No let up as Lions put out strongest side for final Australia test
With the series already won after last week's victory in Melbourne, Farrell resisted the temptation to give squad players a run and said he had selected a team he thought was best able to finish the tour with a third test win.
"It would mean the world to us, it's something that we promised ourselves that we were going to chase after," he told a news conference on Thursday.
"It's a big ask, but it's something that we're determined to do. This is the best 23 to take the group forward."
Farrell said one of the most pleasing elements of the tour had been the way all the players had bought into the concept of squad unity, regardless of whether they were selected for the tests or not.
"It touches you, it really does," he said. "It touches you in the sense of how much it means to them. For example, you come in after such a big victory on Saturday night (and) the people that were celebrating the most were the guys that hadn't put the shirt on."
Blair Kinghorn, who missed the first test because of a knee injury, replaces James Lowe on the left wing as he did during last week's win in Melbourne, while James Ryan starts in the second row in place of Ollie Chessum.
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Chessum drops to the bench, where Ben Earl comes in as back row cover alongside Jac Morgan with Farrell opting for a 6-2 split in favour of the forwards for what is forecast to be a wet weather test at Stadium Australia.
The starting back row and halfback pairing remain the same for the third consecutive match, while Tadhg Furlong will start his ninth straight Lions test in the front row.
"It's amazing," Farrell said of the Irish prop.
"It's been well documented how much he loves playing for the Lions ... and it isn't just the performances that have been through the roof, it's also his manner on a Lions tour as well.
"I've never seen him in such good spirits, so he's ready to go again."
Captain Maro Itoje will start his eighth straight Lions test having played the first match of the 2017 series in New Zealand off the bench.
"Look at the quality of player they are," Farrell said. "Look at the standing that they have with any group that they represent. Those two lads epitomise what it takes to be a top level international player."
Team: 15–Hugo Keenan, 14–Tommy Freeman, 13–Huw Jones, 12–Bundee Aki, 11–Blair Kinghorn, 10–Finn Russell, 9–Jamison Gibson-Park, 8–Jack Conan, 7–Tom Curry, 6–Tadhg Beirne, 5–James Ryan, 4–Maro Itoje, 3–Tadhg Furlong, 2–Dan Sheehan, 1–Andrew Porter
Replacements: 16–Ronan Kelleher, 17–Ellis Genge, 18–Will Stuart, 19–Ollie Chessum, 20–Jac Morgan, 21–Ben Earl, 22–Alex Mitchell, 23–Owen Farrell REUTERS
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Straits Times
2 hours ago
- Straits Times
Australia lose two hookers ahead of Lions series finale
Sign up now: Get ST's newsletters delivered to your inbox SYDNEY - The Wallabies have been forced to call Brandon Paenga-Amosa into the team for Saturday's final test against the British & Irish Lions after hookers Dave Porecki and Matt Faessler both picked up injuries in training. Porecki, who started last week's second test, suffered a heel injury and Faessler, who started the first, picked up a calf issue in training on Thursday. Billy Pollock moves up from the replacements to start in place of Porecki on Saturday, while Paenga-Amosa will come off the bench as the Wallabies look to grab a consolation win after losing the first two tests. Captain Harry Wilson said the team had great faith in the powerful Paenga-Amosa, who played the last of his 20 tests against Ireland last November. "Brandon joined us yesterday afternoon after a bit of a tough Thursday training session, it's obviously gutting to lose great players in Porecki and Fez," the number eight told reporters at Stadium Australia on Friday. "But we've got a lot of confidence in BPA, he's been around this group for quite a long time over the last year and he's already faced the Lions three times. So he's got a lot of confidence and ... he has fit in very quickly." Paenga-Amosa, who faced the Lions in tour matches for Western Force, the Australia-New Zealand selection and the First Nations-Pasifika XV, will bring power to the front row but his lineout throwing has sometimes been wayward. Coach Joe Schmidt had already been forced into three changes to his team by injuries but Wilson said it had been good to have fresh faces Taniela Tupou and Dylan Pietsch in the matchday squad. "What they've given us is fresh legs on the training park, fresh energy, more chatter around the training field. Just been nice and they're just raring to go," he said. "They've had to watch the last two test matches so they're all very excited at this opportunity and I've got no doubt they'll take it." The fourth change Schmidt made in his initial selection was a call-up for Nic White, who announced on Thursday that he would be retiring from test rugby after Saturday's match. The Wallabies players all wore fake moustaches at Friday's training session in honour of the scrumhalf's famously hairy upper lip. "He's a competitor, and he's loved by the group," Wilson said. "He will be missed in this gold jersey, because he really does represent what it is to be a Wallaby." Wilson admitted the players had been crushed after losing the second test to a last-minute try last Saturday but spirits had risen during the week. "We just want to keep improving. We want to keep being a better team," he said. "We need to play an 80 minute game and get the result which I think we deserve for each other." Revised team: 15–Tom Wright, 14–Max Jorgensen, 13–Joseph Suaalii, 12–Len Ikitau, 11–Dylan Pietsch, 10–Tom Lynagh, 9–Nic White, 8–Harry Wilson, 7–Fraser McReight, 6–Tom Hooper, 5–Will Skelton, 4–Nick Frost, 3–Taniela Tupou, 2–Billy Pollard, 1–James Slipper Replacements: 16–Brandon Paenga-Amosa, 17–Angus Bell, 18–Zane Nonggorr, 19–Jeremy Williams, 20–Langi Gleeson, 21–Tate McDermott, 22–Ben Donaldson, 23–Andrew Kellaway REUTERS


CNA
6 hours ago
- CNA
President's Design Award 2025: Celebrating Singapore's most impactful designers and projects
The Delta Sports Complex was built in 1979 but over the years saw declining use. A renovation by Red Bean Architects revitalised the development, stitching standalone facilities into an integrated hub of activity that now connects to the surrounding neighbourhood through new linked infrastructure and viewpoints. The project not only addresses sustainable building, but also placemaking and inclusivity. Red Bean Architects is one of the recipients of the 15th President's Design (P*DA) Award given out to design projects contributing to the nation across various disciplines. The P*DA is Singapore's most prestigious design prize. Another recipient of the award also addressed the nation's heritage. NextOfKin Creatives adapted the familiar lion dance activity for senior engagement through the Silver Pride Lion Troupe. The jury citation highlighted how the project 'provides an innovative and culturally resonant way to provide physical well-being, social connection and skill-building, particularly among hard-to-reach male seniors.' Added Lynn Wong, founder of heritage social enterprise Bridging Generations behind the project: 'Heritage art forms can be a solution for a national healthcare issue and can bring the community together.' Initiatives such as this highlights that 'good design is never just about aesthetics,' as guest of honour and patron of the P*DA, President Tharman Shanmugaratnam aptly mentioned during the award ceremony on Jul 31 (Thu), held at the National Gallery. 'From nurturing our bonds with nature, to shaping sustainable urban spaces, to reimagining how our children learn, their work is at the heart of an inventive society.' DESIGN ON THE LOCAL AND GLOBAL STAGE Seven projects received the Design of the Year award: 21 Carpenter, Birds Paradise, Delta Sports Centre by Red Bean Architects, KartaCam2, School of Tomorrow, Silver Pride Lion Troupe and Surbana Jurong Campus. Two Designer of the Year awards were given out. These are accolades for an individual designer or design team for design creativity and achievement, embodied through a commendable portfolio. The first was to architect Ar. Alan Tay, co-founder of Formwerkz Architects, whose houses bridge creative problem solving, uplifting spatial imagination and climatic cohesiveness – likewise for his public projects such as the Al-Islah Mosque and the Punggol Soka Centre. The second Designer of the Year award was given to multidisciplinary designer Gabriel Tan. He has propelled the city-state to the international design stage, being the first Singaporean to work with the furniture world's largest international names like B&B Italia and Herman Miller. A champion of craft processes, his Porto-based brand Originmade revives the artisanal legacy of European makers. THE RELEVANCE OF ADAPTIVE REUSE Red Bean Architects' Delta Sports Complex pinpoints the importance of conserving not just older buildings but also those from more recent history. But a case-by-case approach needs to be considered. For neighbourhoods such as Delta with old flats and ageing communities, adaptive reuse is particularly appropriate. 'We should be sensitive to the contexts around which we erect new buildings. In matured residential neighbourhoods, it may not be a good idea to erect large and entirely new community or commercial complexes,' observed the firm's founder, Teo Yee Chin. Like Delta Sports Complex, 21 Carpenter also plays an important role in Singapore's collective memory. Also an adaptive reuse project, it saw Woha Architects rejuvenate four conserved 1936 shophouses into a boutique hotel. These shophouses comprise the former Chye Hua Seng Wee Kee – a remittance house founded in 1936 by philanthropist Lee Wee Nam and his brothers. Lee made numerous donations towards life sciences at NTU and was one time the president of the Singapore Chinese Chamber of Commerce. EXCELLENCE THROUGH ENGAGEMENT Developed by Mandai Wildlife Group in collaboration with RSP Architects Planners & Engineers, Bird Paradise reflects a sensitive approach to themed attractions, with animal conservation, and education and community engagement at its heart. Singaporeans who grew up with the former Jurong Bird Park have embraced the new 17-hectare Bird Paradise, which opened on November 2023. Divided into eight thematic walk-through aviaries with barrier-free transitions, the project also received the BCA (Building Construction Authority) Universal Design Excellence Awards. The fourth architecture project winner was equally generous in spirit. The Surbana Jurong Campus, designed by Safdie Architects in collaboration with Surbana Jurong Consultants, reinterprets the conventional corporate headquarters, designed with publicly accessible spaces and integration with the existing Jurong eco-garden. WHAT ELSE CAN DESIGN DO? The last three projects that won the Design of the Year awards highlight design's role in bettering individual lives on the everyday front. Like the Silver Pride Lion Troupe, School of Tomorrow by Kinetic Singapore carefully considered its target demographic. The playful exhibition helped students learn about climate issues in a more engaging manner through the relatable environment of a school. 'We kept all the subjects you'd expect at school, but with a twist. In mathematics class, for example, you would learn how to calculate your carbon footprint and what you would do to offset it; it was familiar but also not familiar,' explained Gian Jonathan, partner at Kinetic Singapore. The last recipient is small but powerful. The KartaCam 2 developed by Grab employed design to solve problems and 'deliver value', said Low Ko Wee, senior design manager, Geo, Grab. The system integrates mapping within Grab's ecosystem, allowing driver and delivery personnel to earn when they contribute to the mapping process. 'It is a well-executed, simple solution to a complex problem, improving livelihoods and creating broad social and economic impact,' the jury citation observed. MOVING FORWARD IN DESIGN The journey to success is long and hard but rewarding. We pick the brains of the two Designer of the Year awardees for tips. AR. ALAN TAY What does this award mean to you? The award is an affirmation of the highest standard in Singapore; it is an important institution that goes beyond recognising local design talents and innovations to emphasising the significance or essentiality of design to a nation. It means a lot to me to be recognised for the sustained effort, passion and belief in architecture – a journey that began [for me] 30 years ago. How do you think the design of houses in Singapore that could be improved? The first is to work with the tropics. This is one constant in a changing world of lifestyles and affluence, and much innovation and interpretation await unravelling. Secondly, [consider] adaptive reuse and retrofitting instead of tabula rasa, if the situation permits. Besides being carbon responsible, there are tremendous design opportunities and richness to work with houses designed in an earlier period. Since post-war until current times, Singapore has already accumulated an extensive stockpile of amazing houses designed by its homegrown architects. A good, retrofitted house potentially holds the wisdom of two architects. This, however, requires a shift in mindset. Your public projects are important critiques, as well as showcases on the possibilities of contextual and community design. What else do you wish to explore? Public and student housing are natural trajectories for the typological investigations that continue from our existing work. These two residential typologies offer many opportunities for us to engage in issues of density, public realms, communities and climate in potentially complex sites. Unfortunately, adaptive reuse projects are often overlooked as they demand more intelligence, rigour and sensitivity. The rejuvenation of old buildings allows me to engage with its rich repository of memories while working out its contemporary needs and reimagining its future. Projects like the Golden Mile Complex and the recently gazetted Turf City Grandstands have that potential. GABRIEL TAN What are your sentiments on design when you were a young designer versus now? How do you feel design can create positive impact in the lives of its users? When I first started out in 2007 with the design collective Outofstock Design, I was ambitious, maybe even impatient. I had a burning desire to get our designs into the homes and lives of the people around the world. Today, I have come to understand that the value my products add to people's lives is more important than speed or quantity – whether it is an incredibly comfortable sofa that people are able to relax and unwind on after a long day at work, or a beautiful sculpture that lifts their mood whenever they look at it. I focus only on collaborating with brands and craftspeople I truly admire, and who can align with my values. The goal is to create physical products that can be used over a long time, is more sustainable for the environment or have innate emotional qualities. You are now based in Porto, Portugal. How is the design environment there different from Singapore? In Porto and its surrounding region, there is a network of craft and manufacturing companies that supply to Europe's furniture, tableware and fashion industries. For a designer, being 30 minutes away from craftsmen, workshops and factories of different materials and production techniques is amazing. Singapore is not at all behind Porto or Portugal in terms of the design scene. I see that in recent years there has been an emerging urban craft scene bubbling beneath the surface in Singapore, with a handful of independent ceramicists, leather workers, textile designers, woodworkers and lamp makers. How do you think Singapore can help cultivate better design environment? We can do more to support these businesses by helping them secure studio spaces in more central locations, for them to be part of the main urban fabric of Singapore so that our everyday folks and children can get more real-life exposure to these craft, and not only on social media. We also have more and more globally recognised design studios and artists emerging from various disciplines, and strong Singapore companies like Singapore Airlines, Razer, Capita Land, Capella Hotels & Resorts, Banyan Tree, etc; many MNCs, banks and tech companies are also headquartered here. We can develop programmes to encourage private companies born or based in Singapore, and our public agencies to nurture and support our designers, to get their work produced and used within our own country. What does the P*DA, Designer of the Year award, mean to you, and what advice do you have for young and aspiring designers? It means a lot to my family and I, to be recognised by my home country with the highest accolade a designer from Singapore can hope to receive, I feel deeply honoured. I would advice young designers to be patient, but to work their socks off to improve everyday, and strive to be exceptional in their own way. The beauty of this industry is that there is no linear path to achieving one's goals. The challenge for any designer is opportunity cost, that of choosing which ideas deserve the most time and energy but also what makes this career choice exciting and rewarding. Every project teaches me something, and that informs the next one.


CNA
7 hours ago
- CNA
Once back of the pack, Chinese running shoes now look to surge ahead in Singapore market
SINGAPORE: At the start of the decade, they were either unheard of or dismissed and disregarded as inferior to the likes of Nike, Adidas, New Balance and Asics. But along with a broader turning of the tide that has seen made-in-China products lose their stigma, Chinese running shoes are increasingly becoming mainstream - and becoming a hit for their perceived value in more ways than one. In particular demand are Chinese 'super shoes', which are high-performance running shoes featuring technology like a carbon plate that propels runners forward. Although he only started running seriously at the start of 2025, 32-year-old Singaporean Justin Lim already owns six pairs of shoes from Chinese brands such as Xtep, Qiaodan and BMAI. He was introduced to these brands by influencers on Chinese social media platform Douyin. At first, it was the price. In March, he got his first pair of trainers online for about S$60 (US$46) – about half the cost of a similar trainer from any other 'established' brand outside of China. But what really surprised him was the quality of the shoe. It lasted him 800km, before he bought the same model again. 'For the price, it lived up to the quality," said Mr Lim, who is an army regular. "And the fact that there are so many people in China wearing it; I could trust it." CHINESE EXPANSION Following the COVID-19 pandemic, marathon events have surged in China, with the nation hosting in 2024 alone nearly 750 road running events drawing over 7 million runners. Coupled with rising purchasing power, it paved the way for domestic growth in the Chinese running shoe market. The brands then turned their attention to the region. At the end of 2023, the Singapore Runners Club (SRC) - one of the country's largest, with over 15,000 members in a private Facebook group - was approached by Chinese brands to promote their products. 'They wanted to break into the Singapore market, and they approached us for some kind of leverage to push their branding into Singapore,' said club founder Eugene Beh. The brands Anta and Li-Ning began by offering discounts to members of the running club, and also gave out shoes to some of them to post on social media. Mr Beh added that SRC has also worked with Qiaodan and will be doing so with Xtep as well in the coming months. Promotion of these shoes, along with their lower prices and perceived equivalent quality to more established names, has led to higher take-up of Chinese brands among club members, said the founder. 'When we run in a group, as a runner, I'm curious about people's shoes; that's where I noticed that there's a shift from the Western shoes to the Chinese shoes,' said Mr Beh. One way is in how runners talk about their latest gear. Instead of referring to Nike models, they have been dropping lingo and terms related to Qiaodan's Feiying, Li-Ning's Feidian and BMAI's Jingtan among others. View this post on Instagram A post shared by Singapore Runners Club (@singaporerunnersclub) DOUBTS QUASHED Not all runners, however, have been willing to dip their feet into Chinese products. There are those in SRC who have stuck to the household names, primarily due to the belief that they have a more established track record. 'There is a minor group of runners in our club loyal to Western brands, it's a small percentage (who) feel that these brands are tried and tested,' said Mr Beh. Other runners, like competitive marathoner Giebert Foo, also admitted to an initial perception of Chinese shoes as being of lower quality and durability. But the 34-year-old public servant's curiosity was whetted about three years ago when several friends started to don Chinese super shoes. Light research showed that some of these shoes could be obtained at about S$150 to S$200, and with his friends insisting they were comparable to Nike and Adidas offerings, he was compelled to give it a go. Super shoes from more established brands typically retail between S$300 and S$400. Mr Foo found Chinese super shoes to be more 'aggressive' – runner parlance for a shoe propelling them forward with more force with every step. He said that around 90 per cent of his friends own Chinese super shoes now, up from half of them back in 2022. Some of Singapore's top runners have also had their racing performances boosted by Chinese brands. This reason alone made the switch from Nike super shoes to Qiaodan ones about three years ago a 'no-brainer' for Mr Darren Southcott, who holds the fastest marathon timing by a Singapore resident so far this year. He said about 60 per cent of runners from his club, Singapore Shufflers, have at least one pair of Chinese running shoes. At the start of the decade, almost no one was wearing them. The 33-year-old added that the high prices set by more established brands were unjustified, given that the shoes are likely also made in China or surrounding regions. 'A lot of Western brands have their shoes produced in Asia as well … These big brands could sell shoes a bit cheaper, but they know people will buy them at a more expensive price,' he said. "It's purely marketing, putting a fancy branding on it.' LOCAL BUSINESSES LATCH ON Some Chinese brands have already set up shop in Singapore: Anta opened its first store in 2023 and has 11 islandwide, while Li-Ning opened its first of two stores at the end of 2024. CNA has contacted Anta and Li-Ning for comments on their expansion plans in Singapore. Meanwhile local sports retailers, too, have caught on and are looking to bring in more Chinese shoes. Key Power Sports founder Robert Lu was sent a pair of Xtep shoes in 2022 to try out, and immediately noted that they were just as good as the bigger brands. 'From there, I had confidence in myself to bring in the brand, because when I bring in anything I'll try it myself,' he said. Mr Lu said sales have been growing since, in the region of a 50 per cent bump over the last two years. He said the quality of the shoes speak for themselves, and mirrors the rise of other Chinese products outside of running. 'For example, many years back they talked about (electric vehicle brand) BYD and say that it is a copycat; but now when you look at Chinese brands - their design, development and quality has already caught up with the international level,' he said, pointing to BYD becoming the best-selling car brand in Singapore. Operations manager of Pangu Running, Mr Willy Tan, said the same. The local brand opened a physical store at Kallang Wave Mall in June, after starting out as an online shop just months earlier. One of the main brands stocked there is BMAI. Mr Tan said sales of BMAI shoes and apparel to walk-in customers has gone up by 30 per cent, compared to when they were online-only. Asked if he felt threatened by the growing presence of Chinese brands - as seen in the local food-and-beverage scene - Mr Tan said Singapore was "fair game".