
Rose Leslie has wild ambition to get behind the lens after watching David Attenborough
She achieved worldwide fame in fantasy TV series Game of Thrones playing a warrior in a band of savages referred to as the 'wildlings'.
Now, Scots actress Rose Leslie has revealed her dream job would involve similarly wild surroundings.
When asked what she would like to have done if she hadn't pursued drama, the 38 year old said: 'I have always felt when we as a nation sit down and watch David Attenborough documentaries I've always wanted to be on the camera crew.'
She added: 'I have always wanted to be behind the lens just so that you can travel the world.
'And you can be amongst the kind of, thick of it, with these amazing animals but also witnessing chases and cheetahs being born or something like that.
'Like, it's amazing.'
Leslie became a household name after playing 'wildling' Ygritte in Game Of Thrones – the TV show where she met her husband Kit Harington, who played Jon Snow in the fantasy.
The couple tied the knot in 2018 in a fairytale wedding at a stunning countryside chapel just a stone's throw away from Wardhill Castle, Aberdeenshire, owned by Leslie's family.
Since then, Leslie has appeared in numerous other TV shows, including BBC period drama Miss Austen and the corporation's thriller Vigil.
She is currently in rehearsals for a Royal Shakespeare Company (RSC) production of play The Constant Wife, which takes to the stage next month.
The production also involves jazz pianist Jamie Cullum, who is writing music to accompany the performances in what is thought to be a first.
During an appearance on The One Show to discuss the upcoming play Leslie also chatted to chef Big Zuu and his co-presenter rapper AJ Tracey as they recounted trying the world's most expensive haggis.
Made by family butchers MacSween, the dish costs £4,000 and features ingredients like Highland Wagyu beef, white summer truffles, and was presented in a handmade wooden cask with edible 24 carat gold.
The culinary experience took place as the pair visited Scone Palace in Perthshire as part of their Sky TV show Big Zuu & AJ Tracey's Seriously Rich Flavours.
When asked if she would like to try it, Leslie replied: 'I'd have to.'
Also, when the pair described how they had been treated to a rendition of Robert Burns' poem Address to a Haggis, Leslie said: 'That's a ritual, that's something you really have to do.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Independent
41 minutes ago
- The Independent
Bernardine Evaristo receives Women's Prize outstanding contribution award
Award-winning novelist Bernardine Evaristo has been announced as the recipient of an outstanding contribution award from the Women's Prize Trust. The one-off literary honour celebrates Evaristo's body of work and dedication to advancing the voices of people from underrepresented backgrounds. The trust is known for the Women's Prize for Fiction, a popular literary award that was established in 1996. Evaristo, 66, who was joint winner of the Booker Prize in 2019 for her novel Girl, Woman, Other, will be presented with the award and £100,000 prize money on June 12 at the Women's Prize Trust's summer party in London. She said: 'I am completely overwhelmed and overjoyed to receive this unique award. 'I feel such deep gratitude towards the Women's Prize for honouring me in this way. 'Over the last three decades I have witnessed with great admiration and respect how the Women's Prize for Fiction has so bravely and brilliantly championed and developed women's writing, always from an inclusive stance. 'The financial reward comes as an unexpected blessing in my life and, given the mission of the Women's Prize Trust, it seems fitting that I spend this substantial sum supporting other women writers; more details on this will be forthcoming.' Evaristo will be honoured alongside the winners of the 2025 Women's Prize for Fiction and the Women's Prize for Non-Fiction, which was won by V V Ganeshananthan and Naomi Klein respectively, last year. Authors who have been longlisted or won the Women's Prize for Fiction over the past three decades, and had published a minimum of five books, were eligible for the outstanding contribution award. The winner of the outstanding contribution award was selected by a judging panel chaired by novelist and non-fiction author Kate Mosse, founder director of the Women's Prize for Fiction and Women's Prize for Non-Fiction. She said: 'My fellow judges and I always knew it would be a tall order to choose just one author from the many exceptional contemporary writers who have made such a huge contribution in a world where women's voices are increasingly being silenced, where the arts and artists are under attack. 'Books encourage empathy, they offer alternative and diverse points of view; they help us to stand in other people's shoes and to see our own worlds in the mirror. 'In the end, we felt that Bernardine Evaristo's beautiful, ambitious and inventive body of work (which includes plays, poetry, essays, monologues and memoir as well as award-winning fiction), her dazzling skill and imagination, and her courage to take risks and offer readers a pathway into diverse and multifarious worlds over a forty-year career, made her the ideal recipient of the Women's Prize Outstanding Contribution Award.' The Women's Prize Trust says the one-off award marks the 30th anniversary year of the Women's Prize for Fiction. Evaristo, who was born in Woolwich, south London, and is of Anglo-Nigerian descent, has shed light on the lives of modern British women through her work, taking an interest in the African diaspora. She has launched several successful writing schemes to support women writers and under-represented writers of colour, including the Complete Works mentoring scheme for poets. Several of her works, including The Emperor's Babe and Hello Mum, have been adapted into BBC Radio 4 plays. Evaristo's other novels include Blonde Roots, Soul Tourists and Mr Loverman. The latter was turned into an eight-part BBC drama starring Lennie James and Ariyon Bakare. The actors, who star as lovers struggling to go public with their relationship, picked up Baftas for their roles during the academy's TV awards in May.


The Independent
41 minutes ago
- The Independent
Committee calls on Government to ban NDAs to tackle misogyny in music industry
The Women and Equalities Committee (WEC) has called on the Government to ban non-disclosure agreements (NDAs) in the event of sexual misconduct, bullying, or discrimination in a bid to tackle misogyny in the music industry. A report by the WEC found 'misogyny remains deeply rooted in the music industry' and 'meaningful change requires both cultural and structural reform', as the committee also called for changes to the Equality Act and the Employment Rights Bill to ensure freelancers are fully protected. Speaking about her experience in the report, which was published on Wednesday, singer Celeste told the committee: 'What is most prevalent in the daily experience of being female in the music industry is this idea of an ingrained bias, or even an unconscious, sexist bias.' The WEC called for improved protections and reporting mechanisms, after finding that sexual harassment remains pervasive in the industry, with reporting rates low due to fear of retaliation, and added that women in music still faced unequal pay and ageism. It urged the Government to bring forward proposals to prohibit the use of NDAs and other forms of confidentiality agreements in cases involving sexual abuse, sexual harassment or sexual misconduct, bullying or harassment, and discrimination relating to a protected characteristic. The WEC said doing so would 'demonstrate decisive leadership and ensure that the silencing of victims of abuse will no longer be tolerated'. It also underlined the 'inadequacy' of legal protections for freelance musicians, saying the Equality Act did not 'clearly extend' to freelancers and those working under temporary conditions such as 'depping', which means substituting for another musician. The report also highlighted challenges faced by parents and carers in the music industry, saying freelancers in particular struggled with 'inadequate maternity support and the high cost of childcare'. The WEC called on the Government to amend the Employment Rights Bill to align maternity allowance with statutory maternity pay to allow self-employed women 'greater flexibility during maternity leave and remove unfairness within the system'. Chairwoman of the WEC and Labour MP Sarah Owen said: 'One year on from the Women and Equalities Committee's report on misogyny in music, significant issues within the industry remain unaddressed and appear to be on repeat. 'WEC's 2024 report warned women pursuing careers in music face endemic misogyny and discrimination in a sector dominated by self-employment. 'It laid bare a boys' club where sexual harassment and abuse is common, and the non-reporting of such incidents is high. 'The misuse of NDAs is a major concern. 'NDAs are frequently used to silence victims of harassment and abuse, often under coercive circumstances. 'The report presents evidence of the psychological toll these agreements take and the power imbalances that make them particularly harmful in the music industry. 'Women working in music feel rightly frustrated at the lack of support from the Government in tackling the challenges they face. 'Female artists should not encounter limitations in opportunity or have to work far harder to get the recognition their ability and talent merits. 'We urge ministers to accept the recommendations in our new report and help set the music industry on a path of lasting change free from discrimination and harassment.' The report also called on the Government to support the Creative Industries Independent Standards Authority, a new independent body designed to address misconduct across the creative sectors, by 'providing it with the legal assurances it needs to undertake its crucial work'.


Daily Mail
2 hours ago
- Daily Mail
EXCLUSIVE Pervert Mohammed Al Fayed 'spent DECADES spying on women shoppers undressing in Harrods changing rooms': New book warns customers - 'if you stripped off, there's a good chance he was watching'
Sexual predator Mohamed Al Fayed spied on customers using the changing rooms at Harrods for decades, according to claims made by his former bodyguard. Speaking in an explosive new book, the security man said there was a 'good chance' that shoppers using the facilities at the Knightsbridge store during his reign were being 'watched' by the serial rapist.