NIMBY-free: What our cities can learn from this South American capital
And those coffee shops, by custom, mostly stay open all the way till 8pm, making the 3pm closing times common even in big cities like Sydney and Melbourne look ridiculously sleepy. Argentinians will pack them out between 6pm and 8pm for meriendas – a croissant, cake, empanada or scrambled egg snack, along with a café con leche, to tide them over till dinner time – commonly between 10pm and 11pm.
They also do coffee shops really well. Whilst our coffee will often taste better, they nail the cafe culture. Buenos Aires has two major LGBTQI cafes – Pride and Maricafe – so the queer community can socialise in spaces not fuelled by alcohol. Both stay open late. No Australian city I know has this.
Being more relaxed about late-night culture is one of the lessons I can share from our southern hemisphere counterpart when I return – happily – to Australia later this year.
I've missed Australia sorely. Recently, on a day when the 'feels like' temperature hit an unbearable 44 degrees and my aircon conked out from a power surge, the inner-city's only major public pool – Parque Norte – a sprawling shallow paddling pool, had already closed for the season. It's, bewilderingly, only open for three months a year. It faces a Holy Land theme park, Tierra Santa, so a giant animatronic Jesus rises from the dead every hour, slowly spins around to judge us all in our skimpy swimmers, then descends back into his tomb. Quirky as this is, I long for the secular lap-pools of big Aussie cities like Sydney, where I lived. Glaring into the murky brown, unsuitable-for-swimming Rio de la Plata River, I also long for its beaches.
There are many reasons not to take lessons from the Argentinians on certain subjects – economic management being one. While we panic if our inflation hits 4 per cent, Argentina last year had the world's highest, triple digit, inflation. The price of many things has doubled or tripled since I lived here – one of the reasons I'll soon leave. It has become expensive.
It's still worth the money for a visit though, and Australians can fly there via a stopover in Santiago de Chile.
When people ask why I chose here, I semi-joke it was the words to the song Buenos Aires in the film Evita as sung by Madonna:
'Fill me up with your heat, with your dirt, with your noise, overdo me. Let me dance to your beat, make it loud, let it hurt, run it through me.'
Semi-joking because the lyrics ring true – the city is hot, noisy, dirty (Buenos Aires translates as 'good air' which is ironic) – and teeming with life and energy in a way Australia's cities just aren't.
Much of that life happens at night. This is a truly nocturnal city. As one of my fellow digital nomads commented: 'not much happens before midday.'
But everything good happens after midnight. Kids here are often still awake here at 1am on a Tuesday – I see them in the city's ice cream parlours.
Somewhere you won't find kids is on the city's wildly hedonistic nightlife scene. No clubs open before midnight, and nobody even thinks about entering one before 2am. At 7am, they'll ask ' donde estan las afters?' Hardcore revellers will stay at one of the various afterparties on offer until midday; something that only happens sporadically in more conservative Australian cities.
Argentinians, for reasons unbeknown to me, adore hard, thumping, lyric-free (and melody-free) techno music. I despise it, but I adore watching them go off to it. It makes me feel very alive. And also gives me a migraine. It's a world away from belting John Farnham at karaoke at 10pm before calling it a night. Oftentimes I feel like I was in Berlin's notorious Beghain. Other times I dance merengue-style to my much-preferred reggaeton or cumbria, which has more of a tune to enliven the hips.
Everything is so insanely late, I adjust my schedule accordingly. In Australia I'd be up by 6am and in the gym by 6.20am. In Buenos Aires, some gyms and coffee shops don't open until 9am; shops at 10am. I moved from the world's most diurnal city to its most night-loving.
They're refreshingly creative when it comes to nightclubs. One – La Biblioteca – is set in an actual library. One night I attended, FuriaFest, which opened at 1am in a large warehouse with fairground rides (the waltzers; a bucking bronco), an inflatable bungee football pitch (I played two games at about 3am), and a tattoo artist (nearly got one after three drinks) – plus a DJ and huge, busy dancefloor. It feels like Australia's notoriously restrictive regulations would kill off such a reimagining of the nightclub experience before it got off the ground.
Another night, Durx, has a brickwork tunnel that runs underneath the length of the club where revellers, gay and straight, can be as sexually liberated as they feel, with no bouncers monitoring, judging or expelling, as happens in Australia.
Similarly, the city's underground train system, the Subte, is free of the Australian-esque regulations that'd prevent the busking you see on trains here. It's like an underground, underworld live theatre; the modern day unsanitised circus. I've seen breakdancers, religious preachers, full bands, electric guitar soloists, elderly tango music singers, stationery sellers and a rap duo who'd invite you to suggest a word which they'd immediately incorporate into their imaginative, improvised fast-paced Spanish verse.
The shabby-chic faded grandeur of a city that was, over a century ago, the capital of one of the world's richest countries owns its imperfections. It will, indeed, fill you up with its noise: the endless drilling; the defiant protests between the Plaza De Mayo and Congreso (as I write this, locals are bashing pots and pans together on balconies above me to protest alleged police brutality); the 10-lane mega-roads interrupting otherwise pleasant parkland.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Perth Now
21 minutes ago
- Perth Now
'Pioneer': Dawson's 60 years of pushing art to the edge
At the age of 90, Janet Dawson's inner "second person" is still telling her how her art should look, even if it was something she painted 60 years ago. But in the first state art gallery retrospective of her eclectic work, Dawson says she wants people visiting the Art Gallery of NSW to see the influence of the changing natural world over her six-decade career. "(People should see) the oddity and the amazing delicacy, and hardness and softness of the natural world," Dawson told AAP. "Nature is so astonishing that it actually creates (the art)." Dawson is perhaps most well-known for being the third woman to win the Archibald Prize in portraiture for her painting of her husband Michael Boddy. The Sydney exhibition titled Far Away, So Close doesn't feature the award-winning portrait, instead focusing on the unique blend of styles Dawson explored in her career. "I try to get that feeling of things that have just come together to stay but will be all going off again shortly," she said. Regarded as an artistic rule breaker for her refusal to adhere to the limits of particular styles, the exhibition aims to highlight her immense contribution to Australian art. "She was a pioneer of a new form of abstraction in the 1960s but she's equally a pioneer of a form of realism," curator Denise Mimmocchi told AAP. "We don't have a single narrative in Australian art, she's a perfect example of that." In a career starting in Melbourne, before moving to London, Italy, Paris, Sydney, country NSW and her current home in Ocean Grove, Victoria, Dawson has always been motivated by a passion for keeping busy. "I just loved the idea of being a working person," she said. The exhibition is laid out chronologically, starting with a self-portrait of an 18-year-old Dawson and moving through four rooms to finish with work as recent as 2018. The free retrospective exhibition opens on Saturday and runs until January 18.


Perth Now
21 minutes ago
- Perth Now
Parkway Drive's ambitious travelling festival Park Waves featuring The Amity Affliction to debut in Perth
Heavy metal rockers Parkway Drive and The Amity Affliction are teaming up for an Aussie festival. Heavy metal rockers Parkway Drive and The Amity Affliction are teaming up for an Aussie festival. Credit: Supplied Australian metal juggernauts Parkway Drive are preparing to undertake a monumental music event no other band in Aussie touring history has attempted. The Byron Bay band has announced its curated travelling festival featuring a lineup including The Amity Affliction, bringing the Queensland rockers with them for the first time on home soil. The 16+ event will also see bands Northlane, Alpha Wolf and Story Of The Year take to the stage for 11 shows in February and March. Taking the festival to the next level, a big top with circus performers, carnival rides, sideshow alleys and food offerings is set to provide the ultimate experience for fans. All the action kicks off in Perth at Langley Park on February 14 and will tour the country, stopping in several cities from Adelaide to Toowoomba. Parkway Drive frontman Winston McCall said planning for the large-scale event had been years in the making and it was going to be 'mental'. 'This is the first time Parkway and Amity are combining for an Australian tour. I don't know if people realise how massive that actually is, because those are the two biggest Australian bands, like heavy bands literally, in the history of Australia, doing one tour together, it's going to be mental. It's going to be so sick,' he said. 'We can do a festival where it's just two Australian headliners, and when people compute how big they are, you're like, Yeah, we don't have to have an American band at the top for it to be legitimate. 'For 10 years, we've been getting people saying, Why don't you tour with Amity? I'm like, Wow, here it is. You have waited.' The bands arrive in Perth to perform on what coincidentally will be Valentine's Day, and McCall said he can't wait to be back in WA rocking out to the intense crowd. 'Perth was the last stop for us on the 20-year tour, and that show was absolutely mad,' he said. 'I don't know if other bands say this, but I find there to be a different energy in Perth, in terms of the intensity of the crowd. I think maybe due to the isolation because it's hard to get to, but I know it's going to be chaos.' With so many Aussie festivals having to pull the plug recently, McCall said the failing festival scene crossed his mind during the planning phase. But he said they could deliver due to the band's popularity increasing and appealing to all ages and regional cities. Camera Icon The Amity Affliction. Credit: Supplied After selling out their Sydney Opera House show in just three minutes earlier this year, tickets to the event are sure to be snapped up. Parkway Drive have spent more than two decades forging a reputation as one of Australia's most successful exports, balancing their metalcore roots with everything from uncompromising ferocity through to raw melodies and traditional heavy metal. Catapulting from the shores of Byron Bay into global headliner status, Parkway Drive now have eight studio albums under their belt, millions of streams and multiple ARIA Music Awards. Parkway Drive's fan club will have access to tickets on Tuesday, July 22 at 9am. General tickets go on sale Thursday, July 24 at 10am.

News.com.au
an hour ago
- News.com.au
The Big Arch: Macca's ‘biggest burger ever' finally in Aus
McDonald's has finally launched the giant burger, dubbed its 'biggest ever', in Australia – a year after it was trialled overseas and subsequently went viral. The Big Arch is a monster burger that makes the fast-food chain's famous Big Mac look like a slider. Weighing in at 14 ounces (about 400 grams), the Big Arch is nearly four times the weight of a Quarter Pounder and 'requires two hands to eat', Macca's warned. Made up of two quarter pound 100 per cent Aussie beef patties, three slices of cheddar cheese, topped with crispy onions, crunchy pickles and lettuce. The beastly menu item also features the new 'signature Big Arch sauce', but don't ask what it tastes of, as that has been kept that secret, described only as a 'rich and creamy flavour that is instantly recognisable McDonald's'. Since hitting restaurants on Wednesday, social media has erupted with videos, as Aussies rush to taste the viral burger for themselves. 'Woah, this thing is huge,' declared Melbourne food blogger @nectoriouspapi in a recent video. He concluded by stating it was 'very, very tasty' but urged diners to take caution as it was 'absolutely huge'. Another bloke, who goes by the handle @frankieeeats, said he paid $12 for the new menu item, describing it as 'heavy'. While popular food blogger @ described it as 'bloody massive' and 'loaded with toppings' in a recent clip. 'Oh man that sauce is crazy,' he added on TikTok. The Big Arch was initially trialled in Canada and Portugal last year, where it instantly went viral due to its mammoth size. At the time, it was described as the fast-food chain's 'biggest ever burger', though McDonald's has yet to confirm if this is the case. 'After being met with huge success in overseas markets, it's finally landed in Australia – loud, proud and ready to take on your hunger,' McDonald's marketing director for menu and brand Amanda Nakad said. 'This isn't your average burger, it's the most loaded bite we've ever served. The Big Arch is a step up for when your usual order won't cut it – here for when the hunger hits hard and you need a burger that understands the assignment.' It's definitely not something you could eat everyday, as the Big Arch contains 1065 calories and 67 grams of fat, which is 96 per cent of the recommended daily fat intake for adults.