logo
‘Ejen Ali The Movie 2: Misi Satria' vs ‘Keluang Man' – which will prevail?

‘Ejen Ali The Movie 2: Misi Satria' vs ‘Keluang Man' – which will prevail?

Malay Mail14-06-2025
JUNE 14 — While we're now knee deep into the Hollywood summer movie season, with plenty of heavyweight Hollywood titles duking it out in Malaysian cinemas right now like the newly-opened Ballerina, How To Train Your Dragon and Karate Kid: Legends, who'd have thought that we'd get to witness the Malaysian version of blockbuster battles as well in the last few weeks when both Ejen Ali The Movie 2: Misi Satria and Keluang Man opened within a week of each other to compete for the hearts and wallets of fellow Malaysians?
Box-office wise, I think it's pretty clear that Ejen Ali 2 is the winner here, banking RM50.7 million after 18 days, and with nothing yet officially announced in terms of box-office for Keluang Man after almost two weeks, it's probably not making as much, otherwise the numbers would've been officially announced ASAP to drum up more interest for people to go and see it in cinemas.
Still, numbers aren't everything when it comes to movies. Quality, approachability and enjoyment are also very important factors in determining both the critical and commercial success of a mainstream film, so let's dive in and see who's the winner in this regard as well, shall we?
Ejen Ali The Movie 2: Misi Satria
If I had kids, I'd probably have watched every single season of Ejen Ali (there are three of them so far, if I'm not mistaken), and would have been in possession of an even deeper understanding of the lore and characters involved in this hugely successful animated franchise from local studio WAU Animation.
I walked into the first Ejen Ali The Movie without having watched a single episode of the series and was still mightily impressed and cried buckets (like I sometimes do watching Pixar movies) a few years back.
So, when Ejen Ali The Movie 2: Misi Satria was finally announced, of course I was more than excited to check it out and see if the new movie would be as impressive as the first one.
Chronologically taking place after the events of the first movie and Season 3 of the series (which I haven't watched), this movie finds Ali no longer wielding the IRIS suit, which is now being used by Alicia (a new development courtesy of Season 3 of the series) and is now becoming the pilot of SATRIA, a new experimental armoured suit that uses AI to enhance both physical and mental capabilities.
The villain this time around is a hacker named Neonimus, who at first appears to be the main threat to Cyberaya but will later be revealed to be a mere pawn in what is a larger plot being planned by unknown forces.
The film's B story involves former agent Rizwan, who independently tries to track down and uncover who the puppet master is behind these nefarious schemes.
Packed to the brim with some visually impressive action sequences, my experience of watching Ejen Ali The Movie 2: Misi Satria is akin to what I felt whilst watching Ne Zha 2, kinetic and visually exciting experiences that somehow lacked that bit of heart that made the first movie such a magical experience in the first place.
The kids will love this one, but the adults would probably have wished for a stronger emotional core to keep them interested, like the best of Pixar does and has done for us many times before.
YouTube screenshot of a scene from the trailer of 'Keluang Man'
Keluang Man
As a 90s kid, local cartoon series like Keluang Man and Usop Sontorian were staples of my TV diet back then.
I won't call myself a hardcore fan or anything like that, but if I happen to be in front of the TV when these shows come on, you can bet that I'd sit down and watch them from beginning to end.
There was something very Malaysian about both series' sensitivities and sense of humour.
Of course that being a very long time ago, I'll also have to admit that I remember very, very little about the details in both series.
Naturally, when a 'live' action Keluang Man movie was announced, the 90s kid in me couldn't help but get quite excited to see how that would turn out.
And when the minds behind this new adaptation turned out to be quite a few of the same people behind the hit series Project High Council and some of the Polis Evo movies, I was even more excited.
Starring Nas-T as Borhan, a patient at a mental hospital in Tampoi who also moonlights as the masked crime fighter Keluang Man, director Anwari Ashraf has crafted a superhero origin story that's part action movie, part irreverent comedy, and full of 90s pop culture references and needle drop moments that any 90s kid would be delighted to watch.
However, that delightful advantage is also potentially a double-edged sword as people who are not 90s kids will very probably not be able to catch all these little jokes and references, and be baffled as to why these uncles and aunties are laughing so hard at this joke that they do not understand at all.
As a 90s kid, yes, I had a grand old time watching this movie, so kudos to Anwari and the whole team for coming up with such a lovable update of a much-cherished time capsule, but with most of the 90s kids already being dragged by their kids (and maybe even grandkids) to watch Ejen Ali The Movie 2: Misi Satria in the cinema, I do fear for the box-office prospects of Keluang Man.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Nation's animation series elevates Malaysian culture to the world
Nation's animation series elevates Malaysian culture to the world

Sinar Daily

time3 hours ago

  • Sinar Daily

Nation's animation series elevates Malaysian culture to the world

Popular animated series such as Upin & Ipin, Ejen Ali, BoBoiBoy and Mechamato are now recognised in hundreds of countries, serving as a medium of cultural diplomacy that showcases Malaysia's identity, values and way of life to global audiences. 18 Aug 2025 11:23am Photo: YouTube / Ejen Ali The Movie KUALA LUMPUR - The Malaysian animation industry continues to carve its name on the global stage, with local productions not only winning the hearts of domestic audiences but also making significant inroads into international markets with pride and distinction. Popular animated series such as Upin & Ipin, Ejen Ali, BoBoiBoy and Mechamato are now recognised in hundreds of countries, serving as a medium of cultural diplomacy that showcases Malaysia's identity, values and way of life to global audiences. Les' Copaque Production Sdn Bhd founder and managing director Burhanuddin Md Radzi said that from the very beginning, he envisioned Upin & Ipin as a platform to portray the harmony of Malaysian society. "Our guiding principle in every production is to promote national culture, highlight noble values, and impart lessons that audiences can embrace. At the same time, we incorporate Islamic values subtly, without branding the series as an Islamic product. "We really bring 'Malaysia' into Upin & Ipin because our everyday lives are unique - we live harmoniously in a multiracial society,' he told Bernama recently. Burhanuddin said the depiction of village life and multicultural harmony in the series has captivated foreign audiences, who find the portrayal of Malaysian society fascinating. "We can see that foreign audiences are excited about the environments that are highlighted, such as village houses, daily life and everyday activities," he said. The Ejen Ali animated series has recorded more than 13 billion views on YouTube, underscoring its global reach. Muhammad Usamah added that the strong international reception shows how local animation can serve as a modern instrument of cultural diplomacy, fostering national pride while enhancing Malaysia's visibility on the world stage. "We are aware of how big a responsibility this is, which is why we are very careful when developing the storyline so that it does not offend any party. What we are trying to highlight is our culture, universal human values and the spirit of patriotism that can be accepted by all viewers. "This is the form of cultural diplomacy that we want to bring using animation as a bridge to introduce Malaysia positively," he said Meanwhile, WAU Animation CEO and Director of Ejen Ali The Movie 2, Muhammad Usamah Zaid Yasin, said his team remains committed to producing stories that are both meaningful and relatable to Malaysians. "Animation is not just about entertainment. It must deliver a message that leaves an impact while reflecting who we are as Malaysians,' he said. He explained that Malaysian cultural elements are naturally embedded into the settings, locations and atmosphere of the storytelling, while the core conflicts are based on universal themes that are easily understood by international audiences. Muhammad Usamah Zaid said Ejen Ali has received an overwhelming response abroad, successfully penetrating markets such as Indonesia and India, and even being showcased at the World Expo in Osaka, Japan. "This success proves that animation can serve as a medium of cultural diplomacy and instil patriotism, much like how Japan uses anime or Korea promotes K-pop,' he said. He emphasised that the Malay language remains central in every production, with subtitles or dubbing added only to suit foreign markets, ensuring the preservation of Malaysian identity. "My dream goes beyond Ejen Ali. I want Malaysian animation to continue gaining global recognition as a unique, soulful work that makes the country proud,' he said. - BERNAMA More Like This

Nation's Animation Series Elevates Malaysian Culture To The World
Nation's Animation Series Elevates Malaysian Culture To The World

Barnama

time3 hours ago

  • Barnama

Nation's Animation Series Elevates Malaysian Culture To The World

By Marfika Adnan Haris Fadzilah KUALA LUMPUR, Aug 18 (Bernama) -- The Malaysian animation industry continues to carve its name on the global stage, with local productions not only winning the hearts of domestic audiences but also making significant inroads into international markets with pride and distinction. Popular animated series such as Upin & Ipin, Ejen Ali, BoBoiBoy and Mechamato are now recognised in hundreds of countries, serving as a medium of cultural diplomacy that showcases Malaysia's identity, values and way of life to global audiences. Les' Copaque Production Sdn Bhd founder and managing director Burhanuddin Md Radzi said that from the very beginning, he envisioned Upin & Ipin as a platform to portray the harmony of Malaysian society. 'Our guiding principle in every production is to promote national culture, highlight noble values, and impart lessons that audiences can embrace. At the same time, we incorporate Islamic values subtly, without branding the series as an Islamic product. 'We really bring 'Malaysia' into Upin & Ipin because our everyday lives are unique – we live harmoniously in a multiracial society,' he told Bernama recently. Burhanuddin said the depiction of village life and multicultural harmony in the series has captivated foreign audiences, who find the portrayal of Malaysian society fascinating. "We can see that foreign audiences are excited about the environments that are highlighted, such as village houses, daily life and everyday activities," he said.

An authentic taste of Hong Kong at Sheung Wan in PJ
An authentic taste of Hong Kong at Sheung Wan in PJ

Free Malaysia Today

timea day ago

  • Free Malaysia Today

An authentic taste of Hong Kong at Sheung Wan in PJ

Sheung Wan Noodle House's Shunde-style hot pot gives one a true taste of Hong Kong's famous Cantonese cuisine. (Daniyal Goh pic) PETALING JAYA : It's a common enough sight – people gathered around a table, all eyes on the steaming hot pot at the centre as morsels of meat and seafood are dropped into a flavourful broth, to be dished out later for all to share. Should you be in the mood for some mealtime fun, head to Sheung Wan Noodle House, a true culinary gem that brings the authentic Cantonese flavours of Hong Kong to Malaysia. Previously located in Cheras, the new restaurant has been in operation for only 11 months, yet already draws in crowds that occupy every table on weekends. And yes, they don't only sell noodles here, their hot pot is a crowd-puller. Owner Laura Lee, a Malaysian who grew up in Hong Kong, said the restaurant is her way of sharing a passion for the food she loves. And the menu she has curated showcases a commitment to quality that is rare to find elsewhere. Sheung Wan's signature wantan noodles are springy, delicious and reasonably priced. (Daniyal Goh pic) While Sheung Wan is best known for its Shunde-style hot pot, Hong Kong braised beef and wanton noodles, it's the attention to detail and specially imported ingredients that truly set it apart. If you're wondering just how much a meal here would set you back, you'll be pleased to know that prices are reasonable for such quality: a bowl of their signature wantan noodles costs just RM17.80. The sourcing of ingredients is a major focus. 'The wantan mee noodles are shipped in daily from Hong Kong. It does not have the same consistency as the noodles made in Malaysia,' Lee said. The century eggs, sourced from Hong Kong, have a creamy yolk and mild flavour. (Daniyal Goh pic) Another lip smacking menu item is the century eggs. A far cry from those typically found here, these too are sourced from Hong Kong. Their mild flavour and creamy yolk are so impressive that even those who have an aversion to them, will enjoy it. Meanwhile, the fish and cuttlefish balls for the hot pot have a wonderfully springy texture, a testament to skilful preparation that avoids the mushy result of over-processing. 'The fish and cuttlefish balls, as well as tofu are imported from Shunde, a region in China, famous for their Cantonese-style cuisine,' Lee said, adding that in Cantonese, it is spelt 'shun tak'. The Shunde fish curd has a unique texture and flavour and is a 'must' if you're enjoying the hot pot. (Daniyal Goh pic) For hot pot enthusiasts, the Shunde fish curd is an absolute must-try. Unlike local tofu, its unique texture and flavour are perfect for soaking up the rich broth. The broth itself is a labour of love, crafted by simmering a remarkable 5kg of sea garoupa fish bones and fish heads for hours. While every dish is a standout, the beef offal hot pot is the undisputed star. This masterpiece includes perfectly cooked stomach, tendon, intestines, brisket, and beef balls. Even if you're not a fan of offal, do give Sheung Wan's beef offal hot pot a taste – there is a depth of flavour and texture here that is absolutely heavenly. (Daniyal Goh pic) The offal is prepared with so much care that there is no hint of any off-putting odour. And the meat is so tender, it literally melts in your mouth. Paired with a thick, almost gelatinous gravy packed with flavour, this dish alone makes the visit here worthwhile. And for dessert, try the Street Egg Waffle, a common street food in Hong Kong with a crispy crust and a soft inside served with butter and kaya. The Street Egg Waffle is light, flavourful and great for sharing – besides looking rather pretty on the plate. (Daniyal Goh pic) For drinks, their Yinyong (coffee + tea) and Lai Cha (milk tea) are favourites that many drop by to savour, Lee said with a smile. Sheung Wan Noodle House is more than just a restaurant; it's a taste of home for its owner and a transportive experience for those who have a meal there. Lee's dedication to authentic flavours and premium ingredients shines through in every bite, offering an unforgettable Cantonese meal that brings the streets of Hong Kong and Shunde, in particular, right to your table. Phang Lok (left) and Laura Lee are the business partners of Sheung Wan Noodle House in Damansara Uptown. (Daniyal Goh pic) Sheung Wan Noodle House 5, Jalan SS 21/56b Damansara Utama Petaling Jaya Contact: ‪017-640 9931 Business hours: 11am-9pm (Monday to Friday) 10am-9pm (Saturday and Sunday)

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store