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Rock legend who lives in Sussex given knighthood

Rock legend who lives in Sussex given knighthood

Yahoo16-06-2025
A rock legend who lives in Sussex has been given a knighthood in the King's Birthday Honours.
The Who frontman Sir Roger Daltrey said he is 'very humbled' to be made a knight bachelor in recognition of his services to charity and music.
Sir Roger, who launched and curated the Teenage Cancer Trust's Royal Albert Hall concerts from 2000 to 2025, told the PA news agency he would be celebrating with 'a bottle of plonk'.
The 81-year-old, who lives at Holmshurst Manor near Burwash in East Sussex, said: 'It's strange, it's an experience that I've never had before, I'm very humbled by it.
'But equally, pride isn't something you wear on the outside, you can't say you're proud of that, I'm not proud, it's something that you wear in your heart, and this sits very well in my heart, because it's for the charity, it is for the music and the music I've had the joy of giving it out there – how lucky was I?'
Sir Roger said he was particularly pleased to be honoured for his charity work, which will see him remain an honorary patron of Teenage Cancer Trust, while The Cure frontman Robert Smith takes over the curation of his London concert series next year.
He added: 'It's kind of weird, but I am deeply honoured to get this, especially for the charity for the Teenage Cancer Trust, and I accept it on their behalf really, because this honour is really for all unsung heroes.'
Sir Roger continued: 'It's a dream come true for me, but it's especially a dream because the charity means so much.'
The first Teenage Cancer Trust show by The Who And Friends at the Royal Albert Hall in 2000 raised more than £12 million in ticket sales and revenue from a concert film and CD, and as a result Sir Roger was given a humanitarian award in 2003 from Time magazine.
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Sir Roger and The Who have also thrown their support behind a number of other cancer charities, and the frontman was one of the original supporters of music therapy charity Nordoff And Robbins.
Sir Roger has lived in Sussex sine the 70s (Image: Isabel Infantes/PA Wire) The singer first rose to fame with the 1960s mod rock band when their early Shel Talmy-produced singles I Can't Explain, Anyway, Anyhow, Anywhere, and My Generation stormed into the UK charts, with the latter reaching number two.
With The Who, Sir Roger became known for his energetic performances, which saw him lasso his microphone around his head with its cable, while bandmates Pete Townshend, Keith Moon and John Entwistle smashed their equipment at the end of shows in a proto punk display of destruction.
Asked whether he could have foreseen his knighthood during the band's early days, Sir Roger said: 'No, no, I mean, you've got to remember, we came from post-war England, I was born in an air raid.
The band are widely acknowledged as the first mod band and went on to further success with their fourth album Tommy (1968), a rock opera about a 'deaf, dumb and blind' boy who becomes an expert pinball player, before becoming a god-like figure.
Tommy spawned a number of theatrical adaptions, and in 1975, a film directed by Ken Russell starred Sir Roger in the lead role. This marked the start of an acting career which went on to see him play composer Franz Liszt in Lisztomania (1975), as well as appear in The Legacy (1978) and TV's The Bill.
Having become known as one of the heaviest groups of the 1960s, and one of the first mainstream groups to utilise guitar feedback, The Who became one of the first British hard rock bands with the release of Who's Next (1971), which also saw them among the first such acts to use synthesisers.
Who's Next included some of the band's best known tracks such as Baba O'Riley and Won't Get Fooled Again.
In 1973, the band released a second rock opera in Quadrophenia, which was also adapted into a film in 1979, which starred Phil Daniels as main character Jimmy Cooper in an all-star cast that also included Sting as Ace Face, Ray Winstone as Kevin Herriot and Toyah Willcox as Monkey.
Phil Daniels and Cllr Lizzie Deane at the Quadrophenia Alley plaque unveiling (Image: Brighton Pictures) The film is based in Brighton and charts the clashes between the mods and the rockers in the city.
The Who's original drummer Keith Moon died in 1978, while bass player John Entwistle died in 2002.
While The Who were still active and during their time apart, Sir Roger has released a series of solo albums, beginning with Daltrey (1973), which peaked at number six in the UK albums chart.
In 2018, Sir Roger published his autobiography Thanks A Lot Mr Kibblewhite.
Kate Collins, chief executive of Teenage Cancer Trust, said: 'We're all delighted that Roger Daltrey has been awarded a much-deserved knighthood. Sir Roger is a tireless and passionate supporter of, and advocate for, young people with cancer in the UK and internationally.
'Sir Roger has made a unique and exceptional contribution to both music and charity, and we all wholeheartedly congratulate him on this honour. It is so deserved.'
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Drummergeddon 2025: Why We're Witnessing a Global Percussion Apocalypse
Drummergeddon 2025: Why We're Witnessing a Global Percussion Apocalypse

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Drummergeddon 2025: Why We're Witnessing a Global Percussion Apocalypse

Welcome to Drummergeddon 2025, when the entire music world wants to know: What the hell is going on with the drummers? There's an epidemic of high-profile bands dumping their drummers, or getting dumped by them, and nobody has any clue why. It's not just the Who or the Foo Fighters. It's not just Nine Inch Nails or Pearl Jam or Primus. It's not even just GNR or Oasis or Iron Maiden. It's a host of rock and metal bands from different genres, at different levels of fame, shuffling their rhythm sections in a full-blown global percussion crisis. How did this happen? The Drummerpocalypse just keeps hitting new levels, reaching a farcical peak last week, when the Foo Fighters and Nine Inch Nails traded drummers. The Who's battle with ex-stickman Zak Starkey keeps raging on, after they fired, rehired, then refired him this spring. Last weekend, Roger Daltrey went off in The Times, accusing Starkey of 'character assassination.' Starkey summed up the chaos back in May when he told Rolling Stone, 'What the fuck? These guys are fuckin' insane! I've been fired more times than Keith Moon in 10 days.' More from Rolling Stone Watch Gracie Abrams Cover Taylor Swift's 'All Too Well' During L.A. Concert Kelly Clarkson's Ex-Husband Brandon Blackstock Dead at 48 The Black Keys Are Still Really Good at Being the Black Keys But this year, we're definitely seeing a vibe shift behind the kit. The Foo Fighters startled everyone in May by firing Josh Freese, one of the rock world's most dependable (and most-employed) rhythm kings. They just announced his new replacement: Ilan Rubin, from Nine Inch Nails. This is weird because Freese used to play in Nine Inch Nails — and Rubin is the guy who replaced him when he left in 2008. Now Freese has rejoined his old mates, replacing his replacement, as if Rubin were just keeping his throne warm for the past 16 years. 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But for drummers, it's the sound of acclaimed jazz-fusion virtuoso Steve Smith, winner of many magazine polls, playing an intricate open-handed pattern in which he plays the hi-hat with his left hand while his right moves around the kit. (That's a direct quote, from Rolling Stone's awesome Greatest Drummers of All Time list, proudly compiled by drummers for drummers. I have no clue — don't all drummers' hands 'move around the kit'? Isn't that like what a drummer freaking does?) But that's the point. Percussion heads have a certain defensive hostility when it comes to the outside world; you have no idea what they're talking about, and they like it that way. That's because the drummer has a unique place in music culture, providing the forward motion. If your stickmaster sucks, it simply does not matter how good anyone else in the band might be. 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In other words, the IP is the shotgun that sings the song. That might be one reason Zak Starkey has blown up into such a cult hero for people who ordinarily don't care a thing about lineup changes in classic rock bands. The Zak saga seems to resonate with people way outside the Who's normal audience, people who can't tell Rabbit Bundrick from Pino Palladino, or 'A Quick One' from 'The Quiet One.' But people can relate to Zak, the hard-working creative betrayed by his corporate boomer bosses, who slip up and make him the scapegoat, tossing him aside like a discarded plectrum. It's cool to see him refuse to go quietly. Maybe that's why this tale has taken on a mythical life of its own in 2025. But it's the biggest Who buzz in decades, and the most popular save-the-drummers parable of the past 60 years. Meanwhile, Pete Best happened to announce his retirement back in April. (Hey, you don't think …) Do we even have to mention that Zak used to be in Oasis? He even texted the Gallagher brothers to let them know he suddenly was in the job market this summer, or as he put it, 'Why the fuck aren't I in your band, man, helping make it the greatest rock band in the world again?' However, Noel and Liam have Waronker for their reunion tour, and they're wisely not letting him get away. These are definitely weird times for drummers and those of us who worship them. But the Drummergeddon chaos hits home for people who don't even like any of these bands, simply because it hits to the emotional core of music, especially live music. Percussionists do more than just keep time — they're the ones who make a band a band. The drummer represents the whole ideal of the band as a community, one nation, indivisible, with Liberty and DeVitto for all. That's why the spirit of the drum lives on in anyone who confronts a stick and a snare and asks, 'What can this strange device be?' (RIP, Neal Peart.) 'I've already got my gravestone,' Zak told Rolling Stone. 'It says, 'Zak Starkey, the song is over.'' Well, maybe. But he'll probably just eventually join Oasis again, so he can snag a cooler epitaph like 'Where were you while we were getting high?' That's the thing about drummers: You can't keep a good one down. They get work. They move around. Every performer needs a good drummer, and everybody who's got a good one wants a better one, even if they have to steal, poach, or kill. It's too soon to tell where all this upheaval will lead. But you have to suspect the drummers will be the last ones standing. Now more than ever, it's time to give the drummer some. Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked

Rock Icon's Final Tour Brings Old Regrets and New Tension
Rock Icon's Final Tour Brings Old Regrets and New Tension

Yahoo

timea day ago

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Rock Icon's Final Tour Brings Old Regrets and New Tension

Rock Icon's Final Tour Brings Old Regrets and New Tension originally appeared on Parade. might have thrilled fans with his signature guitar-smashing move onstage, but there was one particular incident that eventually left him with regret. Now, as The Who embarks on what may be its final tour, frontman Roger Daltrey is opening up about the toll time has taken and how Townshend feels about the future. In the late 1960s, Townshend was preparing to play in Detroit, but he found himself without a guitar. The lead guitarist went to a local pawnshop where he purchased two Stratocaster guitars for a steal. 'The dealer had no idea what he had. On stage, I started with the older of the two guitars. It was almost certainly a guitar that belonged to Buddy Holly,' Townshend said in a resurfaced interview with Premier Guitar from 2010. 'The sound was superb, off the map, bell-like, silky, just sublime. When the time came to smash the guitar, I switched it for the newer one, and a boy at the front of the stage protested. 'No,' he shouted. 'Smash the good one, not some fake.'' He continued, 'So I switched back, and to my shame, smashed the guitar over his hands. I still wait for him to sue me. He would have a perfect right, but I was pretty angry with him. However, this entire guitar-smashing thing is my fault, my thing, my idea, my artistic statement, my absurdity. I have no doubt that guitar is sitting in someone's home now, and probably plays okay. I hope the same can be said for that poor guy's hands. So my regret and shame on this occasion is doubled.' Fifteen years later, The Who's destruction looks a little different and Townshend's ambivalence is aimed at touring rather than destroying expensive music equipment. He's mentioned several times that he's not a fan of being on the road, something his bandmate is seemingly irritated by. 'I want to give the songs the same amount of passion as I did the first time round. But it's not easy when you're dealing with a partner who can be ambivalent about it,' The Who's lead singer Roger Daltrey said in an interview with The Times published on August 1. 'So he says until he's out there — and he loves the money. But look at those early Who concerts. Every night was a war. That's how we got the music across. We're not going to turn into f--king Abba overnight, are we?' While Townshend might be uninterested in touring, Daltrey's still determined to give it his all and he's trying to finish what they started. 🎬 SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox 🎬 Rock Icon's Final Tour Brings Old Regrets and New Tension first appeared on Parade on Aug 7, 2025 This story was originally reported by Parade on Aug 7, 2025, where it first appeared. Solve the daily Crossword

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