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Sly Stone, Sly and the Family Stone Frontman, Dead at 82

Sly Stone, Sly and the Family Stone Frontman, Dead at 82

Yahoo19 hours ago

Sly Stone has died. He was 82
The rocker was known for Sly and the Family Stone hits like "Dance to the Music" and "Everyday People"
"While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come," his family said in a statementSly Stone, the leader of the band Sly and the Family Stone, one of the most influential bands in the development of funk, soul, R&B, rock and psychedelic music, has died. He was 82.
"It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly and the Family Stone," his family said in a statement on Monday, June 9. "After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family. While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come."
The statement continued, "Sly was a monumental figure, a groundbreaking innovator, and a true pioneer who redefined the landscape of pop, funk, and rock music. His iconic songs have left an indelible mark on the world, and his influence remains undeniable. In a testament to his enduring creative spirit, Sly recently completed the screenplay for his life story, a project we are eager to share with the world in due course, which follows a memoir published in 2024."
"We extend our deepest gratitude for the outpouring of love and prayers during this difficult time. We wish peace and harmony to all who were touched by Sly's life and his iconic music. Thank you from the bottom of our hearts for your unwavering support," it concluded.
Sly and the Family Stone's membership included two of his actual siblings, and they released massive hits like "Dance to the Music,' "Everyday People" and "Thank You (Falettinme Be Mice Elf Agin).' However, his drug use and behavior affected the group, which split up for good in the '80s.
Sly was born Sylvester Stewart in Denton, Texas, in 1943. The family soon moved to California, where Sly began singing in the church choir from the age of 4, alongside his siblings. His nickname Sly came about when a classmate misspelled his name, and once he changed his stage surname from Stewart to Stone, his siblings Freddie and Rose, both of whom joined him in Sly and the Family Stone, did the same.
Sly began performing in bands in high school, then went on to study music theory at Solano Community College. By the mid '60s, he had left school to work as a DJ for San Francisco's KSOL, which became known as KSOUL because of its focus on the soul genre. He also worked with many emerging acts.
By 1966, Sly had his band, Sly and the Stoners, and Freddie had his, Freddie and the Stone Souls. They decided to join forces. 'The band had a concept — white and Black together, male and female both, and women not just singing but playing instruments,' Stone wrote in his 2023 memoir Thank You (Falettinme Be Mice Elf Agin). 'That was a big deal back then, and it was a big deal on purpose.'
Sly and the Family Stone began performing together in 1967 and released their debut album, A Whole New Thing, that year.
"It was like seeing the Black version of The Beatles,' funk legend George Clinton told CBS in 2023 of Sly and the Family Stone. 'He had the sensibility of the street, the church, and then, like, the qualities of a Motown, you know, Smokey Robinson — he was all of that in one person."
'Dance to the Music,' also released in 1967, was their first hit single. They released their album of the same name the next year. Stand, released in 1969, became their biggest success, with hits like 'Everyday People,' "Hot Fun in the Summertime" and "Thank You (Falettinme Be Mice Elf Agin)"/"Everybody Is a Star.'
They performed at Woodstock that summer. Cynthia Robinson, who played trumpet, recalled to PEOPLE in 1996 about their performance of 'I Want to Take You Higher.' 'It was pouring rain. Freddie got shocked. The equipment was crackling. But Sly was like a preacher. He had half a million people in the palm of his hand.' That same summer, the band also performed at the Harlem Cultural Festival, as documented in Questlove's Oscar-winning documentary Summer of Soul.
However, Sly began to struggle amid heavy drug use. During 1970 and 1971, he missed a third of the band's concerts.
In 1974, Sly married Kathy Silva during one of the band's performances at Madison Square Garden. They shared son Sylvester Jr., born a few months before the wedding.
Silva told PEOPLE in 1996 of their marriage, 'He beat me, held me captive and wanted me to be in ménages à trois. I didn't want that world of drugs and weirdness.'
She continued, 'He'd write me a song or promise to change, and I'd try again. We were always fighting, then getting back together.' But in 1976, his dog bit Sylvester Jr., and Silva divorced him.
Sly and Cynthia Robinson shared a daughter, Sylvyette Phunne, born in 1976. He welcomed a third child, Novena, in 1982.
Sly and the Family Stone released Greatest Hits in 1970 and There's a Riot Goin' On in 1971, considered one of the most influential albums of all time. But tensions were beginning to boil over in the band. Later albums featured more and more of Stone and less of the rest of the band, and in 1975, they broke up.
Sly began working on solo music. "Some people actually believed that I could not finish a project," he told PEOPLE in 1980. "I was pissed off at a lot of things. So much got on my nerves.'
His solo efforts were not as successful, and drugs continued to derail his career. In 1983, Sly was arrested for cocaine possession in Florida. He went to rehab in 1996, with Sylvester Jr. telling PEOPLE at the time, 'He went in by choice, to concentrate on getting healthier. He's had problems because he hasn't been able to grow up. He's meant no harm to anyone.'
In 1993, Sly and the Family Stone was inducted into the Rock and Roll Hall of Fame, but he kept his distance from the rest of the band, only coming on stage at the end of the induction.
Sly mostly remained out of the public eye after that. A rare appearance came at the 2006 Grammy Awards, where a tribute to the band was performed — but he left the stage midway through the performance. He appeared on stage with the band at a handful of performances after that. In 2017, he received the Recording Academy's lifetime achievement award.
Sly finally got clean in 2019, after his drug use landed him in the hospital four times in a period of a few weeks. The doctor told him drugs would kill him. 'That time, I not only listened to the doctor but believed him,' he told The Guardian in 2023. 'I realized that I needed to clean up. I concentrated on getting strong so that I could get clean. My kids visited me at the hospital. My grandkids visited me. I left with purpose.'
In 2023, he released his memoir Thank You (Falettinme Be Mice Elf Agin), named after the band's classic 1970 single. In it, he wrote of other people talking about his life: 'They're trying to set the record straight. But a record's not straight, especially when you're not. It's a circle with a spiral inside it. Every time a story is told, it's a test of memory and motive.… It isn't evil, but it isn't good. It's the name of the game, but a shame just the same.'
In 2025, Questlove released the documentary Sly Lives! (aka the Burden of Black Genius), which chronicled the musician's rise and fall.
Despite his ups and downs, he told The Guardian in 2023, 'I never lived a life I didn't want to live.'
In the film, which premiered at Sundance and is now streaming on Hulu, Stone's son and daughters were interviewed, with Carmel demonstrated just how normal things had become for the star since his wild rock star days.
She said that when she asked Stone what he wanted to eat for his birthday, all he asked for was a "big pizza with all of the toppings."
'He's also a big fan of Westerns and cars,' she says. 'He's kind of just like, a standard old Black man.'
During a recent Q&A screening of the film, producer Joseph Patel explained that he and Questlove opted not to feature Stone on camera in a new interview in the documentary because it didn't 'feel right' given his frail health.
"Ahmir's first thing he said was, 'Let's tell this story with a lot of empathy.' That's not empathetic,' Patel said. "We interviewed Sly for [the Oscar-winning documentary] Summer of Soul in 2020. And he had just gotten clean, and he just — he doesn't have the motor function. He can't speak in full sentences. His eyes reveal a precociousness and a lucidity that's there, but his motor function doesn't exist."
While the documentary doesn't skip over Stone's decades-long struggle with substance abuse, Questlove said the "most important part" was to present Stone as a person rather than a personality, because "it's rare that Black people get seen as humans."
Sly is survived by his children.
Read the original article on People

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Dionne Warwick, Jamie Foxx Among Those Paying Tribute to Sly Stone: 'May He Rest in Paradise'
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Hollywood is paying tribute to Sly Stone after news of the funk-rock pioneer's death was announced Monday. Stone died after a 'prolonged battle with COPD and other underlying health issues,' his family said Monday. More from The Hollywood Reporter Secretly Group Acquires 50 Percent Stake in Merge Records Mariah Carey Signs Multi-Album Deal With Gamma Jessica Pratt, MJ Lenderman, Shaboozey Among Big Winners at 2025 Libera Awards 'Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family,' his family wrote in a statement. 'While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.' Sly shot to prominence in the music industry in 1968 alongside his band Sly and the Family Stone with their hit 'Dance to the Music,' which landed in the top 10 on both the pop and R&B charts. The group continued to deliver a series of crossover tracks, including 'Summer of Love,' including 'Stand!,' 'Hot Fun in the Summertime,' 'Runnin' Away,' 'If You Want Me to Stay' and 'Time for Livin',' which emerged to define their hometown of San Francisco. In a statement to The Hollywood Reporter, Dionne Warwick, whom Sly used to play the keyboard for early in his career, said, 'I met Sly during his years as a DJ. I will miss him as I know everyone will. My condolences to his family.' At the 2025 BET Awards carpet, Grammy nominee Durand Bernarr told THR, 'I hope that he knew he was loved and he was respected and we're rooting for him.' Also at the BET Awards, American Idol alum and 'Over' singer Lucky Daye commemorated his influence on the music industry, also telling THR, 'May he rest in paradise today.' In a statement to THR, Grammy winner Ray Parker Jr. said, 'He was my hero. Sly wrote the best songs in the world and bridge the black and white worlds like no other. I'm pretty sure every one of his albums had a No. 1 Pop hit. The guitars on 'Thank You for Letting Me Be Myself' speak for themselves. There's never been anything like it before and is hard to imagine will be again.' Paul Stanley, co-founder and co-lead vocalist of KISS, said on X, 'Sly Stone Has Died. In 1968 I saw Sly & the Family Stone debut at the Fillmore East in New York City opening for Jimi Hendrix. They were a freight train of bombastic, joyous SouI that would soon climb the charts and change the sound of R&B for so many other artists. Rest In Soul!' On Instagram, Jamie Foxx wrote, 'Legend RIP SLY.' Questlove, director of the Sly Lives! (aka The Burden of Black Genius) documentary, paid tribute to Sly on Instagram, writing, 'From the moment his music reached me in the early 1970s, it became a part of my soul. Sly was a giant — not just for his groundbreaking work with the Family Stone, but for the radical inclusivity and deep human truths he poured into every note. 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"You should know that he was a genius" – PJ Morton remembers Sly Stone on the red carpet at the #BETAwards — The Hollywood Reporter (@THR) June 9, 2025 View this post on Instagram A post shared by Holly Robinson Peete (@hollyrpeete) Sly Stone changed FUNK FOREVER. With the Family Stone, he fused groove, soul, and psychedelia into something bold and alive. Integrated in sound and spirit, the band broke every rule. His influence is everywhere funk has gone and everywhere it's still in peace, Sly.… — Okayplayer (@okayplayer) June 9, 2025 Rest In Beats SLY Stone ..and we should THANK ⁦@questlove⁩ of ⁦@theroots⁩ for keeping his FIRE blazing in this Century. 2 documentaries and book . GET EM — Chuck D (@MrChuckD) June 9, 2025 View this post on Instagram A post shared by Eric Johnson (@upstairsaterics) Rest easy Sly Stone. You changed music (and me) forever. The time he won over Ed Sullivan's audience in 1968. 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A timeline of Sly Stone's career in 10 essential songs
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Sly Stone's hit-making era lasted all of six years — from the end of 1967 to the end of 1973 — but the music he made over that half-decade helped map the future. The singer, songwriter, producer and style icon, who died Monday at 82, came up as a DJ in San Francisco before putting together the Family Stone: a multiracial band of men and women that melted the lines between funk, R&B, pop and psychedelic rock. The group's music went on to influence multiple generations of artists, among them Prince, the Red Hot Chili Peppers, Outkast and the Roots; as a source of countless samples, Stone's songs represent a crucial part of hip-hop's DNA. Here, in the order they were released, are 10 of his essential recordings. 'Dance to the Music' (1967) Stone is said to have hated his breakout single, which he supposedly made at the behest of Clive Davis after the record exec requested something more commercial than the Family Stone's coolly received debut LP, 'A Whole New Thing.' Six decades later, though, 'Dance to the Music' still communicates a sense of boundless joy — even as it puts across a flicker of doubt about going so nice-and-smiley. Yowls trumpeter Cynthia Robinson in the song's bridge: 'All the squares, go home!' 'Everyday People' (1968)In the pantheon of catchphrases sprung from pop songs, few loom larger than 'Different strokes for different folks,' a perfectly casual bit of come-together sociology from the first of the Family Stone's three Hot 100-topping singles. Also worthy of canonization: Larry Graham's thrumming one-note bass line. Twenty-four years later, Arrested Development put 'Everyday People's' groove back on the charts in its 'People Everyday.' 'Sing a Simple Song' (1968)Funk as pure — and as low-down — as funk gets. 'Stand!' (1969)It's impossible to say too much about Stone's rhythmic innovations. But the title track from his 1969 LP — a platinum-seller enshrined in the Library of Congress' National Recording Registry — is perhaps his most impressive harmonic achievement, with a key change in the verse that lends a touch of melancholy to the song's message of protest. 'I Want to Take You Higher' (1969)Issued as the B-side of the 'Stand!' single, this bluesy psych-rock barnburner went on to become the high point of the Family Stone's set at Woodstock: a pummeling barrage of brass and wah-wah delivered at around 4 in the morning. 'Thank You (Falettinme Be Mice Elf Again)' (1969)Stone's second No. 1 boasts two indelible riffs likely familiar even to listeners born a decade or two after 'Thank You' came out: In 1989, Janet Jackson sampled the song's pulsating guitar lick for 'Rhythm Nation'; in 1995, Brandy borrowed Graham's pioneering slap-bass part for 'Sittin' Up in My Room.' 'Everybody Is a Star' (1969)True to its title, this shimmering midtempo number features strong lead-vocal turns by Stone, Graham and his siblings Rose and Freddie. (That said, Rose Stone all but steals the show.) 'Family Affair' (1971) Stone's 1971 album 'There's a Riot Goin' On' is widely regarded as a turn toward a darker style shaped by the musician's drug use and his political disillusionment. And certainly the dry croak of his singing voice in the LP's lead single suggests he'd enjoyed healthier times. Yet the musical invention at play in 'Family Affair,' which spent three weeks atop the Hot 100 — and helped drive 'Riot' to Stone's only No. 1 showing on Billboard's album chart — makes clear that he hadn't lost his creative drive: It's a startling piece of experimental R&B with Billy Preston on organ, Bobby Womack on guitar and a primitive drum machine coughing up a mutant funk beat. Beautiful if foreboding. 'If You Want Me to Stay' (1973)With Stevie Wonder having supplanted him as soul music's premier visionary, Stone was flailing by the mid-1970s, and not unself-consciously: It's easy to interpret his final Top 20 pop hit as a warning to the record industry that he's prepared to take his ball and go home. ('You can't take me for granted and smile / Count the days I'm gone / Forget reaching me by phone / Because I promise I'll be gone for a while.') Funny — or is it? — how free he sounds. 'Que Sera, Sera (Whatever Will Be, Will Be)' (1973)A churchy rendition of Doris Day's signature song by a man who truly knew too much.

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