Quatermass 2 review – Hammer turns up the heat in enjoyable alien invader sequel

The Guardian

15 hours ago

Here is the 1957 sequel to Hammer's box office smash The Quatermass Xperiment from 1955; it is enjoyable, though the law of diminishing returns is coming into play. Like the first film, it is based on the original BBC drama (the second series, in fact) and Brian Donleavy is back as Quatermass himself: the brusque, unsmiling American rocket scientist working closely with the British government and permanently exasperated with them.
Once again, Quatermass finds himself at the centre of a deadly alien attempt to take over Planet Earth. While debating whether or not to fire a nuclear powered rocket up into space, Quatermass comes into contact with a woman whose boyfriend has been injured by what appear to be football-sized meteorites, which his white-coated assistants have been already tracking on their radar scopes. It appears that these sinister rocks are marking the skin of those humans unlucky enough to come into contact with them, the victims becoming brainwashed by the aliens.
These aliens have already infiltrated humanity so extensively that there is a top-secret conspiracy at the heart of the government to develop a vast secure facility in the remote English countryside, supposedly to develop synthetic food but really to nurture the invaders. The Shell Haven oil refinery in the Thames estuary doubles as this eerily vast domed complex – some audacious action sequences result – while director Val Guest has at his disposal some classic British character acting talent, with William Franklyn and Bryan Forbes as Quatermass's assistants.
The extended shootout at the end accounts for this sequel's bigger budget, although overall it drags a bit. It's good to see Sidney James as the chucklingly inebriated journalist who Quatermass thinks might come in useful to print the truth; sadly, we never find out if his paper ever actually published the sensational story he was dictating down the phone.
Quatermass 2 is in UK cinemas from 6 July, and is on 4K UHD and Blu-ray from 14 July.