
Food icons Jeremiah Tower and Alice Waters make peace over a bottle (or two) of Champagne
Depending on who you ask — and in this case I mean the two people at the heart of the question — it's been anywhere from 13 years to 30 years since Alice Waters and Jeremiah Tower have spoken to each other. The two food icons had a famous falling out, in part because the rightly earned fame of Waters as the mother of California cuisine overshadowed Tower's significant contributions to food as we know it during his early years with Waters at Chez Panisse and later when he opened Stars in San Francisco.
But last week at the Ojai Food + Wine Festival — a gathering of culinary superstars from around the world — all was forgiven.
'Last night, Alice walked into a room and encountered Jeremiah Tower, who she was not expecting to see, and Jeremiah was not expecting to see her,' said critic and author Ruth Reichl, who was hosting an onstage talk at the festival's Ojai Valley Inn with Waters. 'It was really, for me, one of the most satisfying moments in food in [a] long time. I mean, to see these two icons, happy to see each other.'
'I think I need a glass of Champagne to talk about it,' Waters said after Reichl asked her to describe the previous night's rapprochement.
'I walked into that space, which was so huge, and there were ice buckets all around the room filled with my favorite Champagne, just asking to be opened,' Waters said. 'And it happened to be a Champagne that Jeremiah and I shared a love for. I mean, really, we had been to that Champagne place, and I don't know what it was about it, but we just felt a huge connection ...'
'... again ... ' came a voice from the audience. It was Tower, who was beaming as he finished her sentence.
'Again,' Tower repeated as he confirmed that they had renewed their connection.
'How many years has it been?' Waters, looking thrilled, said to Tower from the stage. 'Thirty?'
'Thirteen,' he said.
'Yeah. We really hadn't communicated, and all of a sudden [it was as if we] were back in the kitchen [at Chez Panisse] having the best time, working together talking together. But that Champagne helped.'
'Always does,' Tower responded with a huge grin.
For those of you wondering, like me, which Champagne is loved so much by Waters and Tower, I found out later from Reichl that it's Krug Champagne. In fact, Tower — who was at the festival to curate and cook a lunch at the festival with chefs Mary Sue Milliken, Susan Feniger, and Elizabeth Falkner — was hosting a caviar and Krug Champagne reception when he had his meeting with Waters.
'I was sitting next to Alice at dinner,' Reichl later told author Bill Buford during a live video conversation that two of them did for her Substack newsletter La Briffe, 'and she was just weeping all night and talking about forgiveness and how important this was to her.'
Tower has previously said that he and Waters did see each other at least one other time since he left Chez Panisse in 1978. When he was promoting the 2017 documentary 'Jeremiah Tower: The Last Magnificent,' directed Lydia Tenaglia, he told this paper's Margy Rochlin that was at Waters' table during the 40th anniversary celebration for the Chez Panisse. But at the time many were still trying to pit the two of them against each other, arguing over who did more to ignite what became known as California cuisine.
Reichl, who witnessed the birth of the movement first hand, credits them both: 'I always felt like the combination of the two of them at Chez Panisse was like lightning in a bottle,' she told Buford. 'It was two people with completely different food aesthetics coming together and doing something magical.'
Two other culinary legends had a surprise encounter last week. Mozza founder and Ojai Valley Inn culinary ambassador Nancy Silverton was at the Ojai Food + Wine Festival in part to host a dinner with chefs Jonathan Waxman, Evan Funke and Sarah Cicolini of the great Rome restaurant Santo Palato. On Saturday, she decided to take a short break from the festival to visit Andrea Crawford at Roan Mills Bakery in Fillmore. As former Times food editor Amy Scattergood wrote in 2007, Crawford first became a part of the California cuisine movement in the early 1980s when she started growing lettuce for Chez Panisse in Waters' Berkeley backyard. Then Wolfgang Puck talked Crawford into moving to Southern California so she could grow herbs and lettuces for Spago restaurant — which she did in the Encino backyard of Silverton's parents (at the time, Silverton was Spago's pastry chef). Crawford outgrew the space and eventually established the Kenter Canyon Farms brand that so many of us know from Southern California farmers markets.
In 2012, she began growing wheat and the next year started baking bread in Fillmore under the Roan Mills label. In 2017, she opened the front of the bakery to the public as a retail operation. But Silverton had never visited.
'What a beautiful space! And it's big!' Silverton told Crawford as they discussed the price of eggs (which is why Crawford is baking less brioche these days), how she worked out more civilized baker's hours (instead of working through the night, her workers start at 4 a.m. and 5 a.m), and whether a lemon cake recipe from Silverton's cookbook 'The Cookie That Changed My Life' could work in the cool rooster-embossed cake pan sitting on top of Crawford's desk.
I bought some of Crawford's gorgeous English muffins, a fantastic cherry pie, some Kenter Canyon arugula and my favorite Camino red wine vinegar made by Oakland's Russell Moore and Allison Hopelain. (I usually mail order the vinegar, a last remnant of the couple's great hearth-based restaurant, but I thought I'd save the postage since I was driving.)
On the way back, the scent of chicken grilling outside Fillmore's La Plaza meat market, a favorite of Silverton's and her partner Michael Krikorian, was too tempting not to stop. And just before we made it back to downtown Ojai, Silverton made us stop at the Summit Drive-In to try their shakes, which the menu board promised are 'hand-scoop and hand-spun.' Silverton is partnering with 'Somebody Feed Phil' host Phil Rosenthal on a diner in L.A.'s Larchmont Village named Max and Helen's for Rosenthal's parents. And even though the diner should be ready to open in early summer and the two have been tasting shakes all over the place, Silverton the perfectionist doesn't think they quite have their shakes down. I didn't mind the stop — I especially loved the extra chocolate sauce that swirled around the chocolate shake. If you see a similar swirl at Max and Helen's later this summer, you'll know where it came from.
Sonoma winemaker Pax Mahle, sommelier legend Patrick Cappiello (who founded Monte Rio Cellars), and Vinohead media company founder Josh Entman had the wild idea to recreate the Judgment of Paris, the 1976 taste-off that changed the course of winemaking in California when two of the state's wines, a 1973 Stag's Leap Cabernet Sauvignon and a 1973 Chateau Montelena Chardonnay, beat every other French wine in the competition.
They're calling the new competition the 1976 Redo, and in January the trio hosted the first round of the competition in which any U.S. winemaker was allowed to enter. Times contributor David Rosoff, founder of the late Bar Moruno and curator of wine programs in many L.A. restaurants, joined 10 other wine pros to choose five finalists from 144 Chardonnays, 125 Cabernet Sauvignons, 80 Syrahs and 45 Chenin Blancs in one marathon tasting. (The final tasting will happen in May.) 'That's 394 wines, to be exact,' Rosoff writes in his account of the tasting.
'The most surprising category was unquestionably Chenin Blanc,' Rosoff writes. And 'the most consistently triumphant category'? Syrah.
The story reveals more about what he 'learned about the state of American wine' and what the wine tasters did after they finished tasting nearly 400 bottles of wine. Hint: It involved more wine.
Seamus Blackley, inventor of the Xbox game console, goes deep when he is obsessed. During the pandemic, as features columnist Todd Martens writes, he didn't just get into sourdough; he acquired centuries-old Egyptian yeast to bake bread. Now the physicist and tech entrepreneur is focused on chocolate — not from cacao harvested in tropical climates more suited to the plant, but from cacao grown right here in Southern California.
'Oh yes, we're going to have an L.A. chocolate company,' he told Martens. 'We're going to be aiming at a different peak flavor than other people are because we have different organisms,' Blackley added, alluding to microbes in Los Angeles versus the equator-adjacent regions in which cacao is typically grown. 'That's exciting.'
How often do you pay attention to the person bringing you water in a restaurant or clearing your empty plate? Many customers make a point of thanking their server when the food arrives, especially in the days since the COVID pandemic, but the person busing your table can be easily overlooked. There are many restaurant jobs that customers rarely notice but that are essential to making the business work. Food's Cindy Carcamo profiled three restaurant workers for our Back of House series: utility worker Alfonso Lira, who clears tables, makes pizza dough and fixes the sound system, among many other duties at Santa Ana gastropub Chapter One; dishwasher Sophia Velador, who considers her work at Long Beach's Alder & Sage therapeutic; and line cook Tomas Saldaña, who makes the difficult-to-master radish pastries at Paradise Dynasty.
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Forbes
5 days ago
- Forbes
This Spanish Wine Region Puts On A Party For The Albariño Grape
During the first week of every August, in Galicia's Rías Baixas wine region, the Spanish town of Cambados gushes over a highly-prized native white grape. It's the Albariño, a citrusy staple used in wine making for up over 95 percent of the region's D.O. Rías Baixas vineyards. This special party brings forth what's known as Festa do Albariño, a festival of concerts, parades, street performances and open-air parties with local peñas and associations gracing every corner with colors and traditions. However, many festival goers also enjoy another celebratory activity –wine tastings. 'There are a lot of different activities from wine courses to parades with traditional Galician music, but the main attraction is visiting the stands of the different wineries,' said Noah Chichester, founder of The Wines of Galicia website. 'You're given a tasting glass to wear around your neck and you can go from stand to stand to try that year's wine for a few Euros a glass. At night, the festival has become known for its concerts, which bring in artists from the Spanish-speaking world to perform each night.' Why Is This Spanish Wine Region Have A Festival? According to the event's website, the Festa do Albariño began as a competition between two winemakers named Bernardino Quintanilla Álvarez and Ernesto Zarate in 1953. On the night of August 28, Álvarez, who was also a local lawyer, and his friend, Zarate, had a private garden dinner with seven other grape growers from a select circle of mutual acquaintances. The evening was to settle a friendly debate over who made the best Albariño. That private dinner uncorked what would become a public affair. Chichester also explained that by 1965 this contest grew into a genuine festival thanks to a special visitor - Franco's Minister of Tourism, Manuel Fraga. 'A native son of Galicia, 'Don Manuel' used his influence to spread the festival far beyond Galicia's borders by featuring the Festa de Albariño on Spanish state television,' explained Chichester, a specialist in Galician wines. However, Fraga's connection didn't stop there. In 1969, he became a founding member of the Capítulo Serenísimo do Viño Albariño—or the 'Serene Order of Albariño Wine'— that lent an air of formality to the festival's proceedings. Is Festa do Albariño in Cambados Popular? Marking its 73rd year in 2025, the Festa do Albariño has catapulted to the forefront in Spain and beyond. In 1977, the event was declared what's referred to as a Fiesta de Interés Turístico Nacional, an official proclamation by Spanish officials for its touristic importance, and it's still one of the most important wine festivals in Galicia. While the Festa do Albariño provides a very good reason for visiting Cambados, this seafaring town also is known for other offerings including seafood. Cambados and the surrounding Val do Salnés (Salnés Valley) are also known for their fishing and canning industries. 'The name 'Salnés' refers to medieval salt flats where locals would collect salt to use to preserve freshly caught fish to send to other parts of Galicia and Spain,' said Chichester. "Today, the area is home to some of the best shellfish in the world, and canneries pack it up to be sent to gourmet stores all around the world.' Other Offerings In Cambados Besides Festa do Albariño Visitors can taste and see for themselves what else Cambados has to offer. Try Galician cuisine and a fine Albariño selection of at the Michelin-starred Yayo Daporta, or order octopus, razor clams or other seafood specialties at O Bo Paladar. Two other recommendations for finding traditional Galician dishes include Ataberna do Trasno, with a tavern-style atmosphere, and Ribeira de Fefiñáns, which overlooks Cambados' famous Fefiñáns Square. Of course, visiting a winery is a must. Established in 1904, the Bodega del Palacio de Fefiñáns is Cambado's oldest winery, set within a historic pazo. Just outside Cambados, venture along the Tremoedo Wine Route (Vilanova de Arousa), a scenic route winds through wineries and vineyards. Other things to do in Cambados are many. See ruins of the gothic Santa Mariña de Dozo church or walk the seaside 'boardwalk' (made out of stone) through the old fishing quarter of San Tomé to the medieval Tower of San Sadurniño. Next to the ruins, the Ethnographic and Wine Museum is Galicia's first wine museum, with a sculpture garden by Manolo Paz. Head to neighboring fishing villages such as Combarro or the town of O Grove and take a boat to see bateas, floating mussel farms in the Ría de Arousa (Arousa Estuary). 'With its coastal beauty, noble history, and deep-rooted wine culture, Cambados is a must for travelers seeking a true taste of Galicia—especially during the unforgettable Festa do Albariño,' said Chichester.


Los Angeles Times
26-07-2025
- Los Angeles Times
Their dream kitchens burned in the Eaton fire. What got them cooking again
Two cooks talk about loss and recovery. Plus, our summer cook-along with 'Chef That!' Also, advice on cooking for dogs and eating with dogs, taquito comfort and fan-service restaurants (or what Day 1 was like at the Tesla Diner). I'm Laurie Ochoa, general manager of L.A. Times Food, with this week's Tasting Notes. The most beautiful kitchen I ever cooked in was far from perfect. It was built into one of six Pasadena apartments that in the 1920s had been carved out of a Victorian mansion designed by Frederick Roehrig, the architect behind Old Town Pasadena's Hotel Green and its surviving annex, Castle Green. The dining room and kitchen had once been a grand parlor room with a fireplace at one end and most of the original wood details still on the walls and ceiling. The kitchen's counter curved with the arc of several windows set into the bend of one wall, with soft sunlight filtering in through the greenery planted outside. But the stove, relocated and updated since the days Jonathan Gold and I occupied that apartment, was a finicky old thing. And the counter, so attractively placed, was too low for serious cooking. Our backs would often ache if there were too many vegetables to chop or dishes to wash. It was a dreamy kitchen, but it wasn't a dream kitchen. And yet, we made some of our happiest meals there. There are cooks I know who have had dream kitchens, spaces that were designed just for them and functioned according to their specific cooking needs. Ruth Reichl, author and former restaurant critic and editor, says she designed her U-shaped kitchen to fit her body and the open floor plan of the home she and her husband, Michael Singer, share in New York's Columbia County. With expansive views of the upper Hudson Valley, it's inviting but also intimate in its footprint; no more than two or three steps are required to reach most of her appliances and tools. During parties, Reichl is easily able to roll out pie dough while catching up with early-arriving guests and there is lots of counter space around the U for setting out platters of food that always tempt some hungry person before it's officially time to eat. Closer to home, I was lucky enough to be invited many times to the Altadena home of Michelle Huneven, novelist and food writer (often for this paper), and Jim Potter, an attorney specializing in environmental law and an accomplished bread baker. From big, crowded Seders at Passover to weekday soup meals, always with something wonderfully sweet at the end, I watched their modest cooking space expand and evolve into a beautiful, functional and comfortable modern space with a dining table at the center of the room that allowed guests to watch the interplay of two excellent cooks at work. 'I had a little 1,000-square-foot house, and when Jim and I married, that was fine for a while,' Huneven said recently in the Times Test Kitchen. 'Then he began to bake bread. And very shortly, everything in my little kitchen was covered with bread glue. I was like, 'We need a bigger kitchen.' Before we knew it, we'd designed a great big freestanding kitchen. I'm short, so in the place of overhead cabinets, we had windows out to our garden. He had his breadmaking area; I had my cooking area. We each had a sink. He had his own oven. And he had his own dishwasher. Praise the Lord.' Cookbook author Molly Baz's dream kitchen in Altadena was one I never saw in person but I interacted with it virtually through her 'Hit the Kitch' video series and Instagram feed. 'My home kitchen was also my place of work,' Baz said, sitting alongside Huneven in the Times Test Kitchen. 'My husband, [Ben Willett], designed the space as the heart of the home. It was an expansive space that was a hanging-out living room, lounge, bar, kitchen, all in this one large room. We designed the kitchen very intentionally to be the anchor of like everything I do, the place where I would shoot my cookbooks and all of my content, where I would develop all of my recipes. So we decided to do it all butter-colored, and it was just this beautiful monochromatic, creamy butter-yellow-colored dream.' As you've undoubtedly surmised by now, both Huneven and Baz lost their Altadena homes — and their dream kitchens — in the Eaton fire. 'We evacuated to a friend's house about 4:30 in the morning with another couple who lived much closer to Eaton Canyon,' Huneven said. 'When they learned that their house had burned, I found that so shocking that I just sat there with my hands over my mouth for about, I don't know, 15 minutes. I just couldn't absorb it. Then, at about 8 o'clock, Jim decided to drive up to our house. He later told me he'd known even before he drove up because he controlled the sprinklers and the solar panels from his phone, and nothing was responding. When he called me to say it was gone, he sent a picture of the house on the corner still burning with flames coming out of the windows, not a fire truck in sight. I was preconditioned for the loss, because I'd already reacted to one home burning down. I didn't cry until 48 hours later.' Baz's story is similar. 'I evacuated earlier, at 7:30 p.m., because some friends and neighbors had seen the fire, and it was creeping closer and closer,' she said. 'We never got a notice, but we decided, let's get out of here. Throughout the night, we were refreshing our phones, watching the map get populated with new homes that had burned. But the whole night, I was under the impression that my house had somehow by the grace of God gotten skipped because of this map. In the morning, my husband wanted to go to the house just to triple check and so, he got in the car and drove nervously up there. I got a call about 30 minutes later and he was just in tears. He was like, 'There's nothing left.' ' Huneven, whose newest, highly praised novel, 'Bug Hollow,' is anchored in Altadena, her longtime home, and Baz, who came to Altadena from Brooklyn in 2020 and started the mayo/sando sauce brand Ayoh! last year, are both terrific cooks with very different styles. When Baz came into Te Times to record a video demonstration of the highly craveable pistachio halva chocolate chunk cookie recipe she created for her second cook book 'More Is More,' I thought Huneven and Baz might want to meet each other. During their conversation about their experiences of loss and recovery, recorded by video producer Mark E. Potts, they immediately found things in common. 'One of the things that I wanted in the kitchen was a sofa,' Huneven said, 'so we had this beautiful, long window seat with big welted cushions. Every morning we would wake up and drink our tea and coffee there with the dog and look out into the garden and get ready for the day.' 'We also had a sitting area where we would start the day,' Baz said. 'We had a built-in couch that my husband designed, the first coffee table he ever made, and a chaise longue, which didn't really have a use until I had my son 10 months ago. It became the perfect place to nurse. I would have my coffee and nurse him on the chaise longue every morning. It was just kind of a perfect place.' After the fire, neither Huneven nor Baz felt much like cooking. 'I rebelled,' Huneven said. 'I didn't cook for two months. Or, rather, I cooked like two dinners, and it was the same dinner where I stuck a bunch of cherry tomatoes on a sheet pan, boiled some pasta and that was it, with maybe some burrata. I don't even remember how we ate. I mean, I say I wasn't traumatized, but it really was a blur.' 'I didn't cook for a while either,' Baz said. 'I got back into the kitchen to finish a recipe I was working on the day of the fire. It was a savory egg quiche, but treated like a burnt Basque cheesecake, cooked at a really high heat, a crustless quiche. I thought about taking it with me when we evacuated, but I expected I'd be back the next day. One of the the last things I said before I left was, 'Damn, I just wish the quiche was a little more burnt.' Because I had this vision of a really burnished exterior. And so later the quiche got burnt. Once I pulled myself together enough to think about food, that's the next thing I made. It was really comforting and cathartic. I made everyone leave the kitchen and was like, 'I'm cooking. I need to be alone.' So it was a bit of a therapy session for myself. And yeah, the quiche was delicious.' Both Baz and Huneven are living in different rental homes in Echo Park while they figure out the logistics of rebuilding. 'So much of cooking is a graceful dance,' Baz said, 'and I felt so ungraceful for the first three weeks that it made me not want to cook. I've gotten over that hump, and I think I'm regaining my muscle memory in this new space now. I feel like I can cook and not fumble around.' 'We moved into a completely empty house, nothing in the drawers. We had a couple of camping pans that had been in the trunk of our our truck. But one of the things that was so amazing is that we landed in a sea of generosity. I'm not wearing any clothes that I bought. They're all gifts. And people furnished our kitchen with a house-warming party, but it was really a kitchen warming. 'The incredible kindness and generosity of people, that's a gift I never anticipated,' Huneven continued. 'It's also really lessened the trauma. Because, you know, it's stuff, and it can be replaced. Houses can be rebuilt. Somebody said to me, 'This is the worst thing that's ever happened to you.' And I'm like, 'No, it's not.' You know, the loss of people that I've loved, some bad breakups in my youth. Now those were bad. This was bad too, but it's not the worst thing.' 'We lost all of the physical things,' Baz said, agreeing with Huneven. 'But it highlights what you do have, which is your relationships and your community. And that becomes the most important thing in the world. My friends and my family, the people who are holding me together in all of this, are everything to me right now. All of the bulls— just washes away. You learn and understand like that living is actually about humanity and people. The rest can burn down, and you're going to be OK.' Baz is just one of the cooks and chefs who have been to the Times Test Kitchen in recent weeks to meet our 'Chef That!' challenge: Come up with a recipe that demonstrates chef skills and creativity but is still simple enough for an average home cook to make. Our 'Chef That!' video series is ongoing, but this Sunday we're publishing a special cook-along recipe section full of summer recipes from the chef series plus a few from cookbook authors in our 'Book to Cook' video series. Among the recipes to look for, home-oven-cooked beef ribs with outdoor smoker flavor from Andrew and Michelle Muñoz of Moo's Craft Barbecue, spicy cold mung bean noodles from 88 Club's Mei Lin, Hailee Catalano's 'mean, green' turkey sandwich, the egg salad sando that Father's Office founder Sang Yoon serves at his Helm's Bakery complex in Culver City and an incredible grapefruit cream pie from Quarter Sheets' dessert guru Hannah Ziskin. Los Angeles, says senior Food editor Danielle Dorsey, is ranked the nation's most popular city to own a dog. It's also a very good city for eating out with a dog. Dorsey put together a guide to the best dog-friendly patios to take your pup as part of our 'Dog Days of Summer' collaboration with our features team. Regular contributor Carolynn Carreño explored the evolution toward human-grade dog food over the last 15 years and provides a recipe for Rufus hash, a raw dog food blend she used to make for her late dog, Rufus. It's made with ground beef, turkey or chicken, organ meat, bone meal, steamed broccoli and steamed sweet potato. Novelist Michelle Huneven (see above) also shares her recipe for the homemade hash she feeds her rescue dog, Tatty Jane. Like Carreño, she uses ground meat and broccoli (or spinach) but also includes peas, brown or white rice, fish oil or sardines, finely ground baked eggshells for bone health and, for the antioxidants, frozen-fresh cranberries. Chef Wes Avila's father, Jose Luis Avila, is a legal resident of the U.S. But he felt so fearful of being caught up in the ICE raids happening all over California that after more than 50 years in this country he recently moved to Mexico. Avila told Food reporter Stephanie Breijo that when he's missing his father he makes a version of the Durango-style caldillo, or stew, that his father used to cook. 'It connects me to him,' said Avila, who leads the kitchens at MXO and Ka'teen. 'I talk to him every other day. We have a very close relationship.' And when he's missing his mother, who died in 1995, he makes beef taquitos, which he thinks was her favorite dish — or at least, he says, 'our favorite dish for her to make when my brother, my sister and I were kids.' He shared recipes for both dishes. And Dee-Ann Durbin reports on Coca-Cola's decision to 'add a cane-sugar version of its trademark cola to its U.S. lineup this fall, confirming a recent announcement by President Trump. ... Coke currently sells Mexican Coke, which is made with cane sugar, in the U.S.'


Geek Girl Authority
22-07-2025
- Geek Girl Authority
THE LIBRARIANS: THE NEXT CHAPTER Recap: (S01E10) And Going Medieval
The most enigmatic element of the Annex in The Librarians: The Next Chapter so far is its human (?) operator, Mrs. Astolat (Caroline Loncq), the stern administrator charged with guarding it during Vikram's (Callum McGowan) long absence. And if you haven't looked into her name, Elaine Astolat, despite my repeated advice, it'll be a fun surprise to learn that she's more than 200 years old; she's over 1,200 years old. RELATED: Catch up with our recap of the previous episode of The Librarians: The Next Chapter , 'And the Feast of the Vampir' If you did do your research, you'd learn that Elaine of Astolat is more commonly known as the Lady of Shalott, immortalized in Alfred Lord Tennyson's lyrical ballad. The poem tells a tale of a woman kept captive in a tower, looking down towards Camelot. Through her window, she sees and falls in love with Lancelot. This sudden emotion drives her from the tower to a boat on the river. She lies down and dies as the boat carries her to Camelot. Not exactly a story we can see our dear Mrs. A. featuring in, now, is it? Buckle up, friends. The Librarians: The Next Chapter 's 'And Going Medieval' is about to put the HER in 'history.' Image Credit: Aleksandar Letic The Librarians: The Next Chapter, 'And Going Medieval' In the Annex, Lysa (Olivia Morris) and Connor (Bluey Robinson) are working on cataloging and filing several missing artifacts. Charlie (Jessica Green) reads a magazine, noting that as a Guardian, she doesn't guard inventory. Lysa notes that the Scythe of Time isn't where they put it. Vikram arrives, wearing a blindingly yellow scarf that the others tease him mercilessly about. From the upper floor, Mrs. Astolat sees him and orders him to come up and see her immediately. The others discuss the situation after he's left, only to be interrupted by something smashing upstairs. Vikram's raised voice accuses Mrs. A. of knowing something for months, but waiting until this day to tell him. He calls her duplicitous and storms off. RELATED: Olivia Morris Shares How The Librarians: The Next Chapter Hooked Her From Page One Downstairs, he grabs a packed bag and leaves, refusing to let Charlie come with him. The team's at a loss until Mrs. A. joins them. She tells them that Vikram has stolen the missing artifacts to create a time machine so he can travel back to 1847 and be with Anya. Remembering Jacob Stone's (Christian Kane) warning that if he travels back and changes anything, it'll destroy their timeline, the team rushes off to stop Vikram. Where in Time Is Vikram Chamberlain? In a stone ruin of a structure, Vikram unpacks the bag, pulling out a contraption to which he attaches the Scythe of Time and the Crystal of John Dee. The others are hot on his trail and find him just as he's about to activate the time machine to travel back to 1847. In the struggle, the setting switches to 847. A time bubble forms around them all, and they disappear. In the center of a settlement in 847 AD, the ground shakes and the time bubble appears, depositing the entire team and their machine in the middle of a crowd of medieval villagers. A man in a black cloak watches them intensely, then runs off. A woman approaches Connor and touches his face. He greets her, and she runs off screaming the word, 'Volkhv!' Vikram interprets that as an ancient Slavic term for sorcerers. Image Credit: TNT The machine is overheated and useless for the moment. A battalion of armed men runs in and surrounds them. They march them into a prison and lock them in a cell. Vikram asks a prisoner in another cell about the village. They tell him they're better off here than in the torture chamber inside the stone fortress. RELATED: Read our Foundation recaps Complications The black cloaked man rides a horse at a gallop to a nearby camp. He reports to a man dining at a table, describing the team's appearance in the village. The man at the table is intrigued, even more so when he learns the newcomers spoke English. He immediately leads a troop of horsemen out of the camp. In the jailhouse, Vikram considers how they might escape. The rest of the team is still mad at him for betraying them and getting them stuck in time and prison. Suddenly, a group of townsfolk arrives with a man wearing a topknot, the chieftain (Goran Jevtić). In the vernacular, he asks them to confirm that the strangers arrived out of thin air, and concludes that they must be witches. Vikram informs the team they're about to be transferred to the torture chamber. When they all begin pleading in English, the chieftain asks them in halting English if they're from Britannia. He calls for 'Elenore,' and a cloaked figure steps forward. It is Mrs. Astolat. Image Credit: TNT Elenore She doesn't recognize them and questions why they are here. Vikram thinks she's undercover and advises the others to play along. She scrutinizes each of them closely and declares them liars. On her way out, she tells the chieftain to do what he needs to do with them. Charlie calls out, addressing her as 'Mrs. Astolat.' This stops her in her tracks. She returns and asks to speak with the prisoners alone. The chieftain agrees and leads everyone else out. RELATED: On Location: The Belgrade Fortress on The Librarians: The Next Chapter Once alone, she grills them on how they know her true identity. They try to tell her that they're from the future, where they know her and she knows them. Lysa clues in that this Mrs. Astolat doesn't know them because she is from 847 AD. Connor connects the name to Elaine of Astolat of Camelot. Mrs. A. believes that Lancelot Du Lac (Philip Rosch) sent them to wreak his vengeance on her. She's hiding from Lancelot because she stole his shield. Connor remembers reading about the shield, which reportedly made the bearer invincible in battle as well as immortal. Mrs. A. insists that Lancelot cannot be allowed to use the shield. She believes he's forgotten his vows from Camelot, but she hasn't. Timey-Wimey-Ness Just then, Lancelot and his men ride into the village. The chieftain tries to stop them. Lancelot's informer tells him of the fortress's torture chamber. Lancelot orders the chieftain taken there, then tells his men to scour the village for his shield. RELATED: 5 Great Books About Libraries and Librarians Mrs. A. sees them start to ransack the village and despairs. Vikram tells her that the Library exists to prevent powerful magical items like the shield from falling into the hands of people like Lancelot. She's reluctant to believe them. Charlie tells her that in the future, Mrs. A. told her about a scar in a private spot. Lysa theorizes that Mrs. A. shared that detail so that Charlie would know it for this very moment. Mrs. A. offers to free them if they promise to take the shield to the Library. Vikram vows that they will. Once freed and cloaked, Vikram, Lysa, and Connor go to get the time machine, while Charlie follows Mrs. A. to retrieve the shield. Unfortunately, Lancelot's men have found the time machine and carry it off before the team can get it. Image Credit: Aleksandar Letic A Promise Unfulfilled In her private rooms, Mrs. A. explains that she was a knight of the Round Table, same as any of the men, but history has forgotten her role. Camelot was wonderful until the use of magic and the pursuit of power corrupted everyone. She reveals the shield in its intricate hiding place. Charlie vows to take it and store it safely in the Library. RELATED: Dean Devlin Dishes on The Librarians: The Next Chapter 's Magical Homecoming In the fortress's torture chamber, the informer brings the time machine to Lancelot while he's torturing the chieftain, claiming it is the source of the sorcerers' power. The chieftain jumps at the opportunity, insisting the sorcerers must have the shield. Outside, Vikram tells Lysa and Connor that he'll distract Lancelot and the guards, so they can sneak in and get the time machine. They think it's a terrible idea, but they're forced to go through with it when he reveals himself to Lancelot, claiming he is the only sorcerer and the others were an illusion. Lancelot demands his shield, but Vikram refuses. Charlie and Mrs. A. see Vikram being taken to the torture chamber. Mrs. A. insists that she must get the shield far away from Lancelot. Charlie begs her to give Vikram's plan a chance, but she offers her regrets and leaves. Not a Very Good Plan Lysa and Connor sneak into the torture chamber while Vikram's being strapped into a rack. He chats up the torturer as they find the time machine. When the torture begins, Vikram quickly gives up and offers to confess to anything. Lysa comes up with a plan to create a super magnet, which requires Connor to scrape out a chamber pot. But she doesn't end up needing the excrement. The modified plan works, and they free Vikram. Unfortunately, Lancelot and his men are waiting outside. They plan to burn all the sorcerers at the stake. RELATED: Read our Leverage: Redemption recaps As they're being tied to the stakes and the kindling piled under the platform, Lysa asks Vikram why he would betray them and the Library. He admits that he was foolish and consumed with emotion, despite feeling that he'd found a home with them. However, he tells them that in the Annex, [flashback] Mrs. A. had revealed that Anya was pregnant when he got trapped in the time bubble. This news caused him to drop the vase, which was the crash they heard, and drove him to attempt the time travel. In 847, Lysa realizes that if he fathered Anya's baby, Vikram is her direct ancestor. On the other side of the town square, Charlie sees the preparations to burn the team (and the chieftain). She catches Mrs. A. before she can leave and reminds her that as a knight of the Round Table, she swore the Pentecostal Oath, vowing to give mercy to all those who ask for it. Charlie urges her to use the shield to defeat Lancelot. Mrs. A. refuses to, not wanting to become an immortal. Instead, she has a new plan. The Forsworn Knight Before the fire is lit, Mrs. A. brings the shield to Lancelot, offering it in trade for the lives of the four tied to the pyre. She reminds him that he also swore the Pentecostal Oath. He acknowledges this, vowing to honor any agreement he makes with another bound by the oath. She hands him the shield. Before the chieftain's men can release the prisoners, Lancelot activates the shield's power and knocks them all back magically. RELATED: TV Review: The Librarians: The Next Chapter Season 1 Lancelot cackles as the shield grants him immortality. He ridicules Mrs. A.'s faith in honor and chivalry. Revelling in his newfound eternalness, he orders the pyre lit. Mrs. A. walks away, defeated. Charlie stops her and offers to fight at her side so they can rescue the team. Mrs. A. replies that the fight is hers alone and that Charlie might've given her a way to win it. A Challenge Answered As the flames climb, Vikram suggests they whistle. Without another plan, Lysa and Connor give it a try. Meanwhile, Mrs. A. arrives in her armor and challenges Lancelot to combat. She claims she beat him in combat the last time they fought, which is why he had her knighthood purged from the records. He points out that she can't beat him and his shield. She retorts that if he needs the shield's magic, then he obviously recognizes her as the better knight. He hands the shield to two of his men to guard and accepts the challenge. They fight. She wins, splitting his helm and knocking him to the crowd. Furious, he orders his men to kill her. Charlie takes the shield from the guards and runs into the fray. Mrs. A. takes it from her and summons the shield's power to defeat Lancelot's men. They run away. Charlie and the villagers grab buckets of water to douse the flames. RELATED: Read our recaps of The Librarians: The Next Chapter Lancelot swears this isn't over. Mrs. A. states it is. He has no army, no shield, and having broken his oath, he isn't even a knight anymore. His punishment is to spend eternity alone. Picking up his sword, he leaves, promising to rise again. Exactly Where They Should Be Vikram reassembles the time machine as the others thank Mrs. A. for her sacrifice. He gives her a piece of paper with a map of where the Library would be in 847 AD. Advising her to ask for Jenkins (John Larroquette), he lets her know they share a history with Lancelot, as Jenkins was once Galahad. He hands her his yellow scarf as a token to remember them by. Telling the others to trust him, he activates the time machine. Image Credit: Aleksandar Letic Back in their time, Mrs. A. welcomes them home. Alone in the study, Vikram asks why she chose today to trigger him into time-travelling. She pulls out the yellow scarf, now faded and ancient, and tells him that seeing him come in wearing it told her today was the day. In the main Annex, Lysa and Vikram discuss how they both thought they'd lost their family. Now they've found each other. Lysa hugs him, then tries out some nicknames for him. She settles on Gumpy-Poo. New episodes of The Librarians: The Next Chapter air on TNT on Mondays at 9 pm ET. Lily Santiago Talks About Her UNTAMED Character and Filming on Location Diana lives in Vancouver, BC, Canada, where she invests her time and energy in teaching, writing, parenting, and indulging her love of all Trek and a myriad of other fandoms. She is a lifelong fan of smart sci-fi and fantasy media, an upstanding citizen of the United Federation of Planets, and a supporter of AFC Richmond 'til she dies. Her guilty pleasures include female-led procedurals, old-school sitcoms, and Bluey. She teaches, knits, and dreams big. You can also find her writing at The Televixen, Women at Warp, TV Fanatic, and TV Goodness.