logo
Get ready for Edinburgh Festival Carnival

Get ready for Edinburgh Festival Carnival

Edinburgh Festival Carnival takes place on Sunday 13 July 2025 in the heart of the city.
This is billed as Edinburgh's biggest free multicultural celebration.
With a dazzling mix of music, dance, costume, and colour, this vibrant event brings together local and international artists to share the rich cultural traditions that make Edinburgh a truly global city.
Carnival stands as a powerful celebration of unity, creativity, and mutual respect. It is a space where people from all walks of life, particularly those who are underrepresented or marginalised, can take part, share their heritage, and connect through the joy of performance.
From 1pm on Sunday 13 July, 750 local and international performers will parade through West Princes Street Gardens with music, dance, costumes, and puppets. This year's event features three parades:
1pm: Local, national and international community groups perform as part of The World in One City
3pm: Edinburgh Chinese Art & Culture
5pm: Latin American Community Association of Edinburgh (LACAE)
Hosted by actor, writer and comedian, Sanjay Largo, the Ross Bandstand programme opens at 2pm with Peruvian rhythms from Edinburgh's Cumbiatones, followed by reggae, afro and Latin sounds from Glasgow four-piece band Samson Sounds at 4pm.
The programme closes with Soca and Caribbean rhythms from Scrappy Sinon & Tropical Storm Band at 6pm. The afternoon also features sets from DJ Dynamite.
Between 1pm and 5pm, there will also be two zones with a full programme of dancing, drumming and circus performances.
On Sunday 6 July, the Edinburgh Youth Carnival takes place at Goodtrees Neighbourhood Centre from 1-5pm.
Edinburgh Festival Carnival is produced by Edinburgh Jazz & Blues Festival, with a dedicated Carnival team headed up by Giles Agis, Carnival & Communities Manager.
Cllr. Jason Rust, Chair of Edinburgh Jazz & Blues Festival said: 'The Edinburgh Festival Carnival returns this year and it's fantastic to see local communities and international artists coming together to create an awe-inspiring spectacle in the city centre. This free event is perfect for all family, and I am proud of all the hard work of the team to bring Carnival to Edinburgh's city centre.'
Giles Agis, Carnival & Communities Manager said: 'The Edinburgh Festival Carnival brings people together in joyful defiance of those who would rather see us divided. The Carnival is a space where Edinburgh's diverse communities, many of whom face barriers to the arts, can unite to celebrate culture, creativity, and solidarity. It's more than a show; it's a statement of belonging.'
Edinburgh Festival Carnival 2023 took place in West Princes Street Gardens PHOTO ©2023 Martin McAdam
Edinburgh Festival Carnival 2023 took place in West Princes Street Gardens PHOTO ©2023 The Edinburgh Reporter
Edinburgh Festival Carnival 2023 took place in West Princes Street Gardens PHOTO ©2023 The Edinburgh Reporter
Edinburgh Festival Carnival Launch, Princes' Street Gardens, Edinburgh, 7th July 2022 © 2022 J.L. Preece
Like this:
Like
Related
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Seán Rocks, presenter of RTÉ radio's culture show Arena, dies aged 63
Seán Rocks, presenter of RTÉ radio's culture show Arena, dies aged 63

BreakingNews.ie

time14 minutes ago

  • BreakingNews.ie

Seán Rocks, presenter of RTÉ radio's culture show Arena, dies aged 63

RTÉ Radio presenter and actor Seán Rocks has died, RTÉ have announced. He died on Wednesday night following a brief illness, aged 63. Advertisement Mr Rocks presented RTÉ Radio One's nightly arts and culture show Arena since it began in 2009, and recently presented a Sunday afternoon programme on RTÉ Lyric FM, where his radio career began in 2000. Arena aired Monday to Friday from 7pm to 8pm, and Mr Rocks was on air as recently as last Friday. RTÉ Director General Kevin Backhurst said that Mr Rocks' death came with "enormous shock and sadness". "Loyal listeners, especially to Seán's beloved and long-running Arena on RTÉ Radio One, will recognise the man in that quote: modest yet learned; subtle yet probing; curious yet polite. The listener at home was always his focus. Advertisement "Not only is radio the poorer for his passing, but so too has Ireland lost one of its most passionate advocates for the arts, and one of its most informed and versatile voices," Mr Backhurst said. Mr Rocks, who grew up in Monaghan Town, was well regarded for his public interviews with authors such as Salman Rushdie, Edna O'Brien, and Roddy Doyle, and actors such as Rupert Everett, Martin Sheen and Brendan Gleeson. He was also beloved by listeners for his wide-ranging studio interviews with composers and playwrights, authors and filmmakers and songwriters. Mr Rocks also guest-presented, produced and wrote several series for the national broadcaster and won a Silver Medal at the New York Festival of Radio for the documentary Soul of Ireland for BBC Radio 4. Advertisement He previously worked extensively as an actor both at home and abroad, appearing at the Abbey, Peacock, and Gate Theatres and with many important independent companies including Rough Magic, Druid and Field Day, and at the Royal Court, National, Donmar Warehouse and Tricycle theatres in London. His television and film roles included The Bill, Glenroe, Fair City, Dear Sarah and Go Now. Mr Rocks was MC at the State Banquet for the visit of Queen Elizabeth II to Ireland and at several state events at Áras an Uachtaráin. RTÉ's director of audio, Patricia Monahan, said that Mr Rocks' passion for radio and the arts was "infectious". "The curiosity with which he approached topics ranging from cinema to theatre and books to classical music was compelling to listen to. He was interested in everyone's point of view and had a great ability to command an audience's attention. He was never more at home than when he was on stage. "He was full of energy and ambition for the future and is a huge untimely loss to radio and RTÉ," she said.

Martha's Vineyard film fest returns with Black star power, bold storytelling and cultural legacy
Martha's Vineyard film fest returns with Black star power, bold storytelling and cultural legacy

The Independent

time18 hours ago

  • The Independent

Martha's Vineyard film fest returns with Black star power, bold storytelling and cultural legacy

No matter the time on Martha's Vineyard, a shimmering glow will be powered by the star presence of Black filmmakers, actors and tastemakers like Issa Rae, Mara Brock Akil and Michelle Obama who are shaping culture on their own terms. For two-plus decades, the Martha's Vineyard African American Film Festival has been a cultural reunion, a summer sanctuary and a safe haven where some of the industry's most influential voices converge in Oak Bluffs, Massachusetts. This week marks the return of the 23rd annual nine-day celebration, which kicks off Friday with a stacked slate that includes appearances from singer-actor Jennifer Hudson and Hall of Fame basketball player Dwyane Wade, screenings like Spike Lee 's 'Highest 2 Lowest' and intimate conversations with figures such as the Rev. Al Sharpton. Over the years, the festival has drawn the who's who of Black Hollywood — including Ava DuVernay, Kerry Washington, Tyler Perry and Regina King. The Obamas made a surprise appearance in 2022. 'It's a moment when so many of us converge and gather in a location that has historically received us incredibly well,' said Tracee Ellis Ross, who will screen her new Roku Channel series 'Solo Traveling with Tracee Ellis Ross.' The three-episode show follows Ross as she embarks on solo journeys to unplug, indulge and reconnect through Morocco, Mexico and Spain. Ross said traveling solo is a way of life. She said sharing her project at MVAAFF felt right, noting that the Vineyard-set episode of Akil's 'Forever' captures the spirit and beauty of the picturesque island. 'It felt like the perfect location to kind of share,' she said. 'The timing was perfect from when the show came out.' What makes MVAAFF a must-stop? Set on the campus of the Martha's Vineyard Performing Arts Center and the Vineyard Lounge, the festival has grown from a grassroots gathering into a premier destination where Black creatives can find inspiration, connection and support. Akil paid homage to festival founders Stephanie and Floyd Rance, crediting them for building a creative pipeline where stories rooted in Black culture live and are seen. 'They know the value. They know the need,' said Akil, who will screen 'The Vineyard' episode from the Netflix series 'Forever' at the festival. 'Regardless of what the institution or systems of Hollywood sees as valuable, we claim the value of our stories. We have a chance to celebrate them, complete them, tell them, view them and share them with an audience. It allows for the completion of the story, so that we can move on to many, many, many more stories that need to be told.' Floyd Rance described MVAAFF as a vital part of the entertainment ecosystem, offering a platform where Black voices and stories are given the spotlight they deserve. 'It's always good to have somewhat of a convergence for folks of like mind in the arts and entertainment to gather, coalesce, share ideas, rekindle friendships and fellowship,' said Floyd, who along with Stephanie said they did not expect their festival to become such a main attraction. 'Despite the political climate and what's going on in entertainment, it's always a good time for birds of a feather to flock together.' In addition to the panels and screenings, Stephanie Rance said this year's festival centers on the theme of joy, focusing more on celebration than struggle. She's especially excited for attendees to experience a range of conversations, from little-known moments in Black history to a panel on Ralph Lauren's Oak Bluffs collection with Morehouse and Spelman. The Smithsonian National Museum of African American History and Culture will host a discussion on Black dandyism, paying tribute to fashion icon André Leon Talley. 'The community at large on the Vineyard and the folks that come from all over the world to the festival really embrace the filmmakers,' she said. 'Everybody loves the studio and the streaming content and the talent that comes in. But we really are a filmmakers' film fest at heart.' What else is happening on the Vineyard? This year's festival is delivering a dynamic slate that blends star power, conversation and creative insight. Spike Lee will unveil exclusive clips from his upcoming film 'Highest 2 Lowest' starring Denzel Washington. Courtney B. Vance is set to lead a panel on Black storytelling, diving into how content creation can retain cultural authenticity. Jennifer Hudson will open up about her Emmy-nominated daytime talk show, while Dwyane Wade will participate in a men's luncheon with industry leaders to discuss leadership, legacy and capital in today's evolving media space. Joy Reid is hosting a fireside chat on power and purpose. Issa Rae returns with a preview of part two of her documentary 'Seen & Heard,' continuing her exploration of visibility for Black creatives. And Debbie Allen will be honored with a tribute to 'A Different World,' celebrating the force the show continues to be decades later. The screenings will showcase a wide range of Black storytelling, including Starz's 'Magic City: American Fantasy,' the Tyler Perry-produced 'Old Mary Mare,' HBO Max's 'The Gilded Age,' and Ryan Coogler's critically acclaimed 'Sinners.' Michelle Obama and her brother Craig Robinson will hold a live taping of their podcast that'll include an interview with Teyana Taylor. For returning filmmakers like Andre Gaines, the festival has become a cultural home to showcase work. This year marks his third screening at MVAAFF, where he'll show 'The Dutchman,' a bold reimagining of Amiri Baraka's searing 1964 play. 'It's great to show our stories in front of our people and get this visceral and genuine reaction when it comes to things that we're familiar with,' said Gaines, who's also collaborating with MVAAFF founders Stephanie and Floyd Rance on a documentary about the late ESPN anchor Stuart Scott. Gaines said the festival affirms the value of Black storytelling in a way that mainstream spaces often overlook. 'Some people look at our festivals, media or award shows as being less than what the mainstream or our white contemporaries might consider them to be, but they aren't,' he said. 'That's the beauty of this festival. We talk to each other and herald the filmmakers that came before us and the ones currently working. We get this grand opportunity to come together in that form.'

‘You'll never save the world with art, but it will help you survive': artist calls on Ukraine to promote its culture
‘You'll never save the world with art, but it will help you survive': artist calls on Ukraine to promote its culture

The Guardian

time2 days ago

  • The Guardian

‘You'll never save the world with art, but it will help you survive': artist calls on Ukraine to promote its culture

Unlike younger men, who must stay in Ukraine in case they are mobilised into the army, Pavlo Makov, 66, could leave the country if he wanted. Instead, the artist, one of Ukraine's most senior and respected cultural figures, is living in Kharkiv, his hometown. Situated about 18 miles from the Russian border, Ukraine's second city suffers brutal missile attacks night after night – only to spring to life in the daytime, when parks, cafes and restaurants fill up with those brave or stubborn enough to cling on to life here. Kharkiv is a city where cultural activity takes place on ground floors or – even better – underground, in basement bars, theatres and bookshops. Makov and his wife are among those who take their chances. The nearest Metro station, which would offer protection from raids, is 500m away, 'and most of the attacks on Kharkiv are so fast that as soon as you hear the sound of the alarm the bombs have already fallen'. And so, they put in ear plugs and lay a bet with death that they will survive the night. He and his family escaped Kharkiv and lived for a time in Italy at the beginning of the war in 2022. But, like many Ukrainians, he found living away from home more stressful than being present, despite the bombs. 'I could have stayed in Italy but realised I was losing my senses. After six months you lose the ability to understand what you are doing there. When we came back I immediately I thought: 'OK, I'm in my place.'' Makov has recently renovated a new studio in the city. It is on the ground floor: less vulnerable to air attack than his old, fourth-floor place. Its windows are small for an artist's studio – but practical for a city where glass gets blown out of buildings every day. On an easel is a large, bold new drawing in vivid shades of emerald and orange – a departure for Makov who, for years, has worked mostly in highly intricate monochrome prints and graphite pencil. It is a drawing of a somewhat battered urban weed that grows in the cracks in the pavement. 'It's exactly how I feel myself now: a bit ruined but still alive,' Makov said. The weed is a kind of plantain, different species of which grow across the world. In Ukraine, this humble plant is often applied to bruises or scrapes as a folk remedy. Its name, podorozhnyk, literally translates as 'by the road' – a state of being for the many Ukrainians who are dealing with being displaced, or the threat of being made homeless by a shifting frontline or falling bombs. 'We all have this feeling that we are living from suitcases,' Makov said. His rucksack always stands by the door, packed with his vital documents and ready for a swift departure. The image of this plant, and its metaphorical power, was a way of tackling the overwhelming subject of war indirectly, he said. 'The language of war is so strong, so powerful. It is so enormous that none of us can compete with its power,' he said. 'But at the same time, art exists. It has always existed. They were using it in caves to explain the world, to find a connection with the world. You'll never save the world with it – but it will help you survive your life.' When the invasion began on 24 February 2022, Makov, like other artists in the city, took refuge in Kharkiv's contemporary art gallery, the Yermilov Centre, which is in the concrete basement of a university building. He was due to represent his country at the Venice Biennale – the art world's most prestigious regular international gathering, which opened in April of that year. But sheltering from the bombings, he abandoned all thoughts of making it to Italy – until one of the project's curators called him and told him she had part of his artwork in her car, she was already in Vienna, and she was determined to show something for her country, come what may. The next morning Makov and his family made their escape, racing to their car as a cruise missile hit the nearby headquarters of the SBU security service. One of his tyres got a puncture owing to the broken glass strewing the roads. He had to make an emergency return dash to his mother's flat, because she had forgotten her false teeth. But the family and their pets made it out. And he did end up representing Ukraine at the Venice Biennale. But it was no thanks to the Ukrainian government, he said. 'I got two telephone calls from the ministry of culture of Italy, asking whether we needed some help. And no phone call from from the ministry of culture of Ukraine. 'It was like we didn't exist,' he said. 'OK, there was a war. But if you're the ministry of culture, your war is there, in the world of culture.' The Ukrainian gallery with whom he works, The Naked Room, is still out of pocket because of the event 'because we got no support from the state' beyond the hiring of the space in which the exhibition was held. Compared with Russia, which projects itself internationally via its literature, music, ballet and opera, Ukraine was way behind on promoting itself through culture, he said. There is no museum of contemporary art in the country. 'We have a unique situation, now,' he said. 'For the first time in the history of Ukraine, three generations of artists are alive, not killed, and the art they produced has not been destroyed.' It was evidence of a kind of 'provincialism', he said, 'a kind of disrespect to yourself', not to have built such an institution in an independent Ukraine. 'Why am I interested in Great Britain? Not because it won this war or lost this war, it is because Turner is British and I love Turner. Why do I love Ireland? Because James Joyce is one of my favourite writers.' 'In Ukraine we don't have any kind of vision of how to represent Ukraine as a cultural society. We have writers, we have poets, we have we have all these things that we can export, but nobody's doing that. All our cultural exporting is based on volunteer movements.' Ukrainian society had been changed for ever by the war, he said Huge population shifts had been caused by internal displacement and by trauma, but also through the great divides opening up between individuals, based on their very different experiences during the war: soldiers living through a hellish trench warfare on the front, compared with those far behind the lines or those based abroad. Even so, he said, 'We all have one general idea: we need the end of the war. Better, a victory, but at least some kind of stable peace.' But like many others in Ukraine, he finds it hard to envision, under the current circumstances, how that might be achieved. 'Normally a stable peace comes if your enemy is destroyed. And I can't imagine that we can destroy Russia, somehow. Russia has a lot of fat under the skin.' 'This drama has been going on now for over three years. It will soon have been going on for as long as the second world war. And I don't think that people understand Russians will never stop unless they are stopped. If they're not stopped, they will never stop.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store