
Review: Ocean with David Attenborough is brutal – it's also a must-see
This is an excerpt from our weekly pop culture newsletter Rec Room. Sign up here.
These days, I try to avoid watching anything remotely bleak. I even had to turn off Emmerdale the other day when misery guts Cain Dingle got drunk on his dead dad's moonshine. But there's one type of TV that I can't turn away from, no matter how grim it gets, and that's any nature documentary involving Sir David Attenborough. His latest project, Ocean with David Attenborough, is a two-hour National Geographic film about the importance of the sea to the health of the planet – and it rides one heck of a wave.
Released in cinemas on David Attenborough's 99th birthday (and now available on Disney+), Ocean begins with Attenborough sitting on a beach and telling us how much our knowledge of the ocean has changed in his lifetime. Over the past century, we've made more discoveries and reached greater depths than in any time before. Our awareness of the world beneath the surface has been transformed, in part thanks to the astonishing nature documentary series Attenborough gave us over the past seven decades.
In Ocean, Attenborough wants to remind us of how precious this marine world is. The photography in this film is spectacular – it captures colourful coral, vibrant marine forests and deep sea darkness, all pulled together by powerful storytelling delivered with Attenborough's rich, timeless voice. It's a visual symphony, one with so much motion and detail that sometimes it feels like you're actually down there, swimming through those forests of seaweed and tiny fish.
Then, Attenborough delivers a furious sucker punch: humans have munted the ocean. Governments around the world allow bottom sea trawling and commercial fishing industries are overfishing, and as a result, we've screwed up the sea's delicately balanced ecosystems. Abundant and pristine marine worlds have been brutally ploughed, leaving behind a grey 'nuclear winter' on the ocean floor. Now, local fishermen only catch plastic in their nets.
It's a horrifying, heartbreaking shift in tone. We've let ourselves down, but even worse, we've let Sir David Attenborough down. In his 100th year, he's probably still sitting on that beach, the cold wind blasting through his white hair, quietly shaking his head at the damage we've done. He lived through this change. It didn't have to be like this.
The reality about the state of the ocean is confronting, but Attenborough leaves us with a message of hope. If we leave the ocean alone – if we protect areas through legislation and create ocean sanctuaries – it will regenerate and thrive. Fishing stock will flourish. Plants and plankton will soak up carbon emissions and produce more oxygen than the trees on Earth combined. Saving the ocean is key to saving us from ecological disaster.
Ocean is Sir David Attenborough reminding us – once again – that we need to sort our shit out, and fast. This is a powerful, must-watch film that will fill your heart, rip it into tiny pieces, and then put it back together again. It's a stunning watch on the small screen; I can only imagine how impressive it would be in the cinema. For all our sakes, don't miss Ocean – and don't forget how lucky we are to have the legend that is Sir David Attenborough.
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- RNZ News
The dance of the lanternfish
During World War II, sonar operators discovered a ‘false seabed’ that appeared to move upwards during the nighttime. In fact, the sound waves were bouncing off huge numbers of small critters. This daily movement is the largest animal migration on the planet, consisting of deep-water animals that hide in the ocean’s twilight then move to the surface after sunset to feed. By far the most abundant fish in this crowd are the lanternfishes. New Zealand researchers are investigating what impact lanternfish migration has on the life cycle of fish we like to eat, and how it may also play a huge role in the Earth’s carbon cycle. To embed this content on your own webpage, cut and paste the following: See terms of use.

RNZ News
08-07-2025
- RNZ News
A changing environment — tuna threatened by climate change
By Scott Waide for Politok, ABC As tuna shift with warming seas, Pacific nations like Palau face an uncertain future. Photo: ABC / Greg Wilesmith Across the immense Pacific Ocean, a silent struggle is unfolding beneath the surface. The vital tuna, a cornerstone of both the region's marine ecosystem and its economic stability, is facing unprecedented challenges. As ocean temperatures rise, waters acidify, and currents alter, tuna populations are being driven into new territories, placing Pacific Island nations and their essential fishing industries at risk. For the people of Palau, the ocean is not merely a resource but an intrinsic part of their identity. Ann Singeo, executive director of the Ebiil Society, a conservation group dedicated to Palau's natural resources, highlighted this profound connection through her interviews with local fishers. "One of the questions that we ask a fisher is, what is your relation to the ocean? 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The Vessel Day Scheme (VDS), implemented around 2010/2011 by parties to the Nauru Agreement, is a key management measure. Under the VDS, fishing days are allocated to member countries at a benchmark price of $US8,000 per day. Countries like Tuvalu sell these days to fishing companies, with a limited number of days assigned to each nation, ensuring sustainable fishing effort. Tuvalu, for example, has approximately 2,000 fishing days to sell annually. Simon Kofe said tuna stock in the western central Pacific was "the last healthy fish stock in the world". Photo: Reuters / Fabian Hamacher Despite many years of work to get to this point, the threat of climate change looms on the horizon. Tuvalu expresses deep concern, acknowledging the potential economic impact on its budget and essential government services if fishing revenues decline. 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This funding will support initiatives such as deploying Fish Aggregating Devices (FADs) near shore to concentrate tuna resources, making them easier for local communities to access for subsistence and local markets. Another key aspect is improving modelling to provide better advice on climate change impacts on tuna at a local scale. The Western and Central Pacific Fisheries Commission (WCPFC), responsible for conserving and managing tuna in the region, has 17 Pacific Island nation members, along with countries like Australia, Canada, and China. Dr Josie Tamate, Chair of the WCPFC, highlighted the strong regional cooperation as a cornerstone of past success in managing tuna stocks. "I think that the cooperation has been the cornerstone for the success of especially the Pacific island nation members of the FFA, and having that, the commitment is already there." Climate change is now a standing agenda item for the WCPFC. 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Dr Graham Pilling underscores that this is not just a Pacific issue, but a global challenge. "I think we all should be concerned. It's a global challenge. And to be effective. Every country in the globe needs to be working towards the same goal." Kofe echoed the sentiment, hoping the world takes the message to heart. "We see the disproportionate burden that we carry in the Pacific, but unfortunately, the world doesn't see it in that way." He reiterated that the science and real-world impacts are clear: tuna migration patterns in the Pacific are changing. For vulnerable nations like Tuvalu, experiencing these impacts daily, the urgency is paramount. "I just feel that the world might be too late when they finally take this issue seriously," he said. The Pacific's battle for its tuna, a battle against the escalating effects of climate change, is a testament to the region's resilience and its continued call for global responsibility. The stakes are high, not just for the economies and livelihoods of Pacific island nations, but for a vital global food source and the health of the world's largest ocean. - ABC


The Spinoff
04-07-2025
- The Spinoff
Review: The SpongeBob SquarePants musical is more than nautical nonsense
Alex Casey heads along to SpongeBob SquarePants: The Musical and reflects on the enduring power of the optimistic sea sponge. This is an excerpt from our weekly pop culture newsletter Rec Room. Sign up here. When I was a kid, I would sit agape in front of SpongeBob SquarePants after school everyday, a small bag of sour cream and chive-flavoured chips in one hand and the VCR remote in the other. With the arrival of each ad break, I'd diligently hit pause on the first frame, determined to craft the perfect ad-free omnibus tape to enjoy again and again and again. I felt as absorbent and porous as the titular sponge himself, wanting to soak up every moment of the subversive, optimistic, anarchic and sometimes demented undersea shenanigans of Bikini Bottom. Creator Stephen Hillenburger was a failed marine biologist, who first swapped the scuba mask for a pencil on the equally surreal 90s Nickelodeon cartoon Rocko's Modern Life. Soon he started pitching a cartoon about a wide-eyed 'spongeboy' who loved his job and his friends, and was surrounded by all manner of characters including a dim-witted bestie (Patrick Star) and a perpetually aggrieved neighbour (Squidward Tentacles). In 1999, SpongeBob wandered onto our screens in his shiny black shoes and notably square pants, and basically never left. While he still ropes in kids with his colourful world and silly faces, there's also plenty of adults out there who still believe in the power of the sponge. 'I think SpongeBob SquarePants is better than The Simpsons,' David Correos recalled during his My Life in TV interview last year. 'Spongebob is way deeper and way more intellectual.' Correos isn't alone in this thinking – much has been written about the show's postmodern ethos, fascinating patterns of masculinity, deeply Marxist ideas and construction of The American Dream. It's also just really funny, too. With all this in mind, I toddled along to Ōtautahi's Court Theatre to see SpongeBob SquarePants: The Musical live on stage this week. Directed by Dan Bain, it was a kaleidoscopic trip, centred around the quest of 'a simple sponge' to stop a deadly volcano from destroying Bikini Bottom. The rich folk (Mr Krabs) capitalise on the chaos, the tyrants (Plankton) use it as an opportunity to seize control, the government flails around in incompetence and the media turns the whole thing into sensationalist frenzy. Sound familiar? Meanwhile, Sandy Cheeks (Libby McMahon) turns to science, SpongeBob (Cole Moffatt) stays eternally optimistic, and Patrick (Bill Cross) becomes a dim-witted distraction for those desperate for a saviour (reminiscent of Katy Perry saving the world by going to space). All of this is couched with staggering musical numbers, impressive costuming (Squidward's legs were a highlight) and classic gags ('Is that something we should worry about?' a concerned citizen asks. 'Breaking news: that is something we should worry about' the newsreader bellows.) Other highlights of the show included the pipes on Mr Krabs' daughter Pearl (Olivia Skelton) in her own 'Defying Gravity' moment, and a couple of scene-stealing cameos from kids in the chorus line. I couldn't help but feel envious of the excited little kids in the crowd being exposed to such big, bold themes and glittering production design before they've even got all their damn teeth. My earliest theatre experience was a weird old fella doing Punch and Judy in the chilly school hall, now it's all An Evening With Peppa Pig and Bluey doing arena spectaculars. Then again, these big, bold stories are precisely what kids – and, more crucially, adults – need to see right now. The youth edition covered a lot of ground in its truncated 60 minute runtime, sneaking complex ideas about capitalism, community and climate change under a dazzling spectacle of bubbles, fairy lights, sequins and imagination. Not bad for a simple sea sponge.