV show 'The Late Late Show with James Corden.'
The two artists behind the whiskery art project stepped out of their anonymity earlier this year. Swedes Elin Westerholm and Lupus Nensén both work in show business, making props and sets for film and television. 'The sweet part is that we're building something for children. Most of us have some kind of relationship to a world where mice live parallel to ours,' said Nensén, citing numerous child-focused fairy tales. On Friday, a selection of the duo's creations went on display at the Skissernas Museum in Lund, a short trip from Malmö, to celebrate nine years of mouse pranks and creativity.
The duo say the idea for Anonymouse came during a trip to Paris in 2016. Sitting in the French capital's Montmartre district, they soaked up Art Nouveau influences. Their first creation took six months to build before they secretively installed it on Bergsgatan one cold, dark night. 'It's amazing to see a 70-year-old come over with crutches and people help them down and have a look,' said Nensén. 'It really does bring out the child in everyone.' The artists have since created a mini pharmacy in the Swedish city of Lund, a pastry shop near Stockholm, a castle on the Isle of Man, and a radio studio in Quebec, Canada. The duo created between two and three projects a year. Record store 'Ricotta Records,' which the pair installed in Lund in 2020, features tiny, mouse-sized record covers such as 'Back to Brie' by Amy Winemouse and 'Goodbye Yellow Cheese Roll' by Stilton John. Westerholm said part of the game is taking something that's 'a bit dumb really seriously.' 'We spent a lot of time coming up with mice and cheese puns over the years,' Nensén said.
The museum's exhibit rooms host six miniature worlds once secretly installed on nearby Swedish streets, as well as sketches and preparatory works from the archives. The exhibit will run until late August. 'They are hidden; they are not in common areas where you would expect an artwork. There's one in the basement, one on a balcony, and so on,' exhibit curator Emil Nilsson said. 'I hope (visitors) take away a sense of adventure when they enter the museum looking for these hidden miniature worlds.'
After revealing their identities earlier this year, Westerholm and Nensén announced their mouse-building adventures were over, bringing an end to the viral street art project. 'It's been nine years,' said Westerholm. 'It's time to end it, I think. Anonymouse won't return.' But will the duo never build anything small in a public place again? 'We never know, we can't promise anything,' Westerholm said.
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Al Arabiya
20 hours ago
- Al Arabiya
Mini Creations by Swedish Artists 'Anonymouse,' Dubbed 'Banksy Mouse,' Go From Street to Museum
After nine years scurrying in the shadows, the two-person Swedish street art collective known as Anonymouse – dubbed 'Banksy Mouse' by Swedish media – has finally stepped out of the dark and into a museum exhibition. The mystery began in late 2016 when miniature homes and businesses, all measuring well below knee height, began appearing on the streets of southern Sweden. It looked like a bunch of mice had opened a tiny restaurant named 'Il Topolino' and a neighboring nut delicatessen, 'Noix de Vie.' There was no clue as to who created them besides a signature from anonymous artist group Anonymouse. The following years saw more mouse homes and businesses appear in unexpected places: first in Sweden, then all over the world, from the UK to Canada. The original creation on Bergsgatan, a busy street in Malmö, quickly attracted attention and went viral, drawing crowds. The project was even featured on the popular US TV show 'The Late Late Show with James Corden.' The two artists behind the whiskery art project stepped out of their anonymity earlier this year. Swedes Elin Westerholm and Lupus Nensén both work in show business, making props and sets for film and television. 'The sweet part is that we're building something for children. Most of us have some kind of relationship to a world where mice live parallel to ours,' said Nensén, citing numerous child-focused fairy tales. On Friday, a selection of the duo's creations went on display at the Skissernas Museum in Lund, a short trip from Malmö, to celebrate nine years of mouse pranks and creativity. The duo say the idea for Anonymouse came during a trip to Paris in 2016. Sitting in the French capital's Montmartre district, they soaked up Art Nouveau influences. Their first creation took six months to build before they secretively installed it on Bergsgatan one cold, dark night. 'It's amazing to see a 70-year-old come over with crutches and people help them down and have a look,' said Nensén. 'It really does bring out the child in everyone.' The artists have since created a mini pharmacy in the Swedish city of Lund, a pastry shop near Stockholm, a castle on the Isle of Man, and a radio studio in Quebec, Canada. The duo created between two and three projects a year. Record store 'Ricotta Records,' which the pair installed in Lund in 2020, features tiny, mouse-sized record covers such as 'Back to Brie' by Amy Winemouse and 'Goodbye Yellow Cheese Roll' by Stilton John. Westerholm said part of the game is taking something that's 'a bit dumb really seriously.' 'We spent a lot of time coming up with mice and cheese puns over the years,' Nensén said. The museum's exhibit rooms host six miniature worlds once secretly installed on nearby Swedish streets, as well as sketches and preparatory works from the archives. The exhibit will run until late August. 'They are hidden; they are not in common areas where you would expect an artwork. There's one in the basement, one on a balcony, and so on,' exhibit curator Emil Nilsson said. 'I hope (visitors) take away a sense of adventure when they enter the museum looking for these hidden miniature worlds.' After revealing their identities earlier this year, Westerholm and Nensén announced their mouse-building adventures were over, bringing an end to the viral street art project. 'It's been nine years,' said Westerholm. 'It's time to end it, I think. Anonymouse won't return.' But will the duo never build anything small in a public place again? 'We never know, we can't promise anything,' Westerholm said.


Asharq Al-Awsat
17-06-2025
- Asharq Al-Awsat
Scaffolding Goes up in Venice to Save Banksy's Migrant Mural
Scaffolding went up in Venice on Tuesday to restore a mural by the elusive street artist Banksy that had appeared on the side of a 17th century building in the lagoon city six years ago. "Migrant Child" shows a boy wearing a lifejacket and holding a pink flare, representing the artist's support for migrant sea rescue charities. But being exposed to Venice's notorious humidity and painted on the canal-facing side of a crumbling palazzo, it was in danger of fading into oblivion. The building, unoccupied when Banksy worked on it, was bought last year by an Italian bank that is now funding its entire restoration, mural included. Banca Ifis is planning to turn the Palazzo San Pantalon into an exhibition space linked to the Venice Biennale art fair, it said in a statement. The three-story building is in the Dorsoduro neighborhood, near Venice's main university. The well-known Zaha Hadid Architects studio is working on the renovation project.


Arab News
30-05-2025
- Arab News
In Marseille, a shadow becomes art in Banksy's latest street mural
MARSEILLE, France: The lighthouse appeared overnight. Painted on a wall tucked away in a quiet Marseille street, its beam aligned perfectly with the real-life shadow of a metal post on the pavement. At its center, stenciled in crisp white, are the words: 'I want to be what you saw in me.' Banksy had struck again. On Friday, the elusive British street artist confirmed the work by posting two images on his official Instagram account — without caption or coordinates. Fans quickly identified the location as 1 Rue Félix Frégier, in the Catalans district of Marseille's 7th arrondissement, near the sea. Since then, crowds have gathered at the site. Tourists snap photos. Children point. Locals who usually walk past the building stop to take a closer look. There is no official explanation for the phrase. But its emotional pull is unmistakable — a quiet plea for recognition, love or redemption. Some speculate it references a country ballad by Lonestar. Others call it a love letter. Or a lament. Or both. The image is deceptively simple: a lone lighthouse, dark and weathered, casting a stark white beam. But what gives it power is the way it plays with light — the real and the painted, the seen and the imagined. The post in front of the wall becomes part of the piece. Reality becomes the frame. Marseille's mayor, Benoît Payan, was quick to react online. 'Marseille x Banksy,' he wrote, adding a flame emoji. By midday, the hashtag #BanksyMarseille was trending across France, and beyond. Though often political, Banksy's art is just as often personal, exploring themes of loss, longing and identity. In recent years, his works have appeared on war-ravaged buildings in Ukraine, in support of migrants crossing the Mediterranean and on walls condemning capitalism, Brexit, and police brutality. The artist, who has never confirmed his full identity, began his career spray-painting buildings in Bristol, England, and has become one of the world's best-known artists. His mischievous and often satirical images include two male police officers kissing, armed riot police with yellow smiley faces and a chimpanzee with a sign bearing the words, 'Laugh now, but one day I'll be in charge.' His work has sold for millions of dollars at auction, and past murals on outdoor sites have often been stolen or removed by building owners soon after going up. In December 2023, after Banksy stenciled military drones on a stop sign in south London, a man was photographed taking down the sign with bolt cutters. Police later arrested two men on suspicion of theft and criminal damage. In March 2024, an environmentally themed work on a wall beside a tree in north London was splashed with paint, covered with plastic sheeting and fenced off within days of being created. Despite the fame — or infamy — at least in Marseille, not everyone walking past noticed it. Some didn't even know who Banksy was, according to the local press. On Instagram observers say this Marseille piece feels quieter. More interior. And yet, it is no less global. The work arrives just ahead of a major Banksy retrospective opening June 14 at the Museum of Art in nearby Toulon featuring 80 works, including rare originals. Another exhibit opens Saturday in Montpellier. But the Marseille mural wasn't meant for a museum. It lives in the street, exposed to weather, footsteps and time. As of Friday evening, no barriers had been erected. No glass shield installed. Just a shadow, a beam and a message that's already circling the world.