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SBS Filipino Radio Program, Tuesday 17 June 2025

SBS Filipino Radio Program, Tuesday 17 June 2025

SBS Australia17-06-2025
As SBS continues to celebrate its 50th anniversary, let's get to know some of its loyal listeners on radio, social media, and the SBS Audio app and hear how the service has made a difference in their lives.
Refugee Week is currently being celebrated, and the Freedom Cup aims to bring together players from refugee backgrounds and government agencies.
For today's May Peraan episode, listen again to the story of a full-time government worker who runs an Airbnb side hustle. SBS Filipino
17/06/2025 42:33 📢 Where to Catch SBS Filipino
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Terence Stamp, veteran actor and star of iconic Aussie film, dead at 87
Terence Stamp, veteran actor and star of iconic Aussie film, dead at 87

News.com.au

timean hour ago

  • News.com.au

Terence Stamp, veteran actor and star of iconic Aussie film, dead at 87

Veteran British actor Terence Stamp, who starred in one of the most beloved Australian films of all time, has died at the age of 87. A prolific star of the stage and screen who started his acting career in 1960, Stamp made a name for himself with a breakthrough performance in his 1962 movie debut Billy Budd, for which he earned an Oscar nomination. He was also known for his performances in blockbusters like the 1978 Superman movie and its sequel, and 1999's Star Wars: The Phantom Menace. But it was his groundbreaking performance as transgender woman Bernadette Bassenger in the 1994 Aussie smash Priscilla, Queen of the Desert that endeared him to Australian audiences and reignited his acting career well into his 60s. Stamp was nominated for a BAFTA, an AFI Award and a Golden Globe for his moving performance in the cinema classic. The actor's family told news outlet Reuters that he died on Saturday. 'He leaves behind an extraordinary body of work, both as an actor and as a writer that will continue to touch and inspire people for years to come,' they said in a statement. 'We ask for privacy at this sad time.' Stamp's final screen role was in the 2021 film Last Night in Soho. Making such a splash at the start of the 60s with his debut film role, Stamp became one of the biggest stars of the time – thanks to his prolific work rate and also his relationship with model and fellow 60s icon Jean Shrimpton. He later confessed he struggled to find work after the decade ended. 'I was so closely identified with the 1960s that when that era ended, I was finished with it,' he once told French daily Liberation. Stamp married once, on New Year's Eve 2002. He was 64 and his 29-year-old Bride was an Australian-Singaporean woman named Elizabeth O'Rourke who he'd met in Bondi, Sydney. The couple divorced six years later.

It's book week! How costume libraries are helping make things easier
It's book week! How costume libraries are helping make things easier

ABC News

timean hour ago

  • ABC News

It's book week! How costume libraries are helping make things easier

It's book week, a time when many parents are scrambling for a Harry Potter wand, a witches' cauldron or a Cat in the Hat outfit. Book week is celebrating 80 years as a fixture of Australian school life. The week, including the costume parade, is all about lifting literacy and encouraging a love of reading. Some families relish the chance to dress their kids up as characters from a book. "I'm a big homemade costume lover," Jenna said. "We recycle boxes from my workplace and make the best creations. The kids love seeing them come together at the end." For others, the week can stir up mixed feelings. "Book week was always a challenge for me as a single mum with seven kids and limited funds," Gaye said. Ebony, Andrew and their kids are big on book week. "I think it's just a really nice opportunity to get together as a family and create some fun, happy memories," Ebony said. The family has created realistic trucks, dirt bikes and space suits. "When my son Ryder was in prep … he really wanted a Kenny the Kenworth truck from the Kenny the Kenworth books," said Ebony. Dad Andrew got busy researching. "He definitely did it justice and pretty much created an exact replica in a very small version that Ryder was able to strap onto his shoulders and walk into school with working lights an operational horn and the whole shebang," she said. These days the whole family gets involved, spending hours putting together costumes for book week. "I think every costume every year that we've ever built really consists of a brand new cardboard box … and a roll of fabric or vinyl tape," she said. The family never loses sight of what book week is all about. "Book week is about inspiring young readers," Ebony said. At Kingston Primary School in Tasmania's south, a book week costume library is open for business in the days leading up to the book week parade. The costumes have been donated and come with a book to match. The idea for the costume library came about after Angela Briant attended a book week parade at her grandchild's school. "I thought this had to change. We have to do something more … so every child is included in book week." Over the past three years, Ms Briant and Tasmanian independent politician, David O'Byrne, have put together costume libraries for five schools. So far, close to 300 children have borrowed outfits. "Because it's so busy and cost-of-living pressures as well, but mainly to have every child included and them have agency so the child chooses the book and the costume that they want," Ms Briant said. Fiona Harms, the school's library manager, said the system helps those who simply don't have the time to make their own costume. "There are so many families that have difficulty with resourcing, be it time organising or whatever … so to have that opportunity for parents to be able to have the relief of the library is absolutely phenomenal," Ms Harms said. For schools without a costume library, parents have shared with the ABC some tips and tricks to get through book week. "Never underestimate the power of Pintrest, cardboard and a glue gun! Even op shops, and pulling pieces from [your] own wardrobe," Amber said. "My daughter is going as a black cat, so will be wearing black tights, long sleeve shirt, gloves, tutu and slippers. I made some car ears on a headband and will paint whiskers and a nose on her face for the day," Gianne said. "If I feel creative, I'll have a go at making a tail out of some stockings. "Most of the things can just be worn as part of regular outfits, or the whole costume could be used again for Halloween." "I've stopped worrying about going big with book week, and let my son decide what he wants to go as. It's usually so simple," one parent shared. "This year it's a soccer player and he already has the uniform! I know some families go all out, cardboard cut outs and clothes hangers, face paint and sparkles. But as long as your kid is excited about what they're wearing — who cares!" Jo Panckridge is the national board chair for the Children's Book Council of Australia. She said the book week parade didn't need to be high stress for parents. "The idea behind it being that children connect emotionally to a book or to a particular character and want to dress up and emulate them," Ms Panckridge said. She said book week shouldn't be a chore. "We have lots and lots of costumes on our YouTube channel that are simple costumes that have been made by children with adult supervision that look brilliant that really are just leftovers, craft scraps at home, things that they find in their wardrobe." Ms Panckridge said book week is all about celebrating books and Australian writers. "I would like to see it far more about reading, the love of reading, reading for pleasure and joining in creating this big youth culture where reading matters and reading is important."

Meg Washington — Gem
Meg Washington — Gem

ABC News

timean hour ago

  • ABC News

Meg Washington — Gem

Meg Washington has been thinking a lot about her role as a musician. Her new album Gem (which is Meg reversed) is the four-time ARIA winner's first album of original music since 2020's Batflowers , her last for a major label before going independent. In the past five years, she's released a full-length cover of The Killers' debut album Hot Fuss , continued being the voice of Bluey's teacher Calypso, and co-wrote How To Make Gravy , the film inspired by the iconic Paul Kelly song of the same name, directed by her husband, Nick Waterman. Those achievements would frame Washington as the picture of success, but those extra-curricular milestones also prompted her to ponder - as she told Zan Rowe for Take 5: "Why make music in capitalism? Especially when it's no longer your only gig?" The answer? Because it's in her nature. A moving revelation that is the beating heart of Gem . ' I do it because I love it' Washington sings on 'Natural Beauty', the album's sweeping, soul-baring centrepiece. As the piano-led ballad reaches its climax, strings and classical guitar rise around Washington's stirring declaration: 'I just want to live for something more than money / If that's all that there is Then I just want to sing / And I'll do that for free…' Enveloped by the grey grind of domesticity, commercialism, and a bleak 24hr news cycle, music is the essential, expressive constant Washington desires. It's deeply ingrained and it refuses to be silenced. Despite being the album's lyrical manifesto, 'Natural Beauty' is something of a sonic outlier on Gem , which its creator has described as a conceptual 'tropical fantasy beach world' to escape to. Working closely with producer Ben Edgar (whose credits include Dope Lemon, Matt Corby, and Angus & Julia Stone), Washington establishes a balmy, shimmering soundscape right form the opening title track. Running at a quality over quantity length of nine tracks over 34 minutes, these are songs that soothe and swoon. Washington sounds more relaxed than ever, her words typically more poetically abstract than autobiographical, among arrangements that focus more on live instrumentation. 'The Sound of the Feeling' features gentle guitar plucks and percussion, synth washes and resonant tom drums, all gently buzzing with life — like the comforting chatter of insects at night. Steamy stand-out 'Shangri La' evokes an expansive coastal paradise with its gently trotting Spaghetti Western guitars (a la Hermanos Gutiérrez), glazed harp dancing across the sparkling vista as Washington sings sensually about nature. That mood is perfectly captured in the music video (directed, naturally, by Waterman). 'Kidding' picks up on the same vibe, offering a series of optimistic self-affirmations over a bubbling synth-and-beat-driven refrain: ' I believe in the future/I am strong'. Fittingly, 'Starlife' is all spacey guitars and cosmic, swooning melodies, before returning back to earth — and a cosy hammock — for 'Honeysuckle Island'. The track's slow, laidback strumming eventually reaches a dramatic peak of strings and dramatic timpani roll as Washington romantically captures how creativity is her utopia. 'Golden Orb Blues' is a jaunty ode to self-commitment that features a spoken-word decree from US troubadour Kevin Morby on the importance of individual artistic expression. "It is not yours to determine how good it is, or how it compares to other expressions. It is your business to keep the channel open!" he intones like a spiritual guru; the latter phrase repeated like a mantra. The closing track is 'Fine', which was first sung by Brendan Maclean and a prison choir in the How To Make Gravy movie. The Gem version is a calm duet with the Gravy Many himself, Paul Kelly, their voices dovetailing over mellow guitars into an optimistic parting note. 'I'm the reason that I sing / I've been looking at the future and everything's gonna be fine'. Any sense of existential angst Washington might've felt going into making her fifth album is quietly dissolved by its resolution. "[Gem is] about finding something very precious within yourself and refusing to give it up," Washington says. "Insisting on art. Insisting on beauty." It seems simple really. And as long as she keeps singing songs that insist on those principles, Meg Washington should find an attentive audience who desire hearing them.

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