
What Gerry Adams said during seven days of evidence in BBC defamation trial
The jury at Dublin High Court heard hours of evidence from the former Sinn Fein leader. His testimony was wide-ranging, including a lengthy account of his early years and political awakenings. At times he became emotional as he recalled past events.
Mr Adams' arrival at the Four Courts caused a stir each morning. The posse of media cameras was always there to meet him and he was greeted by the occasional well-wisher at the gates of the court.
However, inside there were fewer pleasantries as the 67-year-old faced days of tense questioning by a barrister for the BBC, probing the senior republican's recollection around a series of IRA atrocities.
The marathon evidence session began on the afternoon of the first day of the defamation case as the former MP and TD was invited by his own barrister, Declan Doyle SC, to tell the jury about his upbringing during a time of turmoil on the streets of Belfast.
Trial judge Mr Justice Alexander Owens indulged the reminiscences to an extent before gently urging Mr Doyle to quicken his pace of questioning.
Describing political and civil developments in the 1970s and 1980s, Mr Adams said: 'I do think the IRA was a legitimate response to what was happening at the time.'
Soon attention turned to the Spotlight programme that led Mr Adams to sue the BBC over allegation that he sanctioned the 2006 murder of Denis Donaldson, a Sinn Fein official who had been exposed as a spy.
Mr Adams told the court he remembered watching the programme and being 'astonished' at what he called 'an attempted hatchet job' and 'bad, poor journalism'.
He described the BBC response when he attempted to raise a complaint as arrogant and insulting.
He said: 'This is a public broadcaster. The public pay for all of this.
'They just dismissed it (the complaint), it was offensive, it was insulting and it is what has all of us here today.'
The tone of questioning changed dramatically at the end of the first week of the trial when Paul Gallagher SC, acting for the BBC, began his cross-examination of the former Sinn Fein president. The courtroom was packed as Ireland's former attorney general rose to commence the questioning.
His direction became clear at once when Mr Gallagher asked Mr Adams how many people had been killed in the Troubles and how many were victims of the IRA.
'A lot – what has this got to do with the Spotlight programme?' Mr Adams responded.
The barrister listed some of the most infamous episodes of Northern Ireland's past – Bloody Friday, the Claudy bombings, La Mon – and asked Mr Adams how many victims were killed in each.
Mr Adams responded that it was not fair to ask him to remember every death that occurred, adding: 'You're trivialising those deaths, if you don't mind me saying so.'
As the line of questioning continued into the second week of the trial, Mr Adams complained that an attempt was being made to 'smother' the jury in history.
He repeatedly said he would not speculate when asked about members, structures or rules of the IRA.
'What on earth has this got to do with Denis Donaldson?' Mr Adams asked on several occasions as the cross-examination went on.
Under questioning, the former Sinn Fein leader said: 'I have never resiled from my view that the IRA's campaign, whatever about elements of it, was a legitimate response to military occupation.'
He told the jury that IRA membership 'wasn't a path that I took', saying he instead joined Sinn Fein, adding that the republican party 'was not the political wing of any organisation'.
He conceded that claims about about him being a member of the Army Council of the IRA had been raised multiple times in public. He said he had repeatedly received legal advice that he would 'not get any sort of a fair hearing' to challenge various claims made about him in the press.
At one point Mr Adams turned the questioning on Mr Gallagher: 'Why are you trying to persuade the jury I have no reputation whatsoever?'
Mr Adams said the Spotlight programme suggested his work to end violence in Northern Ireland 'was a scam' and he considered this to be a 'lie' and 'grievous smear'.
On his final day of questioning, it was put to Mr Adams that he had carried the coffins of prominent IRA members during their funerals.
He replied: 'You're trying to persuade this jury I had no reputation whatsoever because I attended funerals?
'And therefore Spotlight could say whatever they want about me and I would have no redress?'
Asked by the judge for his reflections on the IRA's campaign of violence, Mr Adams added: 'My big regret is that so many people were killed and particularly civilians.
'My abiding regret is that it took so long to get a peace process together.'
The questioning concluded.
The jury had heard Mr Adams' legal team describe his reputation as that of a peacemaker. The BBC barristers argued that it was 'universally held' that he had a reputation of being in the IRA and on its Army Council.
The former Sinn Fein president's barrister Tom Hogan SC summed up the paradox when he said: 'To some he is a hero, to some he is not.'

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
an hour ago
- Daily Mail
How Queen Elizabeth II clashed with Prince Philip over the televising of her coronation
Queen Elizabeth and Prince Philip clashed over plans to televise her coronation, a royal insider has revealed. While the black and white footage was grainy, the BBC 's live broadcast was an incredible feat which took months of preparation and attracted 27million viewers. But if the Queen's original wish had been honoured, it would not have been televised. This position was supported by the then-prime minister Winston Churchill and the Queen Mother but there remained one vocal supporter of opening up Westminster Abbey to the cameras - Prince Philip. Philip and Elizabeth butted heads over the issue, according to royal author Andrew Morton. He wrote: 'On this crucial matter she butted heads with her husband, who chaired the coronation committee. 'He wanted to let daylight in on the magic, believing that televising the ceremony would make the monarchy relevant to a new generation and herald a new, dynamic Elizabethan Age.' But Philip was overruled and it was announced that the coronation would not be broadcast. However, 'people power' convinced the Queen to U-turn. Morton, in his book Elizabeth & Margaret, added: 'For once people power - with the eager support of of the television manufacturers - won the day. 'Ministers and MPs were overwhelmed with an avalanche of mail protesting against the decision to keep the cameras out of the abbey.' Royal commentator Alexander Larman wrote in his book Power and Glory: 'So overwhelming and consistent was the outcry, ably communicated to their elected representatives, that in October 1952, it was stated that in view of the "serious public disappointment", the sacred event would need to be broadcast live.' By then Elizabeth had a change of heart and said: 'All her subjects should have an opportunity of seeing [the coronation].' Preparations took on a new life after this decision, with TV stations needing to be built across the country to ensure all could watch the historic occasion. The Duke of Edinburgh kneels in front of the Queen. The BBC's live broadcast was an incredible feat which took months of preparation Plans were even made to show the event in France for the Duke and Duchess of WIndsor's benefit, according to Hugo Vickers in his book Coronation: The Crowning of Elizabeth II. Westminster Abbey also had to be kitted out with all the latest technology. This included four cameras mounted across the ceiling and 26 microphones placed close to the throne. John Snagge was given the role of commentating for BBC Home Service radio, while RIchard Dimbleby led the TV coverage. According to Vickers, concerns about the logistics of the broadcast continued to be raised. 'Snagge was worried about what he would do if the Queen fainted under the heavy robes and hot lights or if a peer carrying the regalia should fall over,' he wrote. In the end, the coronation went off without a hitch. Churches installed their own TVs so congregations across the country could 'surround the Queen with their prayers'. For royals fans across the pond, recordings of the coronation were flown in bombers to Canada and the United States. The coronation brought to the throne a picture of youth, hope, innocence and beauty in one compelling mix. Upwards of 45,000 troops from 50 countries lined the four-mile procession route, designed so three million spectators could witness the New Elizabethan age's dawn. Some 8,000 guests crammed into Westminster Abbey, falling into silence as Elizabeth gave her Coronation Oath. On The Mall, a million spectators cheered themselves hoarse when she stepped on to the Buckingham Palace balcony. All this for one modest, 25-year-old woman. Even today, despite King Charles's historic coronation two years ago, it remains a high point - a piece of magic which could never be replicated. The renowned author Dame Rebecca West was overawed by the spectacle, describing Elizabeth as 'the emblem of the state, the symbol of our national life, the guardian of our self-respect'. Writer Nancy Mitford put it more jauntily: 'How much NICER to have a young queen than that very dull old man!' While the nation celebrated with thousands of street parties, in the ancient walls of Westminster Abbey an act of immense sobriety was taking place. 'She was consecrated,' said Canon John Andrew, the senior chaplain, 'and that makes her Queen. It is the most solemn thing that has ever happened in her life. She cannot abdicate. She is there until death.' And many who witnessed the broadcast view the coronation as one of the most memorable days in their own lives.


Telegraph
2 hours ago
- Telegraph
BBC accused of ignoring biology with name of new drama about transgender teenager
The BBC has been accused of ignoring biology with its choice of title for a new drama about a transgender teenager. What It Feels Like for a Girl follows the story of Byron, a 15-year-old boy questioning his gender identity while growing up in Nottingham in the early noughties. It is based on the autobiography of Paris Lees, a transgender writer, journalist and trans rights advocate. Gender critical feminists have questioned the programme's title, accusing the broadcaster of being 'regressive' and 'homophobic.' The row comes after the Supreme Court ruled that the terms 'woman' and 'sex' in the 2010 Equality Act 'refer to a biological woman and biological sex '. The programme was commissioned before the ruling and the BBC said the title was a reference to the Madonna single released in the era when the series is set. Maya Forstater, who set up the campaign group Sex Matters, said: 'Presenting the idea of an effeminate boy 'becoming a girl' as an edgy coming-of-age story is presenting delusion as self-discovery. 'This series will promote a regressive, dangerous, impossible and fundamentally homophobic dream to another generation of gay young men. 'It is the same unachievable fantasy that motivates the scandal of child gender medicine, which has harmed so many gay teenagers for life.' Conservative London Assembly member Susan Hall, who is a vocal supporter of women's rights, told The Telegraph: 'Sex does matter, we do have to protect women's spaces. 'Whilst the vast majority of trans people just want to lead their lives in peace and don't wish to harm anybody, it has been evident in the past that this isn't always the case. 'I was surprised to hear that the BBC gave it the title it has. Growing up as a girl, I can imagine it is very different growing up as a trans girl.' Byron, played by Ellis Howard, begins a journey of self-discovery and self-destruction to identify as a trans woman as the plot unfolds. The lead character is taken in by a drug dealer called Liam, who begins a relationship with Byron and forces them into selling sex. Howard said he hopes the series 'humanises trans stories', but also 'that it blows the doors off so that more trans stories get made.' Speaking to NME magazine, the 28-year-old added of the drama: 'It's an incredibly authored, queer, working-class story where we really get under the fingernails of a community we don't often see on screen.' Lees explains of the drama: 'This is a proudly working-class story, and it needed a cast who could bring it to life authentically. We've struck gold with these highly talented actors, some of whom are already familiar faces - and some who are about to be. 'The biggest challenge was always the lead role – we're following someone who's going from, in the eyes of the outside world, a schoolboy, right up to a trans woman starting university, and all that's in between. 'The moment I saw Ellis, I recognised something in him - a cheekiness, a delicateness, a complexity - and knew he was the one. 'And he rose to the challenge, again and again. The chemistry between El, Hannah, Laquarn and the rest of the Fallen Divas is something you can only dream of in drama.' A BBC spokesperson said: 'The title is shared with the book and also references the hit early noughties Madonna song released when the series is set. 'The BBC has a rich history of bringing a wide range of culturally significant works and voices to the screen – and adapting Paris Lees' acclaimed memoir is in line with this.'


Wales Online
2 hours ago
- Wales Online
DWP to give evidence at new inquest for woman who died after benefits cut
DWP to give evidence at new inquest for woman who died after benefits cut The 42-year-old woman killed herself two weeks after her disability benefits were stopped Joy Dove (PA) The mother of a housebound disabled woman who killed herself after a benefits cut has described the 'long wait' for justice, ahead of a second inquest into her daughter's death today, following years of legal fights. Jodey Whiting, 42, from Stockton-on-Tees, died in February 2017 about two weeks after her disability benefit was stopped, when she did not attend a work capability assessment. Her mother, Joy Dove, fought for a new inquest to investigate the impact of the Department for Work and Pensions (DWP) ending Ms Whiting's benefits, after the first lasted only 37 minutes and heard no evidence relating to the DWP. Ms Dove told the BBC: 'It's been such a long wait. It's now come back to where it all began. 'The coroner has said it will be a full and thorough inquest and I'm hoping for the best, not just for Jodey's sake but for the whole family, especially the young ones, who don't really know what the past few years have been like. Hopefully, they'll understand it more.' She will give evidence at the hearing, and told the broadcaster: 'I'm anxious, but I just want justice for Jodey.' The fresh inquest will open at Teesside Magistrates' Court on Monday and will hear evidence from a DWP representative. The coroner at the original inquest in May 2017 recorded a verdict of suicide. In 2020, Ms Dove was given permission by the attorney general to apply to the High Court for a new inquest, an application that was eventually refused. Ms Dove took her fight to the Court of Appeal, where in 2023 her lawyers said the first inquest did not investigate 'whether any acts or omissions of the DWP caused or contributed to Ms Whiting's death', and argued that the High Court judges reached the wrong conclusions. They said another inquest was necessary to consider fresh evidence of 'multiple, significant failings' by the DWP when it terminated Ms Whiting's employment and support allowance (ESA), which was not before the coroner at the time of the first inquest. Judges ruled there should be a new inquest, heard by a different coroner, saying the public have a 'legitimate interest' in knowing whether Ms Whiting's death was connected to the abrupt stopping of her benefits. Ms Whiting had received benefits for more than a decade because of serious, long-term physical and mental health issues, including severe pain and a history of self-harm. In late 2016, the DWP started to reassess Ms Whiting, who said she needed a house visit as she was housebound, had severe anxiety and was unable to walk more than a few steps. Ms Dove's lawyers argued at the High Court in 2021 that a house visit was not properly considered before the DWP terminated her disability benefit, which led to Ms Whiting's housing benefit and council tax benefit also being terminated. Ms Dove told the BBC about a letter her daughter received from the DWP before her death, asking 'why she hadn't attended a medical assessment, because it could affect her money'. 'But she'd been in hospital,' she said. 'We waited for another letter and I couldn't believe it. It said 'you're fit to work'. 'She looked at me and said 'Mam, what am I going to do? I can't walk out the door, I can't breathe, I can't sign on'.' Article continues below The decision to terminate Ms Whiting's benefit was overturned on March 31, weeks after her death. The independent case examiner, which investigates complaints about the DWP, later found multiple breaches of department policy, significant errors by staff, and several 'missed opportunities' for the DWP to reconsider the claim.