logo
Read what these American, British music legends say about their hearing loss

Read what these American, British music legends say about their hearing loss

Yahoo04-05-2025

Several music legends now publicly discuss their tinnitus to help break the stigma and encourage others to protect their hearing.
Pete Townshend, famous song writer and guitarist with the British rock band The Who, often speaks publicly about his struggle with partial hearing loss and tinnitus and how homeopathic medicine has helped him.
He first noticed peeps and whistles and he initially thought he was hearing birds.
"Legend has it that we were one of the loudest bands in the world," he once quipped during an appearance on "Late Show with David Letterman." "People often come up and blame me for the fact that they're deaf."
He also cited the 1967 explosion of Keith Moon's drum kit onstage as a contributing factor to his own hearing loss.
The rock legend has advocated for hearing protection through the non-profit H.E.A.R. (Hearing Education and Awareness for Rockers).
Singer-songwriter Chris Martin of the British rock band Coldplay publicly cautions kids, teens and adults to use hearing protection when listening to music or playing an instrument.
Other famous musicians who are speaking out about their hearing damage and the need for protection, include: hip-hop artist and producer Will.I.Am, singer-songwriters Neil Young and Barbra Streisand, Danish drummer Lars Ulrich, with the American heavy metal band Metallica.
Hearing damage can happen slowly over time from repeated exposure to loud music. It also can happen abruptly from a one-time event, like a gunshot or explosion or being next to an amp at a concert.
Townshend blames his own hearing damage to a combination of both.
This article originally appeared on Nashville Tennessean: Coldplay, The Who musicians warn others to protect their ears

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Sasha Velour's ‘Big Reveal' redraws the boundaries of drag and theater
Sasha Velour's ‘Big Reveal' redraws the boundaries of drag and theater

San Francisco Chronicle​

time10 minutes ago

  • San Francisco Chronicle​

Sasha Velour's ‘Big Reveal' redraws the boundaries of drag and theater

Other performers might dread glitches during shows. Sasha Velour makes them her co-stars. Her 'The Big Reveal Live Show!' offers no straightforward lip sync. Phone rings, TV static and vertical colored bars, smashed dishes, recording skips, computer viruses and flickering lights constantly interrupt her drag numbers, video art, autobiographical anecdotes and mini lectures on drag history and theory. But if these on-purpose mistakes rip the fabric of the mostly solo show, which opened Wednesday, June 4, at Berkeley Repertory Theatre, the 'RuPaul's Drag Race' champion, author and Berkeley native widens them into wormholes and crawls inside to do battle with them. As she tries to claw back control of her bit, she might wind up on the floor in tears, but she's the winner all the same. It's partly a clown show: the garish makeup, the padded body parts, the nightmarish facial expressions, the wordless physical theater fight against absurdist forces too large to understand. But in all those gaffes, larger ideas are also at work. Imperfection is key to understanding drag and camp more generally, Velour says at one point. The art form doesn't work if you don't have self-awareness — if you don't understand your flaws but 'press on' anyway. (The implied corollary: Someone like Trump couldn't do camp even if he wanted to.) In a tough time for theater locally and nationwide, with companies scaling back or closing as funding sources dwindle, 'The Big Reveal Live Show!' suggests that institutional theater programming more drag might be one way forward. Audience members certainly showed up on Wednesday, some even glammed up in drag as opposed to the standard Berkeley Rep audience uniform of earth tones and sensible shoes. And Velour's show itself is more daring, artistic and intellectual than a lot of straight plays. Some of her patter — 'After so many years of backlash,' 'Drag serves as a mirror,' 'We are here, and we are not going away' — is boilerplate; the points might be more effectively made without didacticism. But other bits of monologue evince the scholarly yet frisky understanding of drag that undergirds her book, also called 'The Big Reveal,' with the subtitle 'An Illustrated Manifesto of Drag.' 'Queerness isn't shocking or groundbreaking at all,' she says in the show. 'It's normal. It's boring.' Cultures throughout history have had some kind of drag performance, she points out — even the American military in World War II. It only becomes threatening, she says, when it's no longer performed by straight men. Her costumes — by Diego Montoya Studio, Pierretta Viktori, Jazzmint Dash, Gloria Swansong and Casey Caldwell — are celestial wonders. One skirt hem resembles the orbit of the sometime-planet Pluto, both elliptical and noncoplanar, forming part of an outfit that looks like a bottle of pink Champagne frozen right in the moment of exploding. Another piece blurs the boundary between human and furniture. In one heart-stopping moment, she lines herself up with an outline of a human form projected on a large screen behind her. Without any perceptible change in lighting, she seems to change color, blazing in the gold of a desert sunset. Graffiti gets written on her, and ropes wrap around her; body parts metamorphose and enlarge. Your eyes search for signs as to what's projected and what's tangible. She dissolves in flames. By the end, you half expect her to be able to step through the screen and get swallowed whole, the wormholes covering their tracks like magic. As Velour finds the deviant in the familiar — talk shows, Disney princesses having animal friends, audio montages of iconic phone calls in film, the pixelated desktop of 1990s-era Windows — she makes the case that drag is available to everyone, no matter how weird or normie you are. That thing that tickles you? That you find yourself returning to again and again? Drag is a way you can talk about it, and it belongs on every stage and in every sitting room in America.

Cloonee Postpones L.A. Shows Amid ICE Raids: ‘I Will Not Throw a Party Whilst the Latino People Who Have Supported Me in This City Are Hurting'
Cloonee Postpones L.A. Shows Amid ICE Raids: ‘I Will Not Throw a Party Whilst the Latino People Who Have Supported Me in This City Are Hurting'

Yahoo

time25 minutes ago

  • Yahoo

Cloonee Postpones L.A. Shows Amid ICE Raids: ‘I Will Not Throw a Party Whilst the Latino People Who Have Supported Me in This City Are Hurting'

As protests continue in Los Angeles following sweeping ICE raids, electronic producer Cloonee has postponed a pair of shows meant to happen in the city this weekend. 'For the past four years now, I have called this city my home,' the British artist wrote Tuesday (June 10) in a statement posted to social media. 'Like the city, my fans are diverse and it breaks my heart to see what the Latino community is going through right now. More from Billboard Doechii Calls Out ICE Raids & President Trump at 2025 BET Awards: 'People Are Being Swept Up & Torn From Their Families' Leon Thomas' 'Mutt' Snatches Third Radio Crown of 2025 The Alchemist Could've Been on Lil Wayne's 'Tha Carter VI': 'I Was Just Overthinking It' 'I have therefore decided that the right, responsible and only decision is to postpone this weekend's events,' he continues. 'Our time together is meant to be one of celebration, and now is not the time for celebrating.' Read the complete statement below. These shows were scheduled to happen June 13-14 at City Market in downtown Los Angeles, an area of town that's seen myriad raids by ICE amid federal immigration efforts. Cloonee's shows are now scheduled to happen July 11-12, with all tickets valid for the corresponding new dates, with refunds also available for the next seven days. According to the L.A. Times, an immigrants-rights leader in the city reported that 'about 300 people have been detained by federal authorities in California since sweeps began last week.' The situation has been inflamed after the Trump administration deployed the National Guard and U.S. Marines to Los Angeles amid protests over ICE raids. Cloonee is one of many artists who's spoken out on the ICE raids and their aftermath, with Doechii using her speech at the BET Awards in Los Angeles on Monday (June 9) to say that 'I do wanna address what's happening right now outside of the building. There are ruthless attacks that are creating fear and chaos in our communities in the name of law and order. Trump is using military force to stop a protest. And I want y'all to consider what kind of government it appears to be when every time we exercise our democratic right to protest, the military is deployed against us. What type of government is that?' 'For the past four years now, I have called this city my home. Like the city, my fans are diverse and it breaks my heart to see what the Latino community is going through right now.I have therefore decided that the right, responsible and only decision is to postpone this weekend's events. Our time together is meant to be one of celebration, and now is not the time for are moving this weekend's shows to the new dates of Friday, July 11th and Saturday, July 12th. All tickets will remain valid for the new corresponding date. If you are unable to join us at that time, you may cancel your tickets for a full refund in the next 7 days. All ticket buyers will receive an email to the address used to purchase the tickets with a refund link, or reach out to our team at understand this may upset a large number of ticket holders who, like myself, have waited months for these shows, and I do not take this decision lightly.I see you, I hear you and I simply will not throw a party whilst the Latino people who have supported me in this city are hurting so take care of yourselves, prioritize your safety and your community above all else. I will make this up to you in a months Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart

Combs' ex accuses him of abuse but says she loves him
Combs' ex accuses him of abuse but says she loves him

Yahoo

time34 minutes ago

  • Yahoo

Combs' ex accuses him of abuse but says she loves him

An ex-girlfriend of Sean "Diddy" Combs who accuses him of kicking, punching and dragging her has testified at his sex trafficking trial that she still loves the hip-hop mogul. "He was my baby," said the woman, who is testifying under the pseudonym Jane to protect her privacy. Asked under cross-examination by defence lawyer Teny Geragos if she still loves Combs, Jane said, "I do". The woman said she enjoyed taking care of Combs, bathing him and falling asleep with him while watching television after "hotel nights", their phrase for drug-fuelled encounters in which she would have sex with male entertainers while Combs watched. The questioning was part of Combs' strategy to portray Jane as a willing participant in the sexual encounters with him, not a victim of sex trafficking as prosecutors allege. She said she agreed to these "hotel nights" while "under a lot of emotional pressure" - and already hooked on love and a desire to stay in a relationship with Combs. Jane testified that she partook in the encounters, sometimes grudgingly, because they pleased Combs and she enjoyed spending time alone with him afterward. Combs, 55, and the founder of Bad Boy Records, has pleaded not guilty. Prosecutors say Combs used force and threats of cutting off financial support to coerce women into taking part in the encounters, sometimes known as "Freak Offs". Over three days under questioning by prosecutors in Manhattan federal court, Jane said that she agreed to have sex with a male escort in front of Combs early in their relationship but that he later dismissed her requests to stop and threatened to stop paying her rent. On Monday, Jane said Combs kicked, punched and dragged her during an altercation at her Los Angeles home last June. Later that night, he told her to perform oral sex on a male entertainer even though she said she did not want to, Jane said. Under questioning on Tuesday, Jane said she researched the terms "cuck" and "cuckold" during her relationship with Combs to try to understand his desires. The words refer to men who enjoy watching female partners with other men, Jane said. "I just wanted to know why my partner wanted so many of these nights and what was driving him," Jane said. Combs' defence lawyers are expected to cross-examine Jane until Thursday. Testimony is in its fifth week. Combs could face life in prison if convicted on all counts. Also known throughout his career as Puff Daddy and P Diddy, Combs turned artists like Notorious B.I.G. and Usher into stars, elevating hip-hop in American culture and becoming a billionaire in the process. with AP

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store