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‘I love England so much': From TV to pop, film to fashion, the UK is enjoying a cultural resurgence

‘I love England so much': From TV to pop, film to fashion, the UK is enjoying a cultural resurgence

The Guardian19-07-2025
In the opening episode of Lena Dunham's Netflix show Too Much, a heartbroken New Yorker moves to London to live out her fantasy of British life and love stories. Jess is quickly swept up in her feelings for an indie musician, dreamily referring to him as 'My Mr Darcy, my Rochester, my Alan Rickman'.
Produced by the team behind Bridget Jones, Notting Hill and Love Actually, the show was inspired by Dunham's own move to London in 2021.
But the wholehearted embrace of the UK by a quintessential New Yorker – 'I loved Jane Austen, I loved Charlotte Brontë … I was one of those little anglophile kids' – reflects a wider cultural pivot.
Three decades on from Cool Britannia, cultural commentators say we are in the throes of a 'Brit-culture renaissance': British men are once again a romantic ideal, Oasis are back together, 'Britishcore' became a viral social media trend and Jane Austen is getting more reboots than Marvel comic books. 'Cool Britannia is back!' Tatler declared, as it dedicated its new August cover to the offspring of Britpop stars.
'Youth culture today is more visually and sonically proud of its Britishness than it's been in decades,' said Luke Hodson, the founder of Nerds Collective, a youth marketing agency. 'The UK's global output is hitting differently right now.'
This summer, thousands watched Olivia Rodrigo profess her love for all things British during her headline set at Glastonbury. 'I love England so much. I love how nobody judges you for having a pint at noon. I love English sweets, all the sweets from M&S, Colin the Caterpillar specifically,' said the pop star, dressed in union flag shorts. 'I have had three sticky toffee puddings since coming to Glastonbury. And as luck would have it, I love English boys,' she added, referencing her beau Louis Partridge.
Over the past year, Google searches for 'British men' have increased by 21%, while Americans have been writing of their preference for dating Britons. Even though Taylor Swift has traded Hampstead Heath for Americana (and wrote So Long, London to mark the end of years spent in the company of British people), other high-profile transatlantic relationships are spotlighting UK-US links: Tom Holland and Zendaya are regularly spotted in New Malden's Waitrose; Andrew Garfield took Monica Barbaro to Wimbledon.
Are we Britons confirming our own bias? Maybe not. Fresh on the tail of Too Much, Netflix's My Oxford Year is yet another series about an American student falling in love among the city's dreaming spires.
But there may be something more here than just a transatlantic love-in. The UK's resurgent pop culture moment has coincided with a 1990s renaissance that has swept across music, film and fashion.
Call it Cool Britannia 25. Its potency, according to Hodson, lies in its blend of 90s national pride mixed with a celebration of a more inclusive and globally resonant British identity.
'This isn't a repeat of Cool Britannia as we knew it,' Hodson said. 'This is a redefined moment, powered by a more diverse and globally connected Britain. Back then, it was Blur, Oasis, the Spice Girls – iconic, sure, but also largely monocultural. Today's wave feels less like a marketing push and more like an organic reclamation of British identity by the communities who were historically left out of the narrative.'
Hodson referenced Stormzy wearing a union flag bulletproof vest designed by Banksy at Glastonbury in 2019, AJ Tracey wrapped in the union flag for Dork magazine, Central Cee performing in British flag graphics and streetwear brands such as Lostboys and IDA incorporating the flag in their designs.
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'You've got kids in the US dressing like inner-city Londoners, using UK slang, mimicking Skepta. That used to be unimaginable,' he said.
Analysis shows that British slang words such as 'bonkers' and 'cheeky' are increasingly being adopted in the US, thanks to music and gen Z's liking for television shows including Love Island.
This has been expressed by megastars including Drake collaborating with British rappers and Charli xcx storming the world with her album Brat – a quintessentially London aesthetic that evoked turn of the century excess and rave culture.
Are the original Cool Britannia generation happy to see their little bit of history repeating? Not all of them believe it is.
Daniel Rachel, the bestselling author of Don't Look Back in Anger: The Rise & Fall of Cool Britannia, said 90s culture could not be easily separated from the sociopolitical circumstances of the time – including the after-effects of Thatcherism and a renewed national pride with the election of Tony Blair, who 'few people would measure Keir Starmer against'.
'The decade exploded because of the desperation and repression creative people felt and engineered into their work,' Rachel added. 'We may be living through a similar pattern of events, particularly with the troubling rise of rightwing rhetoric across the globe, but if Cool Britannia is to be repeated the seeds will not be found in glossy Netflix-commissioned sitcoms or attention-grabbing social media influencers.
'They will be bubbling in the underfunded, underpaid, backstreets of the UK where our country's greatest artists have always risen from.'
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My audience with Frankel — king of racehorses
My audience with Frankel — king of racehorses

Times

time13 minutes ago

  • Times

My audience with Frankel — king of racehorses

For racing fans, the name Frankel is the equivalent of the mythical Pegasus. But the unbeaten superstar of the sport, who was retired from the track in 2012 and is now 17, doesn't reside on Olympus. Instead he can be visited in his stable in Newmarket courtesy of Newmarket Tours. The bad news is that Frankel is only available to the public eight times a year — for a group limited to 24 — and tickets are snapped up faster than an Oasis reunion. For aficionados, this really is the hottest ticket in town. The legend of Frankel is for ever tied with that of his trainer, the late great Sir Henry Cecil. Champion trainer ten times between 1976 and 1993, the charismatic Cecil's career had declined with the combination of a fallout with Sheikh Mohammed, two divorces (he married for a third time in 2008) and then a gradual physical decline caused by stomach cancer. From a peak of having about 200 horses in his care and for decades churning out over 100 winners a year, Cecil was down to about 50 and in 2005 he hit rock bottom with just 12 winners. The following year he was diagnosed with stomach cancer and, but for the staunch support of his leading owner, Prince Khalid Abdullah, he would surely have retired. Cecil had remained a darling of the racing public throughout, though, and it was Abdullah who provided Cecil with his greatest legacy when sending Frankel to his stables as an unraced two-year-old colt back in 2010. Frankel went on to win all 14 races he took part in, from 2010 to 2012, ten of them at the highest level, as he went from strength to strength while his once-dashing trainer looked ever more frail. Many believe that Frankel was all that kept Cecil going in his final years and the trainer finally succumbed to the illness in 2013, his life's work achieved. Those lucky enough to buy the golden Frankel tickets can still be a part of that great legacy. A half-day tour costs just £110, while a full-day version is £210. There are four of each a year. The full-day events start at 8am and are hosted by Cecil's widow, Lady Cecil, who both acts as your tour guide — adding her personal Frankel memories — and hosts a two-course lunch at the Bedford Lodge Hotel on the outskirts of town. The morning takes in a behind-the-scenes visit to Newmarket's Rowley Mile Course (the town also has the July Course), a visit to the gallops and a tour of a trainer's yard before lunch. It is a 2pm start for the half-day tour, meeting at the National Horseracing Museum in the middle of Newmarket. The tour bus is ageing but the journey times are short and the guides, with their years of experience in the sport, are brilliant. The former jockey Larry Bowden steered my bus and delivered a flawless commentary with a hint of a Suffolk accent. 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1000 Men and Me: The Bonnie Blue Story review – the troubling tale of sex with 1,057 men in 12 hours
1000 Men and Me: The Bonnie Blue Story review – the troubling tale of sex with 1,057 men in 12 hours

The Guardian

time2 hours ago

  • The Guardian

1000 Men and Me: The Bonnie Blue Story review – the troubling tale of sex with 1,057 men in 12 hours

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Sharon Osbourne's hidden tributes to late husband Ozzy at his emotional funeral procession
Sharon Osbourne's hidden tributes to late husband Ozzy at his emotional funeral procession

Daily Mail​

time2 hours ago

  • Daily Mail​

Sharon Osbourne's hidden tributes to late husband Ozzy at his emotional funeral procession

Sharon Osbourne paid a touching tribute to her late husband Ozzy as she led his emotional funeral procession on Wednesday. The Black Sabbath rocker died aged 76 on July 22 and his funeral cortege travelled through his hometown of Birmingham on Wednesday. His grief-stricken wife Sharon and children Jack, Kelly, Aimee and Louis led the parade and stopped at Black Sabbath Bridge to an outpouring of love from the crowd. Sharon, 72, paid a subtle tribute to her late husband during the ceremony as she wore Ozzy's ring around her neck. She was seen wearing the recognisable gold ring featuring a row of diamonds around her neck on a chain. The distinctive piece of jewellery is believed to be Ozzy's wedding band, and he has been seen wearing it on his ring finger in recent years. According to reports, Ozzy has been wearing the ring since their 2017 vow renewal - which took place 35 years after they originally tied the knot. 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Sharon led the procession with her children Jack, Aimee and Kelly and Ozzy's son Louis from his first marriage as they comforted each other amid their devastating grief. Thousands of people were pictured taking their places not only on Black Sabbath Bridge but along the city centre route along which his cortege travelled towards the Black Sabbath Bridge bench. Fans clapped and cheered chanting 'Ozzy, Ozzy, Ozzy' as the rock legend's hearse passed through the streets of Birmingham as Sharon watched on and brushed away tears. Describing Ozzy as a 'working class hero' who loved his city, the Lord Mayor of Birmingham said: 'I got to know him in the last few weeks when we gave him the freedom of the city and he was just so humble, so down to earth. He was a working class hero. 'I couldn't tell he was a rock star, he was just an ordinary guy, so caring. 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Ozzy took to the stage for his farewell concert at Villa Park stadium in his native Birmingham less than three weeks before his death - reuniting with his original Black Sabbath bandmates for the first time since 2005. More than 42,000 fans packed into the venue for the Back To The Beginning show, during which he told the crowd in his final speech: 'You've no idea how I feel - thank you from the bottom of my heart.' Fans clapped and cheered chanting 'Ozzy, Ozzy, Ozzy' as the rock legend's hearse passed through the streets of Birmingham as Sharon watched on and brushed away tears A message on screen then read: 'Thank you for everything, you guys are f***ing amazing. Birmingham Forever,' before the sky lit up with fireworks. He had told of it being his last performance due to his health, having opened up about his battle with Parkinson's in 2020. 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