
Jurassic-era trees have grown in Tasmania for millions of years. Now they face their biggest threat: fire
The ecologist is just back from a rapid survey of the cost to ancient trees of the latest lightning-strike fires across the island's drying landscapes. Among the losses he found near the overland track, an alpine walking trail through central Tasmania, were groves of pencil pine.
'We saw a couple of stands that were quite severely burned,' says Leonard, from the Tasmanian National Parks and Wildlife Service. 'Others where the fires had taken out single trees.' This wizard-bearded scientist spoke the fears of many: that tree-by-tree natural antiquity is being consumed.
Only found in Tasmania, pencil pine dates back to the late Jurassic, 140 million years ago. It is from the small Athrotaxis genus, with King Billy pine and a third species that crosses between them called the Lax-leaf. If allowed, these trees can live a thousand years.
Unlike eucalypts, they are hypersensitive to fire; if burned around the trunk, they die. And Tasmania is in a new age of fire.
Pencil pine has an absorbingly varied character which reflects its landscape, shaped by wind, ice and snow. The bark is soft and yielding, its waxy leaves kind to running fingers.
I have seen it outlined at sundown, making a trail along a watercourse like a clan on a centuries-long journey. Marvelled on a mountain plateau where the trees' windward stems have been ice-stripped of bark, yet shelter stems of new life. And I've been held spellbound on a glacial shelf where a pine crawls up a boulder, live branchlets rising barely a hand's breadth above the rock.
I have imagined pencil pines sculptural groves offering permanence through generations of Palawa who have lived on the island for thousands of years, the shelter across riskier altitudes they would have offered. After invasion it was regarded as so 'remarkably handsome' that its first colonial name was pine of Olympus.
Woodlands of pencil pine are now rare. The tree persists in rock-guarded fortresses like the walls of Jerusalem and the labyrinth; a reminder of what once stood before wide-scale burning. Mostly now pencil pines live as remnants, finding just enough nourishment to huddle in fireproof boulder fields or to edge wet shorelines.
A century ago the poet Marie Pitt, who lived through bushfire on a mountain mining hamlet, wrote of people unleashing 'A gallop of fire':
I loose the horses, the wild, red horses
I loose the horses, the mad, red horses
And terror is on the land.
The burning was to clear Tasmanian land for access and prospecting, and later to encourage livestock grazing.
Pitt's words stand eerily today as a description of the red horses of global heating, which have brought lightning-started fires across whole Tasmanian landscapes in 2013, 2016, 2020, and now in 2025. These latest fires, now burning into a fifth week, are again exceeding our ability to protect these ancient trees.
A tree like Huon pine, renowned for its long-lasting scented timber, can more often be found today confined to pockets of landscape that are less likely to burn: south-facing hillsides, for example, sheltered from the predominant northerly wind-blown fires.
In his 21 February helicopter survey, Leonard flew west to the Harman River, where deep concern was held for a Huon pine stand that included a tree ring counted to 2,500 years of annual growth – not including its rotten centre, which might have held another 500 rings. Fire had burned to the edges of this stand in a steep river valley.
'It's a tall, single stem tree. It sticks up out of the canopy in the rainforest. It's a really nice looking tree. It was unharmed.' Other, big, Huon further downriver did burn, leaving a ghastly catalogue for Rob Blakers, a nature photographer, to record.
Touchstones from the deep past such as the Huon and pencil pines give each of us pause to contemplate our own temporary existence. I was drawn to these trees during my recovery from stage 4 metastatic lung cancer, our joint struggles for life an inspiration to me.
I have the medical breakthrough of immunotherapy to thank for my second life. Surely human ingenuity can be turned to protect this rich heritage of trees too.
On the afternoon of 3 February, 1,227 lightning strikes hit the ground in a sweep across the island. Nineteen fires lit up within hours in the north-west but one in the south of the state didn't. It stayed smouldering near Mount Picton for a few days, then burst into flame.
Within minutes its smoke was reported by a remote AI-trained camera set on a nearby mountaintop; a little swarm of Fire Boss water bombers flew out to it and began dumping. Helicopters followed and winched down remote area firefighters. Together they stopped the burn at a few hectares.
But this is just a hopeful sign. The 2025 fires have left a patchwork of burnt ground across 98,500 hectares of wild country.
Richard Dakin, the deputy incident controller with the National Parks and Wildlife Service, says the fire which took out the pencil pine near the overland track was nearly held back by Fire Bosses – fire fighting float planes – skimming water out of nearby Lake St Clair. Lakes and coastal bays are on the side of the ancients.
But Tasmania is an island in the southern ocean. Strong winds and cloud are usual, and the skimmers could not hold the fire's perimeter.
Instead, the fire headed north toward more rich flora, including a very old King Billy pine forest and – in the distance – Cradle Mountain itself. 'We had to throw everything at it,' Dakin sais.
NSW fire service large air tankers dropped a 2.5km fire-retardant line; water bombers campaigned from the lakes; and remote firefighters worked at arduous, grimy 'old-school' firefighting, flailing and digging at the perimeter. 'The combination of the three led to success,' Dakin says.
Their campaign rolls on, the full losses of the ancients yet to be tallied. But already we know for certain that after millions of years on Earth, and living only in Tasmania, these trees will need our help if they are to have a place in a heated future.
Andrew Darby is the author of The Ancients, published by Allen & Unwin and available now
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Metro
3 days ago
- Metro
The woolly mammoth and a 30ft sea cow could all soon be back from the dead
If all goes to plan, Ben Lamm's next Christmas card to his friends will be of him posing with a woolly mammoth and a dodo. Lamm, 43, is the billionaire entrepreneur who founded Colossal Biosciences, a genetic engineering company, in 2021. What the company hopes to do is certainly colossal – working to resurrect extinct species, a process called de-extinction. The idea, Lamm told Metro, came during a call about human-based biology with George Church, a biologist at Harvard Medical School. 'By the way, I'm working to bring back mammoths and other extinct species to reintroduce them back into the Arctic and regenerate the ecosystem. But I have to go now. Goodbye,' Lamm recalled of the call. 'I had just heard the greatest thing ever, and then the call was over. I stayed up all night reading articles and listening to interviews about all these things.' Scientists have long dreamed of reviving extinct species. But earlier this year, Colossal researchers helped bring the dire wolf, a giant, extinct species made famous by Game of Thrones, back from the dead. Kind of. Scientists salvaged DNA from the fossils of dire wolves and edited 20 of their genes into their closest living relatives, grey wolves. (Think Jurassic Park just without the maniacal computer-network engineer.) After creating embryos and implanting them in surrogates, three pups were born: Romulus, Remus, and Khaleesi. The pups, with their dense, pale coats, were the first successful case of de-extinction, Colossal said. SOUND ON. You're hearing the first howl of a dire wolf in over 10,000 years. Meet Romulus and Remus—the world's first de-extinct animals, born on October 1, dire wolf has been extinct for over 10,000 years. These two wolves were brought back from extinction using… — Colossal Biosciences® (@colossal) April 7, 2025 Now, Colossal wants to revive the woolly mammoth by giving elephants dense hair and thick fat, and reintroducing them to the Siberian tundra. Lamm said that his team are also 'exclusively focused' on two other extinct creatures: the Tasmanian tiger and the 12-foot-tall bird called Moa, though they haven't cracked how to insert edited genes into eggs yet. 'I'd personally love to bring back the Steller's sea cow,' Lamm said, referring to the extinct, 30-foot-long relative of the manatee, 'but there is nothing to gestate it in until we have artificial wombs working.' Inventing an undo button for extinction sounds like a sci-fi film, but Lamm's reasons for doing it are very much real. Many of the de-extinction candidates were eradicated by humans: The dodo was, well, as dead as a dodo by 1662 after people colonised Mauritius. The Tasmanian tiger was similarly wiped out after European settlers relentlessly hunted the striped marsupials in the 1800s, while the sea cow was wiped out by humans within 27 years of its discovery. Climate change threatens to make even more species vanish, and wildlife populations have already plummeted by 70%. 'Habitats around the planet are changing at a pace that is faster than evolution by natural selection can keep up,' explained Lamm. 'For many species, there is not enough time.' We're launching the Colossal Species Reintroduction Fund: $250K annually to help return missing and at-risk species to the wild. Rewilding restores ecosystems and helps prevent extinctions. This is one more step toward making extinction a thing of the past. — Colossal Biosciences® (@colossal) August 5, 2025 Is de-exctinction, with the power of pipettes and computers, possible? Experts told Metro they aren't so sure. For one, the dire wolves Colossal brought back can be better described as modified grey wolves, said Benjamin Tapon, a PhD student at Queen Mary's School of Biological and Behavioural Sciences. 'By any practical definition of a species, no animal that Colossal has genetically engineered so far is anywhere near the extinct animal they are trying to emulate,' he said. 'Colossal is doing the equivalent of rebuilding the Library of Alexandria by printing PDFs of a few books and adding them to the shelves of the local public library.' As much as dire wolves and grey wolves share 99.5% of their DNA code, Tapon said, people and bananas share 60% of genes. 'It's a bit like saying that Romeo and Juliet shares 99% of its words with 50 Shades of Grey, or a book in another language,' he added. Alex de Mendoza, a senior lecturer at Queen Mary's Centre for Epigenetics, said Game of Thrones and Colossal got a big thing wrong about the dire wolf – they probably weren't white. The wolves lived in arid conditions, not the tundra, de Mendoza said, so they were probably a red-ish brown, adding: 'The habitat they once roamed on is no longer here. 'Most species extinctions these days occur due to habitat loss. If we couldn't preserve their habitat while they were still alive, why should we bring them back?' Capon wonders whether developing the technology to resurrect long-dead creatures could make people less diligent at preventing extinction. 'If we bring them back, will they be zoo attractions?' he said. As controversial as de-extinction is, both Capon and de Mendoza understand where Lamm is coming from. Capon would love a pet dodo, 'just not enough to try to bring them back.' More Trending De Mendoza said he would de-extinct the Tasmanian tiger: 'It is so frustrating that this wonderful animal disappeared in the 1930s. 'I think there's still habitat for it to survive, as long as people don't kill it… That said, my hopes for seeing a Tasmanian tiger come back from extinction and not just a kangaroo with some stripes are rather low.' Lamm understands where his critics are coming from, too. Which animals Colossal hopes to de-extinct take into account whether they'd have a positive impact on the environment or help conservation efforts. 'If bringing back the species can also inspire the next generation,' he added, 'then that is just another bonus.' Get in touch with our news team by emailing us at webnews@ For more stories like this, check our news page. MORE: I went inside the Navy's secret battlespace barely anyone knows about MORE: I discovered the murky world of 'minor attracted people' – it's even more disturbing than you think MORE: Moment huge black bear is chased out of home by tiny Pomeranian dog


Scottish Sun
17-07-2025
- Scottish Sun
Remarkable glow in the dark creature captured on camera in the wild ‘for first time' as it lights up in a neon blue
Because the effect is invisible to the human eye, it has barely been studied. GLOWING REVIEW Remarkable glow in the dark creature captured on camera in the wild 'for first time' as it lights up in a neon blue Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) THE endangered Eastern Quoll has been caught on camera glowing a neon blue in its natural habitat for the first time. The creature might look unassuming at first, but Tasmanian photographer Ben Alldridge has captured it glowing in the bush. Sign up for Scottish Sun newsletter Sign up 2 Tasmanian photographer Ben Alldridge Credit: Instagram/benjaminalldridge The blue glowing effect is due to the animal's fur absorbing ultraviolet (UV) light and re-emitting visible colours, according to Alldridge. But because the effect is invisible to the human eye, it has barely been studied. It's a phenomenon known to occur in various mammals, including the Tasmanian devil and wombats. Although it has not been widely documented in the wild. "Where their fur is normally fawn or black, under certain wavelengths of light, they exhibit a process referred to as biofluorescence - like nature's version of a white shirt glowing at a disco," Alldridge told the Daily Mail. The snaps were taken on a camping trip last year, when Alldridge travelled to a remote area of Southwest Tasmania and was able to get close to a family of Eastern Quolls. Alldridge, a former marine biologist, has been studying biofluorescence for years, so he happened to have the right UV equipment to capture their biofluorescence. Why exactly some animals exhibit biofluorescence - or bioluminescence - is not fully understood. Although experts believe it's biological purpose is likely related to communication, camouflage, or mating - especially in low-light conditions. Many nocturnal animals can see UV light or have vision sensitive to blue and green wavelengths, so fluorescence might be a visual signal they can use while remaining less visible to predators. Watch as terrifying Devil Fish normally found in total darkness 6,000ft deep is filmed for FIRST time near hols island "I'd say it's likely a messaging or identifying system similar to our fingerprints, but that is wild speculation at best," he said. "For now we will just say they like to party." The remarkable photo is one of 12 finalists for the 2025 Beaker Street Science Photography Prize. Alldridge captured the image using specialised UV-sensitive techniques to see the Eastern Quoll turn from grey to a neon blue. He had previously captured images of the glowing marsupials at Bonorong Wildlife Sanctuary, but never in the wild. "This year's finalists really capture what Beaker Street is all about. Making science visible, beautiful and emotionally resonant," festival founder and executive director, Dr Margo Adler, said. "These photographs let us see the world differently, and in some cases, quite literally reveal things we've never seen before."


The Herald Scotland
09-07-2025
- The Herald Scotland
Extinct New Zealand bird latest species Colossal wants to bring back
"Why aren't you doing the moa, which is a thing that I really care about?" Jackson told USA TODAY he asked the genetics wizards at the company, referencing the species of flightless birds which were indigenous to New Zealand but went extinct about 600 years ago. "I mean, the Tasmanian tiger ... and the mammoth's great, and everything else, but the moa is the thing that I was really passionate about," Jackson said. "And they said, 'sure we'd love to do it'." What is a 'sprite'?: NASA astronaut captures rare phenomenon from 250 miles above Earth Evidence of Jackson's passion about the moa: over the past 20 years or so, the filmmaker and his partner Fran Walsh had amassed a collection of more than 300 moa bones. As Jackson learned more about Colossal - DNA in ancient dire wolf bones helped create a dire wolf genome - he could envision the possible de-extinction of the moa. "With the recent resurrection of the dire wolf, Colossal has also made real the possibility of bringing back lost species," Jackson said in a press release about the new project. An advisor on the moa project, Jackson helped involve the Ngai Tahu Research Centre at the University of Canterbury in Christchurch, New Zealand. The centre - established in 2011 to support education for the Ngai Tahu, the main Maori tribe of southern New Zealand - will direct the project, which also includes animal conservation efforts and the biobanking of other native species for preservation. "Every decision we make along the way in the research and the de-extinction is being led by them and governed and supported by them," said Ben Lamm, CEO and co-founder of Colossal, which is also creating a New Zealand subsidiary of the company. "It's been massively rewarding, because it also affords us the ability to get so much deeper in the culture in a way that we've never even done when we worked with other indigenous groups around the world." What animal is Colossal looking to bring back next? The South Island Giant Moa, so named because it was indigenous to New Zealand's south island. While there were nine distinct species of the wingless moa - including birds the size of turkeys - the South Island Giant Moa stood out, approaching 12 feet tall with its neck outstretched. Considered the world's tallest bird before it went extinct, "it's part of a family of large birds that once inhabited our ancestral tribal territories," said Kyle Davis, a Ngai Tahu archaeologist who has helped search for moa fossils as part of the project. The Giant Moa was "gigantic," weighing up to 250 kilograms (550 pounds), Paul Scofield, an moa expert and advisor on the project, told USA TODAY. "It was heavily covered in feathers from the head and even down the legs. It had really very massive feet, far more massive than any bird," said Stevens, the senior curator of natural history at Canterbury Museum, which has the world's largest collection of moa bones. A kick from the moa could be deadly, according to Encyclopedia Britannica, which noted the moa fed on seeds, fruits, leaves, and grasses, and laid one large egg of up to 7 inches in diameter. Experts say there were about 150,000 of the tall birds when the Polynesian settlers came to south New Zealand. Within about 150 years, they were extinct, said Mike Stevens, the director of the Ngai Tahu Research Centre, in the press release. "During the fourteenth and fifteenth centuries, moa provided meat for sustenance, and bones and feathers for tools and decoration," especially in Te Wahipounamu (the official Maori name for southwest New Zealand), he said. The Giant Moa remains a symbol for the people of the south island and its potential resurrection fits within the country's many ongoing conservation efforts including the protection and resurgence of the kakapo, a flightless parrot. Research into de-extinction of the moa will likely shed light on New Zealand's ecological past. "It's really going to answer so many questions about prehistoric New Zealand," Scofield said. "Every single thing we discover about this amazing animal is really going to help flesh out what New Zealand was before humans arrived." So far, Colossal has created a genome of the tinamou, thought to be the closest living relative of the moa. While there's a lot of work ahead, Jackson envisions a natural environment for the Giant Moa to roam when it returns, he said in a promotional video about the project. "We're now at the point where being extinct isn't really the end of the story." Mike Snider is a reporter on USA TODAY's Trending team. You can follow him on Threads, Bluesky, X and email him at mikegsnider & @ & @mikesnider & msnider@ What's everyone talking about? Sign up for our trending newsletter to get the latest news of the day