
10 top menswear trends for Spring/Summer 2026
1 Anti-heat outfits
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As temperatures went crazy in Florence and Paris, designers seemed to have come to terms with the rigours of global warming. They have changed the codes of menswear, making the garments eclectic and versatile by using increasingly lighter fabrics with a strong summer feel. All kinds of deconstructed, airy jackets combined with generously cut, fluid trousers - the more elegant ones with darts, others with straight legs and a skinny fit - with Bermudas or other types of shorts, in looks that always oozed a certain elegance. The emphasis was on lightweight materials stacked in thin layers: Cotton, poplin, gauze, organza and seersucker fabric, the latter making a major come-back, as well as natural fibres such as hemp and the ubiquitous linen.
2 Palazzo life
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Men are increasingly keen on comfort and favour loungewear, but always with a classy feel suitable for bon vivants living the palazzo life. Next summer, pyjamas and dressing gowns will replace suits and overcoats. So said many designers, including Dries Van Noten and Ziggy Chen. Sometimes, this took the form of a classic light cotton shirt, or a striped one with subtle piping, completing an everyday look (as seen for example at Dior, Hermès and Officine Générale), or a straightforward pair of striped trousers with a gathered waist, at Louis Vuitton, while Saint Laurent opted for shorts. Overcoats and kimono-style bathrobe/jackets in embroidered silk also made an appearance. At Dolce & Gabbana, every item had something of a pyjama look. Amiri crafted embroidered silk and satin jackets/dressing gowns, complete with tasselled key rings in 5-star hotel-style, while Rowen Rose designed a collection ideal for a rejuvenating stay at a luxury resort, featuring bathrobe/coats in terry cloth.
3 Stripes
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Stripes were all over the catwalks, and the streets. They cropped up absolutely everywhere, from tennis- and pyjama-style outfits to sailor stripes, in a variety of colours or black and white, vertical and horizontal, thin and wide. And they featured on all kinds of garments: Pinstripe suits in wool or linen, classic shirts, trousers, gilets, knitwear, T-shirts and even swimsuits.
4 Briefs
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After women, it was men's turn to dare to wear briefs! Prada took the lead with a retro model of slightly baggy cotton briefs, puckered at the top of the thighs like a baby's bloomers. Shorts have been extremely popular for several seasons, and are now a permanent fixture of summer wardrobes, in increasingly micro proportions. In some cases, they looked like ultra-short, skin-tight vintage swimsuits, with stripes or 1970s prints. Wooyoungmi featured them in a bodysuit version, 1920s style, while CREOLE opted for swimsuit briefs.
5 Colour explosion
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Neutral, classic and natural colours remained predominant in men's collections, alongside pastel shades. But next summer's wardrobes will include an unexpected explosion of colour. From deliberately colourful items adding vibrancy to rather austere looks, to artful combinations of bright hues in colour-block mode. The favourite shades were gold or chick yellow, red, turquoise, meadow green, pink, and electric blue.
6 Nylon tops/windbreakers
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Designers used lightweight nylon and performance fabrics to create feather-light outfits that could hardly be felt on the skin, like the parachute canvas garments seen at Pronounce and KidSuper. Several designers also gave the classic windbreaker a fresh twist, converting it into a top or a shirt, as at Saint Laurent and David Catalàn, or into a jacket/gilet, as at Bluemarble. Ultra-light nylon overcoats were ubiquitous too, super-useful in case of unexpected rain.
7 V-neck tops
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V-neck, slightly retro tops are back in fashion, often with a deep neckline. Like Ami Paris's wool lozenge gilet, Rick Owens 's sheer top, Officine Générale's sailor-collar polo, Sean Suen 's crocheted sweater, and the long-sleeved T-shirts with unbuttoned collars seen at Bluemarble, Auralee and Wales Bonner. Not to mention the V-shaped sweater which Prada and many others have duly reinstated.
8 Cropped preppy cardigans
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A preppy streak, perfectly consistent with the V-neck trend, featured in next summer's men's collections, with plenty of sensible polos and cardigans. But these classic items were often reinterpreted in tongue-in-cheek cropped versions. Sweaters and cute little gilets came in tight, short, and highly fitted silhouettes, for example at Fiorucci, Egonlab, Sean Suen and Camperlab.
9 Three-in-one trousers
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The trend for clothes with double and triple layers continued unabated, with layering and trompe l'oeil galore. Jackets and sweaters were worn in multiples, while boxer shorts peeking over the edge of low-waisted trousers were uber-popular, even with luxury houses. At Egonlab, wearing three pairs of socks was the rule. But next summer's must will be the three-in-one trousers, notably seen at Fiorucci and 3.Paradis, where four pairs were layered neatly on top of each other, and at Simon Cracker, where multi-trousers transformed into dungarees.
10 Flip flops
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While the models at Zegna and Craig Green took to the runway barefoot, this season most designers favoured the simplest shoe type in the world, flip flops. They came of course in the most luxurious materials and versions, as seen among others at Hermès, Louis Vuitton, Prada, etc. Flip flops, pool slides and other types of beach sandals have become entirely acceptable as footwear, even worn with a business suit. The style was as relaxed as possible, with models for real or pretend holidaymakers, and variations on the theme like mules, slippers, ballerinas, and even platform shoes looking like children's sandals.
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Paris: High-end jewelry remains effervescent despite luxury downturn
Paris was packed this month with scores of haute joaillerie collections, from established giants to jewelry by leading fashion labels to emerging stars – in a season dominated by Art Deco and nature motifs. caught up with five: Chanel, Dior, David Yurman, Serendipity and Sahag Arslanian. Timed to coincide with the French capital's haute couture season, thus guaranteeing the presence of VICs, top editors and jewelry influencers, the jewelry season now boasts as many presentations as there are actual runway shows. The nerve center remains Place Vendôme, the world's leading top- jewelry retailing plaza with flagship stores by the likes of Cartier, Van Cleef & Arpels, Cartier, Chaumet, Boucheron, Fred and Jar, as well as stores from leading fashion and luxury houses – Chanel, Dior and Louis Vuitton. Chronologically, Chanel opened the season with a display above its lush Vendôme flagship, where it showed the final collection by the late and great designer Patrice Leguéreau. Entitled "Reach For the Stars", the collection played on three key elements central to Mademoiselle Chanel, The Comet, The Wings and The Lion, Coco's fetish animal. Standouts included a beautiful Wings of Chanel necklace centered by a 19.55 carats sapphire, whose dropped center can be dis-attached and worn as bracelet. Priced at €11 million, it echoes Chanel's time in Hollywood, when producer Samuel Goldwyn invited her to dress stars, and Coco responded with a style that emphasized levity. Leguéreau, who passed in November last year after a decade at the house, also added the first-ever Chanel choker; a beautiful tiara late-30s style, thus made to be worn on forehead and not on top of the head. In an innovative move, the Lion series featured a mane made out of moonstone, and an abstract big cat composed of a series of yellow diamonds. Chez Dior, one had the pleasure of discovering the latest ideas from Victoire de Castellane, the house's jewelry designer for the past quarter century. Victoire played on three themes close to the house's DNA: enchanting landscapes, delicate bouquets and fairytale balls. Apt, as Monsieur Dior's first steps in fashion were creating for the costume balls so beloved of the French in the 1930s. Blending volumes and superimpositions between gems with unique skill – sculpted on hard stone backgrounds hemmed with diamonds, such as fine deer or rabbits emerging on fine diamond fields on some watch facades. Above all, everything felt very, very Dior, in a collection entitled "Diorexquis". Thanks to De Castellane's remarkable ability to have invented a very specific visual identity, combining sophistication, joie de vivre and Monsieur's deep love of the garden. Key pieces trumpeted all the virtuosity of the ateliers, embodied, in particular, by the 'doublet d'opale' technique, which consists of mounting a layer of opal on another stone - onyx or mother-of-pearl - to compose striking cameos, recalling the complex nuances of the sky or water. While the 'plique-à-jour' process pushes the boundaries of excellence, peppering the bouquets with a thousand sparkling colors, thanks to the use of lacquer - a signature of Dior Joaillerie. Creating what seems like a miniature stained-glass window through on light gentle falls. America's contribution to the season came from David Yurman, whose display inside a Faubourg St Honoré showroom included lots of mini hot peppers and crosses pendants composed of emeralds. Though the highlight was a graphic modernist Art Deco cuff bracelet made in a zig zag lattice white diamonds and white gold, priced at $295,000. Founded in New York in 1980 by sculptor David Yurman, and his wife Sybil, a painter and ceramist, the house is best known for its haute artisanal and exceptional craftsmanship. Other Art Deco elements included Deco Emerald drop earrings priced at $850,000, or classily elegant Stax three row rings in yellow gold and diamonds that cost $35,000. Today, headed up by their son Evan, David Yurman collections are available online, in 51 boutiques across the United States, Canada, Hong Kong and France, and in over authorized fine jewelry retailers. Nature, always a key theme in jewelry, inspired a beautiful new range from Serendipity by Christine Chen. Playing on the idea of the "Secret Garden", Chen showed an evocative necklace where diamonds were almost woven like lace and paired with tanzanite recalling the lilies of Monet. Along with a series of delicate petal-shaped earrings in multi-colored sapphires, mounted on light-weight titanium, recalling the artist's garden at Giverny on a bright spring day. Chen's great skill is to blend east with west harmoniously, like in her designs inspired by the ginkgo, the long-lived dioecious tree known for producing very healthy supplements. Seen in her superb Gingko Dream series – such as a necklace with a golden leaves, engraved like a ginkgo, and completed with Colombian emeralds. Or an opal and golden pearl necklace, about which Chen liked to mention the ancient Chinese proverb: 'Springtime flowers are transformed into the fruits of autumn.' Presented inside a wing of the Musée Guimet, Paris' main museum of Asian art, the collection was entitled "Jardin du Reve" and was shown on dancers dressed like woodland spirts. 'I'd like Serendipity to be a bridge, beyond culture, connecting emotions and creating beautiful and rare encounters between people,' explained the very elegant Chen. One brand new name that also caught attention was Sahag Arslanian, from a third-generation family of diamond experts, with over 70 years of legacy rooted in Antwerp. And often billed as one of the top 10 diamond trading companies worldwide. The founder's grandson Sahag Arslanian officially launched his own first high jewellery collection in the Automobile Club de France. The jewelry was all about hyper flexibility with necklaces that sat ideally on collar bones. 'We've sourced diamonds from Russia to A to Z and all the way to Angola,' explained Sahag, who insisted that 'conflict diamonds are over, and everything we use today are RJC-certified. We were one of first people to do that.' Based on three key motifs - sphere, kite and zig zag - his radiant Grand Eclipse necklace is priced at $700,000. While a Sun Rays necklace in angular yellow and white gold with a central pear-cut stone costs €250,000. This 35-year-old Mandarin speaking alumni of Le Rosey, the world's most expensive boarding school, does not lack self-confidence. 'I believe our creations will maintain their price at auctions. Our concept is based on the duality between white and yellow gold. Our creations are made to be worn, not kept in a safe. Worn while you are not being sled conscious about the prize,' insisted Sahag.


Fashion Network
a day ago
- Fashion Network
Paris: High-end jewelry remains effervescent despite luxury downturn
Paris was packed this month with scores of haute joaillerie collections, from established giants to jewelry by leading fashion labels to emerging stars – in a season dominated by Art Deco and nature motifs. caught up with five: Chanel, Dior, David Yurman, Serendipity and Sahag Arslanian. Timed to coincide with the French capital's haute couture season, thus guaranteeing the presence of VICs, top editors and jewelry influencers, the jewelry season now boasts as many presentations as there are actual runway shows. The nerve center remains Place Vendôme, the world's leading top- jewelry retailing plaza with flagship stores by the likes of Cartier, Van Cleef & Arpels, Cartier, Chaumet, Boucheron, Fred and Jar, as well as stores from leading fashion and luxury houses – Chanel, Dior and Louis Vuitton. Chronologically, Chanel opened the season with a display above its lush Vendôme flagship, where it showed the final collection by the late and great designer Patrice Leguéreau. Entitled "Reach For the Stars", the collection played on three key elements central to Mademoiselle Chanel, The Comet, The Wings and The Lion, Coco's fetish animal. Standouts included a beautiful Wings of Chanel necklace centered by a 19.55 carats sapphire, whose dropped center can be dis-attached and worn as bracelet. Priced at €11 million, it echoes Chanel's time in Hollywood, when producer Samuel Goldwyn invited her to dress stars, and Coco responded with a style that emphasized levity. Leguéreau, who passed in November last year after a decade at the house, also added the first-ever Chanel choker; a beautiful tiara late-30s style, thus made to be worn on forehead and not on top of the head. In an innovative move, the Lion series featured a mane made out of moonstone, and an abstract big cat composed of a series of yellow diamonds. Chez Dior, one had the pleasure of discovering the latest ideas from Victoire de Castellane, the house's jewelry designer for the past quarter century. Victoire played on three themes close to the house's DNA: enchanting landscapes, delicate bouquets and fairytale balls. Apt, as Monsieur Dior's first steps in fashion were creating for the costume balls so beloved of the French in the 1930s. Blending volumes and superimpositions between gems with unique skill – sculpted on hard stone backgrounds hemmed with diamonds, such as fine deer or rabbits emerging on fine diamond fields on some watch facades. Above all, everything felt very, very Dior, in a collection entitled "Diorexquis". Thanks to De Castellane's remarkable ability to have invented a very specific visual identity, combining sophistication, joie de vivre and Monsieur's deep love of the garden. Key pieces trumpeted all the virtuosity of the ateliers, embodied, in particular, by the 'doublet d'opale' technique, which consists of mounting a layer of opal on another stone - onyx or mother-of-pearl - to compose striking cameos, recalling the complex nuances of the sky or water. While the 'plique-à-jour' process pushes the boundaries of excellence, peppering the bouquets with a thousand sparkling colors, thanks to the use of lacquer - a signature of Dior Joaillerie. Creating what seems like a miniature stained-glass window through on light gentle falls. America's contribution to the season came from David Yurman, whose display inside a Faubourg St Honoré showroom included lots of mini hot peppers and crosses pendants composed of emeralds. Though the highlight was a graphic modernist Art Deco cuff bracelet made in a zig zag lattice white diamonds and white gold, priced at $295,000. Founded in New York in 1980 by sculptor David Yurman, and his wife Sybil, a painter and ceramist, the house is best known for its haute artisanal and exceptional craftsmanship. Other Art Deco elements included Deco Emerald drop earrings priced at $850,000, or classily elegant Stax three row rings in yellow gold and diamonds that cost $35,000. Today, headed up by their son Evan, David Yurman collections are available online, in 51 boutiques across the United States, Canada, Hong Kong and France, and in over authorized fine jewelry retailers. Nature, always a key theme in jewelry, inspired a beautiful new range from Serendipity by Christine Chen. Playing on the idea of the "Secret Garden", Chen showed an evocative necklace where diamonds were almost woven like lace and paired with tanzanite recalling the lilies of Monet. Along with a series of delicate petal-shaped earrings in multi-colored sapphires, mounted on light-weight titanium, recalling the artist's garden at Giverny on a bright spring day. Chen's great skill is to blend east with west harmoniously, like in her designs inspired by the ginkgo, the long-lived dioecious tree known for producing very healthy supplements. Seen in her superb Gingko Dream series – such as a necklace with a golden leaves, engraved like a ginkgo, and completed with Colombian emeralds. Or an opal and golden pearl necklace, about which Chen liked to mention the ancient Chinese proverb: 'Springtime flowers are transformed into the fruits of autumn.' Presented inside a wing of the Musée Guimet, Paris' main museum of Asian art, the collection was entitled "Jardin du Reve" and was shown on dancers dressed like woodland spirts. 'I'd like Serendipity to be a bridge, beyond culture, connecting emotions and creating beautiful and rare encounters between people,' explained the very elegant Chen. One brand new name that also caught attention was Sahag Arslanian, from a third-generation family of diamond experts, with over 70 years of legacy rooted in Antwerp. And often billed as one of the top 10 diamond trading companies worldwide. The founder's grandson Sahag Arslanian officially launched his own first high jewellery collection in the Automobile Club de France. The jewelry was all about hyper flexibility with necklaces that sat ideally on collar bones. 'We've sourced diamonds from Russia to A to Z and all the way to Angola,' explained Sahag, who insisted that 'conflict diamonds are over, and everything we use today are RJC-certified. We were one of first people to do that.' Based on three key motifs - sphere, kite and zig zag - his radiant Grand Eclipse necklace is priced at $700,000. While a Sun Rays necklace in angular yellow and white gold with a central pear-cut stone costs €250,000. This 35-year-old Mandarin speaking alumni of Le Rosey, the world's most expensive boarding school, does not lack self-confidence. 'I believe our creations will maintain their price at auctions. Our concept is based on the duality between white and yellow gold. Our creations are made to be worn, not kept in a safe. Worn while you are not being sled conscious about the prize,' insisted Sahag.


Fashion Network
5 days ago
- Fashion Network
Half of UK women have Boots Advantage Card, many Britons save up points for Christmas spend
One in four Britons now carries a Boots Advantage Card and just how they're saving and spending their points comes to light in the heath & beauty giant's new study. First off, the majority of them start saving at least six months before redeeming their points and 40% of customers spend most of their points over the Christmas period. Top high-end beauty brand redeemed? Mostly anything by Dior. Boots said almost a quarter of the UK population (24%) and almost half of adult women (48%) now hold a Boots Advantage Card with 'millions of points accrued on shopping baskets each day'. Card members mostly spend their points twice a year, with the majority saving up their points for at least six months (74%). A smaller group of 'serial redeemers' (4%) choose to spend their points on average seven times a year on daily essentials such as tissues, bottled water, cotton face pads and cleansing wipes. This group includes 'value-savvy parents who redeem their points on baby items'. While half of Advantage Card members spend their points on daily essentials such as toiletries, hair, and medicines (50%), some 35% splurge on little luxuries like premium beauty. Boots said this year, over 80,000 customers spent their points on the No7 Future Renew range and 19,000 customers treated themselves to Dior make-up, skincare and perfumes. The top luxury items bought using over £50 of Boots Advantage Card points include: Dior Sauvage 60ml; Prada Paradoxe Eau de Parfum 30ml; YSL Libre 30ml; and Lancôme La Vie Est Belle Eau de Parfum 30ml. The top little luxuries bought using up to £30 of Boots Advantage Card points include: No7 Future Renew range (including Day/Night Cream and Eye Serum); La Roche Posay Cicaplast Baume; Olay super serum 30ml; L'Oréal Paris Revitalift; and Bubble Slam Dunk Moisturiser 50ml.